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James Kent Director
James Kent Director Agents Natasha Galloway Associate Agent Talia Tobias [email protected] + 44 (0) 20 3214 0860 Credits Film Production Company Notes THE AFTERMATH Scott Free/Fox Producers: Jack Arbuthnott, Ridley Scott, Malte 2019 Searchlight/BBC Films Grunert Starring: Keira Knightley, Alexander Skarsgard, Jason Clarke TESTAMENT OF Heyday Films Prods: Rosie Alison, David Heyman YOUTH Starring Alicia Vikander, Kit Harington, Taron 2014 Egerton, Emily Watson, Dominic West, Hayley Atwell and Miranda Richardson Documentaries Production Company Notes ONE STRANGE ROCK Nutopia Producer: Darren Aronofsky, Starring: Will Smith 2018 Television Production Company Notes THE CAPTURE II Heyday/BBC/NBC Lead Director. Producers: Rosie Alison, 2021 Kristian Dench, Ben Chanan. Starring: Holliday Grainger, Paapa Essiedu, Ron Perlman. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes MOTHER FATHER SON BBC Studios Lead director. 2019 Producers: Hilary Salmon, Lisa Osborne, Alan Poul, Sharon Bloom Starring: Richard Gere, Helen McCrory, Sarah Lancashire, Billy Howle SPARK ABC Pilot 2016 Prods: Ian Sander, Kim Moses Starring Lena Olin, Rege-Gene Page, Tracy Ifeachor AMERICAN CRIME II ABC Prods: John Ridley, Michael MacDonald 2015 Starring Felicity Huffman, Timothy Hutton Regina King 11/22/63 Bad Robot / Warner Prods: JJ Abrams, Bridget Carpenter 2015 Bros TV Starring: James Franco, Chris Cooper, Sarah Gadon THE THIRTEENTH TALE Heyday Films Director. 90min film for BBC2. 2013 Written by Christopher Hampton. Starring Vanessa Redgrave and Olivia Colman *Winner, C21 Media awards 'Best Miniseries'. THE WHITE QUEEN BBC/Starz Lead Director. -
La Vida De Adèle
LA VIDA DE ADÈLE BLUE IS THE WARMEST COLOR Título original/Original title: LA VIE D'ADÈLE Otros títulos/Other titles: LA VIE D'ADÈLE CHAPITRES 1 ET 2 (España/Spain 10%Financiera-Francia/France 70%- Bélgica/Belgium 20%) Dirigido por/Directed by ABDELLATIF KECHICHE Productoras/Production Companies: VERTIGO FILMS, S.L. (10% Financiera) Carranza, 25, 7º. 28004 Madrid. Tel.: 91 524 08 19. Fax: 91 523 27 19. www.vertigofilms.es ; [email protected] WILD BUNCH, S.A. 99 rue de la Verrerie. 75004 Paris. (Francia) Tel.: + 33 1 53 01 50 20. Fax: + 33 1 53 01 50 49. www.wildbunch.biz ; [email protected] QUAT'SOUS FILMS. France. (Francia) SCOPE PICTURES. (20%) Belgium. (Bélgica) Con la participación de/With the participation of: FRANCE 2 CINÉMA, RTBF - RADIO TÉLÉVISION BELGE, CANAL+, CINÉ+, FRANCE TELEVISIONS. Director: ABDELLATIF KECHICHE. Producción/Producers: VINCENT MARAVAL, BRAHIM CHIOUA, ABDELLATIF KECHICHE. Producción ejecutiva/Executive Producers: ALCATRAZ FILMS, OLIVIER THERY LAPINEY, LAURENCE CLERC. Coproducción/Co-producers: GENEVIÈVE LEMAL, ANDRÉS MARTÍN. Dirección de producción/Line Producer: DIANA ANGULO. Guión/Screenplay: GHALYA LACROIX, ABDELLATIF KECHICHE. BASADA EN EL CÓMIC "EL AZUL ES UN COLOR CÁLIDO" DE JULIE MAROH / BASED ON THE COMIC BOOK "LE BLEU EST UNE COULEUR CHAUDE" BY JULIE MAROH - ÉDITIONS GLÉNAT Fotografía/Photography: SOFIAN EL FANI. Dirección artística/Production Design: JULIA LEMAIRE. Vestuario/Costume Design: PALOMA GARCIA MERTENS. Montaje/Editing: ALBERTINE LASTERA, CAMILLE TOUBKIS, JEAN- Web: www.lavidadeadele.es/ MARIE LENGELLÉ, GHALYA LACROIX. Montaje de sonido/Sound Design: PATRICK HUBARD. Sonido/Sound: JÉRÔME CHENEVOY. Sonido directo/Sound Mixers: FABIEN POCHET, ROLAND VOGLAIRE. Mezclas/Re-recording Mixer: JEAN-PAUL HURIER, YOANN NALLET. -
Catálogo Catalogue
this is european cinema esto es cine europeo Es un proyecto de: Catálogo A project by: Catalogue Es un proyecto de: A project by: esto es Una publicación del ICAS, cine Instituto de la Cultura y las Artes de Sevilla A publication of the europeo Institute of Culture and Arts of Seville (ICAS) 6-14 noviembre 2020 this is european cinema November 6-14, 2020 FESTIVALES SEGUROS C M Y CM MY CY CMY K #YO EL INSTITUTO DE LA CINEMATOGRAFÍA Y DE LAS ARTES AUDIOVISUALES DE ESPAÑA EN SU OBJETIVO VOY DE PROMOCIÓN DEL CINE ESPAÑOL APOYA ESTE FESTIVAL AL CON LA FINANCIACIÓN DEL GOBIERNO DE ESPAÑA CINE FESTIVALES SEGUROS 17 FESTIVAL DE SEVILLA 17 FESTIVAL Como alcalde de la ciudad de Sevilla, es un ho- En este escenario marcado por la pandemia, nor escribir estas líneas para el catálogo del tenemos claro que la cultura deber ser uno de festival, pero, sin duda alguna, es un motivo los motores de la reactivación económica con de orgullo que estas palabras sirvan de salu- el objetivo de seguir construyendo entre todos do en una edición que, pese a las circunstan- una ciudad abierta al futuro y a la diversidad. cias en el contexto de la Covid19, se celebra En este sentido, el festival es uno de los pro- de manera presencial y en salas. Sevilla ha yectos que promueve el Ayuntamiento de Se- demostrado en los últimos años que la cultura villa más sólidos y cargados de futuro capaz es clave para la generación de riqueza y opor- de proyectar la compleja condición humana, tunidades con una apuesta decidida y sosteni- el pasado del viejo continente y los retos a los da en el tiempo de proyectos que se encuen- que nos enfrentamos como sociedad en lo re- tran, por derecho propio, en la agenda cultural ferente a la igualdad, a la emergencia climá- de todo el país, como la Bienal de Flamenco, tica, a la inmigración o al empleo. -
Festival Schedule
T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen. -
Hollywood Foreign Press Association 2017 Golden Globe Awards for the Year Ended December 31, 2016 Press Release
HOLLYWOOD FOREIGN PRESS ASSOCIATION 2017 GOLDEN GLOBE AWARDS FOR THE YEAR ENDED DECEMBER 31, 2016 PRESS RELEASE 1. BEST MOTION PICTURE – DRAMA a. HACKSAW RIDGE Pandemonium Films / Permut Productions; Lionsgate b. HELL OR HIGH WATER Sidney Kimmel Entertainment / Film 44 / LBI Entertainment / OddLot Entertainment; CBS Films / Lionsgate c. LION See-Saw Films; The Weinstein Co. d. MANCHESTER BY THE SEA Pearl Street Films / The Media Farm / K Period Media / The A | Middleton Project / B Story; Amazon Studios e. MOONLIGHT A24 / Plan B / Pastel; A24 2. BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA a. AMY ADAMS ARRIVAL b. JESSICA CHASTAIN MISS SLOANE c. ISABELLE HUPPERT ELLE d. RUTH NEGGA LOVING e. NATALIE PORTMAN JACKIE 3. BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA a. CASEY AFFLECK MANCHESTER BY THE SEA b. JOEL EDGERTON LOVING c. ANDREW GARFIELD HACKSAW RIDGE d. VIGGO MORTENSEN CAPTAIN FANTASTIC e. DENZEL WASHINGTON FENCES HOLLYWOOD FOREIGN PRESS ASSOCIATION 2017 GOLDEN GLOBE AWARDS FOR THE YEAR ENDED DECEMBER 31, 2016 PRESS RELEASE 4. BEST MOTION PICTURE – MUSICAL OR COMEDY a. 20TH CENTURY WOMEN Annapurna; A24 b. DEADPOOL Twentieth Century Fox; Twentieth Century Fox c. FLORENCE FOSTER JENKINS Paramount Pictures / Pathe / BBC Films; Paramount Pictures d. LA LA LAND Impostor Pictures / Gilbert Films / Marc Platt Productions; Lionsgate e. SING STREET Cosmo Films; The Weinstein Co. 5. BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – MUSICAL OR COMEDY a. ANNETTE BENING 20TH CENTURY WOMEN b. LILY COLLINS RULES DON'T APPLY c. HAILEE STEINFELD THE EDGE OF SEVENTEEN d. EMMA STONE LA LA LAND e. -
The 7.39 Written by David Nicholls
THE 7.39 WRITTEN BY DAVID NICHOLLS Carnival Films and BBC One The 7.39 Carnival Films and BBC One’s new two-part romantic drama written by David Nicholls (One Day, Starter For Ten), The 7.39 stars David Morrissey (The Walking Dead), Sheridan Smith (Mrs Biggs), Olivia Colman (Broadchurch) and Sean Maguire (Scott & Bailey). Writer, David Nicholls says, “The 7.39 is a love story for grown-ups, the sort of drama that has not been seen on television for a while. I'm delighted to be writing for the BBC again and working with such a terrific cast and production team.” Carl Matthews (David Morrissey) is stuck. At the age of 45 his life has become routine. Every morning Carl fights his way onto the 7.39 train where he sees the same unhappy faces doing the same daily commute into Waterloo. Happily married to his best friend from college, Maggie (Olivia Colman), with whom he has two healthy, if sullen, teenage kids, life for Carl has become predictable. Sally Thorn (Sheridan Smith) has recently moved out of London, where she still works as the manager of a health club. But she’s unsure if she likes her new suburban life and is anxious about the prospect of marriage to Ryan (Sean Maguire), an enthusiastic personal trainer. Ryan is desperate to start a family, get married, settle down. Not that there’s much time to worry about these things, not while she’s running to catch the 7.39. Over a fight for a seat one morning Sally and Carl begin talking and suddenly their daily commute becomes a lot more interesting. -
With New Series Stateless, Cate Blanchett Tackles the Human Drama of Immigration
Monday, July 13, 2020 Dhul-Qa’da 22, 1441 AH Doha today: 330 - 420 COVER STORY In the forefront With new series Stateless, Cate Blanchett tackles the human drama of immigration. P4-5 HOLLYWOOD BACK PAGE Looking for a follow-up to DIY danger: ‘It’s not a sensible Tiger King? Watch these. thing to do when you get older”. Page 15 Page 16 2 GULF TIMES Monday, July 13, 2020 COMMUNITY ROUND & ABOUT SERIES TO BINGE WATCH ON NETFLIX PRAYER TIME Fajr 3.23am Shorooq (sunrise) 4.53am Zuhr (noon) 11.41am Asr (afternoon) 3.06pm Maghreb (sunset) 6.29pm Isha (night) 7.59pm USEFUL NUMBERS The Crown prospect of leading the world’s most famous monarchy DIRECTION: Peter Morgan while forging a relationship with legendary Prime Minister, CAST: Claire Foy, Olivia Colman, Matt Smith Sir Winston Churchill. The British Empire is in decline, the SYNOPSIS: The show focuses on Queen Elizabeth II as political world is in disarray, and a young woman takes the a twenty-fi ve-year-old newlywed faced with the daunting throne....a new era is dawning. Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Local Directory 180 International Calls Enquires 150 Hamad International Airport 40106666 Labor Department 44508111, 44406537 Mowasalat Taxi 44588888 Qatar Airways 44496000 Hamad Medical Corporation 44392222, 44393333 Qatar General Electricity and Water Corporation 44845555, 44845464 Primary Health Care Corporation 44593333 44593363 Qatar Assistive Technology Centre 44594050 Qatar News Agency 44450205 44450333 Q-Post – General Postal Corporation 44464444 Humanitarian Services Offi ce (Single window facility for the repatriation of bodies) Riverdale of Riverdale investigates the murder. -
Film Reviews
Page 78 FILM REVIEWS Kill List (Dir. Ben Wheatley) UK 2011 Optimum Releasing Note: This review contains extensive spoilers Kill List is the best British horror film since The Descent (Dir. Neil Marshall, 2005). Mind you, you wouldn’t know that from the opening halfhour or so. Although it opens with an eerie scratching noise and the sight of a cryptic rune that can’t help but evoke the unnerving stick figure from The Blair Witch Project (Dir. Daniel Myrick and Eduardo Sánchez, 1999), we’re then plunged straight into a series of compellingly naturalistic scenes of domestic discord which, as several other reviews have rightly pointed out, evoke nothing so much as the films of Mike Leigh. (The fact that much of the film’s dialogue is supplied by the cast also adds to this feeling.) But what Leigh’s work doesn’t have is the sense of claustrophobic dread that simmers in the background throughout Wheatley’s film (his second, after 2009’s Down Terrace ). Nor have any of them – to date at least – had an ending as devastating and intriguing as this. Yet the preliminary scenes in Kill List are in no sense meant to misdirect, or wrongfoot the audience: rather, they’re absolutely pivotal to the narrative as a whole, even if many of the questions it raises remain tantalisingly unresolved. Jay (Neil Maskell) and his wife Shel (MyAnna Buring) live in a spacious, wellappointed suburban home (complete with jacuzzi) and have a sweet little boy, but theirs is clearly a marriage on the rocks, and even the most seemingly innocuous exchange between them is charged with hostility and mutual misunderstanding. -
Fondée En 1989, La Société Entre Chien Et Loup a Réussi À S'imposer
Fondée en 1989, la société Entre Chien et Loup a réussi à s’imposer sur le marché audiovisuel européen par une politique de production de films à contenu. Notre philosophie de production tant dans la fiction, les documentaires, que dans les séries TV, est issue d’une même réflexion : l’accès à la diffusion d’œuvres audiovisuelles relève d’un défi permanent et formidable dans une société où la consommation d’images prédigérées est devenue norme. Entre Chien et Loup reste fidèle à son intention de base: faire des films alliant une narration engagée (par ses auteurs et leurs sujets), une cinématographie forte et une production adéquate pour rencontrer cette ambition. Et au fil du temps, cette obstination a été payante. Producers Sébastien DELLOYE & François TOUWAIDE Line Producer Raquel MORTE Production Assistants Coline LECHAT & Molly POUSSART Financial Director Gaëlle VERSTRAETEN Chief Accountant Kevin THIRY Accountant Joyce THIRY Production Administrator Natalia PIETRANIUK ENTRE CHIEN ET LOUP scrl 40-42 rue de la Luzerne • 1030 Brussels • Belgium Tel : 32 2 736 48 13 • Fax : 32 2 732 33 83 [email protected] • www.entrechienetloup.be T.V.A. : BE 0437.078.634 • R.C.B : 516.980 IN FESTIVALS PUBLIC ENNEMY – SEASON 2 (TV Series) Co-produced with Playtime Films (BE) BEING BROADCASTED XDDL XAVIER DUPONT DE LIGONNÈS (TV docufiction) by Ionut Teianu Co-produced with C-Productions for M6 (FR) IN POST-PRODUCTION LE MILIEU DE L’HORIZON (Feature Film) by Delphine Lehericey Co-produced with Box Productions (CH) GOD EXISTS, HER NAME IS PETRUNIJA -
2019 IPA Nomination 24Th Satelilite FINAL 12-2-2019
FOR IMMEDIATE RELEASE DECEMBER 2, 2019 INTERNATIONAL PRESS ACADEMY THE 24TH ANNUAL SATELLITE AWARDS™ 2019 NOMINATIONS Special Achievement Award Recipients Auteur Award Edward Norton, “Motherless Brooklyn” Best First Feature Laure de Clermont-Tonnerre, “The MustanG” Ensemble: Motion Picture KnIves Out Ensemble: Television Succession MOTION PICTURES ACTRESS IN A MOTION PICTURE DRAMA Alfre Woodard Clemency Charlize Theron Bombshell Cynthia Erivo Harriet Helen Mirren The Good LIar Renee Zellweger Judy Scarlett Johansson MarriaGe Story ACTOR IN A MOTION PICTURE DRAMA Adam Driver MarriaGe Story Antonio Banderas PaIn and Glory Christian Bale Ford v FerrarI George MacKay 1917 24th Annual Satellite Award Nominations 2019 contact: [email protected] FOR IMMEDIATE RELEASE DECEMBER 2, 2019 Joaquin Phoenix Joker Mark Ruffalo Dark Waters ACTRESS IN A MOTION PICTURE, COMEDY OR MUSICAL Awkwafina The Farewell Ana De Armas KnIves Out Constance Wu Hustlers Julianne Moore GlorIa Bell ACTOR IN A MOTION PICTURE, COMEDY OR MUSICAL Adam Sandler Uncut Gems Daniel Craig KnIves Out Eddie Murphy DolemIte Is My Name Leonardo DiCaprio Once Upon a Time In Hollywood Taron Egerton Rocketman Taika Waititi Jojo RabbIt ACTRESS IN A SUPPORTING ROLE Jennifer Lopez Hustlers Laura Dern MarrIaGe Story Margot Robbie Bombshell Penelope Cruz PaIn and Glory Nicole Kidman Bombshell Zhao Shuzhen The Farewell ACTOR IN A SUPPORTING ROLE Anthony Hopkins The Two Popes Brad Pitt Once Upon a Time In Hollywood Joe Pesci The IrIshman Tom Hanks A BeautIful Day In The NeiGhborhood 24th Annual Satellite Award Nominations 2019 contact: [email protected] FOR IMMEDIATE RELEASE DECEMBER 2, 2019 Willem Dafoe The LIGhthouse Wendell Pierce BurnInG Cane MOTION PICTURE, DRAMA 1917 UnIversal PIctures Bombshell Lionsgate Burning Cane Array ReleasinG Ford v Ferrari TwentIeth Century Fox Joker Warner Bros. -
Manila Vows Labor Ban Stays Until Slain Maid Gets Justice
JUMADA ALTHANI 9, 1441 AH MONDAY, FEBRUARY 3, 2020 28 Pages Max 20º Min 04º 150 Fils Established 1961 ISSUE NO: 18051 The First Daily in the Arabian Gulf www.kuwaittimes.net Interior ministry’s WhatsApp Drunk driver slams into group Morocco’s long-burdened ‘mule Djokovic beats Thiem in five-set 4 hotline receives complaints 24/7 6 of children, kills 4 in Australia 24 women’ facing new struggles 28 epic to win 8th Australian Open Manila vows labor ban stays until slain maid gets justice Aqeel meets Bello, says 10,000 Filipino workers entered Kuwait last month By Meshaal Al-Enezi and Ben Garcia restores rights to those who deserve them and applies the law on all”. She also lauded bilateral relations KUWAIT: At a meeting with Filipino community lead- between Kuwait and the Philippines, adding that the ers late Saturday, Philippine Department of Labor and death of the helper is a “rare case” that must not affect Employment Secretary Silvestre Bello III reiterated his relations between the two countries. country’s desire to get justice for murdered Filipino Aqeel said Kuwait receives a large number of housemaid Jeanelyn Villavende, saying Manila is not Filipino workers every month to work in a stable market backing down on the total labor deployment ban to where labor rights are safeguarded, adding nearly Kuwait until justice is served to Villavende. 10,000 Filipinos of both genders entered Kuwait the “We are clear on our position - we will not back previous month. She said the Filipino delegation will down. We will lift the ban only if justice is given to discuss the implementation of the labor agreement Villavende, and also more importantly, the long-over- between Kuwait and the Philippines to reach the best due implementation of the standard or harmonized results with regards to domestic helpers. -
A Field in England
INSIGHT REPORT A Field In England bfi.org.uk 1 Contents Introduction 3 Executive Summary 4 Section One: Overview 5 Section Two: Planning and Execution 6 Section Three: Results 9 Section Four: Conclusions 14 2 INTRODUCTION The following is the report on the DAY AND DATERELEASEOFA Field In England. It uses a wide range of data to measure performance on all platforms, and tries to address the key questions about the significance of the release. A Field In England was released on 5 July 2013 The conclusions are based on an objective view on cinema screens, DVD, VOD and free terrestrial of the data, interviews both before and after broadcast on Film4. the film’s release, and on experience of the UK distribution and exhibition market. The BFI Distribution Fund supported the release of the project with £56,701, which contributed The report evaluates the performance of an to a P&A spend of £112,000. The total production individual film but it also tries to explain the budget was £316,879. context of the release and to suggest lessons for other films trying similar strategies. This report uses a number of measures to assess the success of the release: s "OXOFFICEREPORTSDAILYFOROPENING weekend, weekly thereafter) s /PENINGWEEKENDEXITPOLLSFROM&IRST-OVIES )NTERNATIONALFOR0ICTUREHOUSECINEMA s $6$"LU 2AYSALES/PENINGWEEKEND s 4ELEVISIONRATINGS s /NLINEMONITORING"RILLIANT.OISEFOR Picturehouse Cinemas) 3 EXECUTIVE SUMMARY sA Field In EnglandISANEXPERIMENTAL GENRE s4HEPRIMARYAUDIENCEWAS!"#n YEARS busting film set in the English Civil War OLD ANDFREQUENTCINEMAGOERSINTHE ANDDIRECTEDBY"EN7HEATLEYDown Terrace, bracket, who might have already been aware Kill List, Sightseers). of Wheatley’s work.