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Mushrooms Russia and History
MUSHROOMS RUSSIA AND HISTORY BY VALENTINA PAVLOVNA WASSON AND R.GORDON WASSON VOLUME I PANTHEON BOOKS • NEW YORK COPYRIGHT © 1957 BY R. GORDON WASSON MANUFACTURED IN ITALY FOR THE AUTHORS AND PANTHEON BOOKS INC. 333, SIXTH AVENUE, NEW YORK 14, N. Y. www.NewAlexandria.org/ archive CONTENTS LIST OF PLATES VII LIST OF ILLUSTRATIONS IN THE TEXT XIII PREFACE XVII VOLUME I I. MUSHROOMS AND THE RUSSIANS 3 II. MUSHROOMS AND THE ENGLISH 19 III. MUSHROOMS AND HISTORY 37 IV. MUSHROOMS FOR MURDERERS 47 V. THE RIDDLE OF THE TOAD AND OTHER SECRETS MUSHROOMIC 65 1. The Venomous Toad 66 2. Basques and Slovaks 77 3. The Cripple, the Toad, and the Devil's Bread 80 4. The 'Pogge Cluster 92 5. Puff balls, Filth, and Vermin 97 6. The Sponge Cluster 105 7. Punk, Fire, and Love 112 8. The Gourd Cluster 127 9. From 'Panggo' to 'Pupik' 138 10. Mucus, Mushrooms, and Love 145 11. The Secrets of the Truffle 166 12. 'Gripau' and 'Crib' 185 13. The Flies in the Amanita 190 v CONTENTS VOLUME II V. THE RIDDLE OF THE TOAD AND OTHER SECRETS MUSHROOMIC (CONTINUED) 14. Teo-Nandcatl: the Sacred Mushrooms of the Nahua 215 15. Teo-Nandcatl: the Mushroom Agape 287 16. The Divine Mushroom: Archeological Clues in the Valley of Mexico 322 17. 'Gama no Koshikake and 'Hegba Mboddo' 330 18. The Anatomy of Mycophobia 335 19. Mushrooms in Art 351 20. Unscientific Nomenclature 364 Vale 374 BIBLIOGRAPHICAL NOTES AND ACKNOWLEDGEMENTS 381 APPENDIX I: Mushrooms in Tolstoy's 'Anna Karenina 391 APPENDIX II: Aksakov's 'Remarks and Observations of a Mushroom Hunter' 394 APPENDIX III: Leuba's 'Hymn to the Morel' 400 APPENDIX IV: Hallucinogenic Mushrooms: Early Mexican Sources 404 INDEX OF FUNGAL METAPHORS AND SEMANTIC ASSOCIATIONS 411 INDEX OF MUSHROOM NAMES 414 INDEX OF PERSONS AND PLACES 421 VI LIST OF PLATES VOLUME I JEAN-HENRI FABRE. -
El Tratamiento De Las Enfermedades Mentales En El Cine
Universidad Internacional de La Rioja El tratamiento de las enfermedades mentales en el cine Trabajo fin de grado Presentado por: IRENE PINA CHESA Titulación: GRADO EN COMUNICACIÓN Director: JUAN MARTÍN QUEVEDO Zaragoza Junio 2017 1 ÍNDICE Índice de tablas...............................................................................................................................3 Resumen..........................................................................................................................................4 1. Introducción: 1.1. Planteamiento del problema..................................................................................5 1.2. Justificación............................................................................................................5 2. Marco teórico: 2.1. Breve aproximación a la enfermedad mental......................................................7 2.2. Los medios de comunicación y las enfermedades mentales................................8 2.3. Breve recorrido de la enfermedad mental en el cine a lo largo de los años....11 3. Metodología y objetivos: 3.1. Objetivos...............................................................................................................15 3.2. Metodología 3.2.1. Contextualización de las películas seleccionadas..........................16 3.2.2. Selección de la muestra...................................................................20 3.2.3. Análisis de contenidos.....................................................................22 4. Resultados: -
LIBERIA War in Lofa County Does Not Justify Killing, Torture and Abduction
LIBERIA War in Lofa County does not justify killing, torture and abduction “One of the ATU [Anti-Terrorist Unit] told the others ‘He is going to give us information on the rebel business’. They took me to Gbatala. I saw many holes in which prisoners were held. I could hear them crying, calling for help and lamenting that they were hungry and they were dying.” Testimony of a young man detained at Gbatala military base in August 2000. Introduction The continuation of hostilities in Liberia cannot be used as a justification for killing, torture and abduction. Unarmed civilians are again the main victims of fighting in Liberia – a country still bearing the scars of its seven-year civil war when massive human rights abuses were committed by all sides with impunity. Since mid-2000, dozens of civilians have allegedly been extrajudicially executed and more than 100 civilians, including women, have been tortured by the Anti-Terrorist Unit (ATU) and other Liberian security forces. People have been tortured while held incommunicado, especially at the military base in Gbatala, central Liberia, and the ATU cells behind the Executive Mansion, the office of the presidency in Monrovia, the capital. Women and young girls have been raped by the security forces. All these victims were suspected of backing the armed incursions by Liberian armed opposition groups from Guinea into Lofa County, the northern region of Liberia bordering with Guinea and Sierra Leone. The security forces have mostly targeted members of the Mandingo ethnic group whom they associate with ULIMO-K 1 , a predominantly Mandingo warring faction in the 1989-1996 Liberian civil war, accused by the Liberian government of being responsible for the armed incursions into Lofa County in 1999, notably in April and August of that year and since July 2000. -
Un'ottima Annata
Medusa Film presenta un film di RIDLEY SCOTT UN’OTTIMA ANNATA a good year con RUSSELL CROWE ALBERT FINNEY MARION COTILLARD ABBIE CORNISH DIDIER BOURDON TOM HOLLANDER e FREDDIE HIGHMORE ISABELLE CANDELIER KENNETH CRANHAM ARCHIE PANJABI RAFE SPALL distribuzione www.medusa.it GLI ATTORI (in ordine di apparizione) Max da giovane................... FREDDIE HIGHMORE Zio Henry............................. ALBERT FINNEY Max Skinner........................ RUSSELL CROWE Kenny..................................... RAFE SPALL Gemma .................................. ARCHIE PANJABI Amis ...................................... RICHARD COYLE Trader #1............................ BEN RIGHTON Trader #2........................... PATRICK KENNEDY Bellezza ventenne.............. ALI RHODES Bert il portiere................... DANIEL MAYS Annunciatore #1................. NILA AALIA Annunciatore #2................ STEPHEN HUDSON Maitre D'............................. GIANNINA FACIO Charlie Willis....................... TOM HOLLANDER Impiegato autonoleggio.... LIONEL BRIAND Amica di Gemma................. MARIA PAPAS Francis Duflot..................... DIDIER BOURDON Ludivine Duflot................... ISABELLE CANDELIER Sir Nigel............................... KENNETH CRANHAM Fanny Chenal....................... MARION COTILLARD Coppia russa #1.................. IGOR PANICH Coppia russa #2................. OLEG SOSNOVIKOV Segretaria ........................... MAGALI WOCH Nathalie Auzet................... VALERIA BRUNI TEDESCHI Papa Duflot......................... -
Between Species: Choreographing Human And
BETWEEN SPECIES: CHOREOGRAPHING HUMAN AND NONHUMAN BODIES JONATHAN OSBORN A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN DANCE STUDIES YORK UNIVERSITY TORONTO, ONTARIO MAY, 2019 ã Jonathan Osborn, 2019 Abstract BETWEEN SPECIES: CHOREOGRAPHING HUMAN AND NONHUMAN BODIES is a dissertation project informed by practice-led and practice-based modes of engagement, which approaches the space of the zoo as a multispecies, choreographic, affective assemblage. Drawing from critical scholarship in dance literature, zoo studies, human-animal studies, posthuman philosophy, and experiential/somatic field studies, this work utilizes choreographic engagement, with the topography and inhabitants of the Toronto Zoo and the Berlin Zoologischer Garten, to investigate the potential for kinaesthetic exchanges between human and nonhuman subjects. In tracing these exchanges, BETWEEN SPECIES documents the creation of the zoomorphic choreographic works ARK and ARCHE and creatively mediates on: more-than-human choreography; the curatorial paradigms, embodied practices, and forms of zoological gardens; the staging of human and nonhuman bodies and bodies of knowledge; the resonances and dissonances between ethological research and dance ethnography; and, the anthropocentric constitution of the field of dance studies. ii Dedication Dedicated to the glowing memory of my nana, Patricia Maltby, who, through her relentless love and fervent belief in my potential, elegantly willed me into another phase of life, while she passed, with dignity and calm, into another realm of existence. iii Acknowledgements I would like to thank my phenomenal supervisor Dr. Barbara Sellers-Young and my amazing committee members Dr. -
Ita Di Prometheus Nei Cinema Mondiali
. Sir Ridley Scott, il celebrato realizzatore che ha reinventato il genere della fantascienza quando ha diretto Alien, un rivoluzionario mix di fantascienza e horror, seguito da Blade Runner, uno dei più acclamati e influenti film moderni di genere, offre il suo caratteristico marchio di azione, emozioni, spaventi e molto altro, grazie all’uscita di Prometheus nei cinema mondiali. Con Prometheus, Scott ha creato una nuova mitologia, in cui una squadra di esploratori scopre degli indizi sulle origini dell’umanità, che li porta a compiere un viaggio eccitante a bordo della nave spaziale Prometheus, fino alle profondità più oscure dell’universo, dove avverrà una battaglia terribile per salvare la razza umana. Sebbene non abbia diretto una pellicola di fantascienza negli ultimi tre decenni, l’interesse di Ridley Scott verso questo genere non è mai venuto meno. Avendo dato vita a due dei più acclamati film di genere di tutti i tempi, il suo ritorno doveva essere contrassegnato da un’idea notevole. “Negli ultimi decenni, si è abusato dell’azione, dei mostri e della fantascienza al cinema”, sostiene Scott. “Quindi la domanda fondamentale era: quanto possiamo essere originali?”. “E’ da tanti anni che non faccio film di fantascienza. Io sono stato impegnato in altre pellicole e a esplorare generi diversi, ma la ragione di questa assenza è anche legata al fatto di non aver trovato nulla che valesse la pena realizzare in termini di verità, originalità e forza. Prometheus possiede invece tutte queste caratteristiche”. Il concetto alla base di Prometheus ha avuto inizio con una figura appena accennata in Alien e che sembrava dimenticata una volta che il protagonista xenomorfo è balzato letteralmente in scena. -
Filming Illegals : Clandestine Translocation and the Representation of Bare Life / Lars Eckstein
Philosophische Fakultät Lars Eckstein Filming Illegals Clandestine Translocation and the Representation of Bare Life Suggested citation referring to the original publication: Eckstein, Lars: Filming Illegals : Clandestine Translocation and the Representation of Bare Life / Lars Eckstein. in: Marga Munkelt, Markus Schmitz, Mark Stein, Silke Stroh (Hrsg.): Postcolonial Translocations : Cultural Representation and Critical Spatial Thinking. – Amsterdam : Rodopi Press, 2013. – S. 353–368 ISBN 978-90-420-3631-4 (Hardcover) ISBN 978-94-012-0901-4 (E-Book) Preprint published at the Institutional Repository of the Potsdam University: http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85491 Universität Potsdam Filming Illegals: Clandestine Translocation and the Representation of Bare Life Lars Eckstein Filming Illegals Clandestine Translocation and the Representation of Bare Life Universität Potsdam University of Potsdam 2016 Published online at the Institutional Repository of the University of Potsdam: URN urn:nbn:de:kobv:517-opus4-85491 http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85491 1 Filming Illegals Clandestine Translocation and the Representation of Bare Life Lars Eckstein 1. Introduction In this essay, I wish to exemplarily discuss the problematic of representing ‘illegal’ immigrants by investigating two very different attempts to capture their predicament in British film. Human ‘illegality’ is not a marginal phenomenon; in summer 2005, the British government estimated that around 430,000 people lived in Britain entirely off the -
Paper XVII. Unit 1 Nathaniel Hawthorne's the Scarlet Letter 1
Paper XVII. Unit 1 Nathaniel Hawthorne’s The Scarlet Letter 1. Introduction 1.1 Objectives 1.2 Biographical Sketch of Nathaniel Hawthorne 1.3 Major works of Hawthorne 1.4 Themes and outlines of Hawthorne’s novels 1.5 Styles and Techniques used by Hawthorne 2. Themes, Symbols and Structure of The Scarlet Letter 2.1 Detailed Storyline 2.2 Structure of The Scarlet Letter 2.3 Themes 2.3.1 Sin, Rejection and Redemption 2.3.2 Identity and Society. 2.3.3 The Nature of Evil. 2.4 Symbols 2.4.1 The letter A 2.4.2 The Meteor 2.4.3 Darkness and Light 3. Character List 3.1 Major characters 3.1.1 Hester Prynn 3.1.2 Roger Chillingworth 3.1.3 Arthur Dimmesdale 3.2 Minor Characters 3.2.1 Pearl 3.2.2 The unnamed Narrator 3.2.3 Mistress Hibbins 3.2.4 Governor Bellingham 4. Hawthorne’s contribution to American Literature 5. Questions 6. Further Readings of Hawthorne 1. Introduction 1.1 Objectives This Unit provides a biographical sketch of Nathaniel Hawthorne first. Then a list of his major works, their themes and outlines. It also includes a detailed discussion about the styles and techniques used by him. The themes, symbols and the structure of The Scarlet Letter are discussed next, followed by the list of major as well as minor characters. This unit concludes with a discussion about Hawthorne’s contribution to American literature and a set of questions. Lastly there is a list of further readings of Hawthorne to gain knowledge about the critical aspects of the novel. -
Journalism , Media and the Challenge of Human Rights
JOURNALISM, MEDIA AND THE CHALLENGE OF HUMAN RIGHTS REPORTING The International Council on Human Rights Policy The International Council on Human Rights Policy was established in Geneva in 1998 to conduct applied research into current human rights issues. Its research is designed to be of practical relevance to policy- makers in international and regional organisations, in governments and intergovernmental agencies, and in voluntary organisations of all kinds. The Council is independent, international in its membership, and participatory in its approach. It is registered as a non-profit foundation under Swiss law. Additional information about the Council, and other research projects it is undertaking, can be found at the end of this document. Journalism, media and the challenge of human rights reporting The International Council on Human Rights Policy wishes to thank the Ford Foundation (New York), the Swedish International Development Co- operation Agency (SIDA), the Royal Danish Ministry of Foreign Affairs (DANIDA), the Jacob Blaustein Institute for Human Rights (New York), OXFAM (United Kingdom) and Christian Aid (United Kingdom) for their financial support of the Council and of this research. Journalism, media and the challenge of human rights reporting © 2002, International Council on Human Rights Policy © Copyright 2002 International Council on Human Rights Policy 48, chemin du Grand-Montfleury, POB 147, 1290 Versoix, Switzerland Journalism, Media and the Challenge of Human Rights Reporting, 2002, International Council on Human Rights Policy, Versoix, Switzerland. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic mail, mechanical, photocopying, recording and/or otherwise without the prior permission of the publisher. -
Kirkus Reviews on Our BOARD & NOVELTY BOOKS
Featuring 340 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA books KIRKUSVOL. LXXXIX, NO. 8 | 15 APRIL 2021 REVIEWS SPECIAL Indie ISSUE Plus interviews with: Celebrating the spark & spirit of Kaitlyn Greenidge, Justine Bateman, independently published books Laekan Zea Kemp, and Jay Hosler With a sampler of great Indie writing and conversations with the authors FROM THE EDITOR’S DESK | Karen Schechner Chairman Direct Access Reading HERBERT SIMON President & Publisher MARC WINKELMAN # When writing about independent publishing, I usually trot out the Chief Executive Officer stats. The point being: Read more Indie! Millions of people already do. MEG LABORDE KUEHN For this year’s Indie Issue, instead of another rundown of Bowker’s lat- [email protected] Editor-in-Chief est figures, we wanted to offer direct access to Indieland’s finest. Look TOM BEER for excerpts in various genres, like a scene from Margaret F. Chen’s eerie [email protected] Vice President of Marketing short story collection, Suburban Gothic, and in-depth conversations with SARAH KALINA several authors, including Esther Amini, who talks about Concealed, her [email protected] memoir of growing up as a Jewish Iranian immigrant. And, since it’s been Managing/Nonfiction Editor ERIC LIEBETRAU one of our worst, most isolating, stressful years, we checked in with Indie [email protected] authors; here’s how they coped with 2020-2021. Fiction Editor LAURIE MUCHNICK During the lockdown, author and beekeeper J.H. Ramsay joined an [email protected] online network of writers and artists, and he completed his SF debut, Young Readers’ Editor VICKY SMITH Predator Moons. -
En 1985, Ridley Scott Se Da Un Batacazo En La Taquilla Con La Fallida
Thelma y Loìse Gladiator DVD P-DRA the DVD P-AVE gla Thelma Dickinson, un ama de En el año 180, el Imperio casa de vida anodina, está casa- Romano domina todo el mun- da con un cretino detestable que do conocido. Tras una gran victoria la trata como a una niña. Louise Sawyer sobre los bárbaros del norte, el anciano trabaja como camarera en una cafetería emperador Marco Aurelio decide trans- y sueña con que su novio Jimmy se case ferir el poder a Máximo, bravo general con ella. Un fin de semana deciden de sus ejércitos y hombre de inquebran- hacer un viaje juntas para alejarse de la table lealtad al imperio. Pero su hijo mortal rutina de sus vidas ... Cómodo ,que aspiraba al trono, no lo Alien : Covenant Blade Runner DVD P-CIE ali DVD P-CIE bla Durante un viaje en el espacio A principios del siglo XXI, la rumbo a un remoto planeta al poderosa Tyrell Corporation otro lado de la galaxia para creó, gracias a los avances de colonizarlo, la tripulación de la nave la ingeniería genética, un robot llamado 'Covenant' descubre una señal prove- Nexus 6, un ser virtualmente idéntico al niente de lo que creen puede ser un hombre pero superior a él en fuerza y paraíso inexplorado, y que resulta ser un agilidad, al que se dio el nombre de mundo oscuro y hostil... Secuela de Replicante. Estos robots trabajaban "Prometheus" (2012) como esclavos en las colonias exteriores de la Tierra.... Prometheus Alien : El octavo pasajero DVD P-CIE pro DVD P-CIE ali Finales del siglo XXI. -
Kuwait Seeks Death Penalty for 11 of 29 Terror Suspects
SUBSCRIPTION THURSDAY, JULY 16, 2015 RAMADAN 29, 1436 AH www.kuwaittimes.net Nuclear deal Saudi-backed Jamaica and will boost forces take Costa Rica Emsak: 03:16 Iran’s power, Aden port advance in Fajer: 03:26 Shrooq 04:59 Arabs worry from Houthis Gold Cup Dohr: 11:54 Asr: 15:28 Maghreb: 18:49 7 9 20 Eshaa: 20:19 Kuwait seeks death penalty Min 28º Max 49º for 11 of 29 terror suspects High Tide 00:20 & 11:30 2 suspects currently fighting with IS 5 to be tried in absentia Low Tide • 05:35 & 18:50 40 PAGES NO: 16583 150 FILS KUWAIT: Kuwait’s Public Prosecution has demanded Ramadan Kareem the death penalty for 11 of 29 suspects charged over the suicide bombing of a Shiite mosque last month, a What after Ramadan newspaper reported yesterday. Al-Qabas, citing informed sources, said two of the suspects are current- By Zeinab Hassan Ashry ly fighting with the Islamic State jihadist group which claimed the attack. The June 26 bombing, carried out he Blessed month has passed. Ramadan ! Indeed by a Saudi, was the bloodiest in Kuwait’s history and we are fore welling you with sadness. Indeed ! We left 26 people killed and more than 200 wounded. Twish if all months of the year were Ramadan. Now Those charged are seven Kuwaitis, five Saudis, three the month of Ramadan has passed and so our life will Pakistanis, 13 stateless people known as Bedoons, and pass day after day and month after month and year after another person at large whose identity is unknown, year till our appointed time comes and our term ends and the prosecution said Tuesday.