DOCSLIB.ORG

Sagrada IBIZA SAGRADA

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sagrada IBIZA SAGRADA ibiza sagrada IBIZA SAGRADA with chords SONGS & MANTRAS • 2017 ibiza sagrada ibiza sagrada this book is dedicated to the family of eagle and condor * to The medicine bearers & music makers with Gratitude * May we all walk the path of love ibiza sagrada ibiza sagrada IBIZA SAGRADA with chords SONGS & MANTRAS 2nd edition • summer 2017 ibiza sagrada INDEX 2 Abuelo (adida, adide) 14 Aguila 50 All Related 9 ALMA CALMA 40 Amanecer 27 Angeles 105 Angels Of Light 26 Arcana Arcoiris 46 Arrow To The Sun e agua del amor 65 As I Wake in the Morning 1 Ayahuasca 73 Birthday song 43 Blessed we are c blossoming 85 Brasil Pandeiro 93 Caico 74 caminhando com Fe 76 Caminho das águas 19 Canta Pajarito 79 Canto de Oxum 80 Canto e Danço pra Curar 81 Canto pra Iemanjá 84 Cantos Pros Orixás 54 Child of the earth 86 Ciranda 5 Circle Round 91 Clube da Esquina 16 Colibri Dorado 24 Corazón es lo unico qué tengo 90 Cores ibiza sagrada 60 Cry Our Tears 35 CUÍDA LA VIDA 25 Danza del Amor 49 Diamonds & Demons 56 DUsk Until Daylight 61 Eagle and Condor 41 Eagle Man / Changing Woman 22b El inti sol 28 Fenix 31 Fuerza del Amor (Hayana ho) g gathering the flowers / forest 120 Govinda 3 Grandfather Sun 48 Grandmother Water 38 Guacamayo 116 GURU RAM DAS 123 guru sharanam 118 Hari Om Namah Shivaya 70 Heal this Land 71 Heartbeat 104 Here on this earth 119 Hey Ma Durga 8 Heyana 7 Hihani Waste 103 I Am Light 77 Jallalla 110 Jay Ma – Yopi Jay 96 kai kai kai 47 La Luna llena 58 Liberty 97 Life Gods 95 Lubanga 37 Lunita 55 Madre Tierra ibiza sagrada 88 Mamae Maria 87 Mariah 108 May all beings be happy 72 Morning Glow 59 Mystery of life 83 Na Agua do Mar 82 Na Beira do Mar 100 Namaste 22 nina salvage f mother 12 Oeaho 109 Om Namo / VEN Gran Espiritu 121 Om Namo Narmadev 122 Om Purnamadah 111 ONG KALI ONG NAMO 89 Orgasmo Divino 23 Pacha Mama Pachamaq d pavan guru 33 Paz in la tierra 63 Pray 39 Presencia 94 Quatro Cântaros 36 Quatro Vientos 102 Raise Your Voice - Circle 112 Ray Man Eh Bidh Jog Kamao 106 Remember 98 Ruaimoko 78 Rugido de Jaguar 30 Sacred Woman 21 Sagrada Familia 34 Sagrada Medicina 15 Sagrado Femenino 92 Sambinha Bom 113 Samrath Guru ibiza sagrada 75 Saudação 29 Shaman 117 Sharanam Ganesha 32 Voy por el camino de luz en la vidA 57 songbird 68 Spirit 45 Standing On One Side 42 Starwalker 107 Suddhosi Buddhosi 99 Tangaroa Whakamautai 67 The Hero’s Journey g the moment of creation h the prayer 52 The Spirit of Love 69 This Love 53 Those Days 13 TIERRA, TAN SÓLO 20 Todos Somos Medicina 64 Together we Roam 44 Treasures 11 Unci Maka / grandmother earth 17 Unión 18 Vamos Subiendo 114 Wah Yantee 115 WaHAY GUROO, WaHAY JEEO 6 Wakantanka 101 Waves of love 4 Where I Sit is Holy 66 White Buffalo Woman 51 You Guided Me 62 Your Mother 10 Yoweino b un nuevo horizonte ibiza sagrada SUGGESTED PERCUSSIONS DRUM SHAMANIC MARACAS MARACAS MARACAS MARACAS DRUM STRAIGHT DAIME DAIME DAIME 4/4 MARCH WALTZ mazurka 4/4 3/4 6/8 sonaja SHAKER caxixi caxixi no ICAROS 4/4 samba 6/8 percussion 2/4 2/4 these indicate the type of percussion and pattern most adapted to the songS as a SIMPLE indication, not a hard rule :) ibiza sagrada song tradition type ICONS INDEX MEDeCINE SONGS SANTO DAIME HYMNS UMBANDAime, yoruba, orixas HYMNS AND songS native brasilian songS bahjans & MANTRAS RAINBOW SONGS HEBREW SONGS VARIOUS SONGs X3 REPEATS 3/4 SIGNATURE Am KEY REPEAT chorus... Am A CAPELLA 125 original SONG TEMPO 125 + TEMPO SPEEDS UP q q 2 CAPO INDICATION EXAMPLE: A m 2 MEANS CAPO ON 2ND FRET, FINGERS PLAY A m , actual chord played is B m ORIG F original SONG KEY/capo - for reference only ORIG 2 a CHORDS positions INDEX is at the end of this book ibiza sagrada prayer thank you great spirit for your presence inside and all around us thank you pacha mama for the sacred ground we walk on thank you for giving us life and nurturing our bodies hear us calling from the heart guardians angels totem teachers be with each of us we pray for protection and guidance in all the seven directions and ask permission to the spirit of this land teach us to grow in harmony let the cleansing smoke of sacred herbs purify us and let feathers of eagles and condors carry our prayers to the heart of the great mystery grandfather sun grandmother moon starry beings bring us clarity of thought purity of feeling healing of our bodies power of the spirit ibiza sagrada let us sing for strength of wisdom in all nations let us pray today for the good of all tribes great forces and spirits of nature powers of earth, water, fire and air be with us we call to the ancestors may we always remember and honor your presence within us we give thanks for the gift of family the one we were born to and the one we adopted on our journey through life let our hearts, heads and hands bring peace joy and harmony and may all beings be filled by the spirit of compassion hear us your children guide our hands bless our hearts today and all days we are many but together we are one here and now mitakuye oyasin haux haux sat nam amen aho ibiza sagrada 1 Ayahuasca 1 Juan Carlos AREVALO CAGUASANGO Dm Ayahuasca cura guía B luzb de mi destino sana F7+ Am cierra mis heridas, limpia mi alma Ayahuasca da mi vida fortaleza de mis días guía me enseña me a perdonar B C Ayahuascab madre selva Dm Am soy tu niña en la tierra B C Dm iluminab siempre mi pensar Ayahuasca madre tierra limpia con tus luz mis penas mostrar el camino par andar Ayahuasca healing spirit light of my destiny, hear me heal all of my wounds, mends my heart Ayahuasca bring me life empower all my days guide me and teach me to forgive Ayahuasca mother spirit sun, it shines over the land enlighten forever my life Ayahuasca mother earth day by day is with your light show me the way to walk my life 4/4 70 Dm q ibiza sagrada F7+ cura pinta pacha mama B C Dm quitab sana pinta con tu canto C gm gm da me paz e lleva me a soñar cura pinta pacha mama quita sana cielo de esperanza e transforma a mi vida ah ah ah, Hey Hey hey Ayahuasca cura guía luz de mi destino sana cierra mis heridas, limpia mi alma Ayahuasca bring me life empower all my days guide me and teach me to forgive Ayahuasca madre selva soy tu niña en la tierra ilumina siempre mi pensar Ayahuasca mother earth day by day is with your light show me the way to walk my life cura pinta pacha mama quita sana turn me with your song bring me peace lift me out of the dream cura pinta pacha mama quita sana Sky full of hopes meets you my life of peace ah ah ah, Hey Hey hey ibiza sagrada 2 abuelo (adida, adide) 2 santiago andrade - drum song Bm D Desde lejos, desde lejos oigo A b m El canto enamorado de un pájaro Ese pájaro es mi abuelo Es mi abuelo que canta canta enamorado Canta canta canta Canta canta canta Canta canta canta Canta canta canta adida, adida adide adida, adida adida, adida adide adida, adida adide 4/4 96 b m q ibiza sagrada 3 Grandfather sun 3 MurrAy Kyle - drum song Grandfather sun Hey o Wahi ney o wanna Light of the world Hey o Wahi ney o wanna • Wanna Yo Wanna Heyo way ney o wanna yanna yo wanna hey o wahi ney way yo way grandmother moon Hey o Wahi ney o wanna guiding our way Hey o Wahi ney o wanna • Wanna Yo... pacha mama Hey o Wahi ney o wanna mother of all Hey o Wahi ney o wanna • Wanna Yo... pacha camac Hey o Wahi ney o wanna father of time Hey o Wahi ney o wanna • Wanna Yo... 4/4 115 Cm q ibiza sagrada 4 Where I sit is holy 4 Shaina Noll e m Where I sit is holy D Holy is the ground e m Forest, mountain river D e m Listen to the sound D b m e m Great Spirit circles all around me Who I am is holy Holy are we Body thought emotion Connecting you and me Great Spirit circles all around me What I do is holy Holy is my way Work and play together Celebrate the day Great spirit circles all around me 4/4 100 e m q ibiza sagrada ibiza sagrada 5 CIRCLE ROUND 5 MurrAy Kyle - drum song Heartbeat here call the wildfires home Circle round in a beacon from the places that you roam No more time to be burning out there on your own Now the flames a join as one and we can let it be known • That we warm by the fire as a beacon in this time We are born as a flame of hope that never dies X4 Ya whawh ahayeh ya hayeh aiyoh Circle round like a drum and we sing it from the sky On the wings of a feather listen for our calling cry Down through the ages and we sing it from the Earth On the song lines a dancing once again into this birth 4/4 112 F m q n ibiza sagrada • We are warm by the fire ..
Load more

Recommended publications
  • A Stylistic Study of Figurative Language in Katy Perry's
    A STYLISTIC STUDY OF FIGURATIVE LANGUAGE IN KATY PERRY’S SONG LYRICS FROM WITNESS ALBUM A Thesis Submitted to Faculty of Adab and Humanities In Partial Fulfillment of the Requirements for the Degree of Strata One Alfi Syahrina NIM. 11150260000086 ENGLISH LITERATURE DEPARTMENT FACULTY OF ADAB AND HUMANITIES UNIVERSITAS ISLAM NEGERI SYARIF HIDAYATULLAH JAKARTA 2019 ABSTRACT Alfi Syahrina, A Stylistic Study of Figurative Language in Katy Perry’s Song Lyrics from Witness Album. Thesis: English Literature Department, Faculty of Adab and Humanities, Universitas Islam Negeri Syarif Hidayatullah Jakarta, 2019. This research is aimed at taking comprehensive understanding regarding the type of figurative language within the song lyrics in Katy Perry’s Witness (2017) album to know what her perspectives about her country (USA) especially after the 2016 election. After understanding the type of figurative language, it is then related and connected to the idea of the author. The utilized theories in this research are stylistics by Geoffrey Leech and Mick Short and figurative language by Laurence Perrine. This study uses qualitative method and content analysis approach since the object of the analysis is formed as song lyrics. Adopting the Perrine’s theory of figurative language, it is discovered that there are only seven of twelve types of figurative language i.e. simile, metaphor, personification, metonymy, symbol, hyperbole, and irony. Metaphor mostly dominates in the song lyrics with its total eight times (29,63%) of occurrence. After finding the type of figurative language, the researcher relates the meaning of figurative language to the context in the data. Hence, it is discovered that the author’s political perspective and women empowerment in metaphor which dominates the type of figurative language.
    [Show full text]
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 2001, Tanglewood
    SEMI OIAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR • i DALE CHIHULY INSTALLATIONS AND SCULPTURE / "^ik \ *t HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 . ( 41 3.298.3044 www. holstenga I leries * Save up to 70% off retail everyday! Allen-Edmoi. Nick Hilton C Baccarat Brooks Brothers msSPiSNEff3svS^:-A Coach ' 1 'Jv Cole-Haan v2^o im&. Crabtree & Evelyn OB^ Dansk Dockers Outlet by Designs Escada Garnet Hill Giorgio Armani .*, . >; General Store Godiva Chocolatier Hickey-Freeman/ "' ft & */ Bobby Jones '.-[ J. Crew At Historic Manch Johnston & Murphy Jones New York Levi's Outlet by Designs Manchester Lion's Share Bakery Maidenform Designer Outlets Mikasa Movado Visit us online at stervermo OshKosh B'Gosh Overland iMrt Peruvian Connection Polo/Ralph Lauren Seiko The Company Store Timberland Tumi/Kipling Versace Company Store Yves Delorme JUh** ! for Palais Royal Phone (800) 955 SHOP WS »'" A *Wtev : s-:s. 54 <M 5 "J* "^^SShfcjiy ORIGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twentieth Season, 2000-2001 SYMPHONY HALL CENTENNIAL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson John F. Cogan, Jr. Edna S.
    [Show full text]
  • FOR IMMEDIATE RELEASE 202-903-1203 February 15, 2018 [email protected]
    Contact: Tatiana Moton FOR IMMEDIATE RELEASE 202-903-1203 February 15, 2018 [email protected] GLOBAL ICON MÝA RETURNS WITH BRAND NEW SINGLE CELEBRATING 20TH YEAR ANNIVERSARY MÝA ANNOUNCES THIRTEENTH ALBUM, ARRIVING 2018 Grammy-winning recording artist, Mýa, unveiled the release of her brand new single, from her highly anticipated upcoming 13th studio project. The global entertainer and humanitarian surprised eager fans by ushering in Valentine’s Day with a debut of her new music, once again breaking the mold with a sexy, sultry, soulful sound that is sparking scores of praise and raving fanfare. The new single, “You Got Me,” now available on all digital outlets worldwide, celebrates the 20th year anniversary of Mýa’s debut single, the Billboard chart- topping hit, “It’s All About Me,” featuring R&B singer, Sisqo. Released in 1998, it was the leading single on the self-titled, double platinum, debut album, Mýa, which would launch the then 18-year-old Mýa into the fabric of pop-culture. The celebrated singer, songwriter, producer, musician, dancer/choreographer, designer, actress, activist and philanthropist has electrified audiences over the years with world smash hits including, “It’s All About Me,” “Movin On,” “Ghetto Superstar,” “Take Me There,” “Case of the Ex,” “Best of Me,” “My Love Is Like Wo,” “Fallen” and more. Mýa’s impressive catalog of music includes her second double platinum album, Fear of Flying, released in 2000. In 2001, Mýa collaborated with Christina Aguilera, Lil’ Kim, P!nk and Missy Elliot on a remake of LaBelle’s “Lady Marmalade,” which is featured in Baz Luhrman’s “Moulin Rouge.” Selling over 5.5 million copies, it became the most successful airplay-only single in history, winning the Grammy Award for Best Pop Collaboration and garnering numerous awards.
    [Show full text]
  • ON TRANSLATING the POETRY of CATULLUS by Susan Mclean
    A publication of the American Philological Association Vol. 1 • Issue 2 • fall 2002 From the Editors REMEMBERING RHESUS by Margaret A. Brucia and Anne-Marie Lewis by C. W. Marshall uripides wrote a play called Rhesus, position in the world of myth. Hector, elcome to the second issue of Eand a play called Rhesus is found leader of the Trojan forces, sees the WAmphora. We were most gratified among the extant works of Euripi- opportunity for a night attack on the des. Nevertheless, scholars since antiq- Greek camp but is convinced first to by the response to the first issue, and we uity have doubted whether these two conduct reconnaissance (through the thank all those readers who wrote to share plays are the same, suggesting instead person of Dolon) and then to await rein- with us their enthusiasm for this new out- that the Rhesus we have is not Euripi- forcements (in the person of Rhesus). reach initiative and to tell us how much dean. This question of dubious author- Odysseus and Diomedes, aided by the they enjoyed the articles and reviews. ship has eclipsed many other potential goddess Athena, frustrate both of these Amphora is very much a communal project areas of interest concerning this play enterprises so that by morning, when and, as a result, it is too often sidelined the attack is to begin, the Trojans are and, as we move forward into our second in discussions of classical tragedy, when assured defeat. issue, we would like to thank those who it is discussed at all. George Kovacs For me, the most exciting part of the have been so helpful to us: Adam Blistein, wanted to see how the play would work performance happened out of sight of Executive Director of the American Philo- on stage and so offered to direct it to the audience.
    [Show full text]
  • Katy Perry's Witness
    CONCERTS Copyright Lighting &Sound America January 2018 http://www.lightingandsoundamerica.com/LSA.html 60 • January 2018 • Lighting &Sound America I Witne ss Katy Perry’s Witness: The Tour has all the grand gestures any good diva expects By: Sharon Stancavage The illumination of the flying star is controlled via 12 RC4 Wireless RC4Magic S3 2.4 SX DMXio-HG transceivers. n a l p a aty Perry’s Witness: The Tour is the result of a pen to paper and saying, ‘I want an eye on the screen, K d d long collaborative process. Perry takes a very because we’re about witnessing, and being a witness to o T k © : active role, gathering inspiration from fashion something’,” states Perry’s producer/lighting designer Baz s o t o shows, sculptures, theatre, opera, and other sources. “At Halpin, of Silent House Productions. Once Perry deter - h P l l A the end of all of those discussions, we had Katy taking mined the direction, scenic designer Es Devlin came back lightingandsoundamerica.com • December 2017 • 61 CONCERTS Marchwinski and Gnagey used the XYZ positioning feature in the grandMA2 for special focus positions. with sketches. Halpin adds: “Katy looked at it and said: leads to a stylized B stage. Halpin adds: “There is an ‘That’s what we want,’ and then we began the process of island stage that we call teardrop stage; it is a bit isolated, putting a show together.” Halpin asked longtime collabora - at stage right of center, about 30' from the main stage. It’s tors Ashley Evans and Antony Ginandjar, of the Squared used during the flying section.” It’s where Perry lands after Division, to come onboard as creative directors and chore - her journey—via a Tait Navigator controller automation ographers, completing the creative team.
    [Show full text]
  • Soundtrack and Garnering Accolades for Their Debut Album “Remind Me in Three Days.” Check out Our Exclusive Interview on Page 7
    Ver su s Entertainment & Culture at Vanderbilt DECEMBER 3—DECEMBER 9, 2008 VOL. 46, NO. 26 “Abstract Progressive” rapping duo The Knux are giving Vincent Chase his soundtrack and garnering accolades for their debut album “Remind Me in Three Days.” Check out our exclusive interview on page 7. We saw a lot of movies over break. We weigh in on which to see and … from which to fl ee. “808s and Heartbreaks” is really good. Hey, Kanye, hey. PLACES TO GO, PEOPLE TO SEE THURSDAY, DECEMBER 4 FRIDAY, DECEMBER 5 SATURDAY, DECEMBER 6 The Regulars Harley Allen Band — Station Inn Parachute Musical and KinderCastle with Noises Carols & Cocoa — Barnes and Noble, Cool THE RUTLEDGE The go-to joint for bluegrass in the Music City features Harley Allen, 10 — The Mercy Lounge and Cannery Ballroom Springs 410 Fourth Ave. S. 37201 Part of the Mercy Lounge’s Winter of Dreamz musical showcase, a well-known song writer who’s worked with Garth Brooks, Dierks Need to get into the Christmas spirit? The Battle Ground Academy 782-6858 Bentley and Gary Allan to name a few. Make sure to see this living Friday’s event showcases Parachute Musical and KinderCastle along Middle School Chorus will lead you in some of your favorite seasonal legend in action. ($10, 9 p.m.) with opener Noises 10. Head to the Mercy Lounge to enjoy some carols as you enjoy delicious hot chocolate. (Free, 11 a.m., 1701 MERCY LOUNGE/CANNERY live local music and $2.50 pints courtesy of Winter of Dreamz co- Mallory Lane, Brentwood) presenter Sweetwater 420.
    [Show full text]
  • Studies in Plains Indian Folklore
    STUDIES IN PLAINS INDIAN FOLKLORE BY ROBERT H. LOWIE UNIVERSITY OF CALIFORNIA PUBLICATIONS IN AMERICAN ARCHAEOLOGY AND ETHNOLOGY Volume 40, No. 1, pp. 1-28 UNIYERSITY OF CALIFORNIA PRESS BERKELEY AND LOS ANGELES 1942 UNIVERSITY OF CALIFORNIA PUBLICATIONS IN AmERICAN ARCHAEOLOGY AND ETHNOLOGY EDIToRtS: A. L. KROEBER, R. H. LowI, T. D. MOCOWN, R. L. OLSON Volume 40, No. 1, pp. 1-28 Submitted by editors September 4, 1940 Issued April 23, 1942 Price, 35 cents UNIVERSITY OF CALIFORNIA PRESS BERKELEY, CALIFORNI CAMBRIDGE UNIVERSITY PRESS LONDON, ENGLAND PRINTED IN THE UNITED STATES OF AMERICA STUDIES IN PLAINS INDIAN FOLKLORE BY ROBERT H. LOWIE INTRODUCTION IN THE SUMMER Of 1910 and 1911 I visited the Hidatsa and Mandan at Fort Berthold Reservation in North Dakota, my primary object being the study of their age societies for the American Museum of Natural History. During one of these sojourns I obtained from Wolf-chief the following version of the Grandson myth, Englished by Good-bird, which presents several points of theoretical interest. About twenty years later Professor Beckwith visited the same tribes, procuring a very full version of the story from Bear's-arm and some fragmentary data from Arthur Mandan.' In addition there are six pub- lished Crow versions,2 as well as two unpublished ones in my possession; the fullest of my variants has appeared in English and is now available in the original. The present purpose is not to present a complete comparative study, which would inevitably merge in a consideration of the Lodge Boy and Spring Boy cycle, and thence of the Twin myths of the New World, but rather to concen- trate on immediately relevant comparative material and, through it, gain light on the processes of differentiation.
    [Show full text]
  • U.S. Government Printing Office Style Manual, 2008
    U.S. Government Printing Offi ce Style Manual An official guide to the form and style of Federal Government printing 2008 PPreliminary-CD.inddreliminary-CD.indd i 33/4/09/4/09 110:18:040:18:04 AAMM Production and Distribution Notes Th is publication was typeset electronically using Helvetica and Minion Pro typefaces. It was printed using vegetable oil-based ink on recycled paper containing 30% post consumer waste. Th e GPO Style Manual will be distributed to libraries in the Federal Depository Library Program. To fi nd a depository library near you, please go to the Federal depository library directory at http://catalog.gpo.gov/fdlpdir/public.jsp. Th e electronic text of this publication is available for public use free of charge at http://www.gpoaccess.gov/stylemanual/index.html. Use of ISBN Prefi x Th is is the offi cial U.S. Government edition of this publication and is herein identifi ed to certify its authenticity. ISBN 978–0–16–081813–4 is for U.S. Government Printing Offi ce offi cial editions only. Th e Superintendent of Documents of the U.S. Government Printing Offi ce requests that any re- printed edition be labeled clearly as a copy of the authentic work, and that a new ISBN be assigned. For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512-1800; DC area (202) 512-1800 Fax: (202) 512-2104 Mail: Stop IDCC, Washington, DC 20402-0001 ISBN 978-0-16-081813-4 (CD) II PPreliminary-CD.inddreliminary-CD.indd iiii 33/4/09/4/09 110:18:050:18:05 AAMM THE UNITED STATES GOVERNMENT PRINTING OFFICE STYLE MANUAL IS PUBLISHED UNDER THE DIRECTION AND AUTHORITY OF THE PUBLIC PRINTER OF THE UNITED STATES Robert C.
    [Show full text]
  • Loses Office Space to Roller Rink
    ASMSU loses office space to Roller rink Exponent l\1la11aging Editor l\Iichelle Toliarslti Caught it1 Love T1ia11gle -With Hol(vwood Movie star Tim Roth and Communist leader Fidel Castro Cuban Arn1y on Alert ~:::mlllm'llfC'1~~....- 2-1602 Ahufu~ 24601 ij,,,. •:t.k 1J)onm~·J/ll • '' -l\hCBEltE TOK.\RSKJ;EXPO Er-1!\l\'1AC I 'C EDITOR, CO'l\ll"'ll T.D1 CO D\..,CFR '' This will change everything. (left) Expc Editors ga around th newly d1scovere1 Dictionary the Renrn Library. Although discovery occurred late to hel this year, publicat10 plans full implemen of the boc the Sprini 2004. (Ce Exponent Editor Ma Hibdon la asleep af1 spending minutes reading tt tome sho following discovery Exponent discovers dictionary for the first tim 8) r'\,T\STll l\IO :\11t110GR "Ill K-Z Besides. poncnt :\ews Editor ~1. l:\pom 111 /Ille rnati111111/ 11 nit r o t h e r ~Iiddlebrooks. ,he :::a1 A ;\ISP com­ the word;; are really poiz In an exciting revela­ mittees like unles,; you·re tr~·mg to tion thi;; week. the Expo11c11t film::; haYe mes:;age acros,,.;. editors made a ::,tartling dis­ been operat­ .. It·,_ ju,,t a bun cover~ that may greatly im­ ing for year;; stoopid worch an1• proYe the qualit) of the stu­ without a :\liddlebrook,, ,,,nd ... ,, dent new'-'paper as ,1 whole dictionan the point un!e,- \Oujus a dictionary. and they·n, ing- to wnte a stOr) or f .. You may not know done ju,;t ticle. but senCl' \\ l'n this... Exponent Editor fine ..
    [Show full text]
  • Jack Dejohnette's Drum Solo On
    NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • Whkend of July 7-8, 2007 Guest Host: Kelly Clarkson
    I 1'260 vt.~ DOlJI,...b"VARO ST'R Fl..OOR ~.AMA:-.. OAKS. <.:AWroiU'tA 9t4 0)-SJJ9 'TU.JtP'RO}.."E (&18) 3'174300 f:AX (818) 3 77-$3)} \o\....,.. lllap www p.·~:nie.rc:r.~.di o,(;(lm AMERltP.N TOP 40 / WITH RYAN SE ~CH E ST Show Code: tro7-27 Show Date: WHkend of July 7-8, 2007 Guest Host: Kelly Clarkson Disc One/Hour One Openitlg 6w.:Joan::s :05 lifetimeiRyan 4 Seg.l Content #40 "IRREPLACEABLE"- Beyonce #39 "THE WAY I LIVE"- Baby Boy Da Prince #38 "POP, LOCK & DROP IT"- Huey Break Out: "SHUT UP AND DRIVE" - Rihanna Comm~ :30 Ufetime/Ryan 4 :30 Check 'N' Go :60 Benadryl Base Outcue: • ... OTC allergy medcones: Segmerrtti.-w: "li:SO Local Brea 2.1)(; Seg.2 Content: ;::> -c_.::-m:s ~-G.- c...ss -...roa ;:36 ":,..,.:.-rGOESARO\......... · - ....-.: -~ i;;5 - -.!: G~- E~ - 3orS .JIIJ! Grls INSERT LOCAL iO :04 #34 "GET IT SHAWTY" - Ltoyd featunng Y~M~g Joe Cc nmerda!s: :30 ABC Fam:ly/G:~c ~--::. - - :3() GM Corporate/DJ :30 WalmarVGriUin :3() Lifetime 'Ryan 4 Outcue: • ~ "" u'&...,., • Segm<mt time: 17:35 Local 3.-eal< 2:00 Seg. 3 Content #33 'ROC-<5"" AA'- NO e.::ac. #32 'tAS- \ IGir. - Doody 1e3tunng Keyshia Colo ;;31 "THE V.AY ARE" - TomOaland f eaturing Ken Hilson Corr.mercials: :30 Michelln Tares :3() Fox/Ryan Seacro Outrue: " ... only on FOX • Segment time: 12:34 Local Break 1:00 Seg 4 -•This is on optional cut - Stations can opt to drop song f or local inventory".. Content: AT40 Extra: "DON'T LET ME G ET ME" - Pink Outcue: • ..
    [Show full text]