Important Information and Guidelines About the Use of Department of Defense Seals, Logos, Insignia, and Service Medals
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COAT-OF-ARMS and FLAG Act 209 of 1911 an ACT to Adopt and Prescribe the Design of a State Coat-Of-Arms and State Flag, and Their
COAT-OF-ARMS AND FLAG Act 209 of 1911 AN ACT to adopt and prescribe the design of a state coat-of-arms and state flag, and their use; to prohibit the use of the same for advertising purposes; to prescribe standards for the manufacture, sale, and display of certain flags of the United States and the state flag; and to prescribe the powers and duties of certain state agencies and officials. History: 1911, Act 209, Eff. Aug. 1, 1911;Am. 2012, Act 167, Imd. Eff. June 14, 2012. The People of the State of Michigan enact: 2.21 State coat-of-arms; adoption. Sec. 1. The device and inscriptions of the great seal of the state of Michigan, Anno Domini 1835, presented by Lewis Cass to the forthcoming state, through the constitutional convention and adopted June 2, 1835, and filed with the secretary of the territory, June 24, 1835, and illustrated by a seal with said device and inscriptions attached to a state document, bearing date 1838, and to the constitution of 1850 received and filed in the office of the secretary of state, August 15, 1850, and now on file in said office, omitting the legend "The great seal of the state of Michigan, Anno Domini 1835," is hereby adopted as the coat-of-arms of the state. History: 1911, Act 209, Eff. Aug. 1, 1911;CL 1915, 1098;CL 1929, 134;CL 1948, 2.21. Compiler's note: For constitutional provision as to great seal of the state of Michigan referred to in this section, see now Const. -
Visual Design & Branding Guidelines
Visual Design & Branding Guidelines For questions about this guide please contact: [email protected] Updated 06.03.15 Logo The Playworks logo is a key element and a valuable asset for our brand. The correct and consistent use of our logo enhances our brand recognition. Our logo consists of the Playworks mark and wordmark only. The goal of this document isn’t to stifle creativity. It’s to provide direction that will help us create materials that our audiences will come to recognize as ours. Minimum size: 1” wide VISUAL BRANDING GUIDELINES | PLAYWORKS | 2 Alternate versions Rounded square/rectangle: The logo can be rendered as a blue rounded square with the logo elements centered inside it in white. Minimum space between the edge of the shape and the wordmark should be at least x x x, where x is the height of the logotype. x = height of wordmark VISUAL BRANDING GUIDELINES | PLAYWORKS | 3 Logo white space x Give the logo room to breath and help it stand out. Never crowd the logo with other visual elements. x x The unit of measure, x, is the height of the wordmark. You must allow space one x wide around an imaginary box that fits around the logo. x x = height of wordmark VISUAL BRANDING GUIDELINES | PLAYWORKS | 4 Logo color I. PREFERRED: Bright Blue† - logomark Gray - wordmark Use this color scheme as the default choice. I. PREFERRED II. MONOTONE II. MONOTONE Bright Blue - all logo elements If you can only use one color, use the Bright Blue only. III. BLACK Black - all logo elements Use this when color option is unavailable or budget is a constraint. -
Theosophical Symbology Some Hints Towards Interpretation of the Symbolism of the Seal of the Society
Theosophical Siftings Theosophical Symbology Vol 3, No 4 Theosophical Symbology Some Hints Towards Interpretation of the Symbolism of the Seal of the Society by G.R.S. Mead, F.T.S. Reprinted from “Theosophical Siftings” Volume 3 The Theosophical Publishing Society, England "A combination and a form, indeed, Where every god did seem to set his seal, To give the world assurance of a MAN." As the question is often asked, What is the meaning of the Seal of the Society, it may not be unprofitable to attempt a rough outline of some of the infinite interpretations that can be discovered therein. When, however, we consider that the whole of our philosophical literature is but a small contribution to the unriddling of this collective enigma of the sphinx of all sciences, religions and philosophies, it will be seen that no more than the barest outlines can be sketched in a short paper. In the first place, we are told that to every symbol, glyph and emblem there are seven keys, or rather, that the key may be turned seven times, corresponding to all the septenaries in nature and in man. We might even suppose, by using the law of analogy, that each of the seven keys might be turned seven times. So that if we were to suggest that these keys may be named the physiological, astronomical, cosmic, psychic, intellectual and spiritual, of which divine interpretation is the master-key, we should still be on our guard lest we may have confounded some of the turnings with the keys themselves. -
U-Seal Teat Sealant Device Tel 800-821-5570 | Fax 816-224-3080 | [email protected] New Alcohol Swab Prior to Infusion with U-Seal
Each pail comes with Description: Teat Wipes! U-Seal™ is indicated as an aid in the prevention of new intramammary infections throughout the dry period by providing a malleable barrier in the teat canal. This results in a reduction in the incidence of clinical mastitis for the entire dry period by preventing bacteria from entering the teat canal. For Use On: Cattle Benefits: • Quick delivery • Accurate placement and an effective seal Internal teat sealants reduce • Delivers easy syringe-ability and superior in-teat performance risk of infection • Antibiotic-free Internal teat sealants perform the function of the keratin plug Dosage and Administration: • They form an effective seal After last milking at dry-off, clean and disinfect the teats with • They persist throughout the dry period an alcohol swab. Infuse the entire contents of one syringe of • They strip out easily U-Seal into each quarter by inserting the nozzle into the teat and applying gentle continuous pressure to the plunger until the • They are insoluble to milk and harmless to calves paste is expressed. Do not massage teat or udder following infusion. If an antibiotic is infused into the teat, the teat should be Studies show combining internal teat sealants with re-swabbed with a new alcohol swab prior to infusion with U-Seal. dry cow antibiotic therapy results in a significant See label for full Dosage and Administration. reduction in new mastitis infections compared to DCT alone 1, 2 • As much as 68% during the dry period1 Packaging: • 20% - 30% reduction in early lactation1 24 ct pail w/ 40 wipes, 6 pails/case UPC # 7-45801-12986-3 144 ct pail w/ 200 wipes, 1 pail/case UPC # 7-45801-12990-0 1. -
Proper Pump Selecton
Inside Front Cover Proper Pump Selecton Careful selection and installation of the correct Dragon Centrifugal Pump will result in a unit that will provide long- lasting and dependable service. Selecting a pump with excessive pressure capability means extra horsepower expense. Centrifugal pumps have much different horsepower input characteristics than positive displacement pumps. However, if the pressure requirements on the discharge side are indefinite, or if for some other reason the discharge pressure is much lower than expected, the pump will handle considerably more fluid and require more horsepower thanoriginally selected to drive the pump. A valve or flow restriction will then be required to increase the discharge pressure and reduce the horsepower needed to drive the pump. To assure proper pump selection, the following information is required: 1. Suction conditions: A. Size of suction piping B. Length of suction line C. Flooded suction (positive) D. Suction lift (negative) 2. Total discharge head required. 3. Rate of flow desired. 4. Type of driver desired and RPM (electric motor or engine) 5. Specific gravity or weight of fluid to be pumped. 6. Temperature of fluid. 7. Any information available as to the corrosiveness or abrasiveness of the fluid to be handled. Once this information is obtained it is used to calculate: GPM = Rate of flow desired HD. FT. = Total dynamic head SP. GR. = Specific gravity of fluid PUMP SIZE AND HORSEPOWER SELECTION FROM PERFORMANCE CURVES Using the desired GPM and head feet, find the pump size and speed by looking at the performance curves. Mark the desired operating point on the performance curve. -
Branding Guidelines
Branding Guidelines Company: POWERHANDZ Contents: 1.0 Introduction 2.0 The Logo Design 2.1 The Logo Usage 3.0 Color Scheme 4.0 Typography 5.0 Contact Details Date: June 2014 1.0 Introduction Overview The purpose of these guidelines is to explain the use of the new brand style and to reinforce consistent application of the visual elements in all communications. This includes publications, presentations, and all other marketing materials both online and offline. Guidelines on the use of the logo are included. 1.0 Introduction Branding Guidelines - June 2014 1. Your new “identity” Your identity is the face and personality presented to the global community. It’s as important as the products and services you provide. Your identity is the total effect of your logos, products, brand names, trademarks, advertising, brochures, and presentations— everything that represents you. Because the brand cannot be compromised, we’ve created this guide to provide all the pertinent specifications you need to maintain its integrity. The guidelines set in this document are not meant to inhibit, but to improve the creative process. By following these guidelines, the materials you create will represent your company cohesively to the outside world. 1.0 Introduction Branding Guidelines - June 2014 2. 2.0 The Logo Design The company logo is an important and valued graphic element and must be used consistently and appropriately, even minor variations will undermine and compromise the image of the branding. 2.0 The Logo Design Branding Guidelines - June 2014 3. Primary vertical logo - light background Primary vertical logo - dark background 2.0 The Logo Design Branding Guidelines - June 2014 4. -
Bishop Barron Blazon Texts
THE FORMAL BLAZON OF THE EPISCOPAL COAT OF ARMS OF ROBERT E. BARRON, S.T.D. D.D. K.H.S. TITULAR BISHOP OF MACRIANA IN MAURETANIA AUXILIARY TO THE METROPOLITAN OF LOS ANGELES PER PALE OR AND MURREY AN OPEN BOOK PROPER SURMOUNTED OF A CHI RHO OR AND ENFLAMED COUNTERCHANGED, ON A CHIEF WAVY AZURE A PAIR OF WINGS ELEVATED, DISPLAYED AND CONJOINED IN BASE OR CHARGED WITH A FLEUR-DE-LIS ARGENT AND FOR A MOTTO « NON NISI TE DOMINE » THE OFFICE OF AUXILIARY BISHOP The Office of Auxiliary, or Assistant, Bishop came into the Church around the sixth century. Before that time, only one bishop served within an ecclesial province as sole spiritual leader of that region. Those clerics who hold this dignity are properly entitled “Titular Bishops” whom the Holy See has simultaneously assigned to assist a local Ordinary in the exercise of his episcopal responsibilities. The term ‘Auxiliary’ refers to the supporting role that the titular bishop provides a residential bishop but in every way, auxiliaries embody the fullness of the episcopal dignity. Although the Church considers both Linus and Cletus to be the first auxiliary bishops, as Assistants to St. Peter in the See of Rome, the first mention of the actual term “auxiliary bishop” was made in a decree by Pope Leo X (1513‐1521) entitled de Cardinalibus Lateranses (sess. IX). In this decree, Leo confirms the need for clerics who enjoy the fullness of Holy Orders to assist the Cardinal‐Bishops of the Suburbicarian Sees of Ostia, Velletri‐Segni, Sabina‐Poggia‐ Mirteto, Albano, Palestrina, Porto‐Santo Rufina, and Frascati, all of which surround the Roman Diocese. -
Assessment of Options for Handling Full Unicode Character Encodings in MARC21 a Study for the Library of Congress
1 Assessment of Options for Handling Full Unicode Character Encodings in MARC21 A Study for the Library of Congress Part 1: New Scripts Jack Cain Senior Consultant Trylus Computing, Toronto 1 Purpose This assessment intends to study the issues and make recommendations on the possible expansion of the character set repertoire for bibliographic records in MARC21 format. 1.1 “Encoding Scheme” vs. “Repertoire” An encoding scheme contains codes by which characters are represented in computer memory. These codes are organized according to a certain methodology called an encoding scheme. The list of all characters so encoded is referred to as the “repertoire” of characters in the given encoding schemes. For example, ASCII is one encoding scheme, perhaps the one best known to the average non-technical person in North America. “A”, “B”, & “C” are three characters in the repertoire of this encoding scheme. These three characters are assigned encodings 41, 42 & 43 in ASCII (expressed here in hexadecimal). 1.2 MARC8 "MARC8" is the term commonly used to refer both to the encoding scheme and its repertoire as used in MARC records up to 1998. The ‘8’ refers to the fact that, unlike Unicode which is a multi-byte per character code set, the MARC8 encoding scheme is principally made up of multiple one byte tables in which each character is encoded using a single 8 bit byte. (It also includes the EACC set which actually uses fixed length 3 bytes per character.) (For details on MARC8 and its specifications see: http://www.loc.gov/marc/.) MARC8 was introduced around 1968 and was initially limited to essentially Latin script only. -
OPERAS-Design-Manual.Pdf
OPERAS | Logo Wordmark and Logo The OPERAS logo consists of a symbol logo with subline and a wordmark, which are used as a unit. The symbol consists of the opened capital letter “O” and is accentuated by a bracket, symbolizing the network/governing body. The letters are based on the font Utopia Std. The “open” letters symbolize the theme of “openness”. The OPERAS logo, depending on the use and size, can be used with or without subline minimal 6pt subline. The subline should not be smaller than 6pt. The logo can furthermore be used separately, e.g. as favicon. symbol OPERAS | Logo Wordmark and Logo The OPERAS logo can be used either with or without subline. There is a version of the logo that is completed by the ending -D (representing Design). The proportions and spacing, as well as the colour values of the logo and wordmark are not to be changed. OPERAS | Colours Red Purple OPERAS Colours The brand colours are red and purple. These colours are complemented by a pure black, which is used for the subline. A grey colour is used in the black-and-white version of the logo. Colour (printing) Colour (printing) CMYK 7/100/70/30 CMYK 50/90/0/40 Colour (web) Colour (web) sRGB 170/10/45 sRGB 105/35/ 100 Black Grey Colour (printing) Colour (printing) CMYK 0/0/0/100 CMYK 0/0/0/60 Colour (web) Colour (web) sRGB 0/0/0 sRGB 135/ 135 /135 OPERAS | Corporate Typeface Utopia Std Corporate Typeface Univers LT Pro The serif font Utopia Std and the sans serif Display font Univers LT Pro are combined for the corporate design. -
Department of the Secretary of State Maine Bureau of Motor Vehicles
Department of the Secretary of State Maine Bureau of Motor Vehicles VANITY PLATE INFORMATION AND INSTRUCTIONS Vanity plates are available for the following types of plates: Up to 7 characters – plus one dash or space Antique Auto, Combination, Commercial, Custom Vehicle, Hire, Motor Home, Passenger, Street Rod, Trailer, Wabanaki Up to 7 characters – includes space or dash Motorcycle, Moped, Antique Motorcycle, Special Veterans Motorcycle Up to 6 characters – plus one dash or space Agriculture, Agriculture Commercial, Barbara Bush Children’s Hospital, Black Bear, Breast Cancer, Emergency Medical Services, Farm, Lobster, Sportsman, Support Animal Welfare, We Support Our Troops Up to 6 characters – includes space or dash Special Veterans Up to 5 characters – plus one dash or space Firefighter Up to 5 characters – includes space or dash Conservation, Conservation Commercial, Disability, Disability Motorcycle, Disabled Veterans, Disabled Veterans Motorcycle, Purple Heart, Purple Heart Motorcycle, University of Maine. Up to 4 characters – includes space or dash Special Veterans Disability Vanity plates with a total of 7 characters may mix numbers and letters in any order, as long as there is at least one letter in the sequence, i.e. A123456, 1234A56, 123456B, AGR8PL8. Vanity plates having fewer than 7 characters may mix numbers and letters as long as the first character is a letter, i.e. A1, A2B, A3C5, A4D4U, F2G3H4. Vanity plates must not begin with a 0 (zero) or with the letter “O”, followed by only numbers. Please note: Vanity plates with seven characters, plus one space or dash will cover the chickadee design. An ampersand (&) is available on vanity plates with 2 to 6 characters. -
Basic Facts About Trademarks United States Patent and Trademark O Ce
Protecting Your Trademark ENHANCING YOUR RIGHTS THROUGH FEDERAL REGISTRATION Basic Facts About Trademarks United States Patent and Trademark O ce Published on February 2020 Our website resources For general information and links to Frequently trademark Asked Questions, processing timelines, the Trademark NEW [2] basics Manual of Examining Procedure (TMEP) , and FILERS the Acceptable Identification of Goods and Services Manual (ID Manual)[3]. Protecting Your Trademark Trademark Information Network (TMIN) Videos[4] Enhancing Your Rights Through Federal Registration Tools TESS Search pending and registered marks using the Trademark Electronic Search System (TESS)[5]. File applications and other documents online using the TEAS Trademark Electronic Application System (TEAS)[6]. Check the status of an application and view and TSDR download application and registration records using Trademark Status and Document Retrieval (TSDR)[7]. Transfer (assign) ownership of a mark to another ASSIGNMENTS entity or change the owner name and search the Assignments database[8]. Visit the Trademark Trial and Appeal Board (TTAB)[9] TTAB online. United States Patent and Trademark Office An Agency of the United States Department of Commerce UNITED STATES PATENT AND TRADEMARK OFFICE BASIC FACTS ABOUT TRADEMARKS CONTENTS MEET THE USPTO ������������������������������������������������������������������������������������������������������������������������������������������������������������������ 1 TRADEMARK, COPYRIGHT, OR PATENT �������������������������������������������������������������������������������������������������������������������������� -
The United States Atomic Army, 1956-1960 Dissertation
INTIMIDATING THE WORLD: THE UNITED STATES ATOMIC ARMY, 1956-1960 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Paul C. Jussel, B.A., M.M.A.S., M.S.S. * * * * * The Ohio State University 2004 Dissertation Committee Approved by Professor Allan R. Millett, Advisor Professor John R. Guilmartin __________________ Professor William R. Childs Advisor Department of History ABSTRACT The atomic bomb created a new military dynamic for the world in 1945. The bomb, if used properly, could replace the artillery fires and air-delivered bombs used to defeat the concentrated force of an enemy. The weapon provided the U.S. with an unparalleled advantage over the rest of the world, until the Soviet Union developed its own bomb by 1949 and symmetry in warfare returned. Soon, theories of warfare changed to reflect the belief that the best way to avoid the effects of the bomb was through dispersion of forces. Eventually, the American Army reorganized its divisions from the traditional three-unit organization to a new five-unit organization, dubbed pentomic by its Chief of Staff, General Maxwell D. Taylor. While atomic weapons certainly had an effect on Taylor’s reasoning to adopt the pentomic organization, the idea was not new in 1956; the Army hierarchy had been wrestling with restructuring since the end of World War II. Though the Korean War derailed the Army’s plans for the early fifties, it returned to the forefront under the Eisenhower Administration. The driving force behind reorganization in 1952 was not ii only the reoriented and reduced defense budget, but also the Army’s inroads to the atomic club, formerly the domain of only the Air Force and the Navy.