DOCSLIB.ORG

Herald of Holiness Volume 53 Number 40 (1964) W

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Herald of Holiness Volume 53 Number 40 (1964) W Olivet Nazarene University Digital Commons @ Olivet Herald of Holiness/Holiness Today Church of the Nazarene 11-25-1964 Herald of Holiness Volume 53 Number 40 (1964) W. T. Purkiser (Editor) Nazarene Publishing House Follow this and additional works at: https://digitalcommons.olivet.edu/cotn_hoh Part of the Christian Denominations and Sects Commons, Christianity Commons, History of Christianity Commons, Missions and World Christianity Commons, and the Practical Theology Commons Recommended Citation Purkiser, W. T. (Editor), "Herald of Holiness Volume 53 Number 40 (1964)" (1964). Herald of Holiness/Holiness Today. 659. https://digitalcommons.olivet.edu/cotn_hoh/659 This Journal Issue is brought to you for free and open access by the Church of the Nazarene at Digital Commons @ Olivet. It has been accepted for inclusion in Herald of Holiness/Holiness Today by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. 'IN THE POWER OF THE SPIRIT' Official Organ of the Church of the Nazarene "Forget Not • m m a * All His Benefits1 See Page 6 Oh, Come, All Ye Faithful W a d e ' s C a n t u s D i v e r s i come, all ye laith joy • ful and tri • um-phant.Oh, Sing, choirs of an sing in ex - ul ■ ta - tion. Oh, Yea, Lord, we greet born this hap • pv morn ing. 0 come ye, oh, come ye to Beth - le - hem. Come and be- sing, all ye bright hosts of heav’n a • bove. Glo - ry to sus, to Thee be all glo ry giv’n: Word of th< R e f r a in hold Him, born the King of an - gels. come---------------- God, all g lo -ry in .the high - est! 0 h, come, let us a - dore Him. Oh, Fa - ther, now in flesh ap - pear - ing. Hymn of the Month come,let us a - dore Him. Oh,come,let us a dore Him, Christ the Lord December, 1964 $jsfigg •©# ®<§ HANKSGIVING W -+ 7 to the Eternal God SINCE God’s mercies endure forever, aimless, undisciplined, thankless victim man’s thanksgiving should be contin­ of his environment never looks up to ual. The eternal God calls forth per­ give thanks. It would be mockery to petual praise. him. The atheist and the materialist find To men of faith, such as those pil­ no cause for returning thanks. They grims to this and to a better country, seem to believe—if there is a God—by thanksgiving is a spontaneous overflow searching the universe they can locate of gratitude to the God who is from Him. Failing to discover the God of everlasting to everlasting. their imagination, they conclude there The Psalmist sang: “O give thanks is no God. They say that science has unto the Lord; for he is good: for his corroded the ancient certainties. The mercy endureth for ever. To him spiritual, eternal, personal God pro­ that by wisdom made the heavens: . claimed by Moses and the prophets and and hath redeemed us from our ene­ revealed in Jesus Christ cannot be seen mies: . who giveth food to all flesh: by aid of telescope or microscope. He is not one whose habitation can be found by a man in orbit in outer space. He is a God of holiness, love, good­ G eneral ness, mercy, truth, and justice. To men Superintendent of faith who love Him and keep His Williamson commandments He is a knowledgeable God. Those who deny His existence are blinded. Their rebel wills have led . O give thanks unto the God of them in unrighteousness. Their beliefs heaven” (Psalms 136). come out of moral and spiritual dark­ For God’s uncorrupted goodness, His ness which they love because their unquestioned wisdom, His unfrayed deeds are evil. They ascribe the origin mercy, His uncorroded judgment, His of man to natural causes, and they see unfailing providence, let us give thanks! the grave his final destiny. Their free­ O eternal God, we ascribe to Thee dom is license for indulgence. This everlasting praise! The Glory—Our Defense />;/ \VM. A. TOLBERT, Pastor, Ellington Church, Caro, Michigan For upon all the glory shall he a defence (Isaiah 4:5). IN ALL AGES the strength of the Church has been It is true, we must guard against a worldly ap­ the result of her glory. When the glow of God was pearance in dress and behavior, but to think that upon her, she was a mighty force of holiness and worldliness consists in this alone is to miss the true righteousness. scope of worldliness. The glory of God upon us, Henry Hume saici, “Men are guided less by con­ however, is a safeguard against worldliness in any science than by glory.” It is the glory of tlie pres­ form. ence and power of God that turns men from sin Fanaticism to righteousness. It is by this glory that saints are There are two extremes: liberalism and fanati­ made strong for the conflicts of life. cism. One is as dangerous and destructive as the Dr. P. F. Bresee often said, “Keep the glory down, other. Our need is to stay in the middle of the brethren; keep the glory down.” He knew that road, avoiding either extreme. We need not lean the glory of the church was her defense. The glory in either direction. We can dress modestly and of the church is a defense against: sensibly, participate in the proper forms of recrea­ Worldliness tion and entertainment, and enjoy a wholesome This is a word that has been manhandled and fellowship. We can show to the world that the manipulated until it has fallen into ill repute. Yet “kingdom of God is not meat and drink; but righ­ it is a word with which we must deal today. teousness, and peace, and joy in the Holy Ghost” Worldliness cannot be defined as any one act, (Romans 14:17). one practice, one course, or even one set of stand­ Shallowness ards. Worldliness is, in its greatest scope and appli­ Shallow and superficial worship is not possible cation, anything that would cool one's love for when the glory of God rests upon us. The preach­ God. It is anything that one might put ahead of ing and the praying, the singing and the testifying God in his life. take on a deeper significance when they are ac­ With this definition in mind, we can see that companied by God’s manifest glory. Only this glory tmdue clesire for place, power, popularity, and per­ will touch the heart of the artificial and super­ haps even possessions, is worldly. ficial worshipper. The effect will be similar to that produced by the shine on Moses' face when lie came down from the mount. Moses “wist not that . his face shone.” Those looking upon him, however, were aware of the fact. THE VEIL Defeat and Despair How kind, how wonderfully kind is God, The glory is a tonic to the discouraged soul. Who curtains all the future from our sight! Many come to the place of worship needing a new glimpse of God. Some come needing a new If we could sec the joy-illumined road, The uplands and the meadows flower-bright touch of God upon their souls. Such needs are That we shall know a while, how could wc bear freely and fully met— The present with its gray and burdening care? And heav’n comes down our souls to greet. While glory crowns the mercy seat. If we could glimpse the plains of suffering, The sorrow-darkened Talleys we shall know, It is only by the refreshing showers and the Then gladness-lighted hours that shine and sing manifest glory of God that victory is assured. Many Within the now would lose their radiant glow. go down in defeat and despair because of the lack Oh, let us offer thanks that in His wise of the manifestation of God’s glory upon us. Compassion, understanding well how frail The glory is our defense against anything that Wc are, God hangs before our human eyes might serve to weaken us. It is our defense against A silent and impenetrable veil! all the forces which militate against us. As Dr. Bresee said, “Keep the glory down, brethren; keep />’;/ GRACE V. WATKINS the glory down.” It is our defense! N O V E M B E R 25, 1961 • (803) 3 in God. Tremendous social and political upheavals are taking place. Battles are being waged for the minds and wills of men. Abiding Above This very day in which we live we take cognizance of prophetic notes: earthquakes in many places and, perpetually, wars and rumors of war. Nations are WF uniting in power structures, and among the churches the structure is that of ecumenicity. Since 1918, renewed Israel has welcomed expatriates scat­ n tered for centuries. We observe these signs o£ ful­ By BETTY JEAN MOCK filled prophecy with gladness. God is able to work through the affairs of men—through the righteous “FEARFUL”—the word l'airly leaped lrom the and the ungodly—to bring about His plan for this page! Flere, in God’s own 'Word, was a clear state­ earth. ment that the fearful would all have their place in Therefore we must not quail as we observe mudt the “lake which burneth with fire and brimstone” godlessness till around us. Surely this is one more (Revelation 21:8). While there were other in­ sign of Christ's imminent return with power and habitants of that dreadful abode, “the fearful” led great glory. “This know also, that in the last clays all the rest.
Load more

Recommended publications
  • Light Energy
    CURRICULUM GUIDE FOR Light Energy (This kit also includes the Catch it! CSDE Embedded Task) Additional Resources for this unit can be found on Wallingford’s W Drive: W:\SCIENCE - ELEMENTARY\Light Energy gr 5 Wallingford Public Schools 5th Grade Science The initial draft of this material was developed by the CT Center for Science Inquiry Teaching and Learning, is based upon work supported by the Connecticut State Department of Higher Education through the No Child Left Behind Act of 2001, Title II, Part A, Subpart 3, Improving Teacher Quality State Grant Funds; CFDA#84.367B This unit was developed based on the scope and sequence approved by Wallingford Board of Education June 13, 2007. Table of Contents Section 1 UNIT OBJECTIVES Stage one of Understanding by Design identifies the desired results of the unit including the related state science content standards and expected performances, enduring understandings, essential questions, knowledge and skills. What should students understand, know, and be able to do? The knowledge and skills in this section have been extracted from Wallingford’s K-5 Science Scope and Sequence. Page 3 Section 2 ASSESSMENTS Stage two of Understanding by Design identifies the acceptable evidence that students have acquired the understandings, knowledge, and skills identified in stage one. How will we know if students have achieved the desired results and met the content standards? How will we know that students really understand? Page 7 Section 3 LESSON IDEAS What will need to be taught and coached, and how should it best be taught, in light of the performance goals in stage one? How will we make learning both engaging and effective, given the goals (stage 1) and needed evidence (stage 2)? Stage 3 of Understanding by Design helps teachers plan learning experiences that align with stage one and enables students to be successful in stage two.
    [Show full text]
  • Winter 1982-83
    POETRY gJ NORTHWEST EDITOR David Wagoner VOLUSIE TsVENTY-THREE NUXIBEII FOL(R WINTER 1982883 EDITORIAL CONS ULTAXTs Nelson Bentley, TVIIBam H. Nlutchett, William hlattbews RODNEYJONES Four Poems . EDrronlst. AssoctATEs VVILLIASI STAFFoRD Joan Manzer, Robin Scyfried Two Poems CAROLYN REYN(ILDS MILLER Four Po(ms . 10 Jt! LIA MISHEIN COVER DEsiCN Two Poems Allen Auvil BRIAN SsvANN Su Shc Can See 16 PHILIP RAISON Coperfrnm 0 Fhnto nf Iree-(Ja(entraf/ic Tsvo Poems . 17 nn lnterstale.5. Seattle. SUSAN STE'(VART Three Poems JoYCE QUICK BOARD OF ADVISERS Poet's Holdup Lt(onie Adams, Robert Fitzgerald, Robert B. Heilman, WILLIAM CHAMBERLAIN Stanley Kunitz, Arnold Stein The IVife LANCE LEE What She Takes from Me POETRY NORTHWEST W INTER 1962-63 VOLUME XXIII, NUMBER 4 ALEX STEVENS Two Poems . 26 Published quarterly by the University uf AVushingtun. Subscriptiuus aud manas«ries should Ir«s«ut tu Poetry Blur(la«est. 404$ Bruukbn Av«(ui«NF., University uf SVssbing­ ROBERT FAR)(SWORTH tun,!iesttle, Washing(un 98105. Nut r«spuusibl« fur uasuli«it«d usunu«r(pts; sB submis­ Seven Stanzasin Praise of Patience sions umst he a(sun(psnicd lry s stamped sc If-addressed envelup«. Subscription rst«u EDWARD KLEINSCH>(IDT U. S.. $8.00 per year, sing)» ((spies $2.(g); Foreign»nd Canadian. $(BOO(U.S.) p«r yer(r, . 30 sing)««epics $2. 25 (U. S.). Fonr Poems . DANIEL HOFFMAN Twu Poems 33 Second class pustagc psirl at S«attic VVsshiagton Pos'rsmwmu Send sddrrss ci(sages to Pu«tr) Northwest, St!SAN DONNELLY 4048 Br««lian Asssue NF., Uui«crs i(y uf IVsd(iug(un,!i cur( i«, ')VA98105.
    [Show full text]
  • Miller's Waves
    Miller’s Waves An Informal Scientific Biography William Fickinger Department of Physics Case Western Reserve University Copyright © 2011 by William Fickinger Library of Congress Control Number: 2011903312 ISBN: Hardcover 978-1-4568-7746-0 - 1 - Contents Preface ...........................................................................................................3 Acknowledgments ...........................................................................................4 Chapter 1-Youth ............................................................................................5 Chapter 2-Princeton ......................................................................................9 Chapter 3-His Own Comet ............................................................................12 Chapter 4-Revolutions in Physics..................................................................16 Chapter 5-Case Professor ............................................................................19 Chapter 6-Penetrating Rays ..........................................................................25 Chapter 7-The Physics of Music....................................................................31 Chapter 8-The Michelson-Morley Legacy......................................................34 Chapter 9-Paris, 1900 ...................................................................................41 Chapter 10-The Morley-Miller Experiment.....................................................46 Chapter 11-Professor and Chair ...................................................................51
    [Show full text]
  • Mavae and Tofiga
    Mavae and Tofiga Spatial Exposition of the Samoan Cosmogony and Architecture Albert L. Refiti A thesis submitted to� The Auckland University of Technology �In fulfilment of the requirements for the degree of Doctor of Philosophy School of Art & Design� Faculty of Design & Creative Technologies 2014 Table of Contents Table of Contents ...................................................................................................................... i Attestation of Authorship ...................................................................................................... v Acknowledgements ............................................................................................................... vi Dedication ............................................................................................................................ viii Abstract .................................................................................................................................... ix Preface ....................................................................................................................................... 1 1. Leai ni tusiga ata: There are to be no drawings ............................................................. 1 2. Tautuanaga: Rememberance and service ....................................................................... 4 Introduction .............................................................................................................................. 6 Spacing ..................................................................................................................................
    [Show full text]
  • Astronomy 113 Laboratory Manual
    UNIVERSITY OF WISCONSIN - MADISON Department of Astronomy Astronomy 113 Laboratory Manual Fall 2011 Professor: Snezana Stanimirovic 4514 Sterling Hall [email protected] TA: Natalie Gosnell 6283B Chamberlin Hall [email protected] 1 2 Contents Introduction 1 Celestial Rhythms: An Introduction to the Sky 2 The Moons of Jupiter 3 Telescopes 4 The Distances to the Stars 5 The Sun 6 Spectral Classification 7 The Universe circa 1900 8 The Expansion of the Universe 3 ASTRONOMY 113 Laboratory Introduction Astronomy 113 is a hands-on tour of the visible universe through computer simulated and experimental exploration. During the 14 lab sessions, we will encounter objects located in our own solar system, stars filling the Milky Way, and objects located much further away in the far reaches of space. Astronomy is an observational science, as opposed to most of the rest of physics, which is experimental in nature. Astronomers cannot create a star in the lab and study it, walk around it, change it, or explode it. Astronomers can only observe the sky as it is, and from their observations deduce models of the universe and its contents. They cannot ever repeat the same experiment twice with exactly the same parameters and conditions. Remember this as the universe is laid out before you in Astronomy 113 – the story always begins with only points of light in the sky. From this perspective, our understanding of the universe is truly one of the greatest intellectual challenges and achievements of mankind. The exploration of the universe is also a lot of fun, an experience that is largely missed sitting in a lecture hall or doing homework.
    [Show full text]
  • Light of Satisfaction for the Pharaoh Interlude
    Light Of Satisfaction For The Pharaoh Interlude Ambrose tackles unaccountably while bauxitic Darryl scries queasily or turpentining snappingly. Is Deane biparous or recurrent when swagged some gunsel syntonised obstinately? Ximenes baptised his endorsement pose synergistically or eulogistically after Quincey tucks and move down-the-line, licked and sylphid. On the small happinesses like smoking cigarettes after taking an ecological strategy of light of those perfumes mentioned Alarmed, Hard Rock, we were like those who dream. Although several of satisfaction and the pharaoh of light satisfaction for the interlude man in many of this interlude. An incidental problem: The antichrist will be able to work great signs, to confirm that Q probably existed in speech, and there is no strength to bring them forth. Let them warning to the satisfaction, light of satisfaction for the pharaoh interlude seems to? Fiona Apple has a sound all of her own. Please god determines the light of for the pharaoh shoshenq v but to act, was collectively improvised jazz saxophonist nat adderley jr mix of the tropics, bishop brophy and. That the threefold schema sales success of light on the. We need also signals, and the interlude of light satisfaction for the pharaoh that this interlude with the presence. Ross asserts that Dawson and Downey are obviously guilty, but more importantly, and he will help you. Sign up and stay current as books of her. Frenchman has constructed his pharaoh of light satisfaction for the interlude. Signed version of pablo has the light satisfaction pharaoh interlude of for the lesser extent do things slide deeper i respect.
    [Show full text]
  • My Brother's Keeper by Anthony Browne
    Anthony Browne My Brother’s Keeper Master of Creative Writing 2011 My Brother’s Keeper By Anthony Browne 32 View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by AUT Scholarly Commons Anthony Browne My Brother’s Keeper Master of Creative Writing 2011 Autumn 33 Anthony Browne My Brother’s Keeper Master of Creative Writing 2011 One Rose entered the deeper water of the channel. The sand became fine, silt-like. Sharp edges of shells pressed into her feet. Cool water climbed her calves with each step, tickling the soft skin on the back of her knees. On the far side of the estuary marram-grassed sand dunes met blue sky. The dunes ran along the entire the horizon. From the grassy headland at Gunnanundi Point north to the mouth of Broken River. Beyond the dunes waves crashed. Their seamless roar drowned out the cawing oystercatchers. They had menaced Rose all the way from the shoreline, but were forced to remain at the edge of the shallows. From there they continued to vigilantly pace, shouting shrill warnings. Keep clear of our nests. She wished she could reassure the birds, explain that she was just like them. A mother. Watchful. Overprotective. She looked over her shoulder to a flash of colour peeking out from the base of the old Morton Bay Fig tree that straddled the shoreline. There, wrapped in a florid patchwork quilt, baby Lucinda slept. The wizened buttress roots of the elephantine tree provided a natural cradle for the child. Rose imagined herself prowling protectively in front of the tree, screaming at a perceived threat.
    [Show full text]
  • PROPOSED PART I. INTRODUCTION This Topic Was First Introduced on the Plannin Report Introduces the Concept of Creating a Rur C
    Department of Community Service s Land Use and Transportation Planning Program http://www.multco.us/landuse 1600 SE 190 th Avenue, Portland Oregon 97233 -5910 • PH. (503) 988-3043 • Fax (503) 988 -3389 STAFF REPORT TO THE PLANNING COMMISSION FOR THE WORK SESSION ON OCTOBER 7, 2013 PROPOSED DARK SKIES REGULATIONS CASE FILE : PC-2013-3056 PART I. INTRODUCTION This topic was first introduced on the Planning Commission work program in 2004. This staff report introduces the concept of creating a rural outdoor lighting ordinance for the purpose of conserving the night skies. Outdoor lighting ordinances a re commonly referred to as ‘dark sky’ ordinances in the communities where they have been adopted in reference to a primary goal of such ordinances – to protect dark skies at night. Dark skies are one of the many qualities that set rural areas apart from u rban and suburban communities. Existing County land-use codes only require lighting standards in certain scenarios. The documentation in this report is based on the information contained in the included attachments. PART II. CREATION OF AN OUTDOOR LIGH TING ORDINANCE - WHY DO IT? Preservation of the Night Skies Growth and light pollution from excessive outdo or lighting is diminishing the view of the stars in and around urban areas, as well as within smaller towns and rural areas. While excessive light may cause a nuisance to others, it also wastes money and electricity, results in unnecessary emissions of greenhouse gases , and can have negative e ffects on humans and wildlife (see Attachment E). The “Dark Skies” concept promotes the precautionary appro ach to outdoor lighting design.
    [Show full text]
  • Previous Eurovision Winners and UK Entries
    YEAR LOCATION/Venue WINNING ENTRY U.K. ENTRY Date Presenter(s) COUNTRY SONG TITLE PERFORMER(S) SONG TITLE PERFORMER(S) PLACED 1956 LUGANO SWITZERLAND Refrain Lys Assia - no entry - May 24 Teatro Kursaal Lohengrin Filipello 1957 FRANKFURT-AM-MAIN NETHERLANDS Net als toen Corry Brokken All Patricia Bredin 7th March 3 Großen Sendesaal des Hessischen Rundfunks Anaïd Iplikjan 1958 HILVERSUM FRANCE Dors mon amour André Claveau - no entry - March Avro Studios 12 Hannie Lips 1959 CANNES NETHERLANDS Een beetje Teddy Scholten Sing little birdie Pearl Carr and Teddy 2nd March Palais des Festivals Johnson 11 Jacqueline Joubert 1960 LONDON FRANCE Tom Pillibi Jacqueline Boyer Looking high, high, high Bryan Johnson 2nd March Royal Festival Hall 29 Catherine Boyle 1961 CANNES LUXEMBOURG Nous les amoureux Jean-Claude Pascal Are you sure? The Allisons 2nd March Palais des Festivals 18 Jacqueline Joubert 1962 LUXEMBOURG FRANCE Un premier amour Isabelle Aubret Ring-a-ding girl Ronnie Carroll 4th March Villa Louvigny 18 Mireille Delannoy 1963 LONDON DENMARK Dansevise Grethe and Jørgen Say wonderful things Ronnie Carroll 4th March BBC Television Centre Ingmann 23 Catherine Boyle 1964 COPENHAGEN ITALY Non ho l’età Gigliola Cinquetti I love the little things Matt Monro 2nd March Tivoli Gardens Concert Hall 21 Lotte Wæver 1965 NAPLES LUXEMBOURG Poupée de cire, poupée France Gall I belong Kathy Kirby 2nd March RAI Concert Hall de son 20 Renata Mauro 1966 LUXEMBOURG AUSTRIA Merci Chérie Udo Jürgens A man without love Kenneth McKellar 9th March 5 CLT Studios, Villa Louvigny Josiane Shen 1967 VIENNA UNITED KINGDOM Puppet on a string Sandie Shaw Puppet on a string Sandie Shaw 1st April 8 Wiener Hofburg Erica Vaal 1968 LONDON SPAIN La la la Massiel Congratulations Cliff Richard 2nd April 6 Royal Albert Hall Katie Boyle 1969 MADRID SPAIN Vivo cantando Salomé Boom bang-a-bang Lulu 1st March Teatro Real UNITED KINGDOM Boom bang-a-bang Lulu 29 Laurita Valenzuela NETHERLANDS De Troubadour Lennie Kuhr FRANCE Un jour, un enfant Frida Boccara YEAR LOCATION/Venue WINNING ENTRY U.K.
    [Show full text]
  • Angles of Reflection
    Angles of Reflection Collected Edition Angles of Reflection Collected Edition Volume I – 2007 Too Close for Comfort? (March) ......................................................................................................4 Wider is Better, Right? (April) ...............................................................................................................7 Reflecting Brilliance (May) .......................................................................................................................11 Brightness VS. Contrast (June) ........................................................................................................14 Uniformity - Revisited (July) ................................................................................................................18 Ambient Light, Transmit or Reflect? (August) ..............................................................22 Sizing Up 16:10, Why and Where? (September) ........................................................ 26 Volume II – 2009 3D – The Final Frontier? (May) .......................................................................................................30 Gain Again (September) .........................................................................................................................36 The Right-Sized Screen (November) ......................................................................................40 The Twilight of the AV Myth: Light (December).......................................................44 Volume III –
    [Show full text]
  • FROM DARKNESS to LIGHT WRITERS in MUSEUMS 1798-1898 Edited by Rosella Mamoli Zorzi and Katherine Manthorne
    Mamoli Zorzi and Manthorne (eds.) FROM DARKNESS TO LIGHT WRITERS IN MUSEUMS 1798-1898 Edited by Rosella Mamoli Zorzi and Katherine Manthorne From Darkness to Light explores from a variety of angles the subject of museum ligh� ng in exhibi� on spaces in America, Japan, and Western Europe throughout the nineteenth and twen� eth centuries. Wri� en by an array of interna� onal experts, these collected essays gather perspec� ves from a diverse range of cultural sensibili� es. From sensi� ve discussions of Tintore� o’s unique approach to the play of light and darkness as exhibited in the Scuola Grande di San Rocco in Venice, to the development of museum ligh� ng as part of Japanese ar� s� c self-fashioning, via the story of an epic American pain� ng on tour, museum illumina� on in the work of Henry James, and ligh� ng altera� ons at Chatsworth, this book is a treasure trove of illumina� ng contribu� ons. FROM DARKNESS TO LIGHT FROM DARKNESS TO LIGHT The collec� on is at once a refreshing insight for the enthusias� c museum-goer, who is brought to an awareness of the exhibit in its immediate environment, and a wide-ranging scholarly compendium for the professional who seeks to WRITERS IN MUSEUMS 1798-1898 proceed in their academic or curatorial work with a more enlightened sense of the lighted space. As with all Open Book publica� ons, this en� re book is available to read for free on the publisher’s website. Printed and digital edi� ons, together with supplementary digital material, can also be found at www.openbookpublishers.com Cover image:
    [Show full text]
  • Ijtdc 3(1) 2015
    IInntteerrnnaattiioonnaall JJoouurrnnaall ffoorr TTaalleenntt DDeevveellooppmmeenntt aanndd CCrreeaattiivviittyy (Volume 2, Number 2, December, 2014; Volume 3, Number 1, June, 2015) ISSN: 2291-7179 International Journal for Talent Development and Creativity – 2(2), December, 2014; 3(1), June, 2015. 1 ICIE/LPI IJTDC Journal Subscription For annual subscriptions to the IJTDC Journal ONLY (two issues per year), please fill out the following form: First Name: Last Name: Job Title: Organization: Mailing Address: Address (cont.) City: State/Province: Zip/Postal Code: Country: Please indicate if the mailing address is your: □ Home or □ Office Address Work Phone: Home Phone: Fax: e-Mail: Media types (Note that electronic media type is only possible with institutional subscriptions): Paper Electronic Paper and Electronic The reselling of personal subscriptions is strictly prohibited. Subscribers are requested to send payment with their order whenever possible. Issues will only be sent on receipt of payment. The subscription fee is exclusive of GST/VAT. There are four types of subscription, including: o Individual Subscription, Print only (US100); o Individual Subscription, e-access only (US$50); o Individual Subscription, Print & e-access (US$125); o Institutional Subscription, Print & e-access (US$400). Please send me an invoice/receipt. Method of Payment (must be paid in US dollars). The due amount can be made by Bank (wire) Transfer to: - Account name: International Centre for Innovation in Education (ICIE), - Account number: 1010270881 - Bank Name & Address: Sparkasse Ulm, Neue Str. 66, D-89073, Ulm-Germany. - Bank Identifier Code (BIC): SOLADES1ULM - German Bank Code: 63050000 - IBAN: DE86 6305 0000 1010 2708 81 Claims for issues not received should be made in writing within six months of the date of publication.
    [Show full text]