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Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
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11> 0514302 76969 establishment,” he hastened to clarify. “I wish it were called the Legion of Honour, but it’s not.” Still in all, he thinks it’s good for govern- M artin C arthy ments to give cultural awards and is suitably honored by this one, which has previously gone to such outstanding folk performers as Jeannie Robertson. To decline under such circum- stances, he said, would have been “snotty.” Don’t More importantly, he conceives of his MBE as recognition he shares with the whole Call Me folk scene. “I’ve been put at the front of a very, very long queue of people who work hard to make a folk revival and a folk scene,” he said. Sir! “All those people who organized clubs for nothing and paid you out of their own pocket, and fed you and put you on the train the next morning, and put you to bed when you were drunk! What [the government is] doing, is taking notice of the fact that something’s going on for the last more than 40 years. It’s called the folk revival. They’ve ignored it for that long. And someone has suddenly taken notice, and that’s okay. A bit of profile isn’t gonna hurt us — and I say us, the plural, for the folk scene — isn’t gonna hurt us at all.” In the same year as Carthy’s moment of recognition, something happened that did hurt the folk scene. Lal Waterson, Carthy’s sister-in- law, bandmate, near neighbor and close friend, died of cancer. -
A Folkrocker's Guide
A FOLKROCKER’S GUIDE – FOLKROCKENS FRAMVEKST 1965–1975 «The eletricifcation of all this stuf was A FOLKROCKER’S GUIDE some thing that was waiting to happen» TO THE UNIVERSE •1965–1975 – Martin Carthy «Folkrock» ble først brukt i 1965 som betegnelse på på Framveksten av folkrock i USA I Storbritania, i motsetning til i USA, kom «folkrock» til amerikanske musikere som The Byrds, den elektrifserte Bob og UK i tiåret 65–75 skapte Dylan, Simon & Garfunkel og – pussig nok – Sonny & Cher. mye av inspirasjonen for den å betegne elektrisk musikk basert på tradisjonell folke- Likevel er det i større grad møtet mellom rock og folkemusikk moderne visebølgen i Norden. musikk. i Storbritannia ca 1969–70 som ble bestemmende for hva vi Vi har bedt Morten Bing om å skrive om dette. Han er kon- på 1970-tallet kom til å legge i begrepet her hjemme. servator ved Norsk Folkemu- som hadde bakgrunn i folkrevivalen, en sanger og en felespiller – Sandy seum og var initiativtaker til men som allerede hadde forlatt Denny og Dave Swarbrick – som MORTEN BING Norges første folkrock gruppe tradisjonell folkemusikk til fordel for begge hadde bakgrunn i den Folque i 1973. egenskrevne låter. britiske folkrevivalen. Det var denne rdet «folke-rock» kombinasjonen, og resultatet, LP’n ble brukt første gang Dylan og Byrds Gruppa har sin kanskje siste På mange måter kan en si at den konsert på Rockefeller i Oslo Liege & Lief (1969), som var begyn- i Billboard 12.06.1965, engelske utviklingen gikk mot- nelsen på den britiske folkrocken. i en artikkel om Bob En viktig katalysator for framveksten 18. -
Fairport Convention Beyond the Ledge (Filmed Live at Cropredy '98) Mp3, Flac, Wma
Fairport Convention Beyond The Ledge (Filmed Live At Cropredy '98) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Beyond The Ledge (Filmed Live At Cropredy '98) Country: UK Released: 1999 Style: Folk Rock MP3 version RAR size: 1379 mb FLAC version RAR size: 1974 mb WMA version RAR size: 1127 mb Rating: 4.2 Votes: 845 Other Formats: ASF MP4 WMA DXD MOD APE MIDI Tracklist Hide Credits Programme Start : Meet On The Ledge 1 1:50 Arranged By, Performer – Ric SandersWritten-By – Richard Thompson The Lark In The Morning 2 6:14 Arranged By – Leslie*, Pegg*, Conway*, Sanders*, Nicol*Written-By – Traditional Life's A Long Song 3 3:00 Written-By – Ian Anderson Woodworm Swing 4 3:18 Written-By – Ric Sanders Crazy Man Michael 5 5:03 Written-By – Dave Swarbrick, Richard Thompson Dangerous 6 5:29 Written-By – Kristina Olsen The Flow 7 5:13 Arranged By – Ric SandersWritten-By – Chris Leslie Close To You 8 4:24 Written-By – Chris Leslie The Naked Highwayman 9 4:56 Written-By – Steve Tilston The Hiring Fair 10 6:57 Written-By – Ralph McTell Jewel In The Crown 11 3:31 Written-By – Julie Matthews Cosmic Intermezzo 12 5:29 Written-By – Ric Sanders The Bowman's Retreat 13 3:08 Written-By – Ric Sanders Who Knows Where The Time Goes 14 7:11 Featuring – Chris WhileWritten-By – Sandy Denny Come Haste 15 4:36 Arranged By – Leslie*, Pegg*, Conway*, Sanders*, Nicol*Written-By – Trad.* Spanish Main 16 4:40 Written-By – Chris Leslie, Maartin Allcock* John Gaudie 17 6:03 Written-By – Chris Leslie Matty Groves 18a 11:14 Arranged By – Leslie*, Pegg*, Conway*, Sanders*, Nicol*Written-By – Trad.* The Rutland Reel / Sack The Juggler 18b Written-By – Ric Sanders Meet On The Ledge Guest – Anna Ryden*, Chas McDevitt, Chris Knibbs, Chris While, Dave Cousins, David 19 7:10 Hughes , Rabbit*, Maartin Allcock*, P.J. -
Morris Matters Vol 19 Issue 1
Volume19. Number 1. M0RRiS MAJTERS Vol UME l 9 UMbrn l JANUARY 2000 r/l/.l/l/l/.l/l/l/l/.l/.l/l/.l/l/l/l/l/.ll/l'/l/.l/.l/l/l/l/l/l/,l/l/l/l/l/l/l/l/l/l/l/.1111'/I/I/I/I/I/IW/I/I/.IY,l//t,W/I/I/.I/.I/.IY.I/I/.IYI/I/.I/I/I/.IY.IYI/.I/.IY.IY-'/""'/l/l/2'-/-l'YI/.IY~ i ~ ~ ~ j, Contents I ~ ,, l p ~ ~ age I I j Editorial ~I 2 ~I i ~ i ! I The End of Morris? 3 I i ~ i by Roy Dommett f l ~ i ! ~ ~ I Where Appalachian meets Morris 6 I i ~ i By AnthonyJohn Allen ~ ~ ~ ~ l = f~ "The Straw Bear and others " - 9 I I being an index of performers participating in Cambridgeshire 's I j Molly Dance and Straw Bear customs up till 1939 I ¾ ~ I by George Frampton i ~ ~ i ~ i l I Noticeboard 21 I ~ , i l ~ ~ I Flashback - a Celebration of English Dance 23 I I by Shirley Dixon I ~ ~ ~ ~ ~ ~ I Book Reviews 28 I l ~ ~ by Fiz Markham I ~ ~ ~ ~ 'J'l/l/l/i/T/,IIIVl/.ill/T/l/l/.l/l/l/l/#/l/l/l/l/#/l/.l/l/l/l/l'/I/.IT/l/l/l/l/l/l/l/,llr/l/l/.llT/l/.l/l/l/l/l/l/l/l'/l/#/I/.I/I/I/I/I/I/I/IYl/l/l/l/l/l/l/l/l/i/T/l/l/l/l/l/l/1'/I/I/~ l"/.l/l/l/l/l/l/l/l/.l/l/l/l'/l/l/l/l/l/l/l/l/l/#/l/l/l/#/l/l/l/l/l/l/l/l/l/l/.l/l/l/l/l/l/l/l/l/l/l/l/l/l/l/l/l/l/l/l/l/l/211'/I/I/I/I/I/I/I/I/I/I/I/I/I/I/I/I/I/I~ l l i I j Morris Matters is published twice a year by Beth Neill I I 27 Nortoft Road , Chalfont St Peter , Bucks SL9 OLA; phone 01494 871465 I ,,I Ii l ~ I Subscriptions are £5 for two issues (EU countries; or £7 outside these areas) published in j i ,, i January and July . -
Boo-Hooray Catalog #8: Music Boo-Hooray Catalog #8
Boo-Hooray Catalog #8: Music Boo-Hooray Catalog #8 Music Boo-Hooray is proud to present our eighth antiquarian catalog, dedicated to music artifacts and ephemera. Included in the catalog is unique artwork by Tomata Du Plenty of The Screamers, several incredible items documenting music fan culture including handmade sleeves for jazz 45s, and rare paste-ups from reggae’s entrance into North America. Readers will also find the handmade press kit for the early Björk band, KUKL, several incredible hip-hop posters, and much more. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections and look forward to inviting you back to our gallery in Manhattan’s Chinatown. Catalog prepared by Evan Neuhausen, Archivist & Rare Book Cataloger and Daylon Orr, Executive Director & Rare Book Specialist; with Beth Rudig, Director of Archives. Photography by Ben Papaleo, Evan, and Daylon. Layout by Evan. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Table of Contents 31. [Patti Smith] Hey Joe (Version) b/w Piss Factory .................. -
Ashley Hutchings Son of Morris on Mp3, Flac, Wma
Ashley Hutchings Son Of Morris On mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Son Of Morris On Country: Netherlands Released: 1977 Style: Folk Rock, Folk MP3 version RAR size: 1328 mb FLAC version RAR size: 1960 mb WMA version RAR size: 1858 mb Rating: 4.1 Votes: 940 Other Formats: DMF AA APE VQF MP2 RA MP3 Tracklist Hide Credits Winster Processional A1 Arranged By – Morris*, A. Hutchings*, J. Watcham*Bass – Ashley HutchingsConcertina – John WatchamDrums – Michael Gregory Featuring – Albion Morris MenGuitar – Simon Nicol Monck's March Arranged By – Morris*, A. Hutchings*, J. Watcham*Bagpipes – Phil Pickett*Bass – Ashley A2 HutchingsConcertina – John WatchamDrums – Michael Gregory Featuring – Albion Morris MenGuitar – Simon Nicol Old Hog Or None A3 Arranged By – A. Hutchings*, M. Carthy*Guitar – Martin Carthy As I Was Going To Banbury A4 Arranged By – J. Tams*Bass – Ashley HutchingsBassoon [Curtal] – Phil Pickett*Guitar – Simon NicolPercussion – Michael Gregory Vocals, Concertina – John Tams The Happy Man A5 Arranged By – A. Hutchings*Bassoon [Curtal] – Phil Pickett*Featuring – Adderbury Village Morris MenFiddle – James PlesterMelodeon – John TamsPercussion [Tabor] – Michael Gregory Fieldtown Processional / Glorishears A6 Arranged By – A. Hutchings*, J. Watcham*Bass – Ashley HutchingsBassoon [Curtal] – Phil Pickett*Concertina – John WatchamDrums – Michael Gregory Guitar – Simon Nicol Bob & Joan A7 Arranged By – A. Hutchings*, J. Tams*Featuring – John Tams Ladies Of Pleasure A8 Arranged By – A. Hutchings*, M. Carthy*Bass – Ashley HutchingsConcertina – John Rodd Drums – Dave MattacksGuitar – Martin Carthy Bring Your Fiddle A9 Arranged By – A. Hutchings*, J. Tams*, S. Collins*Recorder – Phil Pickett*Voice [Dialogue] – John Tams, Shirley Collins Jockey To The Fair / Room For The Cuckolds A10 Arranged By – A. -
Delta Sònic Aka Henri Maquet
Distribuzione gratuita esclusivamente in formato digitale senza pubblicità Anno 5 - n°52 - novembre 2016 - € 0,00 www.lineatrad.com - italia: www.lineatrad.it - internazionale: www.lineatrad.eu Delta Sònic aka Henri Maquet Ès-trad a Bourgoin-Jallieu 50 anni di Fairport Convention Associazione Italie Nord Isère Festival delle Ciaramelle Jean-Philippe de Peretti Ande Bali e Cante Festival del Canto Spontaneo Baìa Trio Rencontres de Harpes Celtiques Dinan Vruja Henri Maquet L’Orage n. 52 - Novembre 2016 Contatti: [email protected] - www.lineatrad.com - www.lineatrad.itSommario - www.lineatrad.eu —04 Ès-trad —13 Festival delle Ciaramelle —23 33e Rencontres de 04 a Bourgoin-Jallieu 13 per Amatrice 23 Harpes Celtiques Dinan —10 Henri Maquet —15 XV Festival —25 50 anni di 10 (Delta Sònic) 15 Ande Bali e Cante 25 Fairport Convention 33e Rencontres de IX Festival —12 Jean-Philippe De Peretti —17 —26 12 17 Harpes Celtiques Dinan 26 del Canto Spontaneo Eventi Cronaca Interviste Recensioni Argomenti Music Inside Rimini ASCOLTATE SU RADIO CITTA’ BOLLATE www.radiocittabollate.it di Loris Böhm la trasmissione An Triskell riprende a gennaio, ogni GIOVEDÌ alle ore 21:30 Editoriale oi di Lineatrad non siamo ricancelliamo, finalmente all’enne- noi speriamo sempre che si possa tro- pazzi, è la situazione globale simo tentativo intravvediamo una luce vare una soluzione. Ndella musica folk che ci di- in fondo al tunnel: illumina un cartello Per quanto riguarda Lineatrad Televi- pinge così... tanto per parafrasare una che dice “la strada è interrotta per una sion, dopo infinite ricerche di mercato considerazione di Jessica Rabbit nel frana, tornare indietro e superare la per trovare una soluzione decente che film “Chi ha incastrato Roger Rabbit”. -
Agiotfest 2015: Observations by Hilary Paipeti
The AGIOTFEST SPECIAL 95th Edition Agiot 2 This Month ‘Aerial shot at dusk’ By Νικολαος Ζωχιος AgiotFest 2015: observations by Hilary Paipeti. While poor punters at Reading and Glastonbury wallowed in a summer of dismal mud, AgiotFest-ers revelled in a glorious night of music in Cactus Hilton Valley and on the Dry- Grassy Knoll. This seventh year was heavy on the rock, not so much 'heavy rock' as a bit of roll around the shop: British Folk Rock, Mexican Funk Rock, Classic Rock, and Rock with an instrumental twist. British Folk Rock was a product of the late 1960s, a new musical genre pioneered by Fair- port Convention in their three-album collaboration with the inimitable Sandy Denny. Combining elements of folk music presented in a rock format, at its most pure it takes old folk songs and reworks them using modern instruments and techniques - songs like Fair- port's 'Matty Groves'. Or it gives us new songs that derive from a folk tradition, like Led Zepellin’s 'Battle of Evermore' (with Sandy Denny). AgiotFest headliners Leatherat tend towards the latter style, with a more rocky approach, and the 'folk' components are gener- ated in the form of a fiddle soaring over the main theme, and by the rhythms and tonal shifts of the lyrics and melody. Continued on Page 2 AgiotFest 2015: 'What makes us successful on the festival circuit,' ex- observations by Hilary Paipeti. plains Pete, 'is the energy. What it's about is entertain- Continued from Page 1 ing the audience, whatever they are like. So we tailor Vocalist Pete's mandolin and mandola took the music the music to suit them.' We can vouch for that! further into characteristic folk territory - sometimes Leatherat members are: Jono Watts (Electric Violin), reminiscent of Irish sounds, and often resounding Pete Bailey (Vocalist & Mandolin/Mandola), Jeremy with more than a trace of our own Greek folk. -
Consequences of Bringing North-West Morris to the South-East of 215 England: the Chanctonbury Ring Effect
THE HISTORIES OF THE MORRIS IN BRITAIN Papers from a conference held at Cecil Sharp House, London, 25 - 26 March 2017, organized in partnership by Historical Dance Society with English Folk Dance and Song Society and The Morris Ring, The Morris Federation and Open Morris. Edited by Michael Heaney Consequences of Bringing North-west Morris to South-east England: The Chanctonbury Ring Effect Sean Goddard and Ed Bassford pp. 215-249 English Folk Dance and Song Society & Historical Dance Society London 2018 ii English Folk Dance and Song Society Cecil Sharp House 2 Regent's Park Road London NW1 7AY Historical Dance Society 3 & 5 King Street Brighouse West Yorkshire HD6 1NX Copyright © 2018 the contributors and the publishers ISBN 978-0-85418-218-3 (EFDSS) ISBN 978-0-9540988-3-4 (HDS) Website for this book: www.vwml.org/hom Cover picture: Smith, W.A., ca. 1908. The Ilmington morris dancers [photograph]. Photograph collection, acc. 465. London: Vaughan Wil- liams Memorial Library. iii Contents Introduction 1 The History of History John Forrest How to Read The History of Morris Dancing 7 Morris at Court Anne Daye Morris and Masque at the Jacobean Court 19 Jennifer Thorp Rank Outsider or Outsider of Rank: Mr Isaac’s Dance ‘The Morris’ 33 The Morris Dark Ages Jameson Wooders ‘Time to Ring some Changes’: Bell Ringing and the Decline of 47 Morris Dancing in the Earlier Eighteenth Century Michael Heaney Morris Dancers in the Political and Civic Process 73 Peter Bearon Coconut Dances in Lancashire, Mallorca, Provence and on the 87 Nineteenth-century