DOCSLIB.ORG

Balefires David Drake Balefires: © 2007 by David Drake

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Balefires David Drake Balefires: © 2007 by David Drake Balefires David Drake Balefires: © 2007 by David Drake This edition of Balefires © 2007 by Night Shade Books Jacket art © 2007 by Richard Pellegrino Jacket design by Claudia Noble Interior layout and design by Jeremy Lassen "Denkirch" © 1967 by David Drake; first published in Travelers by Night. "Lord of the Depths" © 1971 by David Drake; first published in Dark Things. "Arclight" © 1973 by David Drake; first published in The Magazine of Fantasy and Science Fiction, April 1973. "The Song of the Bone" © 1973 by David Drake; first published in Whispers, December 1973. "The Shortest Way" © 1974 by David Drake; first published in Whispers, March 1974. "Something Had to Be Done" © 1975 by David Drake; first published in The Magazine of Fantasy and Science Fiction, February 1975. "The Master of Demons" © 1975 by David Drake; first published in Dark Horizons #11, Winter/Spring 1975. "The Barrow Troll" © 1975 by David Drake; first published in Whispers, December 1975. "Awakening" © 1975 by David Drake; first published in Nameless Places. "Black Iron" © 1975 by David Drake; first published in Nameless Places. "Firefight" © 1976 by David Drake; first published in Frights. "Blood Debt" © 1976 by David Drake; first published in The 4th Mayflower Book of Black Magic Stories. "The Hunting Ground" © 1976 by David Drake; first published in Superhorror. "Children of the Forest" © 1976 by David Drake; first published in The Magazine of Fantasy and Science Fiction, November 1976. "Smokie Joe" © 1977 by David Drake; first published in More Devil's Kisses. "Best of Luck" © 1978 by David Drake; first published in The Year's Best Horror Stories: Series VI. "The Red Leer" © 1979 by David Drake; first published in Whispers II. "Men Like Us" © 1980 by David Drake; first published in Omni, May 1980. "Than Curse the Darkness" © 1980 by David Drake; first published in New Tales of the Cthulhu Mythos. "The Automatic Rifleman" © 1980 by David Drake; first published in Destinies v2, #4, Fall 1980. "The Dancer in the Flames" © 1982 by David Drake; first published in Whispers, August 1982. "The False Prophet" © 1989 by David Drake; first published in Vettius and Friends. "The Elf House" © 2004 by David Drake; first published in Masters of Fantasy. "A Land of Romance" © 2005 by David Drake; first published in The Enchanter Completed. First Edition ISBN: 978-1-59780-071-6 Trade Hardcover ISBN: 978-1-59780-070-9 Limited Hardcover Night Shade Books Please visit us on the web at http://www.nightshadebooks.com For Dwayne Olson Whose idea it was Other books by David Drake: Hammer's Slammers The Dragon Lord Time Safari From the Heart of Darkness Skyripper Cross the Stars Birds of Prey The Forlorn Hope At Any Price Killer (With Karl Edward Wagner) Active Measures Bridgehead Ranks of Bronze Lacey and His Friends Counting the Cost Kill Ratio (With Janet Morris) Fortress Dagger The Sea Hag Target (With Janet Morris) Explorers in Hell (With Janet Morris) Vettius and His Friends Rolling Hot Northworld Surface Action The Hunter Returns(With Jim Kjelgaard) Vengeance The Military Dimension The Warrior Old Nathan The Jungle Justice Starliner The Square Deal The Sharp End Igniting the Reaches The Voyage Arc Riders (With Janet Morris) Through the Breach The Fourth Rome (With Janet Morris) All the Way to the Gallows Fireships Redliners Patriots Lord of the Isles With the Lightnings Queen of Demons Servant of the Dragon Lt. Leary, Commanding Mistress of the Catacombs Paying the Piper Grimmer Than Hell Goddess of the Ice Realm The Far Side of the Stars Master of the Cauldron The Way to Glory The Fortress of Glass Some Golden Harbor The Red Leer I was born in Dubuque, Iowa, and at age ten moved with my family to Clinton, fifty miles south along the Mississippi River. Outsiders tend to think of Iowa as flat. Much of the state is, but where I come from the bluffs rise straight up out of the river. Dubuque has an operating cable car (funicular railway) that a wealthy banker built to carry him from his office in the floodplain to his home on the bluffs 300 feet above. The view out over the river into Illinois is spectacular. Others thought so too. All over the area are Amerind grave mounds looking down from the bluffs. One of them's on the farm that belonged to my father-in-law. My dad was an electrician, but nobody in Iowa is very far from a farm. Family friends had farms when I was a boy; my wife's family were and are dairy farmers. I've spent enough time on and around some of the most productive family farms in the world to have a feeling for the life. Which is very, very hard. The work has to be done every day, no matter how you feel or what the weather's doing: you can't call in sick and tell the cows that they won't be milked this morning. The machinery is dangerous beyond the imagination of a modern factory worker; the organo-phosphate insecticides were invented just in time for World War II, where they provided the Nazis with the first nerve gases; and even city- dwellers know that if anybody gets rich from agriculture, it isn't the family farmer. The characters in this story are modeled on real people but they're not my in-laws. The farm is one my in-laws owned, including details like the curio cabinet and the hunting rifle. I frequently use a story that has greatly impressed me as a model for one of my own. This isn't quite so direct a case as some, but I want to mention the similarities to Theodore Sturgeon's "Killdozer." The title (which was the genesis of the story) comes from Robert Browning's "Childe Roland to the Dark Tower Came." As he swung the tractor for a final pass across Sac Ridge Field, Deehalter saw that dirt had been turned on the side of the Indian mound. The big man threw in the hand clutch of the Allis-Chalmers and throttled the diesel back to idle as he glared at the new trench through the barbed wire. "That goddam Kernes," he whispered. "If I've got to work with him much longer . ." He revved the engine and slammed the tractor back in gear. The farmer's scowl was as black as the hair curling up his arms from the backs of his hands to the shirtsleeves rolled at his biceps. At the south end of the field, Deehalter raised the cultivator and drove the Allis down the long, looping trail back to the farm buildings. There was a way of sorts straight west from the top of the ridge, but it was too steep for the tractor. The more gradual slope took Deehalter through half a dozen gates and eventually back to the buildings from the southwest. To the left loomed the barn and the three concrete silos peering over its roof at him. The milking parlor was a one-story addition to the barn's east side, facing the equipment shed and the gas pump. And at the pump was Tom Kernes with his ten-year old son, Deehalter's nephew, putting gas in the jeep. Deehalter pulled up beside them and let the diesel clatter for a moment before he shut it off. Kernes, a short, ginger-headed man, looked up. His arms were not tan but a deep red, with brighter slashes where the straps of his undershirt had interrupted part of the sunlight. Kernes was thirty-five, five years younger than his brother-in-law, but his crinkly, sunburned face would have passed for any age. "Finish Sac Ridge already, Dee?" he asked in his pleasant, throaty voice. The tension in his muscles showed that he had correctly read Deehalter's anger. "Kernes, what've you been doing with the Indian mound?" the bigger man demanded from the tractor seat. "You know to leave that the hell alone!" A pick and shovel lay in the back of the jeep. Deehalter noticed them and a black flush moved across his face. Kernes' skin was too red to show the blood, but his voice rose to the challenge. "When Old John owned the farm, he could say what he pleased; but he's dead now. I'm damned if I'm not going to get an Indian skull like yours." Gesturing eastward at the ridge, the little man added, "I own half this goddam place and I'm going to get a skull." The curio cabinet in Deehalter's parlor had been assembled by his grandfather before the first world war. Among its agates and arrowheads, sword-cane and ostrich plumes, was a brown human skull. The family had always assumed the skull came from a mound somewhere, but not even Old John had been sure. It fascinated Kernes, perhaps only because Deehalter had refused to give it to him. The main house and its furnishings, including the cabinet, had gone to Deehalter under his father's will—just as the new house in which his sister Alice lived with Kernes and their children had gone to her. The rest of the six-hundred-acre farm was willed to Deehalter and Alice jointly, with the provision that if either of them tried to partition the property, the whole of it went to the other. Deehalter had talked to a lawyer and he was sure Kernes had done the same. The worst news either of the men had heard in a long time was that the will would probably stand up in court.
Load more

Recommended publications
  • Mushrooms Russia and History
    MUSHROOMS RUSSIA AND HISTORY BY VALENTINA PAVLOVNA WASSON AND R.GORDON WASSON VOLUME I PANTHEON BOOKS • NEW YORK COPYRIGHT © 1957 BY R. GORDON WASSON MANUFACTURED IN ITALY FOR THE AUTHORS AND PANTHEON BOOKS INC. 333, SIXTH AVENUE, NEW YORK 14, N. Y. www.NewAlexandria.org/ archive CONTENTS LIST OF PLATES VII LIST OF ILLUSTRATIONS IN THE TEXT XIII PREFACE XVII VOLUME I I. MUSHROOMS AND THE RUSSIANS 3 II. MUSHROOMS AND THE ENGLISH 19 III. MUSHROOMS AND HISTORY 37 IV. MUSHROOMS FOR MURDERERS 47 V. THE RIDDLE OF THE TOAD AND OTHER SECRETS MUSHROOMIC 65 1. The Venomous Toad 66 2. Basques and Slovaks 77 3. The Cripple, the Toad, and the Devil's Bread 80 4. The 'Pogge Cluster 92 5. Puff balls, Filth, and Vermin 97 6. The Sponge Cluster 105 7. Punk, Fire, and Love 112 8. The Gourd Cluster 127 9. From 'Panggo' to 'Pupik' 138 10. Mucus, Mushrooms, and Love 145 11. The Secrets of the Truffle 166 12. 'Gripau' and 'Crib' 185 13. The Flies in the Amanita 190 v CONTENTS VOLUME II V. THE RIDDLE OF THE TOAD AND OTHER SECRETS MUSHROOMIC (CONTINUED) 14. Teo-Nandcatl: the Sacred Mushrooms of the Nahua 215 15. Teo-Nandcatl: the Mushroom Agape 287 16. The Divine Mushroom: Archeological Clues in the Valley of Mexico 322 17. 'Gama no Koshikake and 'Hegba Mboddo' 330 18. The Anatomy of Mycophobia 335 19. Mushrooms in Art 351 20. Unscientific Nomenclature 364 Vale 374 BIBLIOGRAPHICAL NOTES AND ACKNOWLEDGEMENTS 381 APPENDIX I: Mushrooms in Tolstoy's 'Anna Karenina 391 APPENDIX II: Aksakov's 'Remarks and Observations of a Mushroom Hunter' 394 APPENDIX III: Leuba's 'Hymn to the Morel' 400 APPENDIX IV: Hallucinogenic Mushrooms: Early Mexican Sources 404 INDEX OF FUNGAL METAPHORS AND SEMANTIC ASSOCIATIONS 411 INDEX OF MUSHROOM NAMES 414 INDEX OF PERSONS AND PLACES 421 VI LIST OF PLATES VOLUME I JEAN-HENRI FABRE.
    [Show full text]
  • Introduction to 2D-Animation Working Practice
    Prelims-K52054.qxd 2/6/07 5:18 PM Page i Character Animation: 2D Skills for Better 3D This page intentionally left blank Prelims-K52054.qxd 2/6/07 5:18 PM Page iii Character Animation: 2D Skills for Better 3D Second edition Steve Roberts AMSTERDAM • BOSTON • HEIDELBERG • LONDON • NEW YORK • OXFORD PARIS • SAN DIEGO • SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Prelims-K52054.qxd 2/6/07 5:18 PM Page iv This eBook does not include ancillary media that was packaged with the printed version of the book. Focal Press is an imprint of Elsevier Linacre House, Jordan Hill, Oxford OX2 8DP, UK 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA First published 2004 Second edition 2007 Copyright © 2007, Steve Roberts. Published by Elsevier Ltd. All rights reserved The right of Steve Roberts to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise without the prior written permission of the publisher Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone (ϩ44) (0) 1865 843830; fax (ϩ44) (0) 1865 853333; e-mail: [email protected]. Alternatively you can submit your request online by visiting the Elsevier web site at http://elsevier.com/locate/permissions, and selecting Obtaining permission to use Elsevier material Notice No responsibility is assumed by the publisher for any injury and/or damage to persons or property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions or idead contained in the material herein.
    [Show full text]
  • Half Way Down the Trail to Hell
    Half Way Down The Trail To Hell A Wartime Remembrance in Three Parts By Stephen E. Kirkland i Prologue “The danger, being around veterans, the memories are so selective and so heroic that you’ve got to be careful talking to a guy like me.” George Herbert Walker Bush A while back I discovered the Library of Congress is conducting a program called The Veterans History Project. The mission of the project is the collection and preservation of veteran’s wartime recollections and documents before they are lost forever. Like many wartime veterans, I concentrated on getting on with my life. I needed a job that would allow me to marry, buy a house and raise a family. I didn’t feel anything I had experienced in Vietnam would contribute to these goals, and I felt that, for the most part, people who hadn’t served didn’t know or even care what I had seen or done. The country’s attitude was different than with the Gulf War veterans and I deflected the few inquires that were made, especially the ones that contained the words “Did ya’ kill anybody?” I was too busy dealing with the present to spend a lot of time staring into the past. Now, almost four decades after returning home, the time has come to look back and try to recreate a piece of personal history, albeit history filtered though my water colored memories. I’ve relied on a number of sources for this remembrance, not the least of which were letters that I wrote home.
    [Show full text]
  • MK-17 Patent Pending Operators Manual
    MK-17 Patent Pending Operators Manual *Rifle Shown with Additional Accessories Issue 2 WARNING - This document contains technical data whose export is restricted by the Arms Export Control Act (Title 22, U.S.C., Sec 2751, et seq.) or the Export Administration Act of 1979, as amended (Title 50, U.S.C., App. 2401 et seq.). Violations of these export laws are subject to severe criminal penalties. S.W.O.R.D International, Inc. 610 E. Glendale Avenue Sparks, NV 89431 775-343-1090 Specifications and models subject to change without notice. May 2020 Operator Manual : S.W.O.R.D International; MK 17 Issue 2 Multi-cal, Patent Pending SAFETY RULES The following safety rules are placed in this manual by S.W.O.R.D. International, Inc. as an important reminder that firearm safety is your responsibility. Please read this operator's manual before handling your firearm. Firearms can be dangerous and can potentially cause serious injury, damage to property, or death, if handled improperly. • Treat every firearm as if it were loaded. • Never index your muzzle at anything you are not willing to destroy. • Keep your finger straight and off the trigger until you are ready to fire. • Know your target, what is beyond it, and all surroundings. • Always wear hearing and eye protection when shooting. • Discharging firearms in poorly ventilated areas, cleaning firearms, or handling ammunition may result in exposure to lead, a substance known to be associated with birth defects, reproductive harm and other serious injury. • Be sure that your barrel is clear of obstructions before shooting.
    [Show full text]
  • P320-M17/M18 Owner's Manual
    P320- P320- PISTOL, SEMI-AUTOMATIC, 9MM OPERATOR’S MANUAL: HANDLING & SAFETY INSTRUCTIONS READ THE INSTRUCTIONS AND WARNINGS IN THIS MANUAL CAREFULLY BEFORE USING THIS FIREARM; DO NOT DISCARD THIS MANUAL. This instruction manual should always accompany this firearm and be transferred with it upon ownership, or when the firearm is loaned or presented to another person. WARNING 1.0 SAFETY WARNINGS READ THIS ENTIRE MANUAL THOROUGHLY AND CAREFULLY PRIOR TO USING THIS SIG SAUER FIREARM. The warnings in this operator’s manual are important. By understanding the dangers inherent in the use of any firearm, and by taking the precautions described in this manual, you can experience a higher level of safety in the use of your firearm. Failure to heed any of these warnings may result in serious injury or death to you or others as well as severe damage to the firearm or other property. As a valued SIG SAUER customer, we encourage you to visit www.sigsauer.com. There you will find links to product information and updates, merchandise promotions, and educational videos that will be of interest to you as an owner of SIG SAUER products. SIG SAUER firearms are designed to function reliably with proper care and knowledgeable use. You must understand the safe operation and use of your SIG SAUER firearm. Read and follow these directions carefully. Do not use the firearm unless you fully understand these instructions and the safe operation of your firearm. Failure to heed any of these directions may result in serious injury or death to you or others as well as severe damage to the firearm or other property.
    [Show full text]
  • Program Booklet
    The 1985 World Fantasy Convention October31 - November3, 1985 At Tucson’s Doubletree Hotel at Randolph Park PROGRAM BOOKLET | Featuring Writers of the Southwest The 1985 Tucson World Fantasy Convention GUEST OF HONOR STEPHEN R. DONALDSON Special Guest Evangeline Walton Artist Guest Victoria Poyser Toastperson Chelsea Quinn Yarbro Randal Rau 7... wi Chairman/Dealers’ Room Bruce For. 22... 38 Treasurer/Programming/Hotel Liaison Crist Simiie i te ee a eG Program Operations mule TRING. esa Program Operations MR. Hilder. 2.61.60 ae: Program Hospitality Dovid Lee AlmeersOns ./) 6ee Art Program Carol DePhest 3S. osaa Registration Brice M. Done. 7eeee Security Cifton D. Bair S902 ee Convention Office Shane Shellenbarger >. beoe Films Kondy Fong........ ese. Banquet/Awards Ceremony CON IIRIOY ee Rare Book Room OOFONG ey, Historian Jim: Cryer... PeBe. Photographer OIa Promotions LOa Collector's Seminar Robern Weinberg ...... secu... Collector's Seminar RiCk FOSS... COP ere ee Travel Agent ROOY ieea Art Show RO Membership, Child Care PCE MOSSOONO 20 el a Hospitality Suite MOIOION IGcy eel cl Publications RARE BOOK ROOM THANK YOU's We have on display rare books, The following paid for the open wine, pop, and beer bar during letters, and other fantasy, horror, Friday night's Autograph Party: and sf-oriented items of importance. Also in this room will Berkley Publications be display-only artwork and other TOR Books exhibition items. The room-will be DAW open Friday from 1-6pm and Saturday Donning Press 10am-6pm. The convention has published an informational catalog of the rare items displayed in the room. One THE WORLD FANTASY AWARDS BOARD OF copy is being provided to each DIRECTORS attendee to enhance your enjoyment of the display.
    [Show full text]
  • The Hastur Cycle
    The Hastur Cycle Tales of Hastur, the King in Yellow, and Carcosa Fiction Across Time and Space from Chaosium: The Antarktos Cycle Arkham Tales Atomic-Age Cthulhu (UPCOMING) The Book of Eibon The Complete Pegana Eldritch Chrome Extreme Planets Frontier Cthulhu The Hastur Cycle The Ithaqua Cycle A Long Way Home Madness on the Orient Express (UPCOMING) The Necronomicon Once Upon an Apocalypse (UPCOMING) Singers of Strange Songs Song of Cthulhu Steampunk Cthulhu (UPCOMING) The Strange Cases of Rudolph Pearson Tales Out of Innsmouth The Tsathoggua Cycle Undead & Unbound R. W. Chambers’ The Yellow Sign (his complete weird fiction) Arthur Machen’s The Three Impostors & Other Tales Arthur Machen’s The White People & Other Tales Arthur Machen’s The Terror & Other Tales These, and more, can be found on our catalog at www.chaosium.com Chaosium Fiction The Hastur Cycle Second Revised Edition Tales That Created and Defined Dread Hastur, the King in Yellow, Nighted Yuggoth, and Dire Carcosa H. P. LOVECRAFT AMBROSE BIERCE JAMES BLISH JOSEPH PAYNE BRENNAN RAMSEY CAMPBELL LIN CARTER ROBERT W. CHAMBERS AUGUST DERLETH RICHARD A. LUPOFF ARTHUR MACHEN JAMES WADE KARL EDWARD WAGNER SELECTED AND EDITED BY ROBERT M. PRICE COVER ART BY VICTOR MANUEL LEZA MORENO INTERIOR ART BY EARL GEIER A Chaosium Book 2014 The Hastur Cycle is published by Chaosium Inc. This book is copyrighted as a whole by Chaosium, Inc., ©1997, 2006, 2014; all rights reserved. “Carcosa” ©1981 by Richard L. Tierney; appers by permisison of the author. “The River of Night’s Dreaming” ©1981 by Stuart David Schiff for Whispers III; appears by permission of the author.
    [Show full text]
  • Two Kinds of Trouble
    City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2011 Two Kinds Of Trouble Rebecca Minnich CUNY City College of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/507 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Two Kinds Of Trouble A Novel by Rebecca Minnich March 16th, 2011 Submitted in partial fulfillment of the requirement of the requirements for a degree of Master of Fine Arts of the City College of New York 1 Table of Contents Two Kinds Of Trouble……………………………………………………….1-419 2 August, 10, 1977 – Madison, Wisconsin Chapter One “Does he have to move out? Can’t you make up? Are you sure? Did you try?” These are the questions Patty asked her mother. “Sweetie, yes. And I don’t expect you to understand. It’s just the way it has to be,” said Gloria. Her voice was cracking, her glasses fogging behind the wet dish towel in her hand, wrapped around red knuckles, rubbing a plate dry. “It’s all our fault,” said Patty’s brother, David, who was leaning over the back of a chair with his head in his hands like he was on a soap opera. “If we hadn’t been such rotten kids, this wouldn’t have happened.” Patty looked at David to see if he was serious. God, he was.
    [Show full text]
  • Gunshot Wounds Practical Aspects of Firearms, Ballistics, and Forensic Techniques Second Edition
    Gunshot Wounds Practical Aspects of Firearms, Ballistics, and Forensic Techniques Second Edition by Vincent J. M. DiMaio, M.D. ©1999 CRC Press LLC Library of Congress Cataloging-in-Publication Data Catalog record is available from the Library of Congress. This book contains information obtained from authentic and highly regarded sources. Reprinted material is quoted with permission, and sources are indicated. A wide variety of references are listed. Reasonable efforts have been made to publish reliable data and information, but the author and the publisher cannot assume responsibility for the validity of all materials or for the consequences of their use. Neither this book nor any part may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, microfilming, and recording, or by any information storage or retrieval system, without prior permission in writing from the publisher. The consent of CRC Press LLC does not extend to copying for general distribution, for promotion, for creating new works, or for resale. Specific permission must be obtained in writing from CRC Press LLC for such copying. Direct all inquiries to CRC Press LLC, 2000 Corporate Blvd., N.W., Boca Raton, Florida 33431. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are only used for identification and explanation, without intent to infringe. © 1999 by CRC Press LLC No claim to original U.S. Government works International Standard Book Number 0-8493-8163-0 Printed in the United
    [Show full text]
  • Aravain. ‘Very Well, but I Have Told You What I Sense
    The Primarchs LION EL’JONSON: LORD OF THE FIRST KONRAD CURZE: THE NIGHT HAUNTER ANGRON: SLAVE OF NUCERIA CORAX: LORD OF SHADOWS VULKAN: LORD OF DRAKES JAGHATAI KHAN: WARHAWK OF CHOGORIS FERRUS MANUS: GORGON OF MEDUSA FULGRIM: THE PALATINE PHOENIX LORGAR: BEARER OF THE WORD PERTURABO: THE HAMMER OF OLYMPIA MAGNUS THE RED: MASTER OF PROSPERO LEMAN RUSS: THE GREAT WOLF ROBOUTE GUILLIMAN: LORD OF ULTRAMAR Also available KONRAD CURZE: A LESSON IN DARKNESS Ian St. Martin (audio drama) SONS OF THE EMPEROR Various authors CONTENTS Cover Backlist Title Page The Horus Heresy One Two Three Four Five Six Seven Eight Nine Ten Eleven About the Author An Extract from ‘Scions of the Emperor’ A Black Library Publication eBook license THE HORUS HERESY It is a time of legend. Mighty heroes battle for the right to rule the galaxy. The vast armies of the Emperor of Mankind conquer the stars in a Great Crusade – the myriad alien races are to be smashed by his elite warriors and wiped from the face of history. The dawn of a new age of supremacy for humanity beckons. Gleaming citadels of marble and gold celebrate the many victories of the Emperor, as system after system is brought back under his control. Triumphs are raised on a million worlds to record the epic deeds of his most powerful champions. First and foremost amongst these are the primarchs, superhuman beings who have led the Space Marine Legions in campaign after campaign. They are unstoppable and magnificent, the pinnacle of the Emperor’s genetic experimentation, while the Space Marines themselves are the mightiest human warriors the galaxy has ever known, each capable of besting a hundred normal men or more in combat.
    [Show full text]
  • Entire Songlist
    APA Mobile Disco 1300 723 555 Songlist - All June 2003 title artist - 06 - It Is A Fire Portishead "family affair." mary j. blige. "Judy"(hooked on coke) ice jupiter groove (05)Fragma - Every Time You Need Me (Pulse Driver Remix) Various Artists (alabama_with_n'sync)-god_myust_have_spent_a_little_more_time_on_you (B.Z. feat Joanne) - Jackie (beatles) twist and shout (brooks_&_dunn)-missing_you artist (dixie_chicks)-ready_to_run artist (I Can't Get No) Satisfaction Britney Spears (Kenny Loggins) Foot loose (Let Me Be Your) Teddy Bear Elvis Presley (toybox)-the Sailor Song (Who Says) You Can't Have It All Alan Jackson (Your Drive Me) Crazy Britney Spears ...Bobyahead! Tag team ...Is calling sm trax [Silence] Dixie Chicks [Your Drive Me] Crazy Britney Spears 001 I-O 01 - Across The Night Silverchair 01-50 Cent In The Club Dirty-cms 01-i Saw Her Standing There Beatles 01-ja_rule_feat._cadillac_tah_ aint_that_funny_(main-ego 02 02 - Simple Creed Live 03 03 - MARTINA McBRIDE I LOVE YOU RUNAWAYBRIDE - MUSIC 03 - Somethin stupid Robbie Williams 04 - Homeworld 04 - I Try Macy Gray 041 James - Laid 04-ll Cool J-paradise Ft Amerie 04-ll_cool_j-paradise_ft_ameri 05 05 - Bug A Boo DESTINY'S CHILD 05 - S Club 7-Bring It All Back NOW 43 05 - SMOOTH FEATURING ROB THOMAS SANTANA-SUPERNATURAL 05 Stimulant DJ's - Kickin' da Hard House Anthems 3 06 07 07 - Crush Mandy Moore 08 09 09 Promises My-Albums.com Billie Piper 1 - Korn 1 - Bad Moon Arisen Creedance Clearwater Revival 1 - Hallowed Point 1 - Hell Awaits Slayer 1 - Suzie Q Creedance Clearwater Revival
    [Show full text]
  • Between Species: Choreographing Human And
    BETWEEN SPECIES: CHOREOGRAPHING HUMAN AND NONHUMAN BODIES JONATHAN OSBORN A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN DANCE STUDIES YORK UNIVERSITY TORONTO, ONTARIO MAY, 2019 ã Jonathan Osborn, 2019 Abstract BETWEEN SPECIES: CHOREOGRAPHING HUMAN AND NONHUMAN BODIES is a dissertation project informed by practice-led and practice-based modes of engagement, which approaches the space of the zoo as a multispecies, choreographic, affective assemblage. Drawing from critical scholarship in dance literature, zoo studies, human-animal studies, posthuman philosophy, and experiential/somatic field studies, this work utilizes choreographic engagement, with the topography and inhabitants of the Toronto Zoo and the Berlin Zoologischer Garten, to investigate the potential for kinaesthetic exchanges between human and nonhuman subjects. In tracing these exchanges, BETWEEN SPECIES documents the creation of the zoomorphic choreographic works ARK and ARCHE and creatively mediates on: more-than-human choreography; the curatorial paradigms, embodied practices, and forms of zoological gardens; the staging of human and nonhuman bodies and bodies of knowledge; the resonances and dissonances between ethological research and dance ethnography; and, the anthropocentric constitution of the field of dance studies. ii Dedication Dedicated to the glowing memory of my nana, Patricia Maltby, who, through her relentless love and fervent belief in my potential, elegantly willed me into another phase of life, while she passed, with dignity and calm, into another realm of existence. iii Acknowledgements I would like to thank my phenomenal supervisor Dr. Barbara Sellers-Young and my amazing committee members Dr.
    [Show full text]