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Hubertus Von Amelunxen, Prof STEVE SABELLA PHOTOGRAPHY 1997–2014 Steve Sabella BIOGRaphies cat. Bahrain National Museum. Manama: — “Steve Sabella’s Ecdysis: The Catharsis of Electronic Journal of Middle East Studies — Habie, Jessica, and Nirah Shirazipour. Bahrain National Museum, 2014, p. 3. Metamorphosis.” Contemporary Practices 11 (April 2008). Beyond Blue & Gray: Jerusalem in Exile AUthORS — Murphy, Maureen Clare. “Art Review: Mind, (2012), pp. 116–19. — Yudilovitch, Merav. “Two Sides to 2006. Eyes Infinite Films, 2007. Body and Soul of Palestine—A Photo Jour- — Seaman, Anna. “Barjeel Continues Intro- Every Wall.” Ynet (English/Hebrew), — Beyond Blue & Gray: Kan Yama Kan 2005. BIOGRaphies nal Exhibit.” The Electronic Intifada, Octo- ducing Arab Artists to International Art November 7, 2007. www.ynetnews.com/ Eyes Infinite Films, 2007. ber 9, 2003. www.electronicintifada.net/ Scene.” The National, December 12, 2010. articles/0,7340,L-3423650,00.html — IkonoTV On Air Festival. IkonoTV, 2013. content/art-review-mind-body-and-soul-pa- www.thenational.ae/arts-culture/art/ (accessed June 5, 2014). — Kabalan, Nadia J. In the Darkroom with Steve lestine-photo-journal-exhibit/3453 (accessed barjeel-continues-introducing-arab-ar- — Zahra, Ana. “Ana Zahra Visits the Exhibi- Sabella. 2014. Documentary film. June 5, 2014). tists-to-international-art-scene (accessed tion of the Palestinian Artist in London.” — Kan Yama Kan. Al Jazeera Children’s Chan- — Nawotka, Edward. “Stunning New Book June 5, 2014). Ana Zahra’s Blog (Arabic). March 11, 2014. nel, 2005. Explores Symbolism of West Bank Barrier.” — Search, exh. cat. Khalil Sakakini Cultural www.anazahra.com/leisure/arts/photo- — Kan Yama Kan. Palestinian TV, 2005. Manouse, Ernie. Arts InSight: Who is Steve — / يباس-فيتس-ينيطسلفلا-ضرعم-روزت-ةرهز-انأ/Publishing Perspectives (October 1, 2013). Centre. Ramallah: Khalil Sakakini Cultural 137074 http://publishingperspectives.com/2013/10/ Centre, 2002. (accessed June 7, 2014). Sabella? TV 8, Houston, April 22, 2014. KAMal stunning-new-book-explores-symbolism-of- — Shehadeh, Raja. “Foreword.” In Keep Your — Zakharia, Sulaf. “Recreational Purpose: Documentary film. west-bank-barrier/ (accessed June 7, 2014). Eye on the Wall: Palestinian Landscapes, Bahrain Revisited.” In Recreational Purpose, — Mostra “The Changing Room” Allo Spazio BOUllata — O’Loughlin, Ed. “Freed Hostage Praised.” edited by Olivia Snaije and Mitchell Albert. edited by Noura Al Sayeh, exh. cat. Bahrain Qubi (Italian). PrimAntenna 1 News, Rivoli, The Sydney Morning Herald, August 1, 2005. London: Saqi Books, 2013, n.p. National Museum. Manama: Bahrain Natio- 2011. — Kamal Boullata is a painter and writer who www.smh.com.au/news/world/freed-hos- — “A Smithsonian in the Sand.” The Economist nal Museum, 2014, p. 1. — Peretz, Avi. Steve Sabella. Israel TV Channel was born and raised in Jerusalem. His art tage-praised/2005/07/31/1122748524880. (December 29, 2010). 1 Productions, 1998. is held in private and public collections in html (accessed June 5, 2014). — Sousse, Sumayya. “Kan Yama Kan”: The — Steve Sabella. Israel TV Channel 1 Produc- the United States, Europe, and the Arab — Palestine: la création dans tous ses états. Art Camera When It Tells a Story. Artist Steve tions, 2003. world. His writings on art appear in Arabic, Absolument 30 (2009), pp. 82–84. Sabella: The Jerusalem I Knew as a Child AUCtiON English, French, and Spanish. A graduate — Palestine Solidarity Campaign and A. M. Is No Longer.” Al-Ayyam, October 27, 2005. of the Academy of Rome (1961–65) and the Qattan Foundation, eds. Occupied Space — “Steve Sabella.” In Le Porte Del Mediter- HOUse Corcoran Art Museum School (1969–73), 2008, Art for Palestine, exh. cat. The Mosaic raneo = The Gates of Mediterranean: Viag- MasteRS he has lived in the US (1968–93), Morocco Rooms. London: The Mosaic Rooms, 2008. giatori e artisti piemontesi alla scoperta del CatalOGUes (1993–96), and France (1996–2012). Boul- — “The Palestinians: Gaza Law and Order.” Mare Nostrum (English/Italian), edited by Theses AND lata currently lives in Berlin following Newsweek (August 21, 2005). www.news- Martina Corgnati, exh. cat. Casa del Conte his 2012 election as a fellow of the Wis- week.com/palestinians-gaza-law-and-or- Verde, Rivoli Torino. Milan: Skira, 2008. pp. PhD senschaftskolleg (Institute for Advanced der-117613 (accessed June 5, 2014). 132–35. Study) in Berlin. — Paula, Christa. “Euphoria and Beyond.” The — “Steve Sabella.” In New Vision: Arab Con- DisseRta- Empty Quarter Gallery Website (May 2011). temporary Art in the 21st Century, edited by www.theemptyquarter.com/newsletters/ Hossein Amirsadeghi et al. London: Thames tiONS ON the april-newsletter.html (accessed June 5, 2014). & Hudson, 2009, pp. 250–53. — Bonhams Dubai. Photographs. Dubai: Bon- HUBERTUS — “Steve Sabella—Euphoria.” In Bonhams Cat- — “Steve Sabella.” In Told, Untold, Retold: 23 hams, April 13, 2011. WORK OF alogue. Dubai: Bonhams, 2011. Stories of Journeys through Time and Place — Christie’s Dubai. International Modern & VON — Pavri, Sanaya. “The Arab World through a (English/Arabic), edited by Sam Bardouil and Contemporary Art. Dubai: Christie’s, April Steve Lens.” Photography (June 25, 2014), pp. 6–7. Till Fellrath. Milan: Skira, 2010, pp. 178–83. 27, 2010. AMelUNXEN — Pollack, Barbara. “The Arab Modern.” Art- — “Steve Sabella.” In View from the Inside: — Modern and Contemporary Arab, Iranian and Sabella net (2010). www.artnet.com/magazineus/ Contemporary Arab Photography, Video and Turkish Art Part II. Dubai: Christie’s, April — Hubertus von Amelunxen, Prof. Dr., is an reviews/pollack/mathaf-arab-museum-of- Mixed Media Art, edited by Karin Adrian 18, 2012. author, curator, member of the Akademie modern-art-in-doha12-23-10.asp?print=1 von Roques et al. Amsterdam: Schilt Pub- — Modern and Contemporary Arab, Iranian and der Künste in Berlin, and the president of (accessed June 5, 2014). lishing, 2014, pp. 150–55. Turkish Art Part II. Dubai: Christie’s, Octo- the European Graduate School in Saas Fee, — Ravel, Stephanie. “Territory in Exile, Exile — “Steve Sabella: Finding Beauty in Unexpected ber 24, 2012. Switzerland. He lives in Berlin and Switzer- of Identity.” L’agenda (English/French) Places.” Institute for Middle East Understand- — Christie’s Paris. Visions d’Orient—De land. After studying French literature and (January 2010), pp. 24–29. ing, February 24, 2006. www.imeu.net/news/ l’Orientalisme à l’art contemporain. Paris: art history in Marburg and Paris he was — Roques, Karin Adrian von. “On Art and Pho- article00581.shtml (accessed June 5, 2014). Christie’s, November 4, 2011 — Busse, Jan. “Observing Power as Govern- co-editor of the magazine Fotogeschichte tography—A Situation Report.” In View from — “Steve Sabella: Fragments.” Islamic Arts — International Fine Print Auction. FotoFest mentality in Palestine: De-Constructing the from 1989 to 1994. From 1995 to 2000 he the Inside: Contemporary Arab Photography, Magazine (March 7, 2014). www.islami- 2014 Biennial. Houston, March 24, 2014. Dynamics of World-Societal Ordering.” PhD was professor of art history and cultural Video and Mixed Media Art, edited by Karin cartsmagazine.com/magazine/view/steve_ —Phillips de Pury & Company. NOW: Art of the diss. Bundeswehr University Munich, forth- studies as well as the founder and director Adrian von Roques et al. Amsterdam: Schilt sabella_fragments/ (accessed June 5, 2014). 21st Century. London: Phillips, September coming (2014). of the Forum for Interdisciplinary Project Publishing, 2014, pp. 34–35. — “Steve Sabella, Photographer of the Month.” 26, 2009. — Drake, Sussane. “Steve Sabella.” In “Art Studies at the Muthesius-Hochschule für — Rose, Martin. “TEDx in Marrakech.” This Week In Palestine 42 (October 2001). contemporain palestinien: les artistes, la Kunst und Gestaltung in Kiel. During this Mercurius Maghrebensis, September 9, — “Steve Sabella: Recreating Jerusalem.” PSC politique et les marchés de l’art.” MA the- time he was a guest professor at institutions 2012. www.marforioromano.wordpress. Palestine News (Autumn/Winter 2007), p. 27. sis, Université de Pau et des Pays de l’Adour, in Basel and Düsseldorf and at the Uni- com/2012/09/09/tedx-in-marrakech/ — Suleiman, Hazim. “Steve Sabella: Jerusa- TelevisiON pp. 46–61. versity of California at Santa Cruz. From (accessed June 5, 2014). lem, No Place but Jerusalem.” Al-Akhbar — García Ramos, Carmen. “Resisting Occupa- 2000 to 2007 he was the senior consultant — Rossino, Sara. “Steve Sabella: Euphoria.” (Arabic) 1419, May 24, 2011. AND FilM tion from the ‘Other Side’ of the Separation curator at the Canadian Centre for Archi- Juliet (Italian) (October 2011), pp. 46–47. — Tappolet, Bertrand. “L’art contemporain Wall: Photographic Work of Steve Sabella.” tecture in Montréal and from 2001 to 2005 — “Steve Sabella.” Juliet (Italian) (December face au mur.” Le Courrier, August 23, 2013. DOCUMENTA- In “Visual Arts and Creative Direct Action in the founder-director of and professor at the 2010), p. 70. www.lecourrier.ch/113182/l_art_contempo- Palestine: Exploring Artistic Resistance and ISNM International School of New Media — Rubenstein, Danny. “People / Steve Sabella rain_face_au_mur (accessed June 5, 2014). Ries Sumud on the Separation Wall.” MA thesis, in Lübeck. Von Amelunxen was appointed Blurring the Lines.” Haaretz, November 3, — Tarbush, Susannah. “‘Keep Your Eye on the Erasmus University, 2011, pp. 42–47. a member of the Berlin Akademie der Kün- 2005. www.haaretz.com/print-edition/fea- Wall: Palestinian Landscapes’ Launched in —
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