The Pajama Game at the 5Th Avenue Theatre Encore Arts Seattle

Total Page:16

File Type:pdf, Size:1020Kb

The Pajama Game at the 5Th Avenue Theatre Encore Arts Seattle THE NATION’S LEADING MUSICAL THEATER FEB 10-MAR 5, 2017 FEBRUARY 2017 My wealth. My priorities. My partner. You’ve spent your life accumulating wealth. And, no doubt, that wealth now takes many forms, sits in many places, and is managed by many advisors. Unfortunately, that kind of fragmentation creates gaps that can hold your wealth back from its full potential. The Private Bank can help. The Private Bank uses a proprietary approach called the LIFE Wealth Cycle SM to ­ind those gaps—and help you achieve what is important to you. To learn more, contact: Carolyn Stewart Vice President, Private Wealth Advisor 2065874788 [email protected] or visit unionbank.com/theprivatebank Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2016 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. EAP full-page template.indd 1 9/6/16 11:17 AM February 2017 Volume 14, No. 4 cinema Paul Heppner Publisher Susan Peterson Design & Production Director Ana Alvira, Robin Kessler, Shaun Swick, Stevie VanBronkhorst Production Artists and Graphic Design Mike Hathaway Sales Director Brieanna Bright, Joey Chapman, Ann Manning, Rob Scott Seattle Area Account Executives Marilyn Kallins, Terri Reed San Francisco/Bay Area Account Executives Jonathan Shipley Ad Services Coordinator Carol Yip Sales Coordinator Sara Keats Jonathan Shipley Online Editors NT LIVE: HEDDA GABLER STARRING RUTH WILSON (“LUTHER,” “THE AFFAIR”) THU, MAR. 9 • 11AM & 6:30PM • SIFF CINEMA UPTOWN Leah Baltus Editor-in-Chief FOR TICKETS VISIT SIFF.NET/HEDDAGABLER Paul Heppner Publisher Dan Paulus Art Director Gemma Wilson, Jonathan Zwickel Senior Editors Amanda Manitach Visual Arts Editor Barry Johnson Associate Digital Editor Make retirement Paul Heppner delicious. President Mike Hathaway Vice President At Mirabella Seattle, you can enjoy Genay Genereux gourmet meals and incredible fresh- Accounting & Office Manager baked goods without ever stepping Sara Keats Marketing Manager foot outside. Sometimes a night in is Ryan Devlin Business Development Manager even better than a night out. Corporate Office Experience our stylish, worry-free 425 North 85th Street Seattle, WA 98103 p 206.443.0445 f 206.443.1246 retirement lifestyle today: [email protected] 206-254-1441 800.308.2898 x105 www.encoremediagroup.com retirement.org/mirabellaseattle Encore Arts Programs is published monthly by Encore Media Mirabella Seattle is a Pacific Retirement Services Group to serve musical and theatrical events in the Puget community and an equal housing opportunity. Sound and San Franc isco Bay Areas. All rights reserved. ©2017 Encore Media Group. Reproduction without written permission is prohibited. BOARD OF DIRECTORS ABOUT Stephen P. Reynolds Chairman Sterling Wilson THE TH Treasurer 5 Margaret C. Inouye AVENUE THEATRE Secretary • The non-profit 5th Avenue Theatre is one of the country’s leading musical theater Wanda J. Herndon companies. Our mission is to “nurture, advance and preserve all aspects of America’s Immediate Past Chairman great indigenous art form: The Musical. We achieve this by creating extraordinary theatrical experiences that enrich, entertain and inspire current and future audiences Kenny Alhadeff Ann Ardizzone everywhere.” Clodagh Ash Les Biller • The 5th is committed to achieving the highest standards of artistic excellence by Sharon Gantz Bloome employing world-class performers and creative artists, utilizing full live orchestras, and Robert R. Braun, Jr. Debbie Brown staging exceptional and imaginative productions. The 5th places a special emphasis on Margaret Clapp employing our amazing community of Puget Sound-based artists and technicians. Barbara L. Crowe Larry Estrada We are nationally renowned for our production and development of new musicals. Cyrus Habib • Randy Hodgins Since 2001, The 5th has premiered 17 new works, nine of which have subsequently Mike Katz opened on Broadway. They include Disney’s Aladdin, First Date, A Christmas Story, Patrick F. Kennedy Scandalous, Shrek, Catch Me If You Can, The Wedding Singer and Best Musical Tony SaSa Kirkpatrick Award®-winners, Hairspray and Memphis. Elizabeth Lund Heather Sullivan McKay Richard Meadows • We are equally acclaimed for our vibrant new productions of musicals from the John Oppenheimer “Golden Age of Broadway” and contemporary classics. These signature revivals enthrall David Quinn fans of these enduring works and introduce these great shows to new generations of Ann Ramsay-Jenkins Anthony Repanich musical theater lovers. Norman B. Rice Emory Thomas, Jr. • Our celebrated educational programs serve more than 83,000 young people each year Bonnie Towne through a host of projects including our Adventure Musical Theater Touring Company, Eric Trott The 5th Avenue Awards and the unique Rising Star Project. For adults, we offer free-to- Marka Waechter Tom Walsh the-public events such as the popular Spotlight Night series and pre-performance Show Tracy Wellens Talks with Albert Evans. Eileen Glasser Wesley Kenneth Willman • We are the largest arts employer in the Pacific Northwest with more than 800 actors, PAST CHAIRMEN singers, dancers, musicians, creative artists, theatrical technicians and arts professionals OF THE BOARD working for us each season. Wanda J. Herndon (2013-2015) Barbara L. Crowe (2011-2013) • As a non-profit theater company supported by the community, we enjoy the patronage Robert A. Sexton (2009-2011) of more than 20,000 season subscribers (one of the largest theater subscriptions in Norman B. Rice (2007-2009) America). More than 330,000 audience members attend our performances each year. Kenny Alhadeff (2004-2007) William W. Krippaehne Jr. (2002-2004) Bruce M. Pym (2000-2002) OUR HISTORIC THEATER John F. Behnke (1998-2000) Faye Sarkowsky (1996-98) The 5th Avenue Theatre’s breathtaking design was inspired by ancient Imperial China’s Donald J. Covey (1994-96) Kenneth L. Hatch (1992-94) most stunning architectural achievements, including the magnificent Forbidden City. John D. Mangels (1990-92) Built in 1926 for vaudeville and silent pictures, The 5th Avenue Theatre reigned for Robert F. Buck (1988-90) decades as Seattle’s favorite movie palace. In 1979, 43 companies and community Stanley M. Little, Jr. (1986-88) R. Milton Trafton (1983-86) leaders formed the non-profit 5th Avenue Theatre Association and restored the theater W.J. Pennington (1981-83) to its original splendor. The 5th Avenue Theatre re-opened in 1980 as Seattle’s premier D.E. (Ned) Skinner (1979-81) home for musical theater. Founding Managing Director The 5th Avenue Theatre gratefully acknowledges our 43 original founders and sponsors. Marilynn Sheldon Please visit www.5thavenue.org for specific information on these important companies and individuals. WELCOME TO THE WELCOME TO 5TH FROM THE DESK OF DAVID ARMSTRONG EXECUTIVE PRODUCER AND ARTISTIC DIRECTOR LOOK FOR THE UNION LABEL ach and every performance here at The 5th Avenue Theatre involves more than 100 highly skilled and talented people working backstage, Eonstage, and in the orchestra pit bringing our shows to life. Nearly all of these artists and craftspeople are members of one of the seven theatricals unions with which we have long standing agreements. Since issues of labor and management are at the heart of the The Pajama Game, I thought this would be an ideal time to introduce you to our union partners and their world-class members who contribute so much to our productions. Theatrical unions have been part of the fabric of professional theater in Seattle for well over 100 years. Seattle’s oldest is Local 76 - 493 of the American Federation of Musicians whose origins date all the way back to 1889— well before the establishment of the national organization. Their members are the brilliantly talented musicians, music Actors’ Equity Association was founded in 1913 and directors and conductors who bring so much beauty and today represents more than 50,000 professional actors and power to our shows. There are 24 AFM members playing at stage managers across the country. About 400 of those this performance. members live in or near Seattle and comprise the majority Four years later in 1893, Local 15 of what is now called of the amazing actors, singers and dancers that you see the International Alliance of Theatrical Stage Employees on our stage. There are 22 Equity actors appearing in this (IATSE) was organized when representatives of stagehands production plus three Equity stage managers guiding all from Seattle and 10 other cities met in New York. Today of the action backstage. their members work in all forms of live theater, concerts, The youngest of the theatrical unions is the Stage motion picture and television production, as well as in Directors and Choreographers Society (SDC), an the equipment and construction shops that support the independent national labor union established in 1959. entertainment industry. Here at The 5th, they fabricate, SDC represents directors and choreographers working on install, maintain and run the complex scenery, props, Broadway, Off-Broadway, and at regional theaters across lighting, sound, rigging and special effects that make our the country including The 5th Avenue. Their members are productions so memorable. More than 57 will work on The the visionary artists who lead and inspire all of the other Pajama Game, including 18 at each performance. artists and craftspeople highlighted above. Two SDC IATSE Theatrical Wardrobe Union Local 887 members (Bill Berry and Bob Richard) worked on this represents both our costume shop employees who create production. Interestingly, Bob Fosse—The Pajama Game’s the spectacular attire that you see on our stage, and our original Broadway choreographer—was a key figure in wardrobe crew that works behind the scenes during establishing this union and the first person to work under performances dressing the actors and maintaining the an SDC contract. costumes. Thirteen members worked to prepare the show, As you can see, producing first-class musical theater is and nine work during the performances.
Recommended publications
  • Brigadoon Brigadoon
    Agatha Christie’ s ws Spider’ s Web dre An s MA he her AJA T rot w HE P B Ho T ME ee GA S Run igadoon hey e Br T nc … Da nd ix in a e S ns h e sso ks T gl Le ee un ! W J ok Six Bo 2010 CORPORATESPONSORSHIP AND BUSINESSCentral New York Celebrating 39 Years of Quality Professional Theatre in Our Corporate Sponsors receive recognition in front of an audience of over 17,000 people each summer! PO Box 783 Cortland, NY 13045 Phone: (607)753-6161 Fax: (607)753-0047 [email protected] www.cortlandrep.org Board of Directors Dear Friends, John Folmer President On behalf of CRT’s Board of Directors, Guild, staff and volunteers, we would Donald Hay like to offer you the opportunity to associate your business with one of the longest Vice President running and most successful theatre organizations in New York state. If you are a Garrison Marsted previous corporate sponsor, let us thank you for your continued belief in Cortland Treasurer Rep. If this is your first introduction to our corporate sponsorship opportunity, please Dorothea Fowler take a few moments to look through this booklet to find out more. Secretary Kimberly Allen We at CRT are very aware that our audience has been affected by the recent Michele Ball troubling financial times. Last summer, our audience attendance was lower than Robert Barber previous years. However, putting it in perspective: 2007 and 2008 were the highest David Blatchley Luci Bush attended seasons in our history! We are confident that CRT will continue to grow Brenda Cottone even in these tough times.
    [Show full text]
  • Woody & Linda Brownlee 190 @ Jupiter Office
    The Garland Summer Musicals in partnership with RICHLAND COLLEGE proudly presents Woody & Linda Brownlee 190 @ Jupiter Office Granville Arts Center Garland, Texas Office Location: June 17-26, 2011 3621 Shire Blvd. Ste. 100 Richardson, Texas 75082 Presented through special grants from GARLAND CULTURAL ARTS COMMISSION, INC. 214-808-1008 Cell Linda GARLAND SUMMER MUSICALS GUILD 972-989-9550 Cell Woody GARLAND POWER & LIGHT [email protected] ALICE & GORDON STONE [email protected] ECOLAB, INC. www.brownleeteam.ebby.com MICROPAC INDUSTRIES Garland Summer Musicals Presents Andrew Lloyd Webber’s Broadway Blockbuster CATS! July 22, 23, 29, 30 at 8pm July 24, 31 at 2:30pm Tickets: $27 - Adults; $25 - Seniors/Students; $22 - Youth Special discounts for season tickets, corporate sales and groups GRANVILLE ARTS CENTER - 300 N. Fifth Street, Garland, Texas 75040 Call the Box Office at 972-205-2790 The Garland Summer Musicals Guild presents Dallas' most famous entertainment group The Levee Singers Saturday, September 24, 2011 Plaza Theatre 521 W. State Street—Garland, TX The Levee Singers are celebrating their 50th anniversary this year and are busier and better than ever! Come join the GSM Guild as they present this spectacular fun-filled evening with the Levee Singers. For tickets call 972-205-2790. THE GARLAND SUMMER MUSICALS SPECIAL THANKS Presents MEREDITH WILLSON’S GARLAND SUMMER MUSICALS GUILD “The Music Man” SACHSE HIGH SCHOOL—Joe Murdock and Libby Nelson Starring THE SACHSE HIGH SCHOOL TECHNICAL CLASS STAN GRANER JACQUELYN LENGFELDER NAAMAN FOREST HIGH SCHOOL BAND—Larry Schnitzer Featuring NORTH GARLAND HIGH SCHOOL—Mikey Abrams & Nancy Gibson JAMES WILLIAMS MELISSA TUCKER J.J.
    [Show full text]
  • The Pajama Game
    ARENA’S PAGE STUDY GUIDE CONTENTS The Play THE PAJAMA GAME Meet Adler and Ross BY BOOK BY GEORGE ABBOTT AND RICHARD BISSELL From the Director’s Notebook MUSIC AND LYRICS BY RICHARD ADLER AND JERRY ROSS Arena’s The Pajama Game The World of the Musical: DIRECTED BY ALAN PAUL | CHOREOGRAPHY BY PARKER ESSE Factory Life in the 1900s MUSIC DIRECTION BY JAMES CUNNINGHAM Three Big Questions FICHANDLER STAGE | OCTOBER 27 — DECEMBER 24, 2017 Resources THE PLAY It is 1954 and the Sleep-Tite Pajama Factory workers in Cedar Rose, Iowa are at the top of their game, churning out pajamas in a fast-paced rhythm. But when the workers’ union asks for a 7 1/2¢ raise, problems arise. Enter Sid Sorokin, the dashing new supervisor, who has all the women in the factory distracted from their machines. He has his eyes set on Babe Williams, the leader of the grievance committee. Sid wants efficiency while Babe is ready to fight for that raise. Meanwhile Hines, the executive time keeper is in love with his boss’s secretary Gladys. Prez, the head of the union is flirting with Mae. Although love is in the air, the workers could go on strike at any moment. Everyone is fighting for what they believe in, both at work and in relationships. Who will win The Pajama Game? “My future depends upon the grievance committee — a group formed by management and employees to address workers’ titanic struggle for pajama survival.” complaints — Sid, The Pajama Game strike — an organized protest, The Pajama Game is generously sponsored by .
    [Show full text]
  • American Music Research Center Journal
    AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 19 2010 Paul Laird, Guest Co-editor Graham Wood, Guest Co-editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Mary Dominic Ray, O.P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music William S. Farley, Research Assistant, 2009–2010 K. Dawn Grapes, Research Assistant, 2009–2011 EDITORIAL BOARD C. F. Alan Cass Kip Lornell Susan Cook Portia Maultsby Robert R. Fink Tom C. Owens William Kearns Katherine Preston Karl Kroeger Jessica Sternfeld Paul Laird Joanne Swenson-Eldridge Victoria Lindsay Levine Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25.00 per issue ($28.00 outside the U.S. and Canada). Please address all inquiries to Lisa Bailey, American Music Research Center, 288 UCB, University of Colorado, Boulder, CO 80309-0288. E-mail: [email protected] The American Music Research Center website address is www.amrccolorado.org ISSN 1058-3572 © 2010 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro- posals from the scholarly community, ranging from 3,000 to 10,000 words (excluding notes). All articles should be addressed to Thomas L. Riis, College of Music, University of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301.
    [Show full text]
  • How Water Behaves 1-11-2016
    1/11/16 1 HOW WATER BEHAVES Contact: Bruce Ostler Bret Adams, Ltd. 448 West 44th Street New York, NY 10036 1 212-765-5630 [email protected] c. 2012 Sherry Kramer [email protected] 1/11/2016 1/11/16 2 HOW WATER BEHAVES CHARACTERS NAN, our luckless heroine Middle to late 20’s. She works at Crespy, a private high school. She’s not happy about it. She is obsessed with Melinda Gates and the Bill and Melinda Gates Foundation. She’s married to Steve. Any race. STEVE, our reluctant hero Middle to late 20’s. He designs websites. The website designing company he works for just went under, so he’s out of work. He’s married to Nan. Any race. MOLLY Nan’s best friend. Middle to late 20’s. She wants a baby. She works at Crespy, a private high school, with Nan. She’s been an everyday hero to Nan since they were 8. Any race. ALLEN BELL string theory poet Early 30’s. Well, he’s our hero too…they’re all heroes! Any race. HANK Steve’s older brother Late 20’s, early 30’s. Hank is the same race as Steve. He’s not much of a hero, actually. But he means well. SALLY married to Hank Late 20’s, early 30’s. She’s made a lot of money in the market, and she’s rich and not ashamed of it. Any race. AYUTUNDE a young and lovely woman from Africa. In her 20’s. African. STRING THEORY POETRY written mostly by Michael Dickman, with my apologies for edits and revisions.
    [Show full text]
  • Program Notes
    PROGRAM NOTES By Joshua S. Ritter Goodspeed Education & Library Director You don’t have to be a baseball fan to know that the New York Yankees‐Boston Red Sox rivalry bitterly divides colleagues, neighbors, families, and Goodspeed patrons. In fact, according to The Harvard Sports Analysis Collective, East Haddam is located on the frontlines of this legendary baseball feud with slightly more than half the population favoring the Red Sox. What better way for Goodspeed to bring some levity to this divisive situation than with a hilarious musical comedy? Fortunately, Joe DiPietro’s side‐splitting adaptation of Damn Yankees contemporizes the book by replacing the defunct Washington Senators with the Boston Red Sox. We are pleased to have the opportunity to provide a neutral zone where members of the Yankees Universe and Red Sox Nation can forget their bitter differences for a few hours and share some laughs when the curtain goes up. Flashing back to the middle of the 20th century, Douglass Wallop’s 1954 novel The Year The Yankees Lost the Pennant was a best‐selling major league baseball twist on the Faust fable. Damn Yankees’ genesis was set in motion when William Morris agent Albert B. Taylor brought this property to the attention of legendary producer, director, writer, and actor George Abbott. Abbott and his team had just struck gold with the smash hit musical The Pajama Game, a show based on Richard Bissel’s novel 7½ Cents. Perhaps this monumental success gave Abbott the chutzpah to take the idea of a baseball musical seriously, despite the fact that all previous attempts at creating one were unsuccessful.
    [Show full text]
  • Damn Yankees Program.Pdf
    GOODSPEED MUSICALS 2014 SEASON Damn Yankees The Musical | 13 Cast of Characters | 14 Musical Numbers | 15 Who’s Who | 16 Program Notes | 24 About Goodspeed Musicals | 26 History of Goodspeed Opera House | 27 The Goodspeed Opera House Foundation | 28 Corporate Support | 29 Foundation & Government Support | 30 February; President’s Day weekend: Enough is Looking to the Future— Leaving a Legacy | 31 enough! Jon and Ida Kadish are defecting. Life in Goodspeed Musicals Staff | 40 the United States is different. No nuclear explosions For Your Information | 49 or widespread epidemics have occurred, but the America we grew up in, the land that we loved Audio and video recording and is gone. Personal freedoms have been trampled. photography are prohibited in the theatre. Israeli/US relations are severed after they bomb Iran: Please turn off your cell phone, beeper, watch alarm or anything else that might • Retirement age is seventy-five. make a distracting noise during the performance. Unwrap any candies, cough • Healthcare is rationed. drops, or mints before the performance begins to avoid disturbing your fellow • The NSA, FBI and the IRS monitor everyone. audience members or the actors on stage. • More than marijuana is legal. We appreciate your cooperation. • Exit Permits are needed to leave the country. Editor Lori A. Cartwright • There is no escape. Jon and Ida embark on a tension filled drive to the Canadian border, but it’s not as easy as they had ADVERTISING hoped. Shapiro once more writes of a journey… OnStage Publications of mysterious people they meet, of bureaucratic 937-424-0529 | 866-503-1966 e-mail: obstacles, new opportunities, & intrigue that envelop [email protected] them from startling places, in just the next few days… www.onstagepublications.com This program is published in association with OnStage Publications, 1612 Prosser Theatre Goers: 20% Discount! Go to: Avenue, Kettering, OH 45409.
    [Show full text]
  • Mississippi Steamboats and Steam Heat by Paula Mchugh
    Volume 18, Number 31 Thursday, August 8, 2002 Mississippi Steamboats and Steam Heat by Paula McHugh Is this heaven? No, it’s Iowa. Except when the mid-July heat index reads 106 degrees and the air so thick with moisture that you’re wondering if Mephistopheles might have been calling the weather shots. The famous “heaven” lines from the 1998 movie Field of Dreams hits the mark for urban dwellers in search of lush and wide-open spaces. If one ignores the occasional steam heat of a summer day. The plans, as far back as March, were to participate in the Bix 7, Davenport’s annual challenge to runners and walk- ers of all ages. It involves a long, steep climb up Brady Street Hill. Runners complete seven grueling miles. Walkers, the category my friend Cindy and I chose, would stretch our legs and collect blis- A steamboat slices its way down Ole Man River, passing under the I-74 bridge that ters for only two miles. But, we didn’t. The connects Davenport with Moline. This middle bridge is one of three that links hellish weather was a good excuse to the Quad Cities of Bettendorf, Davenport, Moline and Rock Island. bow out. a Hoosier presence during the big Davenport week- The Bix 7 is just one of a flurry of weekend activ- end seemed appropriate. Fitness buffs like the Bix 7 ities that draws thousands to the Quad Cities to and the rest of the thousands of visitors groove to the memorialize famous jazz coronetist Bix Biederbeck. jazz that melds with the tooting of the steamboats along Bix was a very good friend of Hoagy Carmichael, so the muddy brown Mississippi.
    [Show full text]
  • The Pajama Game
    Some investments are not about getting rich. They’re about being enriched. You can’t put a value on a performance that moves your soul. But you can support it with all of your heart. That’s why we are proud to invest our resources in the arts and the contribution they make to our city. PROUD SPONSOR OF THE ARTS ©2008 First Tennessee Bank National Association. Member FDIC. www.firsttennessee.com CHANEL N° 5 EAU PREMIÉRE New! A decidedly lighter, fresher, softer interpretation of N° 5…a silky-smooth harmony of notes that reveals the delicate facet of the world-renowned fragrance. 5 oz. Eau de Parfum, $125. Have your fragrance delivered for 5.95. Call 1.800.456.2297 Selection varies by store. CHANEL N° 5 is a registered trademark of CHANEL® Inc. Z8110018 Z8110018_dec_nashville_performing_arts.indd 1 11/3/08 10:27:48 AM Ad PAMag size.qxp 7/20/2007 3:37 PM Page 1 PASSION for EXCELLENCE From our vantage point, the key to greatness is having a PASSION for EXCELLENCE. Whether it’s making great tires or beautiful symphonic music…at Bridgestone Americas we believe it’s all about the art of performance. We’re building world-class tires in Tennessee and investing in our communities. Working in close harmony with our hometowns is a performance that makes us all proud. Bridgestone Americas www.bridgestoneamericas.com REPRESENTATIONAL PHOTO REPRESENTATIONAL hen we learned how sick Mom was, we didn’t know what to do. We’re so thankful that her doctor told us about Alive WHospice.
    [Show full text]
  • Benson, Hibbing, Virginia Compromise with Xcel on Removal of Biomass
    Lyon leaves Melrose improved over 42-year municipal utility career 763.551.1230 Plymouth, MN 55447 3025 Harbor Lane North MMUA by Steve Downer have been hard on his sleep pat- Dale Lyon didn’t learn about tern, at least initially, but he electricity by reading a book learned just about everything or at a computer, though there there was to know about plant was plenty of that along the operation. way—he learned by making and He worked seven years in distributing it, to friends and the plant. He soaked up every- neighbors. thing he could, but his goal was Lyon, the electrical supervi- to get outside on the line crew, sor for Melrose Public Utilities, which he joined in 1982. He was retires Aug. 11. That is 42 years, named line foreman in 1985, as to the day, that he went to work the city distribution system was for the municipal electric and being converted from delta to water utility. wye. It didn’t seem like a long time, As a lineman, it helped to he said. “It went fast.” understand generation and the Lyon was 23 when he an- different feeders that carried swered an ad in the local paper, electricity from the plant. He for a person to work at the Mel- continued to learn as he worked. rose power plant. He was hired. He isn’t shy to admit that the Dale Lyon retires August 11 after 42 years with Melrose Public Utilities. The plant, at the time, was experience he gained led to “a staffed 24 hours a day, seven very good understanding of the days a week.
    [Show full text]
  • ONSTAGE Today’S Performance Is Sponsored By
    CENTER FOR THE PERFORMING ARTS AT PENN STATE ONSTAGE Today’s performance is sponsored by with additional sponsorship support by COMMUNITY ADVISORY COUNCIL The Community Advisory Council is dedicated to strengthening the relationship between the Center for the Performing Arts and the community. Council members participate in a range of activities in support of this objective. Nancy VanLandingham, chair Bonnie Marshall Lam Hood, vice chair Pieter Ouwehand Melinda Stearns Judy Albrecht Lillian Upcraft William Asbury Pat Williams Lynn Sidehamer Brown Nina Woskob Philip Burlingame Deb Latta student representatives Eileen Leibowitz Brittany Banik Ellie Lewis Stephanie Corcino Christine Lichtig Jesse Scott Mary Ellen Litzinger CENTER FOR THE PERFORMING ARTS AT PENN STATE and Throne Games, LLC / Phoenix Entertainment present Book and Lyrics by Music by Alan Jay Lerner Frederick Loewe Original Production Directed and Staged by Moss Hart Based on The Once and Future King by T.H. White Scenic Design Costume Design Lighting Design Sound Design Kevin Depinet Paul Tazewell Mike Baldassari Craig Cassidy Musical Direction Musical Supervision/Add’l Orchestrations Casting Marshall Keating Steven M. Bishop Mark Minnick Director of Operations Marketing Director Technical Supervisor Lisa Mattia Aleman P.R./Phillip Aleman Scott Orlesky Production Stage Manager Company Manager J. Andrew Blevins Deborah Barrigan Directed by Michael McFadden CAMELOT is presented by arrangement with Tams-Witmark Music Library, Inc. 560 Lexington Avenue New York, NY 10022 EXCLUSIVE TOUR DIRECTION by THE ROAD COMPANY 165 West 46th Street, Suite 1101, New York, NY 10036, (212) 302-5200 www.theroadcompany.com www.camelottour.com www.phoenix-ent.com 7:30 p.m.
    [Show full text]
  • Clarence & Richard Adler
    AMICA International Automatic Musical Instrument Collectors' Association Honor Roll Clarence & Richard Adler Richard Adler’s lengthy daily swim is one of his Lake Placid pleasures. Though his career is based in New York City, the eighty-two-year-old’s musical and emotional roots are strongest here. The co-composer of Tony Award–winning musicals Damn Yankees and The Pajama Game spends a month each summer with his wife, Susan, in a rented home on the shore of Lake Placid. Richard’s Adirondack memories date back more than seventy-five years. His father, concert pianist and master piano teacher Clarence Adler, bought a home three miles outside the village of Lake Placid in October 1923, providing his family and his future music students with a summer retreat in the mountains. Almost at the end of then unpaved Averyville Road, the 110-acre farm became a music camp. The barn— christened the “barnatorium??became a concert hall, and several outbuildings were converted to practice cottages for piano students. The Adlers named the place Ka-ren-i-o-ke, which in Iroquois translates as “place of the beautiful song.” Later, it was shortened to Karinoke. Every June, Sheldon “Shel” Otis of Lake Placid would drive his moving van down Route 9 to the Adler family’s apartment on Central Park West, in Manhattan, and return laden with their personal possessions and several pianos. He reversed the trip in late September. Clarence’s pupils in the early years included rising stars such as composers Aaron Copland and Richard Rodgers, conductor Walter Hendl and numerous others.
    [Show full text]