The Ancient Daoist Notion of “Inherited Burden” and Its Relevancy Today
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Web That Has No Weaver
THE WEB THAT HAS NO WEAVER Understanding Chinese Medicine “The Web That Has No Weaver opens the great door of understanding to the profoundness of Chinese medicine.” —People’s Daily, Beijing, China “The Web That Has No Weaver with its manifold merits … is a successful introduction to Chinese medicine. We recommend it to our colleagues in China.” —Chinese Journal of Integrated Traditional and Chinese Medicine, Beijing, China “Ted Kaptchuk’s book [has] something for practically everyone . Kaptchuk, himself an extraordinary combination of elements, is a thinker whose writing is more accessible than that of Joseph Needham or Manfred Porkert with no less scholarship. There is more here to think about, chew over, ponder or reflect upon than you are liable to find elsewhere. This may sound like a rave review: it is.” —Journal of Traditional Acupuncture “The Web That Has No Weaver is an encyclopedia of how to tell from the Eastern perspective ‘what is wrong.’” —Larry Dossey, author of Space, Time, and Medicine “Valuable as a compendium of traditional Chinese medical doctrine.” —Joseph Needham, author of Science and Civilization in China “The only approximation for authenticity is The Barefoot Doctor’s Manual, and this will take readers much further.” —The Kirkus Reviews “Kaptchuk has become a lyricist for the art of healing. And the more he tells us about traditional Chinese medicine, the more clearly we see the link between philosophy, art, and the physician’s craft.” —Houston Chronicle “Ted Kaptchuk’s book was inspirational in the development of my acupuncture practice and gave me a deep understanding of traditional Chinese medicine. -
Local Authority in the Han Dynasty: Focus on the Sanlao
Local Authority in the Han Dynasty: Focus on the Sanlao Jiandong CHEN 㱩ڎ暒 School of International Studies Faculty of Arts and Social Sciences University of Technology Sydney Australia A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy University of Technology Sydney Sydney, Australia 2018 Certificate of Original Authorship I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. This thesis is the result of a research candidature conducted with another University as part of a collaborative Doctoral degree. Production Note: Signature of Student: Signature removed prior to publication. Date: 30/10/2018 ii Acknowledgements The completion of the thesis would not have been possible without the help and support of many people. Firstly, I would like to express my sincere gratitude to my supervisor, Associate Professor Jingqing Yang for his continuous support during my PhD study. Many thanks for providing me with the opportunity to study at the University of Technology Sydney. His patience, motivation and immense knowledge guided me throughout the time of my research. I cannot imagine having a better supervisor and mentor for my PhD study. Besides my supervisor, I would like to thank the rest of my thesis committee: Associate Professor Chongyi Feng and Associate Professor Shirley Chan, for their insightful comments and encouragement; and also for their challenging questions which incited me to widen my research and view things from various perspectives. -
Transmission of Han Pictorial Motifs Into the Western Periphery: Fuxi and Nüwa in the Wei-Jin Mural Tombs in the Hexi Corridor*8
DOI: 10.4312/as.2019.7.2.47-86 47 Transmission of Han Pictorial Motifs into the Western Periphery: Fuxi and Nüwa in the Wei-Jin Mural Tombs in the Hexi Corridor*8 ∗∗ Nataša VAMPELJ SUHADOLNIK 9 Abstract This paper examines the ways in which Fuxi and Nüwa were depicted inside the mu- ral tombs of the Wei-Jin dynasties along the Hexi Corridor as compared to their Han counterparts from the Central Plains. Pursuing typological, stylistic, and iconographic approaches, it investigates how the western periphery inherited the knowledge of the divine pair and further discusses the transition of the iconographic and stylistic design of both deities from the Han (206 BCE–220 CE) to the Wei and Western Jin dynasties (220–316). Furthermore, examining the origins of the migrants on the basis of historical records, it also attempts to discuss the possible regional connections and migration from different parts of the Chinese central territory to the western periphery. On the basis of these approaches, it reveals that the depiction of Fuxi and Nüwa in Gansu area was modelled on the Shandong regional pattern and further evolved into a unique pattern formed by an iconographic conglomeration of all attributes and other physical characteristics. Accordingly, the Shandong region style not only spread to surrounding areas in the central Chinese territory but even to the more remote border regions, where it became the model for funerary art motifs. Key Words: Fuxi, Nüwa, the sun, the moon, a try square, a pair of compasses, Han Dynasty, Wei-Jin period, Shandong, migration Prenos slikovnih motivov na zahodno periferijo: Fuxi in Nüwa v grobnicah s poslikavo iz obdobja Wei Jin na območju prehoda Hexi Izvleček Pričujoči prispevek v primerjalni perspektivi obravnava upodobitev Fuxija in Nüwe v grobnicah s poslikavo iz časa dinastij Wei in Zahodni Jin (220–316) iz province Gansu * The author acknowledges the financial support of the Slovenian Research Agency (ARRS) in the framework of the research core funding Asian languages and Cultures (P6-0243). -
Debates on Political Meritocracy in China a Historical Perspective
SYMPOSIUM THE CHINA MODEL DEBATES ON POLITICAL MERITOCRACY IN CHINA A HISTORICAL PERSPECTIVE BY WANG PEI © 2017 – Philosophy and Public Issues (New Series), Vol. 7, No. 1 (2017): 53-71 Luiss University Press E-ISSN 2240-7987 | P-ISSN 1591-0660 ! [THIS PAGE INTENTIONALLY LEFT BLANK] THE CHINA MODEL Debates on Political Meritocracy in China A Historical Perspective Pei Wang n his satirical novel The rise of the meritocracy, Michael Young, suggests that political hierarchies in meritocratic regimes may I become frozen and undermine social mobility. Daniel Bell has argued against this position in his book The China Model.1 We will support and deepen this rebuttal from the perspective of the history of ancient Chinese political thought. In fact, every political hierarchy may become frozen; every society may face the problem of the decline of social mobility. However, the problem may not be the concrete political institutions but the weakness of human nature. Meritocracy is precisely the only treatment of such political bottlenecks, which had been proved repeatedly in the history of ancient Chinese political history. The debates about political meritocracy tend to reappear, with new iterations and interpretations, precisely when the old political hierarchies become ossified. Bell·s book should thus be viewed as the latest critical intervention. It is important to discuss the historical background to such debates. 1 Daniel Bell, The China Model: Political Meritocracy and the Limits of Democracy, Princeton University Press, 2015, pp. 111-112, pp. 125-135. © 2017 ² Philosophy and Public Issues (New Series), Vol. 7, No. 1 (2017): 53-71 Luiss University Press E-ISSN 2240-7987 | P-ISSN 1591-0660 Philosophy and Public Issues ² The China Model I The context for debates about political meritocracy 5HJDUGLQJ WKH ZRUG ´PHULWRFUDF\µ WKH ILUVW SDUW mereǀ ´HDUQµ LV IURP /DWLQ DQG WKH VHFRQG SDUW țȡȐIJȠȢ ´VWUHQJWK SRZHUµ LVIURP*UHHN7KHVHWZRSDUWVRIGLIIHUHQWRULJLQVZHUH put together by Michael Young to create an effect of political irony. -
The Old Master
INTRODUCTION Four main characteristics distinguish this book from other translations of Laozi. First, the base of my translation is the oldest existing edition of Laozi. It was excavated in 1973 from a tomb located in Mawangdui, the city of Changsha, Hunan Province of China, and is usually referred to as Text A of the Mawangdui Laozi because it is the older of the two texts of Laozi unearthed from it.1 Two facts prove that the text was written before 202 bce, when the first emperor of the Han dynasty began to rule over the entire China: it does not follow the naming taboo of the Han dynasty;2 its handwriting style is close to the seal script that was prevalent in the Qin dynasty (221–206 bce). Second, I have incorporated the recent archaeological discovery of Laozi-related documents, disentombed in 1993 in Jishan District’s tomb complex in the village of Guodian, near the city of Jingmen, Hubei Province of China. These documents include three bundles of bamboo slips written in the Chu script and contain passages related to the extant Laozi.3 Third, I have made extensive use of old commentaries on Laozi to provide the most comprehensive interpretations possible of each passage. Finally, I have examined myriad Chinese classic texts that are closely associated with the formation of Laozi, such as Zhuangzi, Lüshi Chunqiu (Spring and Autumn Annals of Mr. Lü), Han Feizi, and Huainanzi, to understand the intellectual and historical context of Laozi’s ideas. In addition to these characteristics, this book introduces several new interpretations of Laozi. -
Mythical Image of “Queen Mother of the West” and Metaphysical Concept of Chinese Jade Worship in Classic of Mountains and Seas
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 21, Issue11, Ver. 6 (Nov. 2016) PP 39-46 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Mythical Image of “Queen Mother of the West” and Metaphysical Concept of Chinese Jade Worship in Classic of Mountains and Seas Juan Wu1 (School of Foreign Language,Beijing Institute of Technology, China) Abstract: This paper focuses on the mythological image, the Queen Mother of the West in Classic of Mountains and Seas, to explore the hiding history and mental reality behind the fantastic literary images, to unveil the origin of jade worship, which plays an significant role in the 8000-year-old history of Eastern Asian jade culture, to elucidate the genetic mechanism of the jade worship budded in the Shang and Zhou dynasties, so that we can have an overview of the tremendous influence it has on Chinese civilization, and illustrate its psychological role in molding the national jade worship and promoting the economic value of jade business. Key words: Mythical Image, Mythological Concept, Jade Worship, Classic of Mountains and Seas I. WHITE JADE RING AND QUEEN MOTHER OF THE WEST As for the foundation and succession myths of early Chinese dynasties, Allan holds that “Ancient Chinese literature contains few myths in the traditional sense of stories of the supernatural but much history” (Allan, 1981: ix) and “history, as it appears in the major texts from the classical period of early China (fifth-first centuries B.C.),has come to function like myth” (Allan, 1981: 10). While “the problem of myth for Western philosophers is a problem of interpreting the meaning of myths and the phenomenon of myth-making” as Allan remarks, “the problem of myth for the sinologist is one of finding any myths to interpret and of explaining why there are so few.” (Allen, 1991: 19) To decode why white jade enjoys a prominent position in the Chinese culture, the underlying conceptual structure and unique culture genes should be investigated. -
Sketching out Portents Classification and Logic in the Monographs of Han Official Historiography
Sketching out Portents Classification and Logic in the Monographs of Han Official Historiography Grégoire Espesset In ancient China, portentology was a “science” in its own right, a specialised field of knowledge developed by rational individuals who endeavoured to fathom the concealed mechanisms at work beneath the spectacles of history and the world at large. This paper focuses on the nomenclature of portents (observed phenomena interpreted as auspicious or inauspicious signs) displayed in the chapters of the Han era official historiography known as the “monographs” – or “treatises” – on celestial phenomena and the Five Agents, examining the pre- and early imperial sources of this typology and its under- lying classificatory principles, and assessing how these matters have been dealt with by modern scholarship. In China as elsewhere in the ancient world, the lore of portents or prodigies – prognostication based on unusual phenomena interpreted as auspicious or, more often, inauspicious signs – has played an important role from the earliest times, mediated by a wide array of techniques, specialists, traditions and representations.1 This paper endeavours to shed some light on the Chinese official typology and nomenclature of portents during the Han 漢 era (206 BCE ‒ 220 CE) of the First Empire.2 Elaborating upon, and nuancing, previous work by B. J. Mansvelt Beck (The Treatises of Later Han, 1990), Aihe Wang (Cosmology and Political Culture in Early China, 2000) and David Pankenier (Astrology and Cosmology in Early China, 2013), it does not claim to change radically our general knowledge of the relevant primary sources. Its focus is on the portents classification displayed in the official historiography of the period under consideration and the underlying logic, if any, that informs this classification. -