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Just This Is It: Dongshan and the Practice of Suchness / Taigen Dan Leighton
“What a delight to have this thorough, wise, and deep work on the teaching of Zen Master Dongshan from the pen of Taigen Dan Leighton! As always, he relates his discussion of traditional Zen materials to contemporary social, ecological, and political issues, bringing up, among many others, Jack London, Lewis Carroll, echinoderms, and, of course, his beloved Bob Dylan. This is a must-have book for all serious students of Zen. It is an education in itself.” —Norman Fischer, author of Training in Compassion: Zen Teachings on the Practice of Lojong “A masterful exposition of the life and teachings of Chinese Chan master Dongshan, the ninth century founder of the Caodong school, later transmitted by Dōgen to Japan as the Sōtō sect. Leighton carefully examines in ways that are true to the traditional sources yet have a distinctively contemporary flavor a variety of material attributed to Dongshan. Leighton is masterful in weaving together specific approaches evoked through stories about and sayings by Dongshan to create a powerful and inspiring religious vision that is useful for students and researchers as well as practitioners of Zen. Through his thoughtful reflections, Leighton brings to light the panoramic approach to kōans characteristic of this lineage, including the works of Dōgen. This book also serves as a significant contribution to Dōgen studies, brilliantly explicating his views throughout.” —Steven Heine, author of Did Dōgen Go to China? What He Wrote and When He Wrote It “In his wonderful new book, Just This Is It, Buddhist scholar and teacher Taigen Dan Leighton launches a fresh inquiry into the Zen teachings of Dongshan, drawing new relevance from these ancient tales. -
A Tour Through North America; Together with a Comprehensive View of the Canadas and United States, As Adapted for Agricultural Emigration
Library of Congress A tour through North America; together with a comprehensive view of the Canadas and United States, as adapted for agricultural emigration. A TOUR THROUGH NORTH AMERICA; TOGETHER WITH A COMPREHENSIVE VIEW OF THE CANADAS AND UNITED STATES. AS ADAPTED FOR AGRICULTURAL EMIGRATION. BY PATRICK SHIRREFF, FARMER, MUNGOSWELLS, EAST LOTHIAN. LIBRARY OF CONGRESS CITY OF WASHINGTON EDINBURGH: PRINTED BY BALLANTYNE AND COMPANY, PAUL'S WORK, CANONGATE. PUBLISHED BY OLIVER AND BOYD, EDINBURGH; SIMPKIN, MARSHALL, & CO., LONDON; DAVID ROBERTSON, GLASGOW; AND WILLIAM CURRY, JUN. AND CO., DUBLIN. 1835. msu E165 S55 TO MR JOHN DEANS, PENSTON, EAST LOTHIAN. My dear Deans, I dedicate the following tour to you, who had an opportunity of judging of many of the scenes and occurrences which I have described. Your candour and honesty have A tour through North America; together with a comprehensive view of the Canadas and United States, as adapted for agricultural emigration. http://www.loc.gov/resource/lhbtn.27889 Library of Congress long been known to me, and I hope the sentiments and the feelings expressed in the succeeding pages, will be found to accord with your own character. It has been said that I was appointed by a party of East Lothian farmers to visit and report on the Canadas and the United States; but nothing could be more unfounded. A younger brother having expressed a wish to try his fortune as an American farmer, I resolved to explore the country for the purpose of enabling me to give an opinion on the step which he contemplated. With this single object in view, my Transatlantic excursion was originally planned, and ii afterwards performed, unfettered and unassisted by any party whatever. -
Biographical Memoirs of Saint John Bosco
The Biographical Memoirs of Saint John Bosco by REV. EUGENIO CERIA, S.D.B. AN AMERICAN EDITION TRANSLATED FROM THE ORIGINAL ITALIAN REV. DIEGO BORGATELLO, S.D.B. Editor-in-chief Volume XII 1876 SALESIANA PUBLISHERS NEW ROCHELLE, NEW YORK 1980 • IMPRIMI POTEST: Very Rev. Dominic DeBlase, S.D.B. Provincial New Rochelle, N.Y., March 25, 1980 Feast of the Annunciation of the Lord Copyright © 1980 by the Salesian Society, Inc. Library of Congress Catalog Card No. 65-3104rev All Rights Reserved Manufactured in the United States of America FIRST EDITION WITH PROFOUND GRATITUDE TO THE LATE, LAMENTED, AND HIGHLY ESTEEMED VERY REVEREND FELIX J. PENNA, S.D.B. (1904-1962) TO WHOSE WISDOM, FORESIGHT, AND NOBLE SALESIAN HEART THE ENGLISH TRANSLATION OF THE BIOGRAPHICAL MEMOIRS OF SAINT JOHN BOSCO IS A LASTING MONUMENT This Volume Is Fondly Dedicated to THE VERY REVEREND EGIDIO VIGANo Rector Major of the Salesian Society Who By Word, Deed and Spirited Leadership Has Redirected the Salesian Family to Don Bosco's Ideals of Christian Education Expressed in His System of Reason, Religion, and Kindness Editor's Preface SAINT JOHN BOSCO, the central figure of this vastly extensive biography, was a towering person in the affairs of both Church and State during the critical 19th century in Italy. He was the founder of two very active religious congregations during a time when other orders were being suppressed; he was a trusted and key liaison between the Papacy and the emerging Italian nation of the Risorgimento; above all, in troubled times, he was the saintly Christian educator who successfully wedded modern pedagogy to Christ's law and Christ's love for the poor young, and thereby deserved the proud title of Apostle of youth. -
UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title The Lyric Forms of the Literati Mind: Yosa Buson, Ema Saikō, Masaoka Shiki and Natsume Sōseki Permalink https://escholarship.org/uc/item/97g9d23n Author Mewhinney, Matthew Stanhope Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California The Lyric Forms of the Literati Mind: Yosa Buson, Ema Saikō, Masaoka Shiki and Natsume Sōseki By Matthew Stanhope Mewhinney A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Japanese Language in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Alan Tansman, Chair Professor H. Mack Horton Professor Daniel C. O’Neill Professor Anne-Lise François Summer 2018 © 2018 Matthew Stanhope Mewhinney All Rights Reserved Abstract The Lyric Forms of the Literati Mind: Yosa Buson, Ema Saikō, Masaoka Shiki and Natsume Sōseki by Matthew Stanhope Mewhinney Doctor of Philosophy in Japanese Language University of California, Berkeley Professor Alan Tansman, Chair This dissertation examines the transformation of lyric thinking in Japanese literati (bunjin) culture from the eighteenth century to the early twentieth century. I examine four poet- painters associated with the Japanese literati tradition in the Edo (1603-1867) and Meiji (1867- 1912) periods: Yosa Buson (1716-83), Ema Saikō (1787-1861), Masaoka Shiki (1867-1902) and Natsume Sōseki (1867-1916). Each artist fashions a lyric subjectivity constituted by the kinds of blending found in literati painting and poetry. I argue that each artist’s thoughts and feelings emerge in the tensions generated in the process of blending forms, genres, and the ideas (aesthetic, philosophical, social, cultural, and historical) that they carry with them. -
Andrew Johnston Phd Thesis
WILLIAM PAGET AND THE LATE-HENRICAN POLITY, 1543- 1547 Andrew Johnston A Thesis Submitted for the Degree of PhD at the University of St. Andrews 2004 Full metadata for this item is available in Research@StAndrews:FullText at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/2762 This item is protected by original copyright William Paget and the late-Henrican polity, 1543-1547 Andrew Johnston A thesis submitted for the degree of Doctor of Philosophy University of St Andrews December 2003 Paginated blank pages are scanned as found in original thesis No information • • • IS missing Declarations (i) I, Andrew Johnston, hereby certify that this thesis, which is approximately one hundred thousand words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. Date; signature of candidate; (ii) I was admitted as a research student in October 1998 and as a candidate for the degree of Ph.D. in October 1999; the higher study for which this is a record was carried out in the University of St Andrews between 1999 and 2003. - -- ...... _- --.-.:.. - - ..:... --._---- :-,.:. -.:. Date; signature of candidate; - ...- - ~,~.~~~- ~.~:.:. - . (iii) I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of Doctor of Philosophy in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
Columbia Poetry Review Publications
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Poetry Review Publications Spring 4-1-2002 Columbia Poetry Review Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cpr Part of the Poetry Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Poetry Review" (2002). Columbia Poetry Review. 15. https://digitalcommons.colum.edu/cpr/15 This Book is brought to you for free and open access by the Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Poetry Review by an authorized administrator of Digital Commons @ Columbia College Chicago. For more information, please contact [email protected]. COLUMBIA poetry review 1 3 > no. 15 $6.00 USA $9.00 CANADA o 74470 82069 7 COLUMBIA POETRY REVIEW Columbia College Chicago Spring 2002 Columbia Poetry Review is published in the spring of each year by the English Department of Columbia College, 600 South Michigan Avenue, Chicago, Illinois 60605. Submissions are encouraged and should be sent to the above address from August 15 to January 1. Subscriptions and sample copies are available at $6.oo an issue in the U.S.; $9.00 in Canada and elsewhere. The magazine is edited by students in the un dergraduate poetry program and distributed in the United States and Canada by Ingram Periodicals. Copyright (c) 2002 by Columbia College. ISBN: 0-932026-59-1 Grateful acknowledgment is made to Garnett Kilberg-Cohen, Chair of the English Department; Dr. Cheryl Johnson-Odim, Dean of Liberal Arts and Sciences; Steven Kapelke, Provost; and Dr. -
The Queen's Coronation
86 APRIL, 1937 of the Robes, very resplendent, carries the end of the “Receive the Rod of Equity and Mercy. robe. I‘ Be so merciful that you be not too remiss. The Queen passes to her Chair of Estate, and standing, “So execute justice that you forget not mercy.” awaits the coming of the King. He comes. THEPUTTING ON OF THE CROWN. Again breaJsing through the harmonies of the music At last the hour of Coronation has come. Bare- resounds the welcome of the Westminster scholars. headed the King is still seated in the Chair of Destiny, Vivat Rex Georgius ! Vivat ! Vivat ! Vivat ! and awaits with the silent congregation the blessing A tempestuous and thrilling cry, primitive, vibrant. of the Imperial Crown. At the altar stands the Arch- With very becoming dignity the King passes. He bishop ;he lifts therefrom the Crown, and prays aloud : bows to the Queen and then, kneeling on their fald- “ Bless, we beseech Thee, and sanctify this Thy stools, they make their humble adoration. servant George our King, and as Thou dost this day When they arise the fateful ceremonial begins. set a Crown of pure gold upon his head so enrich his First, the Recognition. Royal heart with Thine abundant grace, and crown The Presentation of the King to the People is made him with all princely virtues.” by the Archbishop, of Canterbury in the followhg The Choir gives forth a mighty Amen.” Then the words : . Primate stands before the King, the jewelled diadem “Sirs, I here present unto you King George, the is upraised, it is placed upon his head. -
Jllgoma Missionary Ntws
JUN E, 1911 ...I· .............. ~ .............................................. ·I ... 'flow it 123 bigb ttme to be ma~etb bis sun to rtse awa~e out of slee~. on tbe evil ant) on tbe goot). Cb~ Jllgoma misSionary ntWS [be Official Organ of tbt Dioctst of }flgoma Jl3lsbop: The RIGHT REV. GEORGE THOF-NELOE, D.O., O.C.L., Sault Ste. Marie, Onto IDiocesan ®tncers: The VEN. GOWAN GILLMOR, J. A. WORRELL, Esq., K.C., Archdeacon of Algoma, Sault Ste. Marie, Onto Hon. Treasurer (ofInvested Funds), 18-20 King St. West, Toronto, Onto 'fhe REV. CANON BOYDELL, M.A., Bishop's Commissary, H. PLUMMER, Esq., Sudbury,Ont. Treasurer of the Synod, Sault Ste. Marie, Onto The REV CANON PIERCY, A . C. BOYCE, Esq., K.C., M.P., Clerical Secretary of the Synod, Chancellor, Sturgeon Falls, Onto Sault Ste. Marie, Onto C. V . PLUMMER, Esq., A. ELLIOTT, Esq. Lay Secretary of the Synod Hon. Registrar Sault Ste. Marie, Onto Sault Ste. Marie, Onto REV. B. P. FULLER, Principal of the Shingwauk and Wawanosh Indian Homes, - - - Sault Ste. Marie. Onto 62 THE ALGOMA 'lVIISSIONARY NEWS. THEIR lVI'A JESTIES' CORO~A1'ION. The people signify their willingness and joy by loud and repeated acclamations, HIS TORI C SE RYICE S F OR H I STORI C CHCRC =-I all with one voice crying out, UBLIC interest in the Coronation of GOD SA V:ij; KING GEORGE.. King George V. and Queen lVIary on Then the trumpets shall sound. The P, June 22 has been stimulated by the Bible, Paten , and Chalice shall be brought publication of the authorized "Form and by the Bishops who had borne them, and Order of the Service that is to be per placed upon the altar. -
Acknowledgement and Reciprocity With/In Indigenous and Asian Canadian Writing
In Place/Of Solidarity: Acknowledgement and Reciprocity with/in Indigenous and Asian Canadian Writing by Janey Mei-Jane Lew A dissertation submitted in partial satisfaction of the requirements of for the degree of Doctor of Philosophy in Ethnic Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Sau-ling Wong, Chair Professor Colleen Lye Professor Beth Piatote Professor Shari Huhndorf Summer 2018 © 2018 Janey Mei-Jane Lew All rights reserved 1 ABSTRACT In Place/Of Solidarity: Acknowledgement and Reciprocity win/in Indigenous and Asian Canadian Writing by Janey Mei-Jane Lew Doctor of Philosophy in Ethnic Studies University of California, Berkeley Professor Sau-ling Wong, Chair In Place/Of Solidarity argues the exigence of developing Asian Canadian critical praxes that align and move in solidarity with Indigenous sovereignties and radical resurgence movements. In the dissertation, I analyze a body of literary texts by contemporary Indigenous and Asian North American writers whose works contain instances of reciprocal representation. I argue that actions proceeding from and grounded in praxes of acknowledgement and reciprocity constitute openings to solidarity. By enacting Asian Canadian studies explicitly with decolonial solidarities in the foreground, I argue that Asian Canadian studies may not only work in ethical alignment with Indigenous knowledges and methodologies, but may also enliven and reconstitute the solidarities upon which Asian Canadian studies is premised. Bringing Asian Canadian studies into dialogue with scholarly work from Indigenous studies and recent research on Asian settler colonialism within a transnational Asian (North) American context, this dissertation considers reciprocal representations across a number of literary works by Indigenous and Asian Canadian women. -
A Folk Song Cycle
Syracuse University SURFACE Syracuse University Honors Program Capstone Syracuse University Honors Program Capstone Projects Projects Spring 5-1-2011 New Horizons: A Folk Song Cycle Chris Cresswell Follow this and additional works at: https://surface.syr.edu/honors_capstone Part of the Composition Commons, and the Other Music Commons Recommended Citation Cresswell, Chris, "New Horizons: A Folk Song Cycle" (2011). Syracuse University Honors Program Capstone Projects. 201. https://surface.syr.edu/honors_capstone/201 This Honors Capstone Project is brought to you for free and open access by the Syracuse University Honors Program Capstone Projects at SURFACE. It has been accepted for inclusion in Syracuse University Honors Program Capstone Projects by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract The purpose of the project was to create a piece of music that transcended musical genres and told the story of my coming of age in the first decade of the 21st century. The work featured both original text and original music and culminates in a live performance of the work. I wanted to tell a story. More specifically, I wanted to tell my story. The story of coming of age in the 21st century. I was 11 in the year 2000, I was 21 in 2010. My formative years correlate directly with the formative years of the 21st century. In this time, we’ve seen world first teeming with hope and optimism at the turn of the century. This optimism was quickly overcome by fear in September 2001. Since then we’ve seen a world marred by terrorism, wars, Hurricane Katrina, and other disasters, man-made and otherwise. -
The Authorised Biography of Australia's Pioneering Haiku Writer Janice M Bostok
White Heron: The Authorised Biography of Australia's Pioneering Haiku Writer Janice M Bostok Sharon Elyse Dean BA (Hons1) School of Humanities Arts, Education and Law Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy August 2011 White Heron Abstract The form of this PhD is an authorised biography of Australia’s pioneering haiku writer, Janice M Bostok, titled White Heron. For the purposes of examination, the biography’s Introduction serves as an exegesis. Drawing on material acquired through unrestricted access to the subject and her personal papers, interviews with family and friends, and meticulous research into her prolific literary output, the work employs a double-stranded narrative structure to tell the story of Bostok’s difficult childhood, extraordinary love affairs and groundbreaking creative endeavours. Inquiry into the theory of English-language haiku – a genre of ‘one-breath’ poetry that originated in ancient Japan and is now growing in prominence worldwide – is woven throughout the text. The Introduction is the main repository of material relating to the genesis of the project. It articulates the book’s original contribution to knowledge (White Heron is the first Bostok biography), and contains two prominent lines of inquiry: one haiku-related, and the other associated with biographical theory. Haiku-related concerns include: discussion of a misconception over ‘syllable counting’ commonly associated with English-language haiku; a brief history of haiku and its related forms in Japan; a short analysis of the correspondences between meditation practice and haiku practice; an appraisal of the influence of traditional Japanese poetry on writers connected with the ‘Beat Generation’ (in particular, Jack Kerouac and Gary Snyder) and, in turn, the influences of these writers on Bostok; an examination of an over-valuing of the role of Zen in haiku; and, an assessment of the value of haiku as a ‘literary art’. -
Descant 2017
descant 1 2 descant Fort Worth’s Journal of Fiction and Poetry VOLUME 56, 2017 TCU Press, USA 3 descant Fort Worth’s Journal of Fiction and Poetry Volume 56, 2017 www.descant.tcu.edu Editor Matthew Pitt Advisory Editor Charlotte Hogg Poetry Editor Alex Lemon Associate Poetry Editors Joddy Murray Nathanael O’Reilly Curt Rode Associate Fiction Editors Kasey Carpenter T. J. McLemore Adam Nemmers Graduate Assistant Saffyre Falkenberg Cover Artwork Haiku, by Sherry Abbasi (Front Cover) Rainbow, by Sherry Abbasi (Back Cover) Publisher Dan Williams / TCU Press Assistant Editor Jonathan Barfield We welcome submissions of poetry and prose from September 1 – April 1. Submissions re- ceived outside of the reading window will be discarded. We strongly prefer that potential con- tributors use our free online system, Submittable (descant.submittable.com/submit), to send work. Those wishing to submit via U.S. post may send work to descant, c/o TCU Department of English, Box 297270, 2850 S. University Drive, Fort Worth, TX 76129. Submit up to five (5) poems, or one (1) single prose submission, up to 5000 words. Please submit no more than twice during each reading period. A self-addressed stamped envelope must be included with traditional submissions to guarantee reply or return of submissions. 4 Contents Poem by Paul Hostovsky • Poem .................................................................................................................................. 8 Poems by Kelly Nelson • Origin ................................................................................................................................