The SC from Larinum and the Repression of Adultery at Rome
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INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin Text, Study Aids with Vocabulary, and Commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119 Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary Ingo Gildenhard https://www.openbookpublishers.com © 2018 Ingo Gildenhard The text of this work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the author(s), but not in any way that suggests that they endorse you or your use of the work. Attribution should include the following information: Ingo Gildenhard, Cicero, Philippic 2, 44–50, 78–92, 100–119. Latin Text, Study Aids with Vocabulary, and Commentary. Cambridge, UK: Open Book Publishers, 2018. https://doi. org/10.11647/OBP.0156 Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/product/845#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www. -
Flexsenhar-Mastersreport
Copyright by Michael A. Flexsenhar III 2013 The Report Committee for Michael A. Flexsenhar III Certifies that this is the approved version of the following thesis report: No Longer a Slave: Manumission in the Social World of Paul APPROVED BY SUPERVISING COMMITTEE: Supervisor: L. Michael White Steven J. Friesen No Longer a Slave: Manumission in the Social World of Paul by Michael A. Flexsenhar III, B.A., M.T.S. Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2013 Dedication In memoriam Janet Ruth Flexsenhar mea avia piissima Abstract No Longer a Slave: Manumission in the Social World of Paul Michael A. Flexsenhar III, M.A. The University of Texas at Austin, 2013 Supervisor: L. Michael White The Roman Empire was a slave society. New Testament and Early Christian scholars have long recognized that slaves formed a substantial portion of the earliest Christian communities. Yet there has been extensive debate about manumission, the freeing of a slave, both in the wider context of the Roman Empire and more specifically in Paul’s context. 1 Cor. 7:20-23 is a key passage for understanding both slavery and manumission in Pauline communities, as well as Paul’s own thoughts on these two contentious issues. The pivotal verse is 1 Cor. 7:21. The majority opinion is that Paul is suggesting slaves should become free, i.e., manumitted, if they are able. In order to better understand this biblical passage and its social implications, this project explores the various types of manumissions operative the Roman world: the legal processes and results; the factors that galvanized and constrained manumissions; the political and social environment surrounding manumission in Corinth during Paul’s ministry; as well as the results of manumission as it relates to Paul’s communities. -
Liberation and Liberality in Roman Funerary Commemoration
This is a repository copy of "The mourning was very good". Liberation and liberality in Roman funerary commemoration. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/138677/ Version: Published Version Book Section: Carroll, P.M. (2011) "The mourning was very good". Liberation and liberality in Roman funerary commemoration. In: Hope, V.M. and Huskinson, J., (eds.) Memory and Mourning: Studies on Roman Death. Oxbow Books Limited , pp. 125-148. ISBN 9781842179901 © 2011 Oxbow Books. Reproduced in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 8 ‘h e mourning was very good’. Liberation and Liberality in Roman Funerary Commemoration Maureen Carroll h e death of a slave-owner was an event which could bring about the most important change in status in the life of a slave. If the last will and testament of the master contained the names of any fortunate slaves to be released from servitude, these individuals went from being objects to subjects of rights. -
{Replace with the Title of Your Dissertation}
Haec Templa: Religion in Cicero’s Orations A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY NICHOLAS ROBERT WAGNER IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Spencer Cole April 2019 © NICHOLAS WAGNER 2019 Acknowledgements I would first like to thank my advisor, Spencer Cole, who provided helpful feedback and recommendations throughout the entire process of this dissertation and deserves singular acknowledgement. The project originated with a 2013 course on Roman religion. That, along with numerous meetings and emails, has been fundamental to my approach to the subject. I would also like to thank my other committee members, Christopher Nappa, Andrew Gallia, and Richard Graff, all of whom provided immensely useful feedback at various stages, both in the scope of the project and future directions to train my attention. Next, thanks are due to the faculty and the graduate students in the Department of Classical and Near Eastern Studies at the University of Minnesota. Their support over the years has been invaluable, both academically and socially. Special thanks are due to current student Joshua Reno and former student Rachael Cullick. Lunches with them, where they patiently heard my ideas in its earliest stages, will be ever-cherished. Finally, I would like to thank my parents and siblings for their endless support over the years. Sometimes a nice meal or a break at the movies is exactly what was needed. i Dedication This dissertation is dedicated to my parents and their parents. ii Table of Contents Introduction ....................................................................................................................... 1 Cicero and Lived Religion ........................................................................................................ -
Journey to Antioch, However, I Would Never Have Believed Such a Thing
Email me with your comments! Table of Contents (Click on the Title) Prologue The Gentile Heart iv Part I The Road North 1 Chapter One The Galilean Fort 2 Chapter Two On the Trail 14 Chapter Three The First Camp 27 Chapter Four Romans Versus Auxilia 37 Chapter Five The Imperial Way Station 48 Chapter Six Around the Campfire 54 Chapter Seven The Lucid Dream 63 Chapter Eight The Reluctant Hero 68 Chapter Nine The Falling Sickness 74 Chapter Ten Stopover In Tyre 82 Part II Dangerous Passage 97 Chapter Eleven Sudden Detour 98 Chapter Twelve Desert Attack 101 Chapter Thirteen The First Oasis 111 Chapter Fourteen The Men in Black 116 Chapter Fifteen The Second Oasis 121 Chapter Sixteen The Men in White 128 Chapter Seventeen Voice in the Desert 132 Chapter Eighteen Dark Domain 136 Chapter Nineteen One Last Battle 145 Chapter Twenty Bandits’ Booty 149 i Chapter Twenty-One Journey to Ecbatana 155 Chapter Twenty-Two The Nomad Mind 162 Chapter Twenty-Three The Slave Auction 165 Part III A New Beginning 180 Chapter Twenty-Four A Vision of Home 181 Chapter Twenty-Five Journey to Tarsus 189 Chapter Twenty-Six Young Saul 195 Chapter Twenty-Seven Fallen from Grace 210 Chapter Twenty-Eight The Roman Escorts 219 Chapter Twenty-Nine The Imperial Fort 229 Chapter Thirty Aurelian 238 Chapter Thirty-One Farewell to Antioch 246 Part IV The Road Home 250 Chapter Thirty-Two Reminiscence 251 Chapter Thirty-Three The Coastal Route 259 Chapter Thirty-Four Return to Nazareth 271 Chapter Thirty-Five Back to Normal 290 Chapter Thirty-Six Tabitha 294 Chapter Thirty-Seven Samuel’s Homecoming Feast 298 Chapter Thirty-Eight The Return of Uriah 306 Chapter Thirty-Nine The Bosom of Abraham 312 Chapter Forty The Call 318 Chapter Forty-One Another Adventure 323 Chapter Forty-Two Who is Jesus? 330 ii Prologue The Gentile Heart When Jesus commissioned me to learn the heart of the Gentiles, he was making the best of a bad situation. -
World Archaeology the Animals of the Arena: How and Why Could Their
This article was downloaded by: [Universitetsbiblioteket i Bergen] On: 26 April 2010 Access details: Access Details: [subscription number 907435713] Publisher Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37- 41 Mortimer Street, London W1T 3JH, UK World Archaeology Publication details, including instructions for authors and subscription information: http://www.informaworld.com/smpp/title~content=t713699333 The animals of the arena: how and why could their destruction and death be endured and enjoyed? Torill Christine Lindstrøm a a Dept of Psychosocial Science, University of Bergen, Online publication date: 23 April 2010 To cite this Article Lindstrøm, Torill Christine(2010) 'The animals of the arena: how and why could their destruction and death be endured and enjoyed?', World Archaeology, 42: 2, 310 — 323 To link to this Article: DOI: 10.1080/00438241003673045 URL: http://dx.doi.org/10.1080/00438241003673045 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.informaworld.com/terms-and-conditions-of-access.pdf This article may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. -
Gladiators and Martyrs Icons in the Arena
Gladiators and Martyrs Icons in the Arena Susan M. (Elli) Elliott Shining Mountain Institute Red Lodge, Montana One of the questions before us for the 2015 spring meeting Christianity Seminar of the Westar Institute is: “Why did martyrdom stories explode in popularity even as Roman violence against early Christians subsided?”1 I propose that the association of Christian martyrs with the popular image of the gladiator, both as failed heroes, as proposed primarily in the work of Carlin A. Barton, is a starting point for addressing this question.2 The martyrs became icons for Christian identity in a Christian vision of the Empire much as the gladiators functioned as icons for the Roman identity in the Roman Empire. The first part of this paper will offer an overview of the Roman arena as both a projection of Roman imperial power and a setting for negotiation of social relations. The second section will focus on the gladiator as a central feature of the spectacle program for which the Roman arenas were constructed and as an icon of Roman identity. The final section will discuss how the presentation of Christian martyrs casts them as gladiators and some of the implications of seeing them in this role. 1 When I learned of the topic for the spring meeting at the fall Westar meeting, I offered to pursue a topic that first occurred to me several years ago while reading Judith Perkins’ ground- breaking work, The Suffering Self: Pain and Narrative Representation in the Early Christian Era (London, New York: Routledge, 1995). This project has taken another direction. -
Roman Criminal Law and Legal Narrative in the Neronian Books of the Annals of Tacitus
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1993 Roman Criminal Law and Legal Narrative in the Neronian Books of the Annals of Tacitus John Warren Thomas Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Ancient History, Greek and Roman through Late Antiquity Commons Recommended Citation Thomas, John Warren, "Roman Criminal Law and Legal Narrative in the Neronian Books of the Annals of Tacitus" (1993). Dissertations. 3288. https://ecommons.luc.edu/luc_diss/3288 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1993 John Warren Thomas LOYOLA UNIVERSITY OF CHICAGO ROMAN CRIMINAL LAW AND LEGAL NARRATIVE IN THE NERONIAN BOOKS OF THE ANNALS OF TACITUS A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CLASSICAL STUDIES BY JOHN WARREN THOMAS III CHICAGO, ILLINOIS MAY 1993 © Copyright by John W. Thomas III, 1993 All Rights Reserved To Kirsten Fortuna spondet multa multis, Praestat nemini. Vive in dies et horas, Nam proprium est nihil. CIL 1.1219 ACKNOWLEDGMENTS For the completion of this study I gratefully acknowledge the direction of Drs. James G. Keenan, John F. Makowski, and Fr. John P. Murphy S. J., whose criticism and advice have been invaluable. -
Introduction
Clarke, Art in the Lives 6/17/03 8:28 AM Page 1 INTRODUCTION In the late sixties, when I first began to study Roman art, no one took the art of ordinary Romans seriously. The privileged monuments—the ones worthy of serious art-historical investigation—were great architectural ensembles like the Forum of Trajan; historical re- liefs like those on the Ara Pacis or the Arch of Constantine; the portraits of emperors and empresses. All of them, whether commissioned by the emperor, the Roman senate, or private individuals, exalted imperial ideals. Wall paintings and mosaics were minor arts— especially when they decorated houses at Pompeii—and belonged in books on everyday life, not in proper art history. Real Roman art was the art of the elite. All this has changed now, and we have many diªerent methodologies and disciplines to thank. Social art history—the study of the conditions surrounding the making and con- suming of art—broke the ice and got scholars to ask about the other 98 percent of Ro- man society: the freeborn working poor, slaves, former slaves, and foreigners. Whether with a Marxist, feminist, or anthropological bent, social art history broadened our knowl- edge of the use and reception of visual representation in ancient Roman society. Parallel to these art-historical approaches was groundbreaking work on ancient literature. Clas- sical texts, of course, reflect elite attitudes toward the non-elite. This is not surprising, considering that elite males wrote these texts or commissioned them. You will find no woman, freedman, slave, or foreigner speaking for her- or himself.1 Elite authors put words in their mouths. -
The Religion of Freelance Experts in Early Imperial Rome
AT THE TEMPLE GATES: THE RELIGION OF FREELANCE EXPERTS IN EARLY IMPERIAL ROME BY Heidi Wendt A.B., Brown University, 2004 M.T.S., Harvard Divinity School, 2007 DISSERTATION Submitted in partial fulfillment of the requirements for the Degree of Doctor of PhilosoPhy in the Department of Religious Studies at Brown University PROVIDENCE, RHODE ISLAND MAY 2013 © Copyright 2013 by Heidi Wendt This dissertation by Heidi Katherine Wendt is accepted in its present form by the Department of Religious Studies as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Recommended to the Graduate School Date________________ _______________________________________________ Dr. Stanley K. Stowers, Advisor Date________________ _______________________________________________ Dr. Ross S. Kraemer, Advisor Date________________ _______________________________________________ Dr. John Bodel, Advisor Recommended to the Graduate School Date________________ _______________________________________________ Dean Peter Weber, Dean of the Graduate School iii CURRICULUM VITAE Heidi Wendt was born May 12th 1982, in Bethesda, Maryland. After five years in Fairfax, VirGinia, her family moved to Danville, California, where she attended local public schools. In 2000, she entered Brown University as an underGraduate student. There she concentrated in International Relations and ReliGious Studies, with a focus on development and interactions between native reliGion and Christianity in West Africa that included field research in Ghana. After taking several reliGion courses with faculty whose expertise and research were in the ancient Mediterranean world, she grew increasingly interested in the Greco- Roman context of earliest Christianity. After graduating Magna Cum Laude from Brown in 2004, Heidi enrolled in Harvard Divinity School, where she studied reliGion in the Roman Empire with an interdisciplinary approach that included coursework in Roman art and archaeoloGy. -
Mystical Rome V 2.0- July Release Morra Universal Cinematic Game System Contents Chapter Eight: Genre: Mystical Rome
Mystical Rome V 2.0- July Release Morra Universal Cinematic Game System Contents Chapter Eight: Genre: Mystical Rome ................................................................ 4 Mystical Rome Credits .................................................................................... 5 Target Audience ............................................................................................ 5 Rating and Descriptors: R ............................................................................... 5 Mystical Rome Inspiration ............................................................................... 6 Mystical Rome Budget .................................................................................... 7 Mystical Rome Archetypes ............................................................................... 7 Artisan .................................................................................................... 7 Barbarian ................................................................................................. 9 Bureaucrat ..............................................................................................10 Clergy ....................................................................................................11 Criminal ..................................................................................................12 Druid ......................................................................................................13 Gladiator .................................................................................................14 -
3 a Day at the Games
84 A DAY AT THE GAMES 3 A Day at the Games The munus legitimum or standardized show established by Augustus had three main parts. Venationes, the wild animal fights, took place in the morning. At mid-day were the executions. In the afternoon, viewers enjoyed the high- light of the spectacle, the gladiatorial combats. Much effort was expended to add variety to these events, to surprise, delight, or shock the audience, with much success by all accounts. Spectators would come for the entire day or just a portion, depending on their tastes and other responsibilities. But watching the performers (or victims) was just one part of the lure of the spectacle; the games offered a wide range of opportunities for those in the stands to meet new and attractive people, to engage in conversation, to enjoy free handouts of food or prizes, and to protest or approve recent actions of the emperor or the state. For some, the games themselves were a sideshow for the main attraction, which was the formal gathering of the Roman people. For others, the Roman crowd was something to be avoided at all costs. Preparation and Pompa How was a spectacle set up? The preparation began some time in advance. The editor, if he did not own his own ludus or gladiatorial school (and most did not), contacted a lanista, one of the professionals in charge of ludi; in Rome and a number of regions of the empire, he could tap into the extensive resources of an imperial ludus, under the control of the emperor.