Starlight Musicals Records, 1940–1997
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
ARNOLD MITTELMAN Producer/Director 799 Crandon
ARNOLD MITTELMAN Producer/Director 799 Crandon Boulevard, #505 Key Biscayne, FL 33149 [email protected] ARNOLD MITTELMAN is a producer and director with 40 years of theatrical achievement that has resulted in the creation and production of more than 300 artistically diverse plays, musicals and special events. Prior to coming to the world famous Coconut Grove Playhouse in 1985, Mr. Mittelman directed and produced Alone Together at Broadway's Music Box Theatre. Succeeding the esteemed actor José Ferrer as the Producing Artistic Director of Coconut Grove Playhouse, he continued to bring national and international focus to this renowned theater. Mr. Mittelman helped create more than 200 plays, musicals, educational and special events on two stages during his 21-year tenure at the Playhouse. These plays and musicals were highlighted by 28 World or American premieres. This body of work includes three Pulitzer Prize-winning playwrights directing their own work for the first time in a major theatrical production: Edward Albee - Seascape; David Auburn - Proof; and Nilo Cruz - Anna In the Tropics. Musical legends Cy Coleman, Charles Strouse, Jerry Herman, Jimmy Buffett, John Kander and Fred Ebb were in residence at the Playhouse to develop world premiere productions. The Coconut Grove Playhouse has also been honored by the participation of librettist/writers Herman Wouk, Alfred Uhry, Jerome Weidman and Terrence McNally. Too numerous to mention are the world famous stars and Tony award-winning directors, designers and choreographers who have worked with Mr. Mittelman. Forty Playhouse productions, featuring some of the industry's greatest theatrical talents and innovative partnerships between the not-for-profit and for-profit sectors, have transferred directly to Broadway, off-Broadway, toured, or gone on to other national and international venues (see below). -
May 2018 Welcome Mike Hausberg
MAY 2018 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of Native Gardens. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve. -
'Man of La Mancha' Date: September 19, 2017 Media Outlet
Headline: Theater Latté Da opens 2017-18 season with nicely realized 'Man of La Mancha' Date: September 19, 2017 Media Outlet: Star Tribune Media Contact: Graydon Royce Link: http://www.startribune.com/twin-cities-performer-faces-a-tough-choice-stage-star-or-rock- star/445753063 Martín Solá and Meghan Kreidler star in “Man of La Mancha” at Theater Latté Da. Below, Kreidler portrays Aldonza, who blossoms under Don Quixote’s influence. In a crazy world, who is the sane human? Is he the one who tilts at windmills, creates his own heroes and dreams of impossibilities because only in fantasy is there the hope of a different world? This was the philosophy behind “Man of La Mancha,” which might today be nothing more than a dusty old musical if not for the elusive nature of its truth and purpose. Theater Latté Da has opened its 20th season with a nicely realized staging of “La Mancha,” a work drawing inspiration from writer Miguel de Cervantes and his dazzling protagonist, Don Quixote. Director Peter Rothstein places the work in the cinder-block holding area of a modern detention center (set by Michael Hoover). It’s a well-intentioned stab at relevancy that makes its case convincingly up to the point where the dialogue references the historic Spanish Inquisition. 1 We get the point. Resisting absurdity in a world of claustrophobic ideology is timeless. Cervantes (Martín Solá) puts on a play within a play, telling the story of Don Quixote in hopes that the prisoners will find him innocent in their kangaroo court. -
JAYE BARRE Directed By: MARIELLA KLINGER
Bernards Township2015 Parks & Recreation Presents a Trilogy Repertory Production of Executive Producer: LORRIE LANE Produced by: JAYE BARRE Directed by: MARIELLA KLINGER Musical Direction by: JOE LESKY Choreography by: SAMANTHA KESTENBAUM In The Heights is presented through special arrangement with R&H Theatricals Conceived by: Lin-Manuel MirandaMusic and Lyrics by: Lin-Manuel Miranda Book by: Quiara Alegria Hudes Development of In The Heights was supported by the Eugene O’Neill Theater Center during a residency at the Music Theater Conference of 2005 Originally produced on Broadway by Kevin McCollum, Jeffrey Seller, Jill Furman Willis, Sander Jacobs, Goodman/Grossman, Peter Fine, Everett/Skipper Summer, 2016 Dear Residents and Friends of the Community, Good evening and welcome to the Bernards Township Department of Parks and Recreation’s 29th season of Plays in the Park. So many of you enjoy and look forward to the plays year after year. I am excited that the Township brings this tradition free to the public for all to enjoy. Bernards Township proudly sponsors this event and substantially subsidizes the budget because we recognize the importance of keeping performing arts alive. It is truly wonderful that these productions are here, under the stars, in Pleasant Valley Park. July is Parks and Recreation Month. Bernards Township offers many opportunities to enjoy family outings such as Plays In The Park. Please join us as we celebrate… details may be found on pages 17-18 of this playbill. You can stay current on all our special events by visiting our website at www.bernrads.org. There you will find information on the wide variety of programs we offer. -
Into the Woods Is Presented Through Special Arrangement with Music Theatre International (MTI)
PREMIER SPONSOR ASSOCIATE SPONSOR MEDIA SPONSOR Music and Lyrics by Book by Stephen Sondheim James Lapine June 28-July 13, 2019 Originally Directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadyway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theatres Originally produced by the Old Globe Theater, San Diego, CA. Scenic Design Costume Design Shoko Kambara† Megan Rutherford Lighting Design Puppetry Consultant Miriam Nilofa Crowe† Peter Fekete Sound Design Casting Director INTO The Jacqueline Herter Michael Cassara, CSA Woods Musical Director Choreographer/Associate Director Daniel Lincoln^ Andrea Leigh-Smith Production Stage Manager Production Manager Myles C. Hatch* Adam Zonder Director Michael Barakiva+ Into the Woods is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com Music and Lyrics by Book by STEPHEN JAMES Directed by SONDHEIM LAPINE MICHAEL * Member of Actor’s Equity Association, † USA - Member of Originally directed on Broadway by James LapineBARAKIVA the Union of Professional Actors and United Scenic Artists Orchestrations by Jonathan Tunick Stage Managers in the United States. Local 829. ^ Member of American Federation of Musicians, + Local 802 or 380. CAST NARRATOR ............................................................................................................................................HERNDON LACKEY* CINDERELLA -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
SHDWBOAT Began More Tban 20 Years Ago, F RIDAY JAN
Page Twelve TH~ ROCKETEER Friday, January 17, 1964 Taxi Drivers Spruce Up In New Uniforms! Neptune Ball Set For For the first time since NOTS SHDWBOAT began more tban 20 years ago, f RIDAY JAN . Station taxi chauffeurs will be Feb. 7 and 8 at Center " SWORD Of LANeElOT" (115 Min .) Cornel Wilde, Jean Wallace all spruced up in new uniforms, 7 p.m. beginning Monday. (Adventur. in Color) The famed Kni ght is in love w ith King Arthur's intended wife. The uniforms are Navy blue, A suspense, v iolent OCT ion and intrigue with Eisenhower-type jackets. spec io l sel in colorful Comelot. (Adults and The drivers will w e a r white Young People). shirts, black ties and eight-point SATURDAY JAN. 18 " FRANCI S IN TH E NA VY" (80 Min.) caps. Donald O'Connor Mrs. F. III. Mullin, the only 1 p .m. SHORT: " Witty KilTy" (7 M in.) woman chauffe ur, will have a " Ma nhunt No. I S" (1 6 Min.) Navy blue ensemble of skirt and - EVENI NG - jacket, white blouse, black bow· " TH E WRO NG ARM OF THE LAW" (91 Min .) type tie and a WAVE-type hat. Peter Sellers, lionel JeffreYI 7 p .m. Men drivers are J. V. Adam· (Comedy) When on outlide gong muscles son, F. L. Bennett, E. E. Blur· in the owner of on exclulive dresa l a lan (who is also an underworld leader) coop. ton, G. III. Brown, G. H. Davis, erotes w ith Scotland Yord to catch the ch i, B. -
GAILY, GAILY the NIGHT THEY RAIDED MINSKY's “In 1925, There
The one area where it succeeded perfectly was So, Rosenblum began refashioning the film, in its score by Henry Mancini. By this time, using a clever device of stock footage that Mancini was already a legend. After toiling in the would lead into the production footage, rear - GAILY, GAILY music department at Universal (the highlight of ranging and restructuring scenes, and spend - his tenure there would be Orson Welles’ Touch ing a year doing so – the result was stylish and Of Evil) , he hit it big, first with his TV score to visually interesting and it transformed the film THE NIGHT Peter Gunn – which not only provided that from disaster into a hit. THEY RAIDED MINSKY’S Blake Edwards series with its signature sound, but which also produced a best-selling album The score for Minsky’s was written by Charles on RCA – and then in a series of films for which Strouse, who’d already written several Broad - “In 1925, he provided amazing scores, one right after an - way shows, as well as the score for the film other – Breakfast At Tiffany’s, Charade, Hatari, Bonnie and Clyde . The lyrics were by Lee there was this real The Pink Panther, Days Of Wine and Roses , Adams, with whom Strouse had written the religious girl” and many others. Many of those films also pro - Broadway shows Bye Bye Birdie, All-American, duced best-selling albums. Mancini not only Golden Boy, It’s A Bird, It’s A Plane, It’s Super - knew how to score a film perfectly, but he was man and others. -
Asolo Repertory Theatre Presents Fanny Brice, America's Funny Girl
For Immediate Release: April 24, 2012 Media Contact: Steph Gray, Public Relations Coordinator 941.351.9010 ext. 4800; [email protected] Asolo Repertory Theatre presents Fanny Brice, America’s Funny Girl (SARASOTA, Fla.)- Before there was a Lucy or Ethel, Gracie Allen or Imogene Coca, Fanny Brice was the female comic superstar. Fanny Brice, America's Funny Girl will be open May 23, 2012 and run until June 17, 2012. Previews begin May 20. Fanny Brice, America’s Funny Girl is a reworking of Maltz Jupiter Theatre’s 2009 hit production Fanny Brice: The Real Funny Girl. Writer and Director David H. Bell modified the script and is bringing Asolo Rep the most inspiring version yet. TCPalm raved, “Marya Grandy may not be the real Fanny Brice…but she just might be a new version of Ethel Merman. That’s with a little Patti LuPone and the emotional singing delivery al a Judy Garland tossed in for good measure”. WJTW FM said “what really brought the audience to its feet for a standing ovation however was the finale…it doesn’t get any better than that.” Born Fania Borach on the Lower East Side of New York City in 1891, Brice began her career on stage with a burlesque troupe at the age of 17. Two years later she was headlining for the Ziegfeld Follies, and by 1921 she released her signature song, “My Man.” Brice became one of the biggest comedic stars to grace the stage, yet her personal life wasn’t as successful, with heartache and betrayal followed her at every step and her three marriages all ending in divorce. -
Bye Bye Birdie"
MEDIA CONTACT Natalie Kojen [email protected] April 6, 2011 FOR IMMEDIATE RELEASE ACADEMY TO PREMIERE NEW RESTORATION OF 1963 MUSICAL COMEDY "BYE BYE BIRDIE" BEVERLY HillS, CA - The Academy of Motion Picture Arts and Sciences will premiere a new digital restoration of "Bye Bye Birdie" on Wednesday, April 27, at 7:30 p.m. at the Samuel Goldwyn Theater in Beverly Hills. Hosted by film critic Stephen Farber, the evening will feature a Digital Cinema presentation with a newly restored 4- channel stereo soundtrack, followed by an onstage discussion with special guests Ann Margret and Bobby Rydell. Just five years after Elvis Presley was drafted into the army, the satirical "Bye Bye Birdie" had already been written, staged on Broadway, and turned into a film . When singing sensation Conrad Birdie (Jesse Pearson) is drafted, songwriter Albert Peterson (Dick Van Dyke) and his girlfriend, Rosie Deleon (Janet leigh), arrange for Birdie to sing one of Peterson's songs in a farewell performance on "The Ed Sullivan Show." To heighten the drama, the rock 'n' roll star is to give a goodbye kiss to a lucky young lady (Ann-Margret) from a small Ohio town - much to the dismay of her steady beau (Rydell) and parents (Paul Lynde and Mary LaRoche). Directed by George Sidney, this vibrant adaptation of the successful Broadway musical comedy earned Oscar" nominations for both Music and Sound, and features a range of songs, from the youthful "A lot of Livin' to Do" to the parentally angled "Kids. " For updates on special guests, visit www.oscars.org. -
Der Geoutete Liberace
Zu guter Letzt AJP/PJA 9/2014 Der geoutete Liberace 1275 beschrieb: «He is the summit of sex- Homosexualität auch die eheliche Un- Masculine, Feminine and Neuter. Eve- treue impliziert, oder bei Personen in rything that He, She and It can ever einem homosexuellenfeindlichen Um- want. I have spoken to sad but kind- feld – dies, weil Homosexualität nicht ly men on this newspaper who have strafbar, unsittlich oder unethisch sei.3 met every celebrity arriving from the Dieses Argument klingt vordergründig United States for the past thirty years. fortschrittlich, verhindert aber einen They all say that this deadly, winking, wirkungsvollen Schutz und hilft den sniggering, snuggling, chromium-pla- Tätern. Liberace berief sich damals ted, scent-impregnated, luminous, qui- zivilrechtlich wie ein falsch geouteter vering, giggling, fruit-flavored, min- Heterosexueller auf die Unrichtig- cing, ice-covered heap of mother love keit und Immoralität oder Unsittlich- has had the biggest reception and im- keit des Vorwurfs.4 Dieses Klagefun- pact on London (…).»1 Die Wortwahl dament, so es heute angesichts der verlief entlang den gängigen Codes strafrechtlichen Rechtsprechung und ARNOLD F. RUSCH für Homosexualität. Liberaces erste den Wertungen in der Gesellschaft PD Dr. iur., Rechtsanwalt, LL.M., Zürich Sorge galt seiner Mutter, die den Ar- überhaupt noch zur Verfügung steht, tikel nicht sehen sollte – aber auch er erweist sich für die grundsätzlichen selber war angeblich zutiefst erschüt- Anliegen der Homosexuellen als un- Der amerikanische Pianist Liberace tert. Liberace sagte vor der Londoner passend, denn es verfestigt die schie- war ein begnadeter Entertainer – der Jury aus, dass er nicht homosexuell sei fe Sicht und die Notwendigkeit des Film «Behind the Candelabra» mit und nie Sex mit Männern praktiziert Leugnens.5 Michael Douglas und Matt Damon hat habe: «My feelings are the same as Denkbar wäre angesichts des Zei- vor einem Jahr die Erinnerung an ihn any one else’s.