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ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
Living Blues 2021 Festival Guide
Compiled by Melanie Young Specific dates are provided where possible. However, some festivals had not set their 2021 dates at press time. Due to COVID-19, some dates are tentative. Please contact the festivals directly for the latest information. You can also view this list year-round at www.LivingBlues.com. Living Blues Festival Guide ALABAMA Foley BBQ & Blues Cook-Off March 13, 2021 Blues, Bikes & BBQ Festival Juneau Jazz & Classics Heritage Park TBA TBA Foley, Alabama Alabama International Dragway Juneau, Alaska 251.943.5590 2021Steele, Alabama 907.463.3378 www.foleybbqandblues.net www.bluesbikesbbqfestival.eventbrite.com jazzandclassics.org W.C. Handy Music Festival Johnny Shines Blues Festival Spenard Jazz Fest July 16-27, 2021 TBA TBA Florence, Alabama McAbee Activity Center Anchorage, Alaska 256.766.7642 Tuscaloosa, Alabama spenardjazzfest.org wchandymusicfestival.com 205.887.6859 23rd Annual Gulf Coast Ethnic & Heritage Jazz Black Belt Folk Roots Festival ARIZONA Festival TBA Chandler Jazz Festival July 30-August 1, 2021 Historic Greene County Courthouse Square Mobile, Alabama April 8-10, 2021 Eutaw, Alabama Chandler, Arizona 251.478.4027 205.372.0525 gcehjazzfest.org 480.782.2000 blackbeltfolkrootsfestival.weebly.com chandleraz.gov/special-events Spring Fling Cruise 2021 Alabama Blues Week October 3-10, 2021 Woodystock Blues Festival TBA May 8-9, 2021 Carnival Glory Cruise from New Orleans, Louisiana Tuscaloosa, Alabama to Montego Bay, Jamaica, Grand Cayman Islands, Davis Camp Park 205.752.6263 Bullhead City, Arizona and Cozumel, -
From Glyndebourne to Glastonbury: the Impact of British Music Festivals
An Arts and Humanities Research Council- funded literature review FROM GLYNDEBOURNE TO GLASTONBURY: THE IMPACT OF BRITISH MUSIC FESTIVALS Emma Webster and George McKay 1 CONTENTS EXECUTIVE 4 INTRODUCTION 6 THE IMPACT OF FESTIVALS: A SURVEY OF THE FIELD(S) 7 ECONOMY AND CHARITY SUMMARY 8 POLITICS AND POWER 10 TEMPORALITY AND TRANSFORMATION Festivals are at the heart of British music and at the heart 12 CREATIVITY: MUSIC of the British music industry. They form an essential part of AND MUSICIANS the worlds of rock, classical, folk and jazz, forming regularly 14 PLACE-MAKING AND TOURISM occurring pivot points around which musicians, audiences, 16 MEDIATION AND DISCOURSE and festival organisers plan their lives. 18 HEALTH AND WELL-BEING 19 ENVIRONMENT: Funded by the Arts and Humanities Research Council, the LOCAL AND GLOBAL purpose of this report is to chart and critically examine 20 THE IMPACT OF ACADEMIC available writing about the impact of British music festivals, RESEARCH ON MUSIC drawing on both academic and ‘grey’/cultural policy FESTIVALS literature in the field. The review presents research findings 21 RECOMMENDATIONS FOR under the headings of: FUTURE RESEARCH 22 APPENDIX 1. NOTE ON • economy and charity; METHODOLOGY • politics and power; 23 APPENDIX 2. ECONOMIC • temporality and transformation; IMPACT ASSESSMENTS • creativity: music and musicians; 26 APPENDIX 3. TABLE OF ECONOMIC IMPACT OF • place-making and tourism; MUSIC FESTIVALS BY UK • mediation and discourse; REGION IN 2014 • health and well-being; and 27 BIBLIOGRAPHY • environment: local and global. 31 ACKNOWLEDGEMENTS It concludes with observations on the impact of academic research on festivals as well as a set of recommendations for future research. -
The Travelin' Grampa
The Travelin’ Grampa Touring the U.S.A. without an automobile Focus on safe, fast, convenient, comfortable, cheap travel, via public transit. Music Festivals Supplement Vol. 10, No. 7, July 2017 Photo credit: Red Frog Events, Firefly Music Festival. Firefly Music Festival 2017 in Dover, Delaware, reached by DART #301 bus, is said to have attracted 90,000 fans. It’s time again to ride a bus, or train, to a music festival Dozens of multi-day music festivals beckon during summer 2017. Ranging from psychedelically spotlighted rock music events, where performers and audience both jump around and wave their hands into the air, to those where the audience sits quietly as a full-fledged symphony orchestra plays classical music, many, if not most, of them are readily reachable by public transportation. The following pages of this special Music Festival Supplement focus on popular jazz, rock and classical music festivals and how to get to them via public transportation. Getting particular attention is the Firefly Music Festival, a four-day rock music fest in Dover, Delaware, attended by Grampa, who rode there by SEPTA train and DART First State bus. Photo credit: Town of Vail, Colorado. Telluride Chamber Music Festival symphony orchestra performance at Sheridan Opera House, Telluride, Colo. 1 . The Travelin’ Grampa Music Festivals Supplement . Here are a few Summer 17 classical music festivals: Telluride Chamber Music Festival, Sheridan Opera House Telluride, Colo., Aug. 10-13, has since 1973 specialized in presenting high quality small-ensemble performances of classical music of such composers as Brahms, Dvořák and Mozart. Galloping Goose Transit, a free bus system, services riders in the Town of Telluride and adjoining San Miguel County communities. -
1990 Summer Festival Tour of Europe
1990 SUMMER FESTIVAL TOUR OF EUROPE JUNE 27 Reykjavik, Iceland Laugardalshöll 29 Roskilde, Denmark Roskilde Rock Festival, Dyrskuepladsen 30 Kalvøya, Sandvika, Norway Kalvøya-Festivalen JULY 1 Turku, Finland Ruisrock, Ruissalon Kansanpuisto 3 Hamburg, Germany Stadtpark 5 Berlin, Germany Internationales Congress Centrum 7 Torhout, Belgium Torhout-Werchter Rock Festival 8 Werchter, Belgium Torhout-Werchter Rock Festival 9 Montreux, Switzerland Montreux Jazz Festival, Casino de Montreuz Bob Dylan 1990: Summer Festival Tour of Europe 11210 Laugardalshöll Reykjavik, Iceland 27 June 1990 1. Subterranean Homesick Blues 2. Ballad Of A Thin Man 3. Stuck Inside Of Mobile With The Memphis Blues Again 4. Just Like A Woman 5. Masters Of War 6. Gotta Serve Somebody 7. It's Alright, Ma (I'm Only Bleeding) 8. It's All Over Now, Baby Blue 9. Girl From The North Country 10. A Hard Rain's A-Gonna Fall 11. Don't Think Twice, It's All Right 12. Everything Is Broken 13. Political World 14. All Along The Watchtower 15. Shooting Star 16. I Shall Be Released 17. Like A Rolling Stone — 18. Blowin' In The Wind 19. Highway 61 Revisited Concert # 202 of The Never-Ending Tour. First concert of the 1990 Summer Festival Tour Of Europe. 1990 concert # 32. Concert # 124 with the second Never-Ending Tour band: Bob Dylan (vocal & guitar), G. E. Smith (guitar), Tony Garnier (bass), Christopher Parker (drums). 7-11, 18 acoustic with the band. 2, 4, 8, 9, 11, 15, 18 Bob Dylan harmonica. 19 G.E. Smith (electric slide guitar). Note. First acoustic Hard Rain with the band. -
Woodstock: the Creation and Evolution of a Myth
UNLV Retrospective Theses & Dissertations 1-1-1994 Woodstock: The creation and evolution of a myth Jo Raelene Sorrell University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Sorrell, Jo Raelene, "Woodstock: The creation and evolution of a myth" (1994). UNLV Retrospective Theses & Dissertations. 394. http://dx.doi.org/10.25669/hbla-mq2i This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microhlm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. -
FROM GLYNDEBOURNE to GLASTONBURY: the IMPACT of BRITISH MUSIC FESTIVALS an Arts and Humanities Research Council-Funded Literature Review
FROM GLYNDEBOURNE TO GLASTONBURY: THE IMPACT OF BRITISH MUSIC FESTIVALS An Arts and Humanities Research Council-funded literature review ANNOTATED BIBLIOGRAPHY This research review, consisting of a 170-entry annotated bibliography, was produced as part of an AHRC Connected Communities programme project entitled ‘The Impact of Festivals’. It supports a report, ‘From Glyndebourne to Glastonbury: The Impact of British Music Festivals’, published by the Arts and Humanities Research Council, launched at Cheltenham Jazz Festival on 29th April 2016. Authors: Dr Emma Webster and Professor George McKay University of East Anglia February 2016 Author: AB Associates Ltd Year: 2003 Title: Social and Economic Impact Assessment of Shetland Music Reference Type: Report Location: Publisher: Scalloway: AB Associates Ltd Number of Pages/Page numbers: 104 Keywords: Shetland, economic impact, social impact, income, expenditure, tourism, employment, volunteers, folk music, SWOT URL: http://www.shetlandarts.org/images/2009/06/Social-and-Economic-Impact-Assesment- of-Shetland-Music-2003.pdf Date accessed: 17-Dec-15 Abstract: The main purpose of the study is to provide baseline data on the scale and nature of the music industry in 2002, to assess its economic and social impact, and to identify some of the key issues and opportunities facing the industry. Research Notes: The report estimates the economic impact of two Shetland music festivals as being £117,000 in 2002 (the Folk Festival, and Fiddle and Accordion Festival), and the time spent by voluntary helpers amounted to the equivalent of half a job over a year, i.e. 0.5 FTE. In addition, it is estimated that visitors to the Festivals spent a further £69,000 indirectly on accommodation, food, etc. -
ENTERPRISE | Thursday, February 27, 2020 OPINION When Did Your Rock Last Roll?
4A | POLK COUNTY ENTERPRISE | Thursday, February 27, 2020 OPINION When did your rock last roll? Like many Americans allergic to adulting, I often zone out on Facebook when I should be doing something more useful - like scooping the litter box or lecturing my children about Jase the dangers of Graves social media. Inevitably, I come across one of those surveys posted Poor, poor Mike by Facebook users who are probably planning to hack into my account and steal my I never thought I’d feel pet selfies. sorry for a billionaire - a MAKING I recently saw a survey that $60 billion billionaire. asks you to identify various SENSE rock concerts you’ve attended, But watching Mike By Michael Reagan Bloomberg getting beat up and since my teen years were in the Democrat debate in in the 1980’s, attending rock Vegas Wednesday night was apologizing than concerts was a rite of passage almost tragic. explaining how his policies that ranked right up there It was like watching a differ from his competitors. with cursing at your Rubik’s geopolitics on CNN than “Monsters of Rock” festival at Worst Concert old boxer who gets clocked He did get off a few Cube and sporting your first hang out with us, we’ve The Cotton Bowl in Dallas. early in Round 1 and then sarcastic quips. But fuzzstache. caught a few concerts on our Nothing against the The lineup featured such wobbles around the ring in apparently he was so afraid So hold on to your Hacky own over the past couple of R&B legend, but I only eardrum-slaying legends Sack, and let’s do this! a daze for the rest of the of stepping into a politically years. -
Danny Wimmer Presents 2021 Festival Calendar
Danny Wimmer Presents 2021 Festival Calendar: DWP Partners With Inkcarceration Music & Tattoo Festival For July 23-25 Event In Mansfield, OH Louder Than Life Set For September 23-26 With Newly Added Thursday Night Celebration In Louisville, KY Welcome To Rockville Expands To 4 Days And Shifts From Spring To November 11-14 In Daytona Beach, FL Previously Announced Aftershock Set For October 7-10 In Sacramento, CA, Almost Sold Out As the music industry looks to bring live events back to eager fans in 2021, leading independent live entertainment producer and promoter Danny Wimmer Presents is excited to announce its upcoming festival calendar for the year. The event lineup includes the return of fan favorites Louder Than Life and Welcome To Rockville, alongside the previously announced Aftershock, and new to the DWP family, Inkcarceration Music & Tattoo Festival. Louder Than Life, the largest rock festival in America, will take place September 23-26, 2021 at Highland Festival Grounds at KY Expo Center in Louisville, Kentucky and will be adding a Thursday night celebration event to kick off the weekend. All current pass holders will receive admission to the newly added Thursday night kickoff celebration for free. Welcome To Rockville will return with an expanded 4-day festival weekend that furthers its reputation as Florida’s biggest rock experience, and will move to a new weekend for 2021, November 11-14. Rockville will also have a new home, relocating to the Daytona International Speedway in Daytona Beach, Florida. Due to the festival date change from May to November, current Welcome To Rockville ticketholders will have the opportunity to request a refund or use their passes for the upcoming November festival. -
Wavy Gravy's Camp for Nostalgic Hippies
rgn wlll srRppt.louRmel tupso.q.y, ruly zz, rgggl fi'W aoy Gropy's C amp f or Nosfo lgic Hippie s Gravy (who was then known as Hugh Rom' went to one of those, either. Txil) We By SuslN G. I{nusER ney). These days, Peterprovides computer learned that the camp's spectacular sound securily for the federal government. No system was compliments of the Dead, and : Wtonville, Calif. wonder he likes to get remellowed every that whenever Mr. Gravy reverently men- - "Mommy, what did you do in the '60s?" summer. tloned "Jerry," he was referring to his late . Don't ask. I was boring. I never wore a There is a strict rule at Camp Win- friend and fellow ice cream flavor, Jerry flower in my hat, I didn't return to the narainbow against alcohol and recre- Garcla. land, I was never a hippie, and most em- ational drugs, so camp wasn't all that sim- One of my tepee mates, Susanna, had barassing of all, I wasn't at Woodstock. ilar to Woodstock. But we were expected to been a hippie photographer, chronicling . But in this 30th anniversary year of the get high. Daily classes were il cireus arts Grateful Dead concerts across the land. A famous rock festival, I did the next best such as stilt walking and trapeze. camper named Mary told me tepee living thing; I attended adult camp at Camp Win- Every morning at 8 a.m. the wide- was old hat to her, since she had lived in narainbow, directed by Woodstock legend, girthed Mr. -
The Enduring Appeal of Woodstock
sunday features SUNDAY, AUGUST 9, 2009 From left: People at New York City’s Port Authority bus station on their way to the Woodstock Music Festival on Friday. A crowd gathers around a fire during the original Woodstock Music Festival in August of 1969. Joe Cocker performs on the final day of the 1969 Woodstock Music Festival. PHOTOS: NY TIMES NEWS SERVICE The enduring appeal of Woodstock After the buzz wore off, the utopian communal aura of a Woodstock Nation gave way, almost immediately, to the reality of a Woodstock Market BY JON PARELES appeared at Woodstock — including Still, Woodstock gave virtually NY TIMES NEWS SERVICE, NEW YORK Jefferson Starship (playing Jefferson Air- everyone involved — ticket holders, aby boomers won’t let go of plane songs), Levon Helm from the Band, gatecrashers, musicians, doctors, the the Woodstock Festival. Why Tom Constanten from the Grateful Dead, police — a sense of shared humanity should we? It’s one of the few Ten Years After, Canned Heat and Coun- and cooperation. defining events of the late 1960s try Joe McDonald. It arrived at Bethel Trying to get through the weekend, Bthat had a clear happy ending. Woods precisely yesterday (Aug. 15). people played nice with one another, On Aug. 15 to Aug. 17, 1969, hundreds Unlike previous anniversaries in which was only sensible. Musicians of thousands of people, me among 1994 and 1999, however, there’s no big performed for the biggest audience of them, gathered in a lovely natural festival this year bearing the Woodstock their lives. Townspeople and the National amphitheater in Bethel (not Woodstock), name — reflecting, perhaps, the dismal Guard pitched in to keep people fed and New York. -
Revolution Rock Festival, Saturday, September 17
Revolution Rock Festival, Saturday, September 17 Outdoors At Foxwoods Resort Casino In Connecticut With Performances from Avenged Sevenfold, Slayer, Volbeat, Chevelle, Of Mice & Men, Anthrax, Ghost & More Specially Priced Presale Tickets On-Sale Wednesday, June 8 through Friday, June 10 AEG Live has announced yet another addition to their lineup of festivals, the Revolution Rock Festival --fueled by Monster Energy--set for Saturday, September 17 outdoors at Foxwoods Resort Casino in Mashantucket, CT . The powerful lineup for this new annual rock festival includes: Avenged Sevenfold, Slayer, Volbeat, Chevelle, Of Mice & Men, Anthrax, Ghost, Killswitch Engage, Sevendust, The Amity Affliction, KYNG, Nothing More, Twelve Foot Ninja, Crobot, and Devour The Day . “We’ve spent the better part of two years searching for the perfect location to create a festival that is just for the rabid rock fans of New England ,” says Joe Litvag , Executive Producer of Revolution Rock Festival for AEG Live . “After seeing the incredible property and amenities offered at Foxwoods Resort Casino, I knew we had finally found a home. It’s really easy to get to from just about anywhere in the region, and the fans can make a whole weekend out of it with a top-notch resort, golf, spa, shopping, great restaurants, and of course the gaming. Our hope is that Revolution Rock Festival will become an institution for rock fans of the Northeast and will be thought of as ‘New England’s rock festival’ for years to come!” “We are thrilled to be partnering with entertainment powerhouse AEG Live to bring the Revolution Rock Festiva l to Mashantucket and Foxwoods Resort Casino,” said Felix Rappaport , President and CEO of Foxwoods.