Lament in Jewish Thought Perspectives on Jewish Texts and Contexts
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Structure and Meaning in Lamentations Homer Heater Liberty University, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Liberty University Digital Commons Liberty University DigitalCommons@Liberty University Liberty Baptist Theological Seminary and Graduate Faculty Publications and Presentations School 1992 Structure and Meaning in Lamentations Homer Heater Liberty University, [email protected] Follow this and additional works at: http://digitalcommons.liberty.edu/lts_fac_pubs Part of the Biblical Studies Commons, Comparative Methodologies and Theories Commons, Ethics in Religion Commons, History of Religions of Eastern Origins Commons, History of Religions of Western Origin Commons, Other Religion Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Heater, Homer, "Structure and Meaning in Lamentations" (1992). Faculty Publications and Presentations. Paper 283. http://digitalcommons.liberty.edu/lts_fac_pubs/283 This Article is brought to you for free and open access by the Liberty Baptist Theological Seminary and Graduate School at DigitalCommons@Liberty University. It has been accepted for inclusion in Faculty Publications and Presentations by an authorized administrator of DigitalCommons@Liberty University. For more information, please contact [email protected]. Structure and Meaning in Lamentations Homer Heater, Jr. Professor of Bible Exposition Dallas Theological Seminary, Dallas, Texas Lamentations is perhaps the best example in the Bible of a com bination of divine inspiration and human artistic ability. The depth of pathos as the writer probed the suffering of Zion and his own suf fering is unprecedented. Each chapter is an entity in itself, a com plete poem.1 The most obvious literary device utilized by the poet is the acrostic; that is, poems are built around the letters of the alpha bet. -
Eat and Die: the Last Meal of Sacrificed Chimú Camelids At
Eat and Die: The Last Meal of Sacrificed Chimú Camelids at Huanchaquito-Las Llamas, Peru, as Revealed by Starch Grain Analysis Clarissa Cagnato , Nicolas Goepfert, Michelle Elliott, Gabriel Prieto, John Verano, and Elise Dufour This article reconstructs the final diet of sacrificed domestic camelids from Huanchaquito-Las Llamas to understand whether feeding was part of the ritual practice. The site is situated on the northern coast of Peru and is dated to the fifteenth century AD (Late Intermediate period; LIP). It was used by the Chimús to kill and bury a large number of camelids, mostly juveniles. We reconstructed the final meal of 11 of the sacrificed individuals by analyzing starch grains derived from the associated gut con- tents and feces. The starch grains were well preserved and allowed for the determination of five plant taxa. The comparison with previously published and new stable isotope analyses, which provide insights into long-term diet, indicates that the Chi- mús managed their herds by providing maize as fodder and allowing them to graze on natural pasture; yet they reserved special treatment for sacrificial animals, probably bringing them together a few hours or days before the sacrificial act. We show for the first time the consumption of unusual food products, which included manioc, chili peppers, and beans, as well as cooked foods. Our study provides unique information on Chimú camelid ritual and herding practices. Keywords: ritual diet, archaeobotany, stable isotope analysis, Late Intermediate period El presente artículo aborda la reconstrucción de la dieta ingerida por camélidos domesticados antes de ser sacrificados y enterrados en el sitio arqueológico Huanchaquito-Las Llamas, situado en la costa norte de Perú y data del siglo XV de nuestra era (periodo Intermedio Tardío). -
RARE BX2080.A2 Book of Hours for Dominican Use Northwestern France? S
Manuscript description by Brittany Rancour RARE BX2080.A2 Book of Hours for Dominican Use Northwestern France? S. XV2/4 CONTENT The Seven Penitential Psalms (f.1r); a Litany of the Saints (f.12v3); Agnus dei (f. 17v5), Alma Redemptoris Mater (f.18r1), Suffrages (f. 18v2), the Hours of the Cross (f.20v1); the Hours of the Holy Spirit at Matins (f.23v1); Memorials to the saints (f.26r1); the Office of the Dead with vespers, Matins (first, second, and third night readings), and Lauds (f.31r11-61v3); Prayers for use at Mass (f.63v7), the hymn Ave verum corpus (f.66r2), and the Obsecro te (f.67r1). MODERN EDITIONS Medievalist.net. “A Hypertext Book of Hours.” http://medievalist.net/hourstxt/home.htm. PHYSICAL DESCRIPTION Parchment. 71 folios. Multiple scribes. 9 quires I-II8, III6, IV-VIII8, IX9 lacking final blank. Catch words at the end of each quire provide the first word of the next quire. HF’FH. Bound, s. XV. Dimensions of folio 11.5 cm X 8.7 cm. Text dimensions 6 cm X 5 cm. 14 long lines, ruled by dry point with single vertical bounding lines. Prickings in outer margins. Gothic textura. Blank spaces left for miniatures (f.1r, 31r). Decorated initials in gold leaf, frequently with red pen flourishes. Decorated initial D in purple box (f.1r). Decorated initial D in a decorated square bordered in gold with gold dots and filled in purple, purple and gold dots continue staining the left upper and outer margins; the decoration is not complete, only part of the outer left margin has been stained purple, and some bole dots were added without the gold leaf decoration. -
Program Notes Scene I
PROGRAM SCENE I NOTES GIOVANNI GIROLAMO KAPSBERGER (C. 1580 – 1651) CLAUDIO MONTEVERDI (1567 – 1643) Toccata arpeggiata Lamento della ninfa While little is known of Kapsberger’s life, he is primarily remembered as a composer As you walk through Venice for the first time, nobody can escape two things: the for theorbo, a large guitar-like instrument that was common in the period. This work, labyrinth of canals, and the striking Piazzo San Marco (St Mark’s Square), which which features on our ARIA award-winning recording Tapas, comes from a beautiful has been walked by countless musical geniuses over the years. One of these was 60-page manuscript published in Venice in 1604, titled Libro primo d'intavolatura di Claudio Monteverdi, who was the head of music at the stunning St Mark’s Basilica chitarrone (first book of theorbo tablature). Tablature is a form of music notation that which dominates the square. Famed for its extraordinary acoustic, St Mark’s indicates fingering rather than specific pitches. In this case, it shows which fingers Basilica was practically Monteverdi’s home, and it was during his over 30 years here are to be placed on which strings of the theorbo. The manuscript below constitutes that he cemented his position as one of the most influential and monumental figures the entirety of the music notated by Kapsberger for this piece: all other aspects in music history. He is usually credited as the father of the opera, and also as the of realising the music are left to the performers. However, the marking arpeggiata most important transitional figure between the Renaissance and Baroque periods indicates that is to be played with arpeggios: musical phrases that take individual of music. -
Schwere- Los Was Stipendien an Der Universität Mannheim Bewegen
DAS MAGAZIN VON ABSOLVENTUM UND DER UNIVERSITÄT MANNHEIM AUSGABE 1|2018 SCHWERE- LOS Was Stipendien an der Universität Mannheim bewegen ZUKUNFTS- FRAGEN DER ÖKONOMIE Neuer SFB nimmt Arbeit auf CHANCEN- BEREITER Studentische Initiativen helfen Kindern Als die Universität Mannheim vor etwas mehr als zehn Jah- ren begann, ein eigenes Stipendiensystem aufzubauen, war sie eine der Pionierinnen unter den deutschen Universitäten. Heute spiegelt das weitgefächerte Stipendienangebot und die große Zahl der Stipendiatinnen und Stipendiaten den Erfolg dieses Unterfangens, aber auch die Exzellenz unserer Studierenden wider: Im akademischen Jahr 2017/2018 förderte die Universität Mannheim mit Unterstützung ihrer Freunde allein in ihren hochschuleigenen Stipendienprogram- men mehr als 250 Studierende. Dazu kommen noch hunder- te von Stipendiatinnen und Stipendiaten, die von externen Organisationen, Auslands- oder Begabtenförderungswerken mit einem Stipendium ausgezeichnet werden. Mit welchen Stipendien die Universität Mannheim ihre Studierenden finanziell und ideell fördert – und was Mannheimer Stipen- diatinnen und Stipendiaten ausmacht – das lesen Sie im LIEBE Schwerpunkt ab Seite 12. LESERINNEN Die Universität Mannheim hat aber nicht nur engagierte und ausgezeichnete Studierende, auch ihre Wissenschaftlerinnen UND LESER und Wissenschaftler konnten in den vergangenen Monaten erneut große Erfolge aufweisen: So hat etwa der Wirtschafts- wissenschaftler Prof. Dr. Christoph Rothe einen der begehr- ten Consolidator Grants des Europäischen Forschungsrates -
Earlsdon Literary Magazine 176
Earlsdon Literary Magazine 176 The newsletter of the AVID Readers Group, based at Earlsdon Library Next meeting: Thursday 11th June 8pm Venue: Earlsdon Library Book for discussion: The Hundred-Year Old Man Who Climbed Out of the Window and Disappeared—Jonas Jonasson Enjoying a Different Genre Our May Book Dissolution — CJ Sansom Dissolution is set during the reign of poverty faced by those who lived in the Henry VIII. The country is beset by surrounding area. Particular reference savage new laws and a powerful was made to how cold it must have been network of informers who work for for those living at the time and the Thomas Cromwell. Cromwell and his powerful descriptions of how bad the commissioners are travelling latrines and sewage must have been. throughout the country investigating The author created strong characters – the working of the monasteries with a regardless of whether they were to be single planned outcome – their liked or disliked. Particularly strong is dissolution. Shardlake himself who, through his However, in one monastery – Scarnsea, investigation, is forced to question on the Sussex Coast – events are everything that he believes to be true. spiralling out of control. Cromwell's Many of the group approached the book commissioner has been found – an historical mystery – with a degree beheaded; a cockerel has been of trepidation. The fact that many of the sacrificed on the altar and the group not only liked the book, but would monastery’s great relic has been stolen. recommend it to fellow readers was So enters Matthew Shardlake, a lawyer therefore a positive outcome. -
The Humanity of the Talmud: Reading for Ethics in Bavli ʿavoda Zara By
The Humanity of the Talmud: Reading for Ethics in Bavli ʿAvoda Zara By Mira Beth Wasserman A dissertation submitted in partial satisfaction of the requirements for the degree of Joint Doctor of Philosophy with Graduate Theological Union, Berkeley in Jewish Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Daniel Boyarin, chair Professor Chana Kronfeld Professor Naomi Seidman Professor Kenneth Bamberger Spring 2014 Abstract The Humanity of the Talmud: Reading for Ethics in Bavli ʿAvoda Zara by Mira Beth Wasserman Joint Doctor of Philosophy with Graduate Theological Union, Berkeley University of California, Berkeley Professor Daniel Boyarin, chair In this dissertation, I argue that there is an ethical dimension to the Babylonian Talmud, and that literary analysis is the approach best suited to uncover it. Paying special attention to the discursive forms of the Talmud, I show how juxtapositions of narrative and legal dialectics cooperate in generating the Talmud's distinctive ethics, which I characterize as an attentiveness to the “exceptional particulars” of life. To demonstrate the features and rewards of a literary approach, I offer a sustained reading of a single tractate from the Babylonian Talmud, ʿAvoda Zara (AZ). AZ and other talmudic discussions about non-Jews offer a rich resource for considerations of ethics because they are centrally concerned with constituting social relationships and with examining aspects of human experience that exceed the domain of Jewish law. AZ investigates what distinguishes Jews from non-Jews, what Jews and non- Jews share in common, and what it means to be a human being. I read AZ as a cohesive literary work unified by the overarching project of examining the place of humanity in the cosmos. -
The Relationship Between Targum Song of Songs and Midrash Rabbah Song of Songs
THE RELATIONSHIP BETWEEN TARGUM SONG OF SONGS AND MIDRASH RABBAH SONG OF SONGS Volume I of II A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2010 PENELOPE ROBIN JUNKERMANN SCHOOL OF ARTS, HISTORIES, AND CULTURES TABLE OF CONTENTS VOLUME ONE TITLE PAGE ............................................................................................................ 1 TABLE OF CONTENTS ............................................................................................. 2 ABSTRACT .............................................................................................................. 6 DECLARATION ........................................................................................................ 7 COPYRIGHT STATEMENT ....................................................................................... 8 ACKNOWLEDGMENTS AND DEDICATION ............................................................... 9 CHAPTER ONE : INTRODUCTION ........................................................................... 11 1.1 The Research Question: Targum Song and Song Rabbah ......................... 11 1.2 The Traditional View of the Relationship of Targum and Midrash ........... 11 1.2.1 Targum Depends on Midrash .............................................................. 11 1.2.2 Reasons for Postulating Dependency .................................................. 14 1.2.2.1 Ambivalence of Rabbinic Sources Towards Bible Translation .... 14 1.2.2.2 The Traditional -
III CHAPTER III the BAROQUE PERIOD 1. Baroque Music (1600-1750) Baroque – Flamboyant, Elaborately Ornamented A. Characteristic
III CHAPTER III THE BAROQUE PERIOD 1. Baroque Music (1600-1750) Baroque – flamboyant, elaborately ornamented a. Characteristics of Baroque Music 1. Unity of Mood – a piece expressed basically one basic mood e.g. rhythmic patterns, melodic patterns 2. Rhythm – rhythmic continuity provides a compelling drive, the beat is more emphasized than before. 3. Dynamics – volume tends to remain constant for a stretch of time. Terraced dynamics – a sudden shift of the dynamics level. (keyboard instruments not capable of cresc/decresc.) 4. Texture – predominantly polyphonic and less frequently homophonic. 5. Chords and the Basso Continuo (Figured Bass) – the progression of chords becomes prominent. Bass Continuo - the standard accompaniment consisting of a keyboard instrument (harpsichord, organ) and a low melodic instrument (violoncello, bassoon). 6. Words and Music – Word-Painting - the musical representation of specific poetic images; E.g. ascending notes for the word heaven. b. The Baroque Orchestra – Composed of chiefly the string section with various other instruments used as needed. Size of approximately 10 – 40 players. c. Baroque Forms – movement – a piece that sounds fairly complete and independent but is part of a larger work. -Binary and Ternary are both dominant. 2. The Concerto Grosso and the Ritornello Form - concerto grosso – a small group of soloists pitted against a larger ensemble (tutti), usually consists of 3 movements: (1) fast, (2) slow, (3) fast. - ritornello form - e.g. tutti, solo, tutti, solo, tutti solo, tutti etc. Brandenburg Concerto No. 2 in F major, BWV 1047 Title on autograph score: Concerto 2do à 1 Tromba, 1 Flauto, 1 Hautbois, 1 Violino concertati, è 2 Violini, 1 Viola è Violone in Ripieno col Violoncello è Basso per il Cembalo. -
Introduction
Introduction Early Jewish Mysticism Although this investigation will focus mainly on the roots of the Metatron lore, this Jewish tradition cannot be fully understood without addressing its broader theological and historical context, which includes a religious movement known as early Jewish mysticism. Research must therefore begin with clarifying some notions and positions pertaining to the investigation of this broader religious phenomenon. The roots of the current scholarly discussion on the origin, aim, and content of early Jewish mysticism can be traced to the writings of Gershom Scholem. His studies marked in many ways a profound breach with the previous paradigm of 19th and early 20th century scholarship solidified in the Wissenschaft des Judentums movement which viewed Jewish mystical developments as based on ideas late and external to Judaism.1 In his seminal research, Major Trends in Jewish Mysticism, as well as other publications,2 Scholem saw his main task as clarifying the origins of early Jewish mysticism on the basis of new methodological premises, which, in contrast to the scholars of the Wissenschaft des Judentums, approached early Jewish mysticism as a genuine Jewish movement with roots in biblical and pseudepigraphic traditions. Scholem’s project was not an easy one, and in ————— 1 One of the representatives of this movement, Heinrich Graetz, considered the Hekhalot writings as late compositions dated to the end of the Geonic period. He viewed the Hekhalot literature as “a compound of misunderstood Agadas, and of Jewish, Christian, and Mahometan fantastic notions, clothed in mystical obscurity, and pretended to be a revelation.” H. Graetz, History of the Jews (6 vols.; Philadelphia: The Jewish Publication Society of America, 1894) 3.153. -
Jubiläums-Magazin 2014
Zukunft Meine!Das Jubiläums-Magazin 2014 Interviews Die Frage nach der Zukunft Deutschland 1964 Die goldenen 60er. Waren sie für alle golden? UN-Behindertenrechts-Konvention Eine Chance für uns alle Editorial Dagmar Pitters Ernst-Albrecht von Moreau Frank Müller Liebe Leserin, lieber Leser, 50 Jahre Lebenshilfe in Lüneburg. Zeit, zurückzuschauen, Zeit, abstrampeln wie ein Hamster im Rad. Und für Inklusion sich grundsätzlich zu überlegen, wie es weitergeht. Und auch muss auch auf rechtlicher Ebene viel verändert und getan Zeit, sich selbst einmal zu fragen, wie es geht. werden. Träger müssen zusammenarbeiten, Budgets flexi b- Die letzte Frage ist die einfachste. Wir sind stolz auf all das, ler gehandhabt und Inklusion darf nicht als Sparmodell was erreicht werden konnte. Wir sind dankbar für die breite missbraucht werden. Denn das wird sie nicht sein. Gerade Unterstützung der Öffentlichkeit und das große Engagement nicht, wenn man von den Schwächsten her denkt. Und Einzelner. Ohne ein paar besondere Menschen – die beson - das sollten wir. Darauf, dass keiner vergessen wird, werden ders hartnäckig oder besonders gut vernetzt sind – wäre wir achten. das alles nicht zu schaffen gewesen. Gerade, wenn wir an die Anfänge denken, als es eine Behindertenhilfe noch gar nicht Unser Jubiläum ist auch Anlass für einen Blick in die Zukunft. gab. 1964 waren es in Lüneburg einige wenige Betroffene, Was denken eigentlich Lüneburgerinnen und Lüneburger – die losgezogen sind, Forderungen zu stellen, die Ideen ent - große und kleine, mit und ohne Behinderung – zum Thema wickelten, die politisch Druck gemacht haben. Und zwar auch Zukunft? Was sind ihre Wünsche? Was die Sorgen? Ein span - in dem Bewusstsein, dass ihre eigenen Kinder wahrscheinlich nendes Projekt hat Antworten geliefert. -
March 21–25, 2016
FORTY-SEVENTH LUNAR AND PLANETARY SCIENCE CONFERENCE PROGRAM OF TECHNICAL SESSIONS MARCH 21–25, 2016 The Woodlands Waterway Marriott Hotel and Convention Center The Woodlands, Texas INSTITUTIONAL SUPPORT Universities Space Research Association Lunar and Planetary Institute National Aeronautics and Space Administration CONFERENCE CO-CHAIRS Stephen Mackwell, Lunar and Planetary Institute Eileen Stansbery, NASA Johnson Space Center PROGRAM COMMITTEE CHAIRS David Draper, NASA Johnson Space Center Walter Kiefer, Lunar and Planetary Institute PROGRAM COMMITTEE P. Doug Archer, NASA Johnson Space Center Nicolas LeCorvec, Lunar and Planetary Institute Katherine Bermingham, University of Maryland Yo Matsubara, Smithsonian Institute Janice Bishop, SETI and NASA Ames Research Center Francis McCubbin, NASA Johnson Space Center Jeremy Boyce, University of California, Los Angeles Andrew Needham, Carnegie Institution of Washington Lisa Danielson, NASA Johnson Space Center Lan-Anh Nguyen, NASA Johnson Space Center Deepak Dhingra, University of Idaho Paul Niles, NASA Johnson Space Center Stephen Elardo, Carnegie Institution of Washington Dorothy Oehler, NASA Johnson Space Center Marc Fries, NASA Johnson Space Center D. Alex Patthoff, Jet Propulsion Laboratory Cyrena Goodrich, Lunar and Planetary Institute Elizabeth Rampe, Aerodyne Industries, Jacobs JETS at John Gruener, NASA Johnson Space Center NASA Johnson Space Center Justin Hagerty, U.S. Geological Survey Carol Raymond, Jet Propulsion Laboratory Lindsay Hays, Jet Propulsion Laboratory Paul Schenk,