Jungle Book/Das Dschungelbuch
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MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Cocorosie Grey Oceans Mp3, Flac, Wma
CocoRosie Grey Oceans mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Grey Oceans Country: Germany Released: 2010 Style: Art Rock MP3 version RAR size: 1332 mb FLAC version RAR size: 1352 mb WMA version RAR size: 1601 mb Rating: 4.7 Votes: 525 Other Formats: AIFF DXD AHX XM MP1 WMA AUD Tracklist Hide Credits A1 Trinity's Crying 4:40 A2 Smokey Taboo 4:48 Hopscotch A3 3:08 Drums – Gustavo "Bolsa" González Undertaker A4 Bass Clarinet, Alto Saxophone – Martin PantirerVocals [Intro And Extra Vocals] – Christina 3:52 Chalmers A5 Grey Oceans 4:32 R.I.P. Burn Face B1 4:38 Voice [Spoken Word] – Neda Sanai The Moon Asked The Crow B2 3:50 Bass Clarinet, Alto Saxophone – Martin Pantirer Lemonade B3 5:14 Trumpet – Todd Simon Gallows B4 4:25 Violin, Backing Vocals – Florence Fritz B5 Fairy Paradise 4:10 B6 Here I Come 3:28 Companies, etc. Phonographic Copyright (p) – CocoRosie Copyright (c) – CocoRosie Licensed To – Souterrain Transmissions Credits Co-producer – David Sitek* (tracks: B1, B3, B5) Engineer [Additional] – Zephyrus Sowers (tracks: B1, B3, B5) Engineer, Mixed By – Nico Kalwill* Layout – David Babbitt Lyrics By, Music By, Producer – CocoRosie Photography By [Cover] – Matt Greene Piano, Keyboards – Gael Rakotondrabe* Written-By [Co-written By] – Gael Rakotondrabe* (tracks: A3, A4, B2, B3, B6) Notes Gatefold sleeve Sticker on sleeve: "180 gram vinyl, including free digital download code". Barcode and Other Identifiers Barcode: 673790 025913 Label Code: LC 20296 Rights Society: GEMA Matrix / Runout (A, Etched): -
SXSW2016 Music Full Band List
P.O. Box 685289 | Austin, Texas | 78768 T: 512.467.7979 | F: 512.451.0754 sxsw.com PRESS RELEASE - FOR IMMEDIATE RELEASE SXSW Music - Where the Global Community Connects SXSW Music Announces Full Artist List and Artist Conversations March 10, 2016 - Austin, Texas - Every March the global music community descends on the South by Southwest® Music Conference and Festival (SXSW®) in Austin, Texas for six days and nights of music discovery, networking and the opportunity to share ideas. To help with this endeavor, SXSW is pleased to release the full list of over 2,100 artists scheduled to perform at the 30th edition of the SXSW Music Festival taking place Tuesday, March 15 - Sunday, March 20, 2016. In addition, many notable artists will be participating in the SXSW Music Conference. The Music Conference lineup is stacked with huge names and stellar latebreak announcements. Catch conversations with Talib Kweli, NOFX, T-Pain and Sway, Kelly Rowland, Mark Mothersbaugh, Richie Hawtin, John Doe & Mike Watt, Pat Benatar & Neil Giraldo, and more. All-star panels include Hired Guns: World's Greatest Backing Musicians (with Phil X, Ray Parker, Jr., Kenny Aranoff, and more), Smart Studios (with Butch Vig & Steve Marker), I Wrote That Song (stories & songs from Mac McCaughan, Matthew Caws, Dan Wilson, and more) and Organized Noize: Tales From the ATL. For more information on conference programming, please go here. Because this is such an enormous list of artists, we have asked over thirty influential music bloggers to flip through our confirmed artist list and contribute their thoughts on their favorites. The 2016 Music Preview: the Independent Bloggers Guide to SXSW highlights 100 bands that should be seen live and in person at the SXSW Music Festival. -
ART WORLD AIDS DAY December 1, 2012
DAY WITH(OUT) ART WORLD AIDS DAY December 1, 2012 To mark its 23rd annual observance of Day Without Art and World AIDS Day, l.a.Eyeworks invited dozens of friends from the arts and services communities to select a song they would like to have played to commemorate this important day. Each person was invited to submit not only a song, but a description of themselves and a note about the selection if they liked. l.a.Eyeworks thanks each person who took time to participate in this project, and expresses the deepest gratitude to every musician who has created the magic of these songs. Neil Denari Architect Periel Aschenbrand Author, Entrepreneur Keep Your Dreams • Suicide I Say a Little Prayer • Aretha Franklin Tom Knechtel Artist Weba Garretson Singer, Songwriter and Singing Teacher Can’t Get Used To Losing You • Andy Williams A Salty Dog • Procol Harum “We lost Andy Williams this year; and even though it seems to “The orchestration and vocal on this song is by Gary Brooker, be about romantic love, the sentiment holds true for many situations.” and it is one of the best; a true example of vocal expression in service Bruce Yonemoto of telling a moving story. Though it's about a sea adventure gone awry, Artist it reminds me of the questing spirit we had before AIDS, and the many Storm Sequence • The Red Krayola friends who embodied that spirit that we've loved and lost.” Liz Young Artist Jeff Gauntt Artist and Feline Aficionado The Windmills of Your Mind • Dusty Springfield Don’t Think • Lali Puna Kyle Fitzpatrick Writer, Dog Lover, and Sometimes Actor Roy Dowell Artist Ball’r (Madonna - Free Zone) • DJ Sprinkles Ngiyakuthanda Papa Wemba • Brenda Fassie & Papa Wemba “Admittedly a Madonna LP superfan, this song represents all “This year I am selecting a very happy song. -
Revue De Presse Robert Wilson / Cocorosie
REVUE DE PRESSE ROBERT WILSON / COCOROSIE FESTIVAL D’AUTOMNE Service presse : Christine Delterme – [email protected] Lucie Beraha – [email protected] À PARIS Assistées de Claudia Christodoulou – [email protected] 01 53 45 17 13 10 sept – 31 déc 2019 1 Robert Wilson / CocoRosie Jungle Book Théâtre de la Ville – 26 oct. au 8 nov. RADIO Lundi 16 septembre France Culture/ La Dispute / Arnaud Laporte– de 19h à 20h Sujet : Jungle Book https://www.franceculture.fr/emissions/la-dispute/theatre-jungle-book- la-gioia-et-le-journal-sur-scene-la-non-fiction Dimanche 13 octobre France Musique / 42è rue / Laurent Valière – 13h Sujet : Coup de cœur de Laurent Valière et diffusion d’un titre de CocoRosie interprété par Olga Mouak https://www.francemusique.fr/emissions/42e-rue/londres-1-broadway-0- 76433 (55 min 45 – 58 min 30) Dimanche 27 octobre France Culture / Tous en scène / Aurélie Charon – de 20h à 21h Sujet : Mille et une nuits et contes en scène. Invité : Yuming Hey de Jungle Book de Robert Wilson / CocoRosie https://www.franceculture.fr/emissions/tous-en-scene/tous-en-scene- emission-du-dimanche-27-octobre-2019 TV / VIDÉO WEB Mardi 2 octobre 2019 Arte / Coup de cœur, La sélection des sorties culturelle / Sujet : Robert Wilson réinvente Le livre de la jungle sur une musique de CocoRosie https://www.arte.tv/sites/coupsdecoeur/2019/10/02/robert-wilson-reinvente- le-livre-de-la-jungle-de-kipling-sur-une-musique-de-cocorosie Mercredi 9 octobre 2019 Youtube / Ronan au théâtre Sujet : Jungle Book de Robert -
This Is How We Do: Living and Learning in an Appalachian Experimental Music Scene
THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE A Thesis by SHANNON A.B. PERRY Submitted to the Graduate School Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS MAY 2011 Center for Appalachian Studies THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE A Thesis by SHANNON A.B. PERRY May 2011 APPROVED BY: ________________________________ Fred J. Hay Chairperson, Thesis Committee ________________________________ Susan E. Keefe Member, Thesis Committee ________________________________ Patricia D. Beaver Member, Thesis Committee ________________________________ Patricia D. Beaver Director, Center for Appalachian Studies ________________________________ Edelma D. Huntley Dean, Research and Graduate Studies Copyright by Shannon A.B. Perry 2011 All Rights Reserved ABSTRACT THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE (2011) Shannon A.B. Perry, A.B. & B.S.Ed., University of Georgia M.A., Appalachian State University Chairperson: Fred J. Hay At the grassroots, Appalachian music encompasses much more than traditional music genres, like old-time and bluegrass. While these prevailing musics continue to inform most popular and scholarly understandings of the region’s musical heritage, many contemporary scholars dismiss such narrow definitions of “Appalachian music” as exclusionary and inaccurate. Many researchers have, thus, sought to broaden current understandings of Appalachia’s diverse contemporary and historical cultural landscape as well as explore connections between Appalachian and other regional, national, and global cultural phenomena. In April 2009, I began participant observation and interviewing in an experimental music scene unfolding in downtown Boone, North Carolina. -
A Film by Michael Glawogger
A Film by Michael Glawogger 2011 / Austria-Germany / 119 mins. / Color / 1.85:1 / in English, German, French, Thai, Japanese, Spanish and Bengali w/English subtitles A Kino Lorber Release from Kino Lorber, Inc. 333 West 39 Street, Suite 503 New York, NY 10018 Publicity Contact: Rodrigo Brandão / [email protected] / (212) 629-6880 ext. 12 SYNOPSIS WHORES' GLORY is a cinematic triptych on prostitution: three countries, three languages, three religions. In Thailand, women wait for clients behind glass panes, staring at reflections of themselves. In Bangladesh, men to a ghetto of love to satisfy their unfulfilled desires on indentured girls. And in Mexico, women pray to a female death to avoid facing their own reality. In worlds where the most intimate act has become a commodity, these women have physically and emotionally experienced everything that can happen between a man and a woman. For this they have always received money, but it has not made their lives rich in anything but stories. CREDITS Written and Directed by Michael Glawogger Cinematography & Light: Wolfgang Thaler Editing & Artistic Collaboration: Monika Willi Original Sound: Paul Oberle, Ekkehart Baumung Sound Mix & Sound Design: Tobias Fleig, Matz Müller, Erik Mischijew Score: Pappik & Regener Music Supervision & Clearance: Charlotte Goltermann & Tina Funk Line Producer: Alfred Deutsch Producers: Erich Lackner, Tommy Pridnig, Peter Wirthensohn Producers (Germany): Mirjam Quinte, Pepe Danquart MICHAEL GLAWOGGER Michael Glawogger is a director, writer and cinematographer and his work in each of these roles displays a broad spectrum. His recent works range from the literary adaptation KILL DADDY GOODNIGHT (2009) and the quirky comedies SLUGS (2004) and CONTACT HIGH (2009) to his essayist documentaries MEGACITIES (1998) and WORKINGMAN'S DEATH (2005). -
Hawaiʻi Review Issue 79
Hawaiʻi Review Issue 79 Call & Response 2014 © 2013 by the Board of Publications, University of Hawaiʻi at Mānoa. All requests for reproduction and other propositions should be directed to the writers and artists. ISSN: 0093-9625 About: Hawaiʻi Review is a publication of the Board of Publications of the University of Hawaiʻi at Mānoa. A bold, student-run journal, Hawaiʻi Review reflects the views of its editors and contributors, who are solely responsible for its content. Hawaiʻi Review is a member of the Coordinating Council of Literary Magazines and is indexed by the Humanities International Index, the Index of American Periodical Verse, Writer’s Market, and Poet’s Market. Subscriptions: Subscribe to Hawaiʻi Review! Domestic rates are $12.50/copy. International rates are $15/copy. Subscriptions include the cost of shipping at bookrate. Address all subscription requests to Hawaiʻi Review, 2445 Campus Road, Hemenway Hall 107, Honolulu, HI 96822. Advertising rates are available upon request. Contact: www.hawaiireview.org [email protected] bit.ly/submit2HR Cover Art: The primary art for this cover is Joy Enomoto’s “The Mitosis of Papahānaumoku No. 1,” also featured inside this issue (see 158). Hawaiʻi Review’s design editor, Donovan Kūhiō Colleps, created the block cover overlay and added the type for this cover. Permissions: The following pieces have been reprinted with the permission of the authors: Albert Wendt’s “Garden 1” and “Garden 2” were originally published in his poetry collection, titled From Mānoa to a Ponsonby Garden (Auckland University Press, 2012); Kathy Jetnil-Kijiner’s “Lessons from Hawaiʻi” was originally published in a slightly different form in the literary journal Storyboard 12: A Journal of Pacific Imagery Crossing. -
ROBERT WILSON Biography Long Version, 2,018 Words / 12,974 Characters
ROBERT WILSON Biography long version, 2,018 words / 12,974 characters The New York Times described Robert Wilson as “a towering figure in the world of experimental theater and an explorer in the uses of time and space on stage. Transcending theatrical convention, he draws in other performance and graphic arts, which coalesce into an integrated tapestry of images and sounds.” Susan Son‐ tag has said of Wilson’s work, “it has the signature of a major artistic creation. I can’t think of any body of work as large or as influential.” Born in Waco, Texas, Wilson was educated at the University of Texas and Brook‐ lyn’s Pratt Institute, where he took an interest in architecture and design. He stud‐ ied painting with George McNeil in Paris and later worked with the architect Paolo Solari in Arizona. Moving to New York City in the mid‐1960s, Wilson found himself drawn to the work of pioneering choreographers George Balanchine, Merce Cun‐ ningham, and Martha Graham, among others artists. By 1968 he had gathered a group of artists known as The Byrd Hoffman School of Byrds, and together they worked and performed in a loft building at 147 Spring Street in lower Manhattan. Performing Arts In 1969 two of Wilson’s major productions appeared in New York City: The King of Spain at the Anderson Theater, and The Life and Times of Sigmund Freud, which premiered at the Brooklyn Academy of Music. In 1971 Wilson received international acclaim for Deafman Glance (Le Regard du Sourd), a silent opera created in collaboration with Raymond Andrews, a talented deaf‐mute boy whom Wilson had adopted. -
Odyssey Insert
August 26-September 4, 2021 Adapted & Directed by Samuel Buggeln Premier Performance Sponsor Premier Sponsors Mainstage Media Sponsor Partner In The Arts Partner In Health Media Sponsor Scenic Designer Costume Designer Lighting Designer Sound Designer Czerton Lim† Glenna Ryer† Elizabeth M. Stewart Don Tindall Production Stage Manager Production Manager Assistant Director Amanda Spooner* Adam Zonder Rafael López An Od y s s e y is a co-production of The Hangar Theatre and The Cherry Arts *Member of the Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States. † USA - Member of United Scenic Artists Local 829 ^ CAST ADDITIONAL PRODUCTION STAFF Composer.........................................................................................Emma Plotkin Movement Director......................................................................Elizabeth Mozer Character Coach..................................................................Susannah Berryman Puppetry Consultant.....................................................................Linda Wingerter Puppetry Artisans..................................Ri McCue Bornstein, Arianna Crawford Production Dramaturg....................................................................Aoise Stratford Production Crew..........................................................Eliza Anastasio, Jen Heath Production Assistants..............................................Dani Berman, Elaina Kaehler Mask Builder.......................................................................................Rose -
Ymusic Anohni With
ELPHI_Logo_Bild- marke_1C_W NEW YORK STORIES ANOHNI WITH YMUSIC 2. APRIL 2017 ELBPHILHARMONIE GROSSER SAAL Sonntag, 2. April 2017 | 20 Uhr | Elbphilharmonie Großer Saal ANOHNI WITH YMUSIC ANOHNI VOCALS YMUSIC ROB MOOSE VIOLIN CJ CAMERIERI TRUMPET GABRIEL CABEZAS CELLO ALEX SOPP FLUTE HIDEAKI AOMORI CLARINET NADIA SIROTA VIOLA GAEL RAKOTONDRABE PIANO DIE KÜNSTLER © Alice Omalley © Alice Anohni ANOHNI Geboren in West Sussex, England, wuchs Anohni in Amsterdam und San Francisco auf und zog mit 19 Jahren nach New York City. 1992 gründete sie dort mit Freunden das Künstler-Kollektiv Blacklips im Pyramid Club und entwickelte ihre Stimme und Ideen auf zahlreichen Late-Night-Bühnen in New York City. Nachdem sie 1996 eine Förderung der New York Foundation for the Arts erhielt, entfernte sie sich vom experimentellen Theater und nahm mit Begleitmusikern ihre eigenen Songs auf. Als »Antony and the Johnsons« spielten sie regelmäßig in den New Yorker Clubs und nahmen mehrere Alben auf. Das 2005 veröffentlichte I am a Bird Now erhielt in England den Mercury Prize. Über das 2009 erschienene The Crying Light, schrieb die LA Times: »Ein sehr persönliches Statement zur Umwelt, das eine unerwartete Verknüpfung zur Queer Culture und der grünen Bewegung herstellt.« Seit 2008 stellt Anohni ihre Musik regelmäßig zusammen mit Sinfo- nieorchester vor, so trat sie etwa mit dem London Symphony Orche- stra im Barbican auf oder mit dem Chamber Orchestra of Sydney im Sydney Opera House. 2011 wirkte Anohni als Musikdirektorin und Künstlerin bei Robert Wilsons Oper The Life and Death of Marina Abramovic mit, aufgeführt wurde sie Madrid, Amsterdam, Basel, Antwerpen, Toronto und New York City. -
The Best Music of 2005 Our Section 3 Regulars Have Made Their Lists
18 CHICAGO READER | JANUARY 6, 2006 | SECTION ONE Jones continued from page 17 suring formula and startling sub- visiting from the city (Emily tics. The film is well-paced and Best animated: Howl’s Moving ( West Beirut) is set in a dilapidat- ject matter. The main story is a Blunt), much to the displeasure has an impressive historical Castle, Corpse Bride, Wallace ed Paris suburb, where a quiet, sweet screwball romance between of the country girl’s older brother sweep, though Giordana gener- & Gromit: The Curse of the gifted Moroccan teenager a lonely performance artist (July) (Paddy Considine), who’s ates that broad perspective Were-Rabbit. (Mohammed Khouas) is drawn and a hapless shoe salesman returned from prison a sancti- through intimate observation of Best general-interest docs: into a secret romance with a white (John Hawkes), but woven into monious evangelical Christian. the many characters’ everyday March of the Penguins, neighbor (Vahina Giocante). Her this conventional fare are sub- This small-scale British drama lives. The film was produced as a Murderball, Tell Them Who exquisite beauty and sexual bold- plots that boldly explore the nar- by Pawel Pawlikowski was pro- TV miniseries but rejected by the You Are , Up for Grabs. ness make her a walking powder rowing sexual divide between moted for its lesbian romance, Italian state network and ulti- keg in the poor, largely Arab com- children and adults. July handles but despite all the idyllic after- mately released in theaters, Best music docs: Fallen Angel: munity, and a conflict involving this taboo material with a dis- noons on rolling hills, it’s a story where it screened in two three- Gram Parsons, Moog, The the hero’s leering buddies leads arming frankness and simplicity, of brutality and betrayal.