DOCSLIB.ORG

1982-03 the Pajama Game.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1982-03 the Pajama Game.Pdf Presents Book By: George Abbott aIJd Riclrard Bissell Words and Music By: Riclrard Adler and Jerry Ross Based' on BlsseD's Novel "7Yz Cents" HITSONGs~6f~~CLUDE. THE MU "Hey There" "Small Talk" "Stearn Heat" SARATOGA Civic Center THEATRE nue Saratoga 13777 Frul°tvale Ave , NOBMANDIN (!NRYSLER • PLYMOIITH SINCE 1875 OVER 106 Years OF SALES & SERVICE LEADERSHIP • AUTHORIZED SERVICE FOR On the ALL CHRYSLER BUILT CARS Avtnue of Flags • BODY BeFENDER REPAIRS • CAR BeTRUCK LEASING • QUALITY USED CARS • PARTS HEADQUARTERS CHRYSLER - MOPAR 900 WEST CAPITOL EXPRESSWAY • SAN JOSE. 266-9500 395-3101 LOS GATOS WINCHESTER BLVD. CJ09f!a PRESENTS •~SOClatiCl\. Book By: George Abbott and Richard Bissell Words and Music By: Richard Adler and Jerry Ross Based on Bissell's Novel' '7V2 Cents" FEATURING CARL BALLOU SAM JOHN SMITH ROBERT BERGMAN JOHN WALSH DONNA BICK REBECCA WH ITE BETSIE JERNIGAN LES DALE Produced By: Edward Hand Directed By: Claire Zundell-Weiner Music Director: John Doscher Choral Director: Vivian Bergman Choreographer: Gayle Frank Performances: March 5,6, 12,13,14, 1.9,20,21,26,27,28, April 1,2,3 Fridays and Saturdays -8:30 PM . Sunday Matinees, March 14, 21, 28.- 2:30 PM Thursday Evening, April1 - 8:00 PM "The Pajama Game" is presented through special arrangement with MUSIC THEATRE INTERNATIONAL, 119 West 57th Street, New York, New York 10019 West Valley Box Office Saratoga Civic Theater % Jean Hutchins 13777 Fruitvale Ave., Saratoga 1411 Redmond Road 741-95081 Hour Before Curtain San Jose, CA 95120 268-3777/358-1896 PLEASE NOTE: By order of the City Council and the Fire Marshall, smoking, refreshments and recording or taking photographs during performances are not permitted. CAST [In Order of Appearance] Hines, A Time-Study Expert Carl Ballou President, Leader of the Union Local Sam John Smith Joe·,Plant Foreman Jerry Dienstbier Hasler, Sleep-Tite Pajama Co. President John Walsh Gladys,"The President's Secretary Betsie Jernigan Sid Sorokin, The New Plant Superintendent Robert P. Bergman Mabel, The Superintendent's Secretary Donna Bick First Helper Bill Russell Second Helper Mark Banks Charlie Matthew Miele Babe Williams, Grievance Committee Chairman RebeccaWhite Mae, A Committee Member Barbara Flynn Poopsie, A Worker Corinne Cirone Max, A Salesman Tino Cecilio Pap, Babe's Father Les Dale Factory Workers - Lonnie Anderson, Julie Burrows, Trudy Burrows, Brenda Carlson, Becky Easley, Suzanne Fairchild, Karine Gonzales, Deanna Lynn Hollingsworth, Cosmo Horn, David Khan, Lance LaShelle, Cathy McDermott, Judy Osborne, Genese Phillips, Rodney Whithouse, Scott Wilburn, Jake Feltner ORCHESTRA Conductor John Doscher Piano Cath ie Howard, Wanda Saxon Violin I Elva Fuls, Betty Whitney Violin II Dan Hudson Cello Elly Weiser Bass Cole Hamlin, Gretchen Spitzer Woodwind I Jordan Selburn Woodwind 11 Judy Bingman, Sue Louiscau, Jim Nash Bassoon Lynn Burstein Trumpet Dave Cooper Trombone Sally MacArthur Percussion Tom Eschen Felder, Nancy Welchly Spotlight on WVLO History A Chronological Listing of our 50 Productions 1965-66 Unsinkable Molly Brown 1971·72 The Music Man 1977·78 Very Good Eddie Stop The World The Pajama Game The Sound at Music Oklahoma! The Merry Widow Paint your Wagon 1966-67 Oliver 1972·73 Carousel 1978-79 My Fair Lady Here's Love I Do! I Do! Rose Marie Once Upon A Mattress Applause South Pacific * 1967-68 Bells Are Ringing 1973·74 The Desert Song 1979-80 Camelot Guys And Dolls No, No. Nanette Brlgadoon Gypsy Oliver * Oklahoma! * 1968-69 On A Clear Day 1974·75 The New Moon 1980·81 Good News South Pacific Gigi Wonderful Town H.M.S. Pinafore Lovely Ladies, Kind Gentleman Kiss Me Kate 1969·70 Brigadoon 1975·76 Naughty Marietta 1981-82 Flower Drum Song Kismet George M. The Pajama Game 11- Student Prince How To Succeed 1970·71 Anything Goes 1976·77 Sweethearts Uns/nkable Molly Brown * Robert And Elizabeth NEXT Fiddler On The Roof Pal Joey West Side Story * Repeats SYNOPSIS OF SCENES AND MUSICAL NUMBERS The Scene and Time: Small Town in Middle West Summer of 1954 ACT I Scene 1 - The Prologue "The Pajama Game" Hines Scene 2 - The Factory "Racing with the Clock" Factory Workers "A New Town is a Blue Town" Sid Scene 3 - A Hallway in the Factory "I'm Not at all in Love : Babe and Girls Scene 4 - The Office "I'll Never be Jealous Again" Hines and Mabel "Hey There" Sid Scene 5 - Picnic Grounds "Her Is" Prez and Gladys "Sleep- Tite" Factory Workers "Once-A -Year Day" Sid, Babe and Company Scene 6 - Picnic Grounds, Later that Afternoon Reprise: "Her Is" Prez and Mae Scene 7 - Babe's House "Small Talk" Sid and Babe Scene 8 - A Hallway in the Factory "There Once was a Man" Sid and Babe Scene 9 - The Factory Reprise: "Hey There" Sid INTERMISSION ACT II Scene 1 - Eagle Hall "Steam Heat" Gladys and Two Factory Workers (Cosmo Horn & Lance La Schell) Scene 2 - Babes House Reprise: "Hey There" Babe Scene 3 - Hallway in the Factory "Think of the Time I Save " Hines and Gals Scene 4 - The Office Scene 5 - Outside Hernando's Hideaway "Hernando's Hideaway" Gladys and Company Scene 6 - Hernando's Hideaway Jealousy Ballet Hinez, Gladys, Mabel and Boys Scene 7 - The Office Scene 8 - A Hallway in the Factory "Seven and a Half Cents " Babe, Prez and Factory Workers Scene 9 - The Factory Finale - Reprise: "The Pajama Game" Entire Company The performers will meet you in the lobby after the show! PRODUCTION STAFF Assistant to Producer Charlotte Kelleher Assistant to Director Aaryn Zundell Set & Scenic Designer William Patterson Technical Director John H. Hauser Costume Design Stephanie Bailey Lighting Design Chris Bronzich, Jr. Properties & Set Decoration Linda Preston Assisted By Gary Burke, Cathy Taylor, Jim Hayes Make-Up Design Linda Sams Assistant Georgeanna Wence Stage Manager Gene Pincus Stage Crew Betty Dale, Joni Eshelman, Kathy Dortland, Paul Lara, Ed Stafford, Frank Walker, Carly Woodward, Allen Mcivor, Bob Vivian, Richard Blain Publicity Betty Tracey Huff Photography Carl Ballou Poster & Program Graphics Joyce Phillips House Manager Charlotte Kelleher House Manager Assistant Lynn Koslofsky Cast Hospitality Charlotte Kelleher, Donna Stuefloten, Ed Hand Lobby Photos Carl Ballou Lobby Decoration Dawn Meidinger Lobby Refreshments Jewel & Karen Peterman, Dick & Dawn Meidinger Lighting Crew Chris Bronzich, Jr., Daniel Burns, Dave Winacall Program Coordinator Marge Hand Rehearsal Pianists Cathy Howard, Beverly Slade, Lindy Barnes, Wanda Saxton Reservations Brian, Jean, Jeff & Bill Hutchins, Enid Maurice, Gladys MacArthur Costume Construction Cindy Williams, Tac, Grace Kirkendall, Tinia Kaufman, Chris Thomas, Kelly Green and Cast Members Scene & Set Construction & Painting ..... Beckie & Joni Eshelman, Nancy & Ed Hand Cosmo Hom, Lance La Shelle, Dick Meidinger, Jim Nash, Jody & Marika Porter, Gene Pincus, William Patterson, William Shepard, Ed & Eric Stafford, Becky White ABOUT THE PLAY Sid Sorokin has just been hired as foreman in a pajama factory in the Midwest. He is very conscientious and aims to succeed where his predecessors have failed. In taking this new job he unknowingly runs into the midst of a long dispute between the management and the girl workers. He also runs into the beautiful, vivacious Babe and falls for her. Since Babe (she's Union) is head of the grievance committee and Sid (He's Management) is the foreman, it is inevitable that there is a clash between them. This is not helped by the intrigue going on between Hines, the erratic efficiency expert, and Gladys, the private secretary to the boss. Gladys wears the key to the company's books around her neck with instructions from the boss that no one is to get it. Sid wants to take a look at the books and get to the bottom of the dispute and makes a play for Gladys in an effort to get the key. Hines is insanely jealous of Gladys and threatens Sid. Sid solves the problems - the workers get their raise - he gets Babe - and everyone is happy! ABOUT OUR DIRECTOR Ms. Zundell-Weiner adds our community theater group to her long list of credits from New York to Florida to Southern California. Her impressive background working with the New York Governor's Council on Youth in the Arts and innovative approches in Educational Theatre earned her a listing in Who's Who of American Women, Who's Who Women of the World, Notable Americans, and Personalities of America. Shehas directed and performed in numerous productions, receiving excellent reviews in all her undertakings. Claire has aspirations of someday acquiring her own theater so that she can" involve young people in good, exciting, quality theater on a professional level". Most recently she has been doing just that in the Fremont School District where she has instituted an all district production of the musical "Oliver", utilizing all the grade levels from Kindergarten through the Seniors in High School. We feel very fortunate that Claire was able to include our 50th production in her busy schedule, and hope that she will return to us periodically to display her creative talents. ABOUT OUR MUSIC DIRECTOR John Doscher makes his debut as a Music Director of a musical comedy. He first joined WVLO as a member of the orchestra for "Flower Drum Song". Most recently he has been active with local college big band jazz. As a bass trombone player, John performed in musicals, orchestras and jazz bands while at Foothill College and San Jose State and as Assistant Director of School Bands. Welcome to our "Golden" production, John! ABOUT OUR CHORAL DIRECTOR Vivian Bergman returns to us on the other side of the footlights in a staff position after her impressive roles as Laurey in "Oklahoma" and Patricia in "Good News". With five years of music and vocal study at Peninsula Conservatory of Music with Adele Adler and other leading roles in local productions of "Carousel", "Patience" and "La Belle Helene", Vivian is a talented addition to our staff.
Load more

Recommended publications
  • Woody & Linda Brownlee 190 @ Jupiter Office
    The Garland Summer Musicals in partnership with RICHLAND COLLEGE proudly presents Woody & Linda Brownlee 190 @ Jupiter Office Granville Arts Center Garland, Texas Office Location: June 17-26, 2011 3621 Shire Blvd. Ste. 100 Richardson, Texas 75082 Presented through special grants from GARLAND CULTURAL ARTS COMMISSION, INC. 214-808-1008 Cell Linda GARLAND SUMMER MUSICALS GUILD 972-989-9550 Cell Woody GARLAND POWER & LIGHT [email protected] ALICE & GORDON STONE [email protected] ECOLAB, INC. www.brownleeteam.ebby.com MICROPAC INDUSTRIES Garland Summer Musicals Presents Andrew Lloyd Webber’s Broadway Blockbuster CATS! July 22, 23, 29, 30 at 8pm July 24, 31 at 2:30pm Tickets: $27 - Adults; $25 - Seniors/Students; $22 - Youth Special discounts for season tickets, corporate sales and groups GRANVILLE ARTS CENTER - 300 N. Fifth Street, Garland, Texas 75040 Call the Box Office at 972-205-2790 The Garland Summer Musicals Guild presents Dallas' most famous entertainment group The Levee Singers Saturday, September 24, 2011 Plaza Theatre 521 W. State Street—Garland, TX The Levee Singers are celebrating their 50th anniversary this year and are busier and better than ever! Come join the GSM Guild as they present this spectacular fun-filled evening with the Levee Singers. For tickets call 972-205-2790. THE GARLAND SUMMER MUSICALS SPECIAL THANKS Presents MEREDITH WILLSON’S GARLAND SUMMER MUSICALS GUILD “The Music Man” SACHSE HIGH SCHOOL—Joe Murdock and Libby Nelson Starring THE SACHSE HIGH SCHOOL TECHNICAL CLASS STAN GRANER JACQUELYN LENGFELDER NAAMAN FOREST HIGH SCHOOL BAND—Larry Schnitzer Featuring NORTH GARLAND HIGH SCHOOL—Mikey Abrams & Nancy Gibson JAMES WILLIAMS MELISSA TUCKER J.J.
    [Show full text]
  • The Pajama Game at the 5Th Avenue Theatre Encore Arts Seattle
    THE NATION’S LEADING MUSICAL THEATER FEB 10-MAR 5, 2017 FEBRUARY 2017 My wealth. My priorities. My partner. You’ve spent your life accumulating wealth. And, no doubt, that wealth now takes many forms, sits in many places, and is managed by many advisors. Unfortunately, that kind of fragmentation creates gaps that can hold your wealth back from its full potential. The Private Bank can help. The Private Bank uses a proprietary approach called the LIFE Wealth Cycle SM to ­ind those gaps—and help you achieve what is important to you. To learn more, contact: Carolyn Stewart Vice President, Private Wealth Advisor 2065874788 [email protected] or visit unionbank.com/theprivatebank Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2016 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. EAP full-page template.indd 1 9/6/16 11:17 AM February 2017 Volume 14, No. 4 cinema Paul Heppner Publisher Susan Peterson Design & Production Director Ana Alvira, Robin Kessler, Shaun Swick, Stevie VanBronkhorst Production Artists and Graphic Design Mike Hathaway Sales Director Brieanna Bright, Joey Chapman, Ann Manning, Rob Scott Seattle Area Account Executives Marilyn Kallins, Terri Reed San Francisco/Bay Area Account Executives Jonathan Shipley Ad Services Coordinator Carol Yip Sales Coordinator Sara Keats Jonathan Shipley Online Editors NT LIVE: HEDDA GABLER STARRING RUTH WILSON (“LUTHER,” “THE AFFAIR”) THU, MAR. 9 • 11AM & 6:30PM • SIFF CINEMA UPTOWN Leah Baltus Editor-in-Chief FOR TICKETS VISIT SIFF.NET/HEDDAGABLER Paul Heppner Publisher Dan Paulus Art Director Gemma Wilson, Jonathan Zwickel Senior Editors Amanda Manitach Visual Arts Editor Barry Johnson Associate Digital Editor Make retirement Paul Heppner delicious.
    [Show full text]
  • The Pajama Game
    ARENA’S PAGE STUDY GUIDE CONTENTS The Play THE PAJAMA GAME Meet Adler and Ross BY BOOK BY GEORGE ABBOTT AND RICHARD BISSELL From the Director’s Notebook MUSIC AND LYRICS BY RICHARD ADLER AND JERRY ROSS Arena’s The Pajama Game The World of the Musical: DIRECTED BY ALAN PAUL | CHOREOGRAPHY BY PARKER ESSE Factory Life in the 1900s MUSIC DIRECTION BY JAMES CUNNINGHAM Three Big Questions FICHANDLER STAGE | OCTOBER 27 — DECEMBER 24, 2017 Resources THE PLAY It is 1954 and the Sleep-Tite Pajama Factory workers in Cedar Rose, Iowa are at the top of their game, churning out pajamas in a fast-paced rhythm. But when the workers’ union asks for a 7 1/2¢ raise, problems arise. Enter Sid Sorokin, the dashing new supervisor, who has all the women in the factory distracted from their machines. He has his eyes set on Babe Williams, the leader of the grievance committee. Sid wants efficiency while Babe is ready to fight for that raise. Meanwhile Hines, the executive time keeper is in love with his boss’s secretary Gladys. Prez, the head of the union is flirting with Mae. Although love is in the air, the workers could go on strike at any moment. Everyone is fighting for what they believe in, both at work and in relationships. Who will win The Pajama Game? “My future depends upon the grievance committee — a group formed by management and employees to address workers’ titanic struggle for pajama survival.” complaints — Sid, The Pajama Game strike — an organized protest, The Pajama Game is generously sponsored by .
    [Show full text]
  • American Music Research Center Journal
    AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 19 2010 Paul Laird, Guest Co-editor Graham Wood, Guest Co-editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Mary Dominic Ray, O.P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music William S. Farley, Research Assistant, 2009–2010 K. Dawn Grapes, Research Assistant, 2009–2011 EDITORIAL BOARD C. F. Alan Cass Kip Lornell Susan Cook Portia Maultsby Robert R. Fink Tom C. Owens William Kearns Katherine Preston Karl Kroeger Jessica Sternfeld Paul Laird Joanne Swenson-Eldridge Victoria Lindsay Levine Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25.00 per issue ($28.00 outside the U.S. and Canada). Please address all inquiries to Lisa Bailey, American Music Research Center, 288 UCB, University of Colorado, Boulder, CO 80309-0288. E-mail: [email protected] The American Music Research Center website address is www.amrccolorado.org ISSN 1058-3572 © 2010 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro- posals from the scholarly community, ranging from 3,000 to 10,000 words (excluding notes). All articles should be addressed to Thomas L. Riis, College of Music, University of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301.
    [Show full text]
  • Program Notes
    PROGRAM NOTES By Joshua S. Ritter Goodspeed Education & Library Director You don’t have to be a baseball fan to know that the New York Yankees‐Boston Red Sox rivalry bitterly divides colleagues, neighbors, families, and Goodspeed patrons. In fact, according to The Harvard Sports Analysis Collective, East Haddam is located on the frontlines of this legendary baseball feud with slightly more than half the population favoring the Red Sox. What better way for Goodspeed to bring some levity to this divisive situation than with a hilarious musical comedy? Fortunately, Joe DiPietro’s side‐splitting adaptation of Damn Yankees contemporizes the book by replacing the defunct Washington Senators with the Boston Red Sox. We are pleased to have the opportunity to provide a neutral zone where members of the Yankees Universe and Red Sox Nation can forget their bitter differences for a few hours and share some laughs when the curtain goes up. Flashing back to the middle of the 20th century, Douglass Wallop’s 1954 novel The Year The Yankees Lost the Pennant was a best‐selling major league baseball twist on the Faust fable. Damn Yankees’ genesis was set in motion when William Morris agent Albert B. Taylor brought this property to the attention of legendary producer, director, writer, and actor George Abbott. Abbott and his team had just struck gold with the smash hit musical The Pajama Game, a show based on Richard Bissel’s novel 7½ Cents. Perhaps this monumental success gave Abbott the chutzpah to take the idea of a baseball musical seriously, despite the fact that all previous attempts at creating one were unsuccessful.
    [Show full text]
  • The Pajama Game
    Some investments are not about getting rich. They’re about being enriched. You can’t put a value on a performance that moves your soul. But you can support it with all of your heart. That’s why we are proud to invest our resources in the arts and the contribution they make to our city. PROUD SPONSOR OF THE ARTS ©2008 First Tennessee Bank National Association. Member FDIC. www.firsttennessee.com CHANEL N° 5 EAU PREMIÉRE New! A decidedly lighter, fresher, softer interpretation of N° 5…a silky-smooth harmony of notes that reveals the delicate facet of the world-renowned fragrance. 5 oz. Eau de Parfum, $125. Have your fragrance delivered for 5.95. Call 1.800.456.2297 Selection varies by store. CHANEL N° 5 is a registered trademark of CHANEL® Inc. Z8110018 Z8110018_dec_nashville_performing_arts.indd 1 11/3/08 10:27:48 AM Ad PAMag size.qxp 7/20/2007 3:37 PM Page 1 PASSION for EXCELLENCE From our vantage point, the key to greatness is having a PASSION for EXCELLENCE. Whether it’s making great tires or beautiful symphonic music…at Bridgestone Americas we believe it’s all about the art of performance. We’re building world-class tires in Tennessee and investing in our communities. Working in close harmony with our hometowns is a performance that makes us all proud. Bridgestone Americas www.bridgestoneamericas.com REPRESENTATIONAL PHOTO REPRESENTATIONAL hen we learned how sick Mom was, we didn’t know what to do. We’re so thankful that her doctor told us about Alive WHospice.
    [Show full text]
  • ONSTAGE Today’S Performance Is Sponsored By
    CENTER FOR THE PERFORMING ARTS AT PENN STATE ONSTAGE Today’s performance is sponsored by with additional sponsorship support by COMMUNITY ADVISORY COUNCIL The Community Advisory Council is dedicated to strengthening the relationship between the Center for the Performing Arts and the community. Council members participate in a range of activities in support of this objective. Nancy VanLandingham, chair Bonnie Marshall Lam Hood, vice chair Pieter Ouwehand Melinda Stearns Judy Albrecht Lillian Upcraft William Asbury Pat Williams Lynn Sidehamer Brown Nina Woskob Philip Burlingame Deb Latta student representatives Eileen Leibowitz Brittany Banik Ellie Lewis Stephanie Corcino Christine Lichtig Jesse Scott Mary Ellen Litzinger CENTER FOR THE PERFORMING ARTS AT PENN STATE and Throne Games, LLC / Phoenix Entertainment present Book and Lyrics by Music by Alan Jay Lerner Frederick Loewe Original Production Directed and Staged by Moss Hart Based on The Once and Future King by T.H. White Scenic Design Costume Design Lighting Design Sound Design Kevin Depinet Paul Tazewell Mike Baldassari Craig Cassidy Musical Direction Musical Supervision/Add’l Orchestrations Casting Marshall Keating Steven M. Bishop Mark Minnick Director of Operations Marketing Director Technical Supervisor Lisa Mattia Aleman P.R./Phillip Aleman Scott Orlesky Production Stage Manager Company Manager J. Andrew Blevins Deborah Barrigan Directed by Michael McFadden CAMELOT is presented by arrangement with Tams-Witmark Music Library, Inc. 560 Lexington Avenue New York, NY 10022 EXCLUSIVE TOUR DIRECTION by THE ROAD COMPANY 165 West 46th Street, Suite 1101, New York, NY 10036, (212) 302-5200 www.theroadcompany.com www.camelottour.com www.phoenix-ent.com 7:30 p.m.
    [Show full text]
  • Geva's 43 Season Begins with Monty Python's Spamalot
    Media Contact: Dawn Kellogg Communications Manager (585) 420-2059 [email protected] FOR IMMEDIATE RELEASE GEVA’S 43RD SEASON BEGINS WITH MONTY PYTHON’S SPAMALOT Broadway couple Hunter Foster and Jennifer Cody lead cast. Geva partners with WXXI and the Little Theatre for Monty Python Film Series. Rochester, N.Y., August 18, 2015 – Audiences are in for an outrageously hilarious time as Geva Theatre Center presents the Tony Award-winning hit musical, Monty Python’s Spamalot by Eric Idle and John Du Prez and directed by Melissa Rain Anderson in the Elaine P. Wilson Stage from September 9 through October 11. Lovingly ripped off from the classic comedy film Monty Python and the Holy Grail, this outrageous musical parody tells the legendary tale of King Arthur and his Knights of the Round Table. Embarking on their quest to find the Holy Grail, the Knights’ shenanigans include flying cows, beautiful show girls, killer rabbits, and flatulent Frenchmen – all while performing heart-stopping and hilarious musical numbers. 2015 marks the 40th Anniversary of the release of Monty Python and the Holy Grail. The film was a box office hit and was the highest grossing British film shown in the U.S. in 1975, surpassing films such as The Rocky Horror Picture Show, Tommy, The Man Who Would Be King and Return of the Pink Panther. In 2005, Spamalot, adapted from the film, premiered on Broadway following a Chicago preview run. Directed by Mike Nichols, Spamalot received 14 Tony Award nominations and won three, including the award for Best Musical. During its Broadway run, it was seen by over 2 million people and grossed over $175 million.
    [Show full text]
  • Etd Kdj7.Pdf (542Kb)
    BODIES OF WORK: THE PRODUCTION OF WORK, CLASS AND GENDER IN FILM MUSICALS A thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Masters of Arts in English By Kathryn D. Jett, B.A. Washington, DC April 25, 2008 The influence of community is always inextricable from class identity. I would like to thank the communities of strong women who have influenced my thinking and my work from my hometown in Guymon, Oklahoma to my academic home here at Georgetown University. Special thanks belong to Dr. Pamela Fox for her guidance and inspiration. By introducing me to working-class studies, she has given me the critical tools I have been seeking all along. A large part of this work however, is drawn from the ultimate community of women in my life—my mother, grandmothers, sisters, aunts and cousins. Their ceaseless work, their love of music, and their subtle feminism are all woven into my thoughts and my words. To my mother and my Grammy Dee, thank you for showing me that a woman’s work can be as beautiful as her music. Kathryn Jett ii Table of Contents Introduction ………………………………………………………………………….. 1 Working Titles ……………………………………………………………………… 20 Hand-Made Expressions ………………………………………………………...…. 24 Mechanized Bodies …………………………………………………………………. 33 Commodified Bodies ……………………………………………………………….. 45 Resistant Bodies …………………………………………………………………….. 55 Contradictions and Conclusions ….…………………………………………………. 64 Bibliography ………………………………………………………………………… 70 iii Introduction The stage musical is widely acknowledged as a purely American art form. Taking its roots from black minstrelsy, ethnically diverse Vaudeville, and New York’s Tin Pan Alley1, musical theatre has always been rich with the class, race, and gender related themes that reflect a complex and often fractured American culture.
    [Show full text]
  • Take the Lead Musical Theatre Summer School 1–5 Aug 2016
    OF MUSIC & DANCE OF TRINITY LABAN CONSERVATOIRE THE PAJAMA GAME A musical based on the novel 7 ½ cents by Richard Bissell FRI 17–SAT 18 JUN 19.30h SAT 18 JUN 14.30h SUN 19 JUN 15.00h STRATFORD CIRCUS ARTS CENTRE programme: £3 THE PAJAMA GAME Presented by Trinity Laban final year Musical Theatre students. Book by George Abbott and Richard Bissell Music and lyrics by Richard Adler and Jerry Ross Based on the novel 7½ Cents by Richard Bissell This amateur production is presented by arrangement with JOSEF WEINBERGER LTD. on behalf of MUSIC THEATRE INTERNATIONAL of NEW YORK. SYNOPSIS The dangers of a workplace romance are explored to hysterical effect in this romantic comedy from the creators of Damn Yankees. Conditions at the Sleep-Tite Pajama Factory are anything but peaceful, as sparks fly between new superintendent Sid Sorokin and Babe Williams, leader of the union grievance committee. Their stormy relationship comes to a head when the workers strike for a 7½ cent pay increase, setting off not only a conflict between management and labour, but a battle of the sexes as well. MUSICAL NUMBERS ACT I ACT II The Pajama Game Steam Heat Racing With The Clock Hey There (Reprise) A New Town Is A Blue Town Think Of The Time I Save Racing With The Clock (Reprise) Hernando’s Hideaway I’m Not At All In Love Seven-And-A-Half Cents I’ll Never Be Jealous Again There Once Was A Man (Reprise) Hey There The Pajama Game Finale Her Is Seven-And-A-Half Cents (Reprise) Sleep-Tite Once A Year Day Her Is (Reprise) Small Talk There Once Was A Man Slow Down Act I
    [Show full text]
  • A'level Dance Knowledge Organiser Bob Fosse
    A’LEVEL DANCE KNOWLEDGE ORGANISER BOB FOSSE Early training and background Influences • Robert Louis Fosse was born in 1927. • Bob Fosse was the fifth of six children born to a Chicago vaudevillian. He was regarded as a child prodigy and given tap dancing • He began dancing as a child and was a professional performer by the time he lessons; he was on the professional vaudeville stage before reaching high school. was 13 (Riff Brothers tap-dancing act touring burlesque halls and strip clubs). • At 15 Fosse was working as the master of ceremonies at several nightspots. This • He received formal training from the Frederick Weaver Ballet School. At dance school he was the only male. “I got a lot of jokes and is when he choreographed his first number in which four dancing girls got whistled at a lot. But I beat up a couple of the whistlers and the rest sort of tapered off after a while.” manipulated strategically placed ostrich feathers to Cole porter’s ‘That Old • Undoubtedly the provocative gestures and poses of strippers Fosse watched night after night had a direct bearing on his Black Magic.’ choreographic style. • After a couple of years in the navy, Fosse spent two years in drama school before joining a tour of ‘Call me Mister’ as a chorus boy. • Influenced by the work of Jack Cole, Fred Astaire, and Jerome Robbins, Fosse was fluent in a dizzying mix of styles: in Redhead alone • In 1950 Fosse made his debut on Broadway in ‘Dance Me a Song.’ he incorporated elements of the ballet, jazz, march, cancan, gypsy dance, and the traditional English music-hall.
    [Show full text]
  • The Pajama Game Program
    THE PAJAMA GAME 2017/18 SEASON SAVE UP TO 60% WHEN YOU PURCHASE A 6- OR 4-PLAY PACKAGE! Golden Age Musical Inspirational True Story THE PAJAMA GAME HOLD THESE TRUTHS NOW PLAYING THROUGH DECEMBER 24 FEBRUARY 23 — APRIL 8, 2018 Provocative Musical Journey American Masterpiece NINA SIMONE: AUGUST WILSON’S FOUR WOMEN TWO TRAINS NOW PLAYING THROUGH DECEMBER 24 RUNNING MARCH 30 — APRIL 29, 2018 Part of the Women’s Voices Theater Festival SOVEREIGNTY World-Premiere Musical JANUARY 12 — FEBRUARY 18, 2018 SNOW CHILD APRIL 13 — MAY 20, 2018 Epic Political Thrill Ride THE GREAT SOCIETY FEBRUARY 2 — MARCH 11, 2018 Photo of Jack Willis in All The Way by Stan Barouh. 202-488-3300 SUBSCRIBE TODAY! ARENASTAGE.ORG THE PAJAMA GAME TABLE OF CONTENTS 4 Artistically Speaking 5 From the Executive Director 6 Molly Smith’s 20th Anniversary Season 9 Director’s Note 11 Title Page 12 Setting / Cast List 13 Musicians / For this Production 15 Musical Numbers 17 Bios — Cast 25 Bios — Creative Team ARENA STAGE 1101 Sixth Street SW Washington, DC 20024-2461 31 Arena Stage Leadership ADMINISTRATION 202-554-9066 SALES OFFICE 202-488-3300 32 Board of Trustees / Theatre Forward TTY 202-484-0247 arenastage.org 33 Full Circle Society © 2017 Arena Stage. All editorial and advertising material is fully protected and must not be 34 Thank You — The Annual Fund reproduced in any manner without written permission. 37 Thank You — Institutional Donors The Pajama Game Program Book Published October 27, 2017 38 Theater Staff Cover Illustration by Paul Rogers Program Book Staff Anna Russell, Director of Publications Shawn Helm, Graphic Designer 2017/18 SEASON 3 ARTISTICALLY SPEAKING I love producing a show from Broadway’s “Golden Age” during the holiday season — it gives our audiences a chance to relax, laugh and breathe during these hectic months and to introduce family to the beauty of this most American form of theater.
    [Show full text]