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Saturday, 24 November 2012 Materiality/Immateriality in Photography Congress of Photography ESHPh Saturday, 24 November 2012 In recent years, the internet, virtual reality and social platforms such as Facebook, Twitter and Flickr have fundamentally changed all forms of spoken, written, sound and visual communication. The consequences of this “digital turn” for the concept of the material in photographic image systems and how the specific structures, mechanisms and intentions of materiality-immateriality will be articulated in photographs in future is the subject of this congress. The premise is that the visual system “photography” cannot evolve and be perceived without “materiality” and that, today, immateriality represents an inherent aspect of digital systems: physical media, specific locations and temporal structures, as well as contexts, create the necessary prerequisites for the complex interrelationships between photographic production, communication and reception. The extent to which materiality and immateriality or virtuality can be thought or imagined in the course of the digital-medial paradigm shift will be investigated and discussed in technical, media studies and social contexts and modes of operation. The transdisciplinary event, in which science will be confronted with photographic practice and statements, is aimed at all with a special interest in contemporary photography, especially theoreticians, photo historians, artists, and scholars in the cultural and social sciences. Location and time: MUSA Museum Startgalerie Artothek, A- 1010 Vienna, Felderstraße 6-8 (U2 town hall, Tram No. D or 1) Saturday, 24 November 2012, 9:30am–5pm Registration: Please register under: [email protected] The working languages of the congress are German and English. Entrance is free. Contact: European Society for the History of Photography (ESHPh) Komödiengasse 1/1/17 A- 1020 Vienna [email protected] www.donau-uni.ac.at/eshph, www.musa.at, www.eyes-on.at Programme: Saturday, 24 November 2012 09:30–10:00 Welcome and opening Berthold Ecker, Director MUSA, Vienna Uwe Schögl, President ESHPh, Vienna 10:00–11:00 Roundtable Discussion: Reflections on materiality in photographic production Chair: Peter Weiermair, curator, author and publisher, Innsbruck, with artists’ statements Edgar Lissel, artist, Vienna Michael Mauracher, Fotohof Salzburg, Salzburg Agnes Prammer, artist, Akademie der bildenden Künste, Vienna Fritz Simak, artist, photographer, collector, Vienna Andrea van der Straeten, Professorin für Experimentelle Gestaltung an der Kunstuniversität Linz Discussion 11:00–11:30 Break for coffee & tea 11:30–12:45 Basic structures (ontology) of forms of material reality Chair: Hubertus von Amelunxen, Berlin Hubertus von Amelunxen, Präsident der Hochschule für Bildende Künste Braunschweig Immaterialitäten Andreas Spiegl, Institut für Kunst- und Kulturwissenschaften an der Akademie der bildenden Künste, Vienna Digiloge und anatale Fotografie: Nur eine Frage der Rezeption Danielle Leenaerts, Assistant Professor at the Department of History, Art History and Archaeology at the Université Libre de Bruxelles, Brüssel The inscription of the still image in the work of Beat Streuli: reflections on the photographic media Monika Schwärzler, Professorin an der Webster Vienna Private University, Vienna Zur fotografischen Inszenierung des Big Bang Discussion 12:45–14:00 Lunch 13:00–13:40 General Assembly of the ESHPh only for ESHPh members & lecturers 14:00–15:30 The contextuality of materiality and immateriality Chair: Uwe Schögl, Vienna Klaus Honnef, Prof.em. für Theorie der Fotografie in Kassel, Kunstkritiker und Kurator, Bonn Die imaginären Bilder im Kopf – die flüchtigen Bilder im Netz – die fixierten Bilder auf Papier Amélie van Liefferinge, Project Leader at the Musée de la Photographie, Charleroi Slide shows between Art, Science and Education at the Belgian Association of Photography (1883-1939) Caroline Fuchs, Universitätsassistentin am Institut für Kunstgeschichte der Universität Wien Wunsch und Wirklichkeit. Chancen, Risiken und Nebenwirkungen der Präsentation von Autochromeplatten Moritz Neumüller, ArteConTacto, Barcelona/Wien, und Andreas Reichinger, VRVis Forschungs GmbH, Vienna Vom Stereosehen zur taktilen Fotografie Thomas Freiler, Senior Artist, Leiter des Labors für Fotografie an der Akademie der bildenden Künste, Vienna Der Vampir und Marilyn, Überlegungen zu einem fotografischen Seinsbegriff Discussion 15:30–16:00 Break for coffee & tea 16:00–17:00 The significance of materiality and immateriality after the digital turn Chair: Carl Aigner, St. Pölten/Krems Carl Aigner, Direktor des Landesmuseums Niederösterreich, St. Pölten, Vorstandsmitglied Leopold Museum – Privatstiftung, Vienna Vom Original zum Digital und zurück Christoph Schaden, Professor für Bildwissenschaft an der Fakultät Design der Georg Simon Ohm Hochschule Nürnberg, Köln/Nürnberg Digital Borderline. Zum prekären Verhältnis von Fotografie und Computer Generated Images Jeanna Nikolov-Ramírez Gaviria, curator, New York Bildstreuung, Pinnen und Teilen – Immaterielle Formen des Bildersammelns und -gebrauchs Ilka Becker, Institut für Kunstwissenschaft der Hochschule für Bildende Künste Braunschweig (HBK), Köln/Braunschweig Materielle Agency und das Fotografische Discussion 17:00 End of Congress The Congress of Photography “Materiality/Immateriality in Photography” is being organized in cooperation with: MUSA within the framework of Eyes On – Month of Photography in Vienna as part of the program of Vienna Art Week 2012 Concept: Uwe Schögl for ESHPh, Vienna. The Programme is subject to change. The conference proceedings will be published in April 2013. 2 Abstracts & Biographische Hinweise / biographical references – in der Reihenfolge des Programmablaufs / in order of the programme Roundtable Discussion: Reflexionen zur Materialität in der fotografischen Produktion / Reflections on materiality in photographic production Peter Weiermair | CHAIR Kein künstlerisches Medium verfügt heute über eine derart große Vielzahl an möglichen Strategien weit über die Diskussion von analog und digital hinaus. Die technischen Entwicklungen haben die Ästhetik und Sprache der Photographie von Anfang an beeinflusst. Nicht ohne Grund stehen die Künstler am Beginn dieser Tagung die sich mit der gegenwärtigen Situation auseinandersetzt. Begreifen die Künstler die technischen Veränderungen als eine weitere oder ausschließliche Möglichkeit. Wie verhält sich das flüchtige, veränderliche, schnell liquidierbare Bild zum traditionellen Abzug. Auf diesem Themenkreis erwarten wir von den zum Großteil lehrenden Künstlern Antworten. CV Peter Weiermair ist Kunsthistoriker, freier Kurator und Verleger. Studium der Kunstgeschichte, Germanistik und Philosophie in Innsbruck und Wien. Gründet 1968 das „Forum für aktuelle Kunst“ in Innsbruck, das er bis 1979 leitete. Von 1980 bis 1998 Direktor des Frankfurter Kunstvereins. Von 1998 bis 2001 Direktor der Salzburger Sammlung Rupertinum. Von 2001 bis 2007 Direktor der „Galleria d’Arte Moderna“ in Bologna. Von 2007 bis 2011 Kurator der Jahresausstellungen der Frankfurter Gastkünstler im Atelierfrankfurt in Frankfurt. Publikationen (in Auswahl): „Das Bild des Körpers“ (1993), „Bücher, Bücher, nichts als Bücher“ (2009), „Eine Geschichte des Körpers“ (2011), „Fotografie zwischen Gender und Lifestyle, photography between gender and lifestyle“ (Ausstellung Kunsthalle Wien 2011/12). Edgar Lissel | TEILNEHMER ROUND TABLE CV Edgar Lissel ist Bildender Künstler; er studierte Kommunikationsdesign mit Schwerpunkt Fotografie an der Hochschule in Darmstadt. Seit 1998 unterrichtet Edgar Lissel Kunst und Fotografie an verschiedenen Universitäten und Hochschulen in Österreich (2005-2009 Universität für angewandte Kunst Wien), Deutschland (2010 als Gastprofessor an der Folkwang Universität der Künste in Essen) und zuletzt wieder als Gastprofessor an der Universität für angewandte Kunst Wien. Ausstellungen unter anderem auf der Biennale für Architektur Venedig, Städelmuseum Frankfurt, Kunsthalle Krems, Galleria d´Arte Moderna Bologna und Museum der Moderne Salzburg. Seine Werke sind vertreten in der National Gallery of Canada, Victoria & Albert Museum in London sowie der Deutschen und der Österreichischen Bundeskunstsammlung. Zahlreiche Publikationen, darunter „Vom Werden und Vergehen der Bilder“ (2009). Lebt in Wien seit 2005. www.edgarlissel.de Michael Mauracher | TEILNEHMER ROUND TABLE CV Michael Mauracher ist Künstler, Kurator und Herausgeber der Fotohof edition (gemeinsam mit Rainer Iglar). Studium der Kommunikationswissenschaft und Kunstgeschichte an der Universität Salzburg sowie Künstlerische Fotografie am Salzburg College. 1981 Mitbegründer der Galerie Fotohof in Salzburg. Seit 1995 Unterricht am Institut für Bildende Kunst an der Universität Mozarteum Salzburg, seit 2001 Lehrauftrag für Fotografie an der Hochschule für Grafik und Buchkunst in Leipzig (seit 2005 Honorarprofessor für Fotografie). Zahlreiche Kuratierungen für den Fotohof Salzburg; zu seinen wichtigsten Publikationen zählen: „talwärts“ (1994), „Portrait of a Man“ (1996), „…und ein fremdes Mädchen“ (2009). Er lebt und arbeitet in Salzburg und Leipzig. www.fotohof.at www.hgb.-leipzig.de 3 Agnes Prammer | TEILNEHMERIN ROUND TABLE CV Agnes Prammer ist bildende Künstlerin. Abschluss in kommerzieller Fotografie, danach Kommunikationsdesign. Anschließend Studium der Bildenden Kunst in Wien und London. Sie beschäftigt sich hauptsächlich mit den unterschiedlichen Facetten des Porträts, sowohl innerhalb der Fotografie, als auch in textbasierenden
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