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Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Die Flexible Welt Der Simpsons
BACHELORARBEIT Herr Benjamin Lehmann Die flexible Welt der Simpsons 2012 Fakultät: Medien BACHELORARBEIT Die flexible Welt der Simpsons Autor: Herr Benjamin Lehmann Studiengang: Film und Fernsehen Seminargruppe: FF08w2-B Erstprüfer: Professor Peter Gottschalk Zweitprüfer: Christian Maintz (M.A.) Einreichung: Mittweida, 06.01.2012 Faculty of Media BACHELOR THESIS The flexible world of the Simpsons author: Mr. Benjamin Lehmann course of studies: Film und Fernsehen seminar group: FF08w2-B first examiner: Professor Peter Gottschalk second examiner: Christian Maintz (M.A.) submission: Mittweida, 6th January 2012 Bibliografische Angaben Lehmann, Benjamin: Die flexible Welt der Simpsons The flexible world of the Simpsons 103 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2012 Abstract Die Simpsons sorgen seit mehr als 20 Jahren für subversive Unterhaltung im Zeichentrickformat. Die Serie verbindet realistische Themen mit dem abnormen Witz von Cartoons. Diese Flexibilität ist ein bestimmendes Element in Springfield und erstreckt sich über verschiedene Bereiche der Serie. Die flexible Welt der Simpsons wird in dieser Arbeit unter Berücksichtigung der Auswirkungen auf den Wiedersehenswert der Serie untersucht. 5 Inhaltsverzeichnis Inhaltsverzeichnis ............................................................................................. 5 Abkürzungsverzeichnis .................................................................................... 7 1 Einleitung ................................................................................................... -
Day Day One August 21
Thursday Day One August 21 2p 8:30p 9:9:9: "Life on the Fast Lane" :2222: :22"Itchy and Scratchy and Marge" 2:30p 9p :0110: :01"Homer's Night Out" :3223: :32"Bart Gets Hit by a Car" 3p 9:30p :1111: :11"The Crêpes of Wrath" :4224: :42"One Fish, Two Fish, Blowfish, Blue Fish" 3:30p :2112: :21"Krusty Gets Busted" 10p :5225: :52"The Way We Was" 4p :3113: :31"Some Enchanted Evening" 10:30p :6226: :62"Homer vs. Lisa and the 8th Commandment" Season 2: 1990 -1991 Season 1: 1989 -1990 11p 4:30p 10a :4114: :41"Bart Gets an 'F'" :7227: :72"Principal Charming" 1:1:1: "Simpsons Roasting on an Open Fire" 11:30p 5p 10:30a :5115: :51"Simpson and Delilah" :8228: :82"Oh Brother, Where Art Thou?" 2:2:2: "Bart the Genius" 5:30p 11a :6116: :61"Treehouse of Horror" 3:3:3: "Homer's Odyssey" 6p 11:30a :7117: :71"Two Cars in Every Garage and Three Eyes on Every Fish" 4:4:4: "There's No Disgrace Like Home" 12p 6:30p 5:5:5: "Bart the General" :8118: :81"Dancin' Homer" 12:30p 7p 6:6:6: "Moaning Lisa" :9119: :91"Dead Putting Society" 1p 7:30p 7:7:7: "The Call of the Simpsons" :0220: :02"Bart vs. Thanksgiving" 1:30p 8p 8:8:8: "The Telltale Head" :1221: :12"Bart the Daredevil" Friday Day Two August 22 6a 1p 5p Season 2: 1990 -1991 (cont'd) 414141:41 ::: "Like Father, Like Clown" 555555:55 ::: "Colonel Homer" 636363:63 ::: "Lisa the Beauty Queen" 12a 292929:29 ::: "Bart's Dog Gets an "F"" 6:30a 1:30p 5:30p 424242:42 ::: "Treehouse of Horror II" 565656:56 ::: "Black Widower" 646464:64 ::: "Treehouse of Horror III" 12:30a 303030:30 ::: "Old Money" 7a 2p 6p 434343:43 ::: -
DECLARATION of Jane Sunderland in Support of Request For
Columbia Pictures Industries Inc v. Bunnell Doc. 373 Att. 1 Exhibit 1 Twentieth Century Fox Film Corporation Motion Pictures 28 DAYS LATER 28 WEEKS LATER ALIEN 3 Alien vs. Predator ANASTASIA Anna And The King (1999) AQUAMARINE Banger Sisters, The Battle For The Planet Of The Apes Beach, The Beauty and the Geek BECAUSE OF WINN-DIXIE BEDAZZLED BEE SEASON BEHIND ENEMY LINES Bend It Like Beckham Beneath The Planet Of The Apes BIG MOMMA'S HOUSE BIG MOMMA'S HOUSE 2 BLACK KNIGHT Black Knight, The Brokedown Palace BROKEN ARROW Broken Arrow (1996) BROKEN LIZARD'S CLUB DREAD BROWN SUGAR BULWORTH CAST AWAY CATCH THAT KID CHAIN REACTION CHASING PAPI CHEAPER BY THE DOZEN CHEAPER BY THE DOZEN 2 Clearing, The CLEOPATRA COMEBACKS, THE Commando Conquest Of The Planet Of The Apes COURAGE UNDER FIRE DAREDEVIL DATE MOVIE 4 Dockets.Justia.com DAY AFTER TOMORROW, THE DECK THE HALLS Deep End, The DEVIL WEARS PRADA, THE DIE HARD DIE HARD 2 DIE HARD WITH A VENGEANCE DODGEBALL: A TRUE UNDERDOG STORY DOWN PERISCOPE DOWN WITH LOVE DRIVE ME CRAZY DRUMLINE DUDE, WHERE'S MY CAR? Edge, The EDWARD SCISSORHANDS ELEKTRA Entrapment EPIC MOVIE ERAGON Escape From The Planet Of The Apes Everyone's Hero Family Stone, The FANTASTIC FOUR FAST FOOD NATION FAT ALBERT FEVER PITCH Fight Club, The FIREHOUSE DOG First $20 Million, The FIRST DAUGHTER FLICKA Flight 93 Flight of the Phoenix, The Fly, The FROM HELL Full Monty, The Garage Days GARDEN STATE GARFIELD GARFIELD A TAIL OF TWO KITTIES GRANDMA'S BOY Great Expectations (1998) HERE ON EARTH HIDE AND SEEK HIGH CRIMES 5 HILLS HAVE -
Melbourne Programme Guide
MELBOURNE PROGRAMME GUIDE Sunday 10th January 2010 06:00 am Mass For You At Home WS G Enjoy Mass in the comfort of your own home. 06:30 am Hillsong WS G Religious Program 07:00 am TBA 07:30 am TBA 08:00 am Video Hits Presents: Robbie G Williams Australia's number one music show, brings you specials with interviews and music from the world's hottest acts. 10:00 am Video Hits Presents: Robbie PG Williams Sexual References, Mild Coarse Language Australia's number one music show, brings you specials with interviews and music from the world's hottest acts. 11:00 am Video Hits Presents: Beyonce Video Hits Presents: Beyonce Australia's number one music show, brings you specials with interviews and music from the world's hottest acts. 12:00 pm Australian Super X WS G Season Review Monster Energy Super X is back, bigger and better with more new race formats, with some of the best riders in the world competing at all or selected rounds including Australia's most successful supercross rider of all time, Chad Reed. 01:00 pm Australian Fishing WS G Round 4 Championship Australia's top anglers return to battle it out again for the title of Outdoors Champion in the Australian Fishing Championships. 02:00 pm The Travel Bug WS The Travel Bug explores many of the Asia-Pacific's most unique and interesting destinations. Each episode is dedicated to a single country or region and allows us to explore in detail everything these remarkable places have to offer. -
Catalogo Dei Film E Degli Episodi Televisivi Contenenti Allusioni E Shakespeare
appendice Catalogo dei film e degli episodi televisivi contenenti allusioni e Shakespeare a cura di Mariangela Tempera ALL’S WELL THAT ENDS WELL ALL'S WELL THAT ENDS WELL Ian Charleson, Angela Down, Michael Hordern, Celia Johnson. regia: Elijah Moshinsky, 1981. Versione della BBC. ing. col. 2h35’ dvd AL A 1 ALL'S WELL THAT ENDS WELL Versione del 'Globe Theatre'. regia: John Dove, 2011. ing. col. 2h18' cf AL A 3 TUTTO E' BENE QUEL CHE FINISCE BENE Ian Charleson, Michael Hordern, Celia Johnson. regia: Elijah Moshinsky, 1981. Versione italiana della produzione BBC. it. col. 2h35’ dvd AL A 2 SAU SARUM JENUM CHEVATA SARUM Versione indiana presentata al Globe Theatre di Londra. regia: Sunil Shanbag, 2012. guj. col. 2h16' cf AL B 1 CRIBB 1.6: WOBBLE TO DEATH Cit. di 'All's well that ...' regia: Gordon Flemyng, 1980. ing. col. 51' cf AL D 9 CRIMINAL MINDS 3.9: PENELOPE Il narratore cita "love all, trust a few .." regia: Félix Enríquez Alcalà, 2007. ing. col. 43' dvd cf AL D 2 da 36 VUES DU PIC SAINT LOUP Un personaggio cita "All's well..." regia: Jacques Rivette, 2009. fra. col. 30" dvd AL D 3 da DARK COMMAND Sh. doveva essere texano perché 'All's well that ...' è un detto regia: Raoul Walsh, 1940. texano. ing. b/n 1' cf AL D 8 FUTARI WA PRETTY CURE 24: MATCH POINT! Cit. del titolo di All's well... regia: Daisuke Nishio 2009 [2004]. ing. col. 24' cf AL D 7 GOLDEN GIRLS 1.16: THE TRUTH WILL OUT Cit. -
First-Order Logic and Some Existential Sentences
First-order logic and some existential sentences Stephen K. McLeod University of Liverpool Abstract ‘Quantified pure existentials’ are sentences (e.g., ‘Some things do not exist’) which meet these conditions: (i) the verb EXIST is contained in, and is, apart from quantificational BE, the only full (as against auxiliary) verb in the sentence; (ii) no (other) logical predicate features in the sen- tence; (iii) no name or other sub-sentential referring expression features in the sentence; (iv) the sentence contains a quantifier that is not an oc- currence of EXIST. Colin McGinn and Rod Girle have alleged that stan- dard first-order logic cannot adequately deal with some such existen- tials. The article defends the view that it can. Keywords Colin McGinn, existence, existentials, quantification, Rod Girle 1. Quantified pure existentials Existential sentences have stimulated plentiful discussion in logic and ontology. This article draws attention to a less-commonly discussed variety of them, examining its bearing upon logic and, less directly, upon ontology. Let us start with some matters of classification. Following the notational convention of Palmer (1990: 29), ‘EXIST’ is an expression for a lexeme, encompassing all forms of the verb. Existential sentences include sentences that feature EXIST (or its counterpart in another language) as a grammatical predicate. Bran- quinho distinguishes, as follows, between three types of such existen- tial sentences: (a) Singular existential sentences in which the grammatical predi- cate ‘exist’, preceded or not preceded by an expression of ne- gation, is combined with a logically simple singular term, espe- Disputatio, Vol. IV, No. 31, November 2011 Received on 19 October 2010, and 10 May 2011 256 Stephen K. -
Proquest Dissertations
"Cartoons Don't Have Any Deep Meaning...": The Simpsons And King Of The Hill Address American Culture, Imperialism And The 'Shrinking Globe' Lisa A. Emmerton B.A., University of Northern British Columbia, 2006 Thesis Submitted In Partial Fulfillment Of The Requirements For The Degree Of Master Of Arts in English The University of Northern British Columbia March 2008 © Lisa A. Emmerton, 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-48820-1 Our file Notre reference ISBN: 978-0-494-48820-1 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
The Simpsons and Democracy Political Apathy, Popular Culture, and Lifelong Learning As Satire
Kansas State University Libraries New Prairie Press Adult Education Research Conference 2005 Conference Proceedings (Athens, GA) The Simpsons and Democracy Political Apathy, Popular Culture, and Lifelong Learning as Satire Paul Armstron University of Leeds, United Kingdom Follow this and additional works at: https://newprairiepress.org/aerc Part of the Adult and Continuing Education Administration Commons This work is licensed under a Creative Commons Attribution-Noncommercial 4.0 License Recommended Citation Armstron, Paul (2005). "The Simpsons and Democracy Political Apathy, Popular Culture, and Lifelong Learning as Satire," Adult Education Research Conference. https://newprairiepress.org/aerc/2005/ papers/61 This is brought to you for free and open access by the Conferences at New Prairie Press. It has been accepted for inclusion in Adult Education Research Conference by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. The Simpsons and Democracy Political Apathy, Popular Culture, and Lifelong Learning as Satire Paul Armstrong University of Leeds, United Kingdom Abstract: In the lead up to the recent presidential election in the USA and the imminent general election in the UK, there has been much discussion around the ‘problem of political apathy’. This paper attempts to analyse the meaning of this in both countries, and consider the sources of people’s political socialisation and development of political literacy, including popular culture. Purpose In an episode of The Simpsons entitled "Two Cars in Every Garage, Three Eyes on Every Fish," the Simpson family ruins Monty Burns's shot at becoming governor. As Mr. Burns leaves the Simpson home he turns to his majordomo and says, "Ironic, isn't it Smithers? This anonymous clan of slack-jawed troglodytes has cost me the election. -
Has the World Changed Or Have I Changed? the Smiths and the Challenge of Thatcherism
CORE Metadata, citation and similar papers at core.ac.uk Provided by Birkbeck Institutional Research Online Has The World Changed Or Have I Changed? The Smiths and the Challenge of Thatcherism Joseph Brooker Welcome me, if you will, as the ambassador for a hatred who knows its cause Frank O’Hara, ‘For James Dean’1 - What’s frightened you? Have you been reading the newspapers? Shelagh Delaney, A Taste of Honey2 The Smiths’ recording career roughly corresponded to Margaret Thatcher’s second term in office. ‘Hand In Glove’ was released a month before 1983’s General Election. Strangeways, Here We Come appeared four months into Thatcher’s third term. Such facts can be suggestive. But they do not necessarily signify substantial connections. In an important sense, The Smiths’ career had little to do with contemporary political events. When Johnny Marr remembers the band he talks most intensely not of society at large but of ‘the feeling of being in the studio at half-two in the morning when two chords suddenly crash into each other’.3 What were The Smiths trying to achieve? Musical greatness; a living; fame and adulation, to be sure. But, more than most artists, they also sought political confrontation and significance. ‘Times are desperate’, Morrissey announced in 1984.4 What he meant by that, and what he tried to do about it, are this essay’s quarry. The Thatcher Syndrome The 1980s in Britain were politically dominated by Thatcher’s three Conservative administrations, elected in 1979, 1983 and 1987. Thatcher was unusually driven and controversial – a ‘conviction politician’ determined to change the fabric of Britain. -
Introduction: the Simpsons, Satire, and American Culture
Notes Introduction: The Simpsons, Satire, and American Culture 1. Robert J. Thompson, Television’s Second Golden Age: From Hill Street Blues to ER (New York: Continuum, 1996), 19. 2. “Simpsons Roasting on an Open Fire” (#7G08) ranked thirtieth for its timeslot the night it premiered and earned Fox a 22 percent share and a 14.5 rating. See “Nielsens,” USA Today, December 20, 1989, 3D, Lexis-Nexis Academic, October 2, 2003. 3. “Bart the Genius” (#7G02) ranked forty-eighth for its timeslot and earned Fox a 19 percent share and a 12.7 rating. See “Nielsens,” USA Today, January 17, 1990, 3D, Lexis-Nexis Academic, October 2, 2003. 4. Harry F. Waters, “Family Feuds,” Newsweek, April 23, 1990, 58. 5. Although The Simpsons often ranked within the top ten for weekly or monthly Nielsen totals, the show has not ranked high overall: at the end of the 1989–90 season, its first full season on the air, The Simpsons ranked only thirtieth. See “Final Season Ratings,” Electronic Media, April 23, 1990, 36, Lexis-Nexis Academic, October 2, 2003. http:// web.lexis-nexis.com/universe. Curiously, the show has never been among the top 25 in the Nielsen seasonal totals. It is no longer the ratings juggernaut it once was, but new episodes of The Simpsons still rank in the Nielsen top 50 among prime-time television shows and often in the top 20 among shows in syndication. Tim Brooks and Earle Marsh, The Complete Directory to Prime Time Network and Cable TV Shows, 1946–Present, 8th ed. (New York: Ballantine, 2003), 1073–74. -
Winter 2008 69847 PP 7/11/08 09:32 Page 2
69847_PP 7/11/08 09:32 Page 1 The Middle Templar The Honourable Society of the Middle Temple Issue No. 45 Winter 2008 69847_PP 7/11/08 09:32 Page 2 Middle Temple Staff Introduction Under Treasurer Air Commodore Peter Hilling Executive Assistant to the Treasurer/Under Treasurer articles shorter with more Kristine McGlothlin photographs. We shall also 020 7427 4804 seek to widen the distribution [email protected] within the constraints of our budget. I should like to record Director of Catering & Marketing my thanks to Master Guy Colin Davidson 020 7427 4820 Mansfield who was [email protected] instrumental in carrying out the review and who continues to Director of Estates provide valuable assistance. I Ian Garwood am also very grateful to Peter 020 7427 4840 Blair for his technical support [email protected] to The Middle Templar during Deputy Under Treasurer (Education) his time as Deputy Under Christa Richmond Treasurer, and to Kristine 020 7427 4800 McGlothlin who now co- [email protected] ordinates the publication. As everyone knows 2008 has As 2008 draws to a close I Director of Finance & Administration been a special year of believe we can reflect on a Andrew Hopkin 020 7427 4800 commemoration and we have year of considerable [email protected] endeavoured to capture the achievement for the Inn. main elements of the 2008 Despite the demands of the Keeper of the Library Festival in this colourful 2008 Festival including a huge Vanessa Hayward special edition of The Middle Open Weekend, a major Royal 020 7427 4830 Templar.