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Debates on Political Meritocracy in China a Historical Perspective
SYMPOSIUM THE CHINA MODEL DEBATES ON POLITICAL MERITOCRACY IN CHINA A HISTORICAL PERSPECTIVE BY WANG PEI © 2017 – Philosophy and Public Issues (New Series), Vol. 7, No. 1 (2017): 53-71 Luiss University Press E-ISSN 2240-7987 | P-ISSN 1591-0660 ! [THIS PAGE INTENTIONALLY LEFT BLANK] THE CHINA MODEL Debates on Political Meritocracy in China A Historical Perspective Pei Wang n his satirical novel The rise of the meritocracy, Michael Young, suggests that political hierarchies in meritocratic regimes may I become frozen and undermine social mobility. Daniel Bell has argued against this position in his book The China Model.1 We will support and deepen this rebuttal from the perspective of the history of ancient Chinese political thought. In fact, every political hierarchy may become frozen; every society may face the problem of the decline of social mobility. However, the problem may not be the concrete political institutions but the weakness of human nature. Meritocracy is precisely the only treatment of such political bottlenecks, which had been proved repeatedly in the history of ancient Chinese political history. The debates about political meritocracy tend to reappear, with new iterations and interpretations, precisely when the old political hierarchies become ossified. Bell·s book should thus be viewed as the latest critical intervention. It is important to discuss the historical background to such debates. 1 Daniel Bell, The China Model: Political Meritocracy and the Limits of Democracy, Princeton University Press, 2015, pp. 111-112, pp. 125-135. © 2017 ² Philosophy and Public Issues (New Series), Vol. 7, No. 1 (2017): 53-71 Luiss University Press E-ISSN 2240-7987 | P-ISSN 1591-0660 Philosophy and Public Issues ² The China Model I The context for debates about political meritocracy 5HJDUGLQJ WKH ZRUG ´PHULWRFUDF\µ WKH ILUVW SDUW mereǀ ´HDUQµ LV IURP /DWLQ DQG WKH VHFRQG SDUW țȡȐIJȠȢ ´VWUHQJWK SRZHUµ LVIURP*UHHN7KHVHWZRSDUWVRIGLIIHUHQWRULJLQVZHUH put together by Michael Young to create an effect of political irony. -
The Old Master
INTRODUCTION Four main characteristics distinguish this book from other translations of Laozi. First, the base of my translation is the oldest existing edition of Laozi. It was excavated in 1973 from a tomb located in Mawangdui, the city of Changsha, Hunan Province of China, and is usually referred to as Text A of the Mawangdui Laozi because it is the older of the two texts of Laozi unearthed from it.1 Two facts prove that the text was written before 202 bce, when the first emperor of the Han dynasty began to rule over the entire China: it does not follow the naming taboo of the Han dynasty;2 its handwriting style is close to the seal script that was prevalent in the Qin dynasty (221–206 bce). Second, I have incorporated the recent archaeological discovery of Laozi-related documents, disentombed in 1993 in Jishan District’s tomb complex in the village of Guodian, near the city of Jingmen, Hubei Province of China. These documents include three bundles of bamboo slips written in the Chu script and contain passages related to the extant Laozi.3 Third, I have made extensive use of old commentaries on Laozi to provide the most comprehensive interpretations possible of each passage. Finally, I have examined myriad Chinese classic texts that are closely associated with the formation of Laozi, such as Zhuangzi, Lüshi Chunqiu (Spring and Autumn Annals of Mr. Lü), Han Feizi, and Huainanzi, to understand the intellectual and historical context of Laozi’s ideas. In addition to these characteristics, this book introduces several new interpretations of Laozi. -
Shi Ji (Historical Records) (Note 1)
Journal of Education and Culture Studies ISSN 2573-0401 (Print) ISSN 2573-041X (Online) Vol. 3, No. 1, 2019 www.scholink.org/ojs/index.php/jecs Original Paper World Dissemination and Influence of Chinese Historical Classic Shi Ji (Historical Records) (Note 1) Yang Tiantian1*, Zhang Jie2 & Ren Xiaofei3 1 School of Liberal Arts & Language and Culture Center, Jiangsu University, Jiangsu, P. R. China * Yang Tiantian, School of Liberal Arts & Language and Culture Center, Jiangsu University, Zhenjiang, Jiangsu, 212013, P. R. China Received: December 30, 2018 Accepted: January 11, 2019 Online Published: January 29, 2019 doi:10.22158/jecs.v3n1p1 URL: http://dx.doi.org/10.22158/jecs.v3n1p1 Abstract Shi Ji is the first biography history in China and the most influential historical masterpiece in Chinese history. In the past 2000 years, the cultural classic had exerted remarkable influence upon scholars all over the world, becoming the cultural heritage for all human civilizations. The richness of the relative research findings and significance to overseas scholars of ancient Chinese culture are prominent in numerous ancient codes and books. By literature study, we traced the historical impact of Shi Ji in East Asia, Europe and the United States, exploring its contribution to the human world civilization. It is found that, due to different research emphasis and cultural backgrounds, overseas scholars’ researches of Shi Ji have presented us with many different outcomes: translations and studies of Shi Ji in East Asia should be much earlier than those in Europe and America; related studies in East Asia were focused on interpretation and understanding of the text from its translation and annotation, whereas those in Europe and America showed more interests to the holistic study of the cultural background, the author as well as his life. -
Tilting Vessels and Collapsing Walls—On the Rhetorical Function Of
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenEdition Extrême-Orient Extrême-Occident 34 | 2012 Political Rhetoric in Early China Tilting Vessels and Collapsing Walls—On the Rhetorical Function of Anecdotes in Early Chinese Texts Vases qui basculent, murs qui s’effondrent — De la fonction rhétorique des anecdotes en Chine ancienne 欹器與壞城——論中國古代軼事文學的修辭功效 Paul van Els Electronic version URL: http://journals.openedition.org/extremeorient/259 DOI: 10.4000/extremeorient.259 ISSN: 2108-7105 Publisher Presses universitaires de Vincennes Printed version Date of publication: 1 November 2012 Number of pages: 141-166 ISBN: 978-2-84292-352-5 ISSN: 0754-5010 Electronic reference Paul van Els, « Tilting Vessels and Collapsing Walls—On the Rhetorical Function of Anecdotes in Early Chinese Texts », Extrême-Orient Extrême-Occident [Online], 34 | 2012, Online since 01 November 2015, connection on 01 May 2019. URL : http://journals.openedition.org/extremeorient/259 ; DOI : 10.4000/ extremeorient.259 © PUV Extrême-Orient, Extrême-Occident, 34 – 2012 Tilting Vessels and Collapsing Walls—On the Rhetorical Function of Anecdotes in Early Chinese Texts 1 Paul van Els Introduction Texts from early China (roughly: the irst half a millennium BCE) are teeming with anecdotes. They tell us what happened to a foolish farmer, an adulterous spouse, or other unnamed people, but more often they relate events involving actual historical persons, mentioned by name. Take, for instance, this anecdote about Duke Huan of Qi (7th c. BCE) and his wise wheelwright, as recorded in the book Master Zhuang (Zhuangzi): Duke Huan was reading a book in his hall when a wheelwright named Flat, who was chiseling a wheel in the courtyard below the hall, put aside his mallet and chisel, walked up to the duke and asked him: “That book you are reading, may I ask whose words it contains?” Duke Huan replied: “These are the words of sages.” “Are these sages still alive?” asked wheelwright Flat. -
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Advances in Social Science, Education and Humanities Research, volume 289 5th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2018) Emperor Wu of the Han Dynasty and the Jiao Di Opera Xiaotian Bai School of Liberal Arts Northwest Minzu University Lanzhou, China 730030 Abstract—The Jiao Di Opera originated from the Warring After the Spring and Autumn period, weak states were States and developed rapidly during the period of Emperor destroyed and entered into the warring States period. During Wu of Han. And the rapid development of Jiao Di Opera in the the Warring States period, the etiquette of martial arts was period of Emperor Wu of the Han Dynasty was closely related added, used for entertainment, and also for bragging. Qin to the thought of the Emperor. Jiao Di opera can be loved and took its name "Jiao Di", and the etiquette of the previous strongly advocated by Emperor Wu of Han, mainly because he king period was submerged in entertainment. … When the likes the magic of gods and spirits, and some of the content in Han Dynasty was founded, Liu Bang, the founding emperor, the drama is magical, which caters to Emperor’s ideological was wise and brave, generous and merciful, and the hero of demands. Of course, the development of Jiao Di Opera also the world. So he killed Xiang Yu and his rival Qin Dynasty. had something to do with the great success and the pretensions Liu Bang used the ideas of Xiao he and Cao Shen, the tactics of Emperor Wu of the Han Dynasty, and also with the national peace and the preferences of the people at that time. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced fromm icrofilm the master. UMI films the text directly firom the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be ft’om any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9218985 Spatialization in the ‘‘Shiji” Jian, Xiaobin, Ph.D. The Ohio State University, 1992 Copyright ©1992 by Jian, Xiaobin. All rights reserved. -
An Analysis of Chinese Talent Management Strategy: Emphasis on Cao Cao’S Competencies from the Records of the Three Kingdoms
AN ANALYSIS OF CHINESE TALENT MANAGEMENT STRATEGY: EMPHASIS ON CAO CAO’S COMPETENCIES FROM THE RECORDS OF THE THREE KINGDOMS LU KUICHENG A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HUMAN RESOURCE DEVELOPMENT DEPARTMENT OF INTERNATIONAL GRADUATE STUDIES IN HUMAN RESOURCE DEVELOPMENT FACULTY OF EDUCATION BURAPHA UNIVERSITY MAY 2018 COPYRIGHT OF BURAPHA UNIVERSITY ACKNOWLEDGEMENTS I wish to express my sincere gratitude to the many people who supported and helped me in the completion of this study. For my worthily principle advisor Associate Professor Dr.Chalong Tubsree, I send my heartfelt thanks for his patience and guidance in helping me. In the process of composing this paper, he gave me much academic and constructive advice, and helped me to correct my paper. Without his enlightening instruction, impressive kindness and patience, I could not have completed my thesis. His keen and vigorous academic observation enlightened me not only in this thesis but also in my future study. At the same time, I would like to express my appreciation to my Co-advisor, who gave me useful literature knowledge and information in this paper. She is Assist. Prof. Dr. Wilai Limthawaranun. I am very grateful for her patient guidance in the course of my thesis writing. Finally, I would like to thank the teachers who helped me during my entire study process in the International Graduate Studies Human Resource Development Center of Burapha University. Dr. Watunyoo Suwannaset, Dr. Chalermsri Chantarathong and Rattanasiri Khemraj in the IG-HRD office, thank you for taking care of me meticulously for the last three years. -
Competing Narratives of Female Martyrdom
FLESH AND STONE: COMPETING NARRATIVES OF FEMALE MARTYRDOM FROM LATE IMPERIAL TO CONTEMPORARY CHINA by XIAN WANG A DISSERTATION Presented to the Department of East Asian Languages and Literatures and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy March 2018 DISSERTATION APPROVAL PAGE Student: Xian Wang Title: Flesh and Stone: Competing Narratives of Female Martyrdom from Late Imperial to Contemporary China This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of East Asian Languages and Literatures by: Maram Epstein Chairperson Wendy Larson Core Member Roy Chan Core Member Bryna Goodman Institutional Representative and Sara D. Hodges Interim Vice Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded March 2018 ii © 2018 Xian Wang iii DISSERTATION ABSTRACT Xian Wang Doctor of Philosophy Department of East Asian Languages and Literatures March 2018 Title: Flesh and Stone: Competing Narratives of Female Martyrdom from Late Imperial to Contemporary China My dissertation focuses on the making of Chinese female martyrs to explore how representations serve as a strategy to either justify or question the normalization of the horrors of untimely death. It examines the narratives of female martyrdom in Chinese literature from late imperial to modern China in particular, explores the shift from female chaste martyrs to revolutionary female martyrs, and considers how the advocacy of female martyrdom shapes and problematizes state ideologies. Female martyrdom has been promoted in the process of the cultivation of loyalty throughout Chinese history. -
The Social Organization of Book Production in China During the Sung Dynasty
PRINTING AS AN AGENT OF SOCIAL STABILITY: THE SOCIAL ORGANIZATION OF BOOK PRODUCTION IN CHINA DURING THE SUNG DYNASTY by David Wei Ze M.Phil, Stirling University, UK, 1991 Dissertation submitted in partial fulfilment of the requirement for the degree of DOCTOR OF PHILOSOPHY in the School of Communication O David Wei Ze 1995 Simon Fraser University February 1995 All rights resewed. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL NAME David Ze DEGREE Ph.D. TITLE l'IIIN7'IN(; AS AN A(;ENrI' EXAMINING COMMITTEE: Chair Willi,im Ricli~irds PARTIAL, COPYRIGHT LICENSE 1 hcsehy grant to Simon Fr;rscr IJn~vcssitythe sight to lend my thesis. psc!ject or c~xtcrided essay (the title of which is shown hc.low) to users ofthc Simon Fsi~serClnivcss~ty Lihrasy, and to m;rkc p;u'tial or- single copies only i'os such users or in rcsp~isc.to a rcy~cstII'rom the lihsary ot' any otlics u~iivcssity.or other educational institut~on,on it\ own hcliali' or i'os one of' its user-s. I I'u~llics agr-ce that pcrrnission for niultiplc. copying ol'tliis tIiCsis 1.0s SCIIOIIISI~ 1x11-POSCS11i;ly he gsimteti hy nlc or the Dean ofGsnd11ate Studies. It is ~~ntlcsstoodthat copying 01. publication 01' this thesis for fi~ii~ncialpi11 shall not hc ;~llowcclwithout niy written permissio~i. ABSTRACT Through a case study of the history of printing in China during the Sung Dynasty (960- 1279), this dissertation explores the use and development of a communication technology and the social factors that influenced it. -
The Funerary Buddha: Material Culture and Religious Change In
THE FUNERARY BUDDHA: MATERIAL CULTURE AND RELIGIOUS CHANGE IN “THE INTRODUCTION OF BUDDHISM TO CHINA” by Margarita Angelica Delgado Creamer B.A. in Philosophy, Catholic University of Peru, Lima, 1996 M.A. in Religious Studies, Queen’s University, Kingston, 2008 Submitted to the Graduate Faculty of The Dietrich School of Arts & Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH The Dietrich School of Arts & Sciences This dissertation was presented by MARGARITA ANGELICA DELGADO CREAMER It was defended on March 30, 2016 and approved by Clark Chilson, PhD, Associate Professor Katheryn Linduff, PhD, Professor Adam Shear, PhD, Associate Professor Dissertation Advisor: Linda Penkower, PhD, Associate Professor ii Copyright © by Margarita Angelica Delgado Creamer 2016 iii THE FUNERARY BUDDHA: MATERIAL CULTURE AND RELIGIOUS CHANGE IN “THE INTRODUCTION OF BUDDHISM TO CHINA” Margarita Angelica Delgado Creamer, Ph.D. University of Pittsburgh, 2016 How could Buddhism gain initial acceptance in China? This question has long perplexed scholars of Chinese religions mainly on account of (1) the alleged deep ethnocentrism of Chinese civilization—that should have prevented the acceptance of a “barbarian” religion and god—and (2) the dearth of reliable relevant information for the period (first through fourth centuries CE). On the basis of the fragmentary textual sources available, the traditional narrative resolved the first problem by arguing that the initial misunderstanding or assimilation of Buddhism in terms of Daoism was pivotal in the initial acceptance of the foreign religion. The second problem has been partially ameliorated by the archaeological discovery in the last decades of dozens of objects bearing recognizably Buddhist motifs that have been dated to this period. -
Re-Study on Wei Hong and the “Preface of Mao Poetry”
Advances in Social Science, Education and Humanities Research, volume 416 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020) Re-Study on Wei Hong and the “Preface of Mao Poetry” Genhu Ye College of Literature and Journalism Sichuan University Chengdu, China 610065 Abstract—The author's question of "Preface of Mao Poetry" is a problem that scholars have argued for over a A. Wei Hong wrote the "Preface of Mao Poetry" thousand years. The relationship between Wei Hong and Wei Hong wrote the "Preface of Mao Poetry" and "Preface of Mao Poetry" is one of the cores of this problem. according to the "Post-Han Dynasty: the Biography of Rulin", There is a sentence of "the Literature of Queens" in the it was translated as below. Fuyang Han bamboo slips, which shows that before Wei Hong wrote "The Preface", "Mao Poetry" had the initial sentence. Wei Hong, who is called Jing Zhong among his friends, Wei Hong opposes to set the "Zuo's Spring and Autumn" as is from the East China Sea. When he was young, both he and the Chinese classical philology, and the preface related to "the Zheng Xing who came from south of the Yellow River, Commentary of Zuo" in "Preface of Mao Poetry" should not would like to read ancient scholarship written down in be written by Wei Hong. According to the statistics of the ancient writing. At that time, Xie Manqing from Jiujiang was simplified Chinese characters, it is judged that "the Biography good at "Mao Poetry" and explained "Mao Poetry". -
Society of Imperial Power: Reinterpreting China's “Feudal Society”
Journal of Chinese Humanities � (�0�5) �5-50 brill.com/joch Society of Imperial Power: Reinterpreting China’s “Feudal Society” Feng Tianyu Translated by Hou Pingping, Zhang Wenzhen Abstract To call the period from Qin Dynasty to Qing Dynasty a “feudal society” is a misrepre- sentation of China’s historical reality. The fengjian system only occupied a secondary position in Chinese society from the time of Qin. It was the system of prefectures and counties ( junxianzhi) that served as the cornerstone of the centralized power struc- ture. This system, together with the institution of selecting officials through the impe- rial examination, constituted the centralized bureaucracy that intentionally crippled the hereditary tradition and the localized aristocratic powers, and hence bolstered the unity of the empire. Feudalism in medieval Western Europe shares many similarities with that of China during the Shang and Zhou dynasties, but is quite different from the monarchical centralism since the time of Qin and Han. Categorizing the social form of the period from Qin to Qing as “feudal” makes the mistake of over-generalizing and distorting this concept. It runs counter to the original Chinese meaning of fengjian, and severely deviates from the western connotation of feudalism. Moreover, the decentralized feudalism in pre-Qin dynasties and the later centralized imperial system from Qin onwards influenced the generation and evolution of Chinese culture in vastly different ways. Keywords feudal – fengjian – imperial system * Feng Tianyu is Professor of History in the School of History, Wuhan University, Wuhan, China. E-mail: [email protected]. © koninklijke brill nv, leiden, ���5 | doi �0.��63/�35��34�-0�0�0003Downloaded from Brill.com09/27/2021 07:39:12PM via free access 26 feng For more than half a century on the Chinese mainland, the prevailing view on the social form of China from Qin (221-206 B.C.) to Qing (1644-1911 A.D.) is that it was a feudal society, similar to that of medieval Western Europe.