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Sandspur, Vol 90, No 05, November 22, 1983
University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 11-22-1983 Sandspur, Vol 90, No 05, November 22, 1983 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol 90, No 05, November 22, 1983" (1983). The Rollins Sandspur. 1616. https://stars.library.ucf.edu/cfm-sandspur/1616 Volume 90 Number 5 photo: jerry Uelsmann (story, page 5) Rollins College Sandspur, November 22,1983 pg. 2 The Haagen-Dazs Collection Haagen-Dazs presents the two straw mi Ik Nlv Arte shake A frosty smooth shake so thick and rich, Fine Lingerie • Foundations vou'll probably want two straws to drink it! Swimwear • Loungewear 218 Park Avenue N. Winter Park, FL 32789 Haagen-Dazs Telephone: 647-5519 ^^ Park Avenue 116 E. New England Ave. • Winter Park • 644-1611 Solar Heated Water fit FAIRBANKS EASTERN POLYCLEfiN GfiS fiND BEVERAGE Just One Block North Your Complete Laundromat of Rollins Campus Just One Block North * Discount Prices On Our of Rollins Campus Large Assortment of Domestic and Imported Beer Soda and Snacks Daily Newspapers and Magazines SELF SERVICE (New York Times, Wall Street Journal Orlando Sentinel) Wash And Dry FULL SERVICE Dry Cleaning Don't Forget To Check Oat Oar Wash, Dry. -
THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography………………………………………………………………………………. -
The Yes Catalogue ------1
THE YES CATALOGUE ----------------------------------------------------------------------------------------------------------------------------------------------------- 1. Marquee Club Programme FLYER UK M P LTD. AUG 1968 2. MAGPIE TV UK ITV 31 DEC 1968 ???? (Rec. 31 Dec 1968) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 3. Marquee Club Programme FLYER UK M P LTD. JAN 1969 Yes! 56w 4. TOP GEAR RADIO UK BBC 12 JAN 1969 Dear Father (Rec. 7 Jan 1969) Anderson/Squire Everydays (Rec. 7 Jan 1969) Stills Sweetness (Rec. 7 Jan 1969) Anderson/Squire/Bailey Something's Coming (Rec. 7 Jan 1969) Sondheim/Bernstein 5. TOP GEAR RADIO UK BBC 23 FEB 1969 something's coming (rec. ????) sondheim/bernstein (Peter Banks has this show listed in his notebook.) 6. Marquee Club Programme FLYER UK m p ltd. MAR 1969 (Yes was featured in this edition.) 7. GOLDEN ROSE TV FESTIVAL tv SWITZ montreux 24 apr 1969 - 25 apr 1969 8. radio one club radio uk bbc 22 may 1969 9. THE JOHNNIE WALKER SHOW RADIO UK BBC 14 JUN 1969 Looking Around (Rec. 4 Jun 1969) Anderson/Squire Sweetness (Rec. 4 Jun 1969) Anderson/Squire/Bailey Every Little Thing (Rec. 4 Jun 1969) Lennon/McCartney 10. JAM TV HOLL 27 jun 1969 11. SWEETNESS 7 PS/m/BL & YEL FRAN ATLANTIC 650 171 27 jun 1969 F1 Sweetness (Edit) 3:43 J. Anderson/C. Squire (Bailey not listed) F2 Something's Coming' (From "West Side Story") 7:07 Sondheim/Bernstein 12. SWEETNESS 7 M/RED UK ATL/POLYDOR 584280 04 JUL 1969 A Sweetness (Edit) 3:43 Anderson/Squire (Bailey not listed) B Something's Coming (From "West Side Story") 7:07 Sondheim/Bernstein 13. -
Courseleaf's Users' Guide
Table of Contents Home ........................................................................................................................................................................................................................................... 3 CourseLeaf ........................................................................................................................................................................................................................... 4 Browsers ........................................................................................................................................................................................................................ 4 Web Site Accessiblity .................................................................................................................................................................................................... 5 Showing Differences (Red/Green Markup) ................................................................................................................................................................... 5 CourseLeaf Catalog (CAT) .................................................................................................................................................................................................. 7 Borrowed Content ........................................................................................................................................................................................................ -
The War and Fashion
F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book. -
The Differentiated Classroom (Tomlinson)
Tomlinson cover final 12/8/05 9:26 AM Page 1 Education $ 21.95 TheThe The DifferentiatedDifferentiated Classroom: Differentiated esponding R to ClassroomClassroom the Ne eds s of All Learner It’s an age-old challenge: How can teachers divide their time, of All Learners to the Needs Responding resources, and efforts to effectively instruct so many students of diverse backgrounds, readiness and skill levels, and interests? The Differentiated Classroom: Responding to the Needs of All Learners offers a powerful, practi- cal solution. Drawing on nearly three decades of experience, author Carol Ann Tomlinson describes a way of thinking about teaching and learning that will change all aspects of how you approach students and your classroom. She looks to the latest research on learning, education, and change for the theoretical basis of differentiated instruction and why it’s so important to today’s children. Yet she offers much more than theory, filling the pages with real-life examples of teachers and students using—and benefiting from—differentiated instruction. At the core of the book, three chapters describe actual lessons, units, and classrooms with differentiated instruction in action. Tomlinson looks at elementary and secondary classrooms in nearly all subject areas to show how real teachers turn the challenge of differenti- ation into a reality. Her insightful analysis of how, what, and why teachers differentiate lays the groundwork for you to bring differentia- tion to your own classroom. Tomlinson’s commonsense, classroom-tested advice speaks to experi- enced and novice teachers as well as educational leaders who want to foster differentiation in their schools. -
Idvp010cd Couriernew
Print Version Page 1 of 2 Print Page Permutations of Yes By Tom Von Malder (Created: Wednesday, August 22, 2007 11:09 PM EDT) Anderson, Bruford, Wakeman, Howe: An Evening of Yes Music Plus (Voiceprint DVD, 143 min.). Consisting of four-fifths of the classic lineup of Yes in the Seventies (only Chris Squire is missing), this quartet, put together by Jon Anderson, recorded an eponymous album in 1989 and then embarked on a worldwide tour. This generous-length show was captured on the American leg of the tour. It opens with brief solo sets by vocalist Anderson (“Time and a Word,” “Owner of a Lonely Heart”), who enters the auditorium from the rear and sings while walking down the aisle to the stage; guitarist Steve Howe (a couple of acoustic instrumentals) and keyboardist Rick Wakeman (“Catherine Parr,” “Merlin the Magician”), before the whole group launches into Yes’ classic “Long Distance Runaround” at the 24-minute mark. The song contains a solo by drummer Bill Bruford. Then comes “Birthright” from their one album (“Teakbois,” the bouncy rocker “Brother of Mine” and “Themes” also are covered from the disc). The wonderful central core is a trio of Yes songs: “And You and I,” “I’ve Seen All Good People” and a 19- minute “Close to the Edge.” The show ends with “Roundabout,” then an encore of “Starship Troop” after the credits roll. Grade A- Rick Wakeman: The Other Side of Rick Wakeman (MVD Visual DVD, 112 min.). This unusual release finds progressive rock keyboardist Wakeman on stage in a small club, with just a microphone and a grand piano. -
Cisco Webex Training Center User Guide
Cisco WebEx Training Center User Guide WBS29 Copyright © 1997-2013 Cisco and/or its affiliates. All rights reserved. WEBEX, CISCO, Cisco WebEx, the CISCO logo, and the Cisco WebEx logo are trademarks or registered trademarks of Cisco and/or its affiliated entities in the United States and other countries. Third-party trademarks are the property of their respective owners. U.S. Government End User Purchasers. The Documentation and related Services qualify as "commercial items," as that term is defined at Federal Acquisition Regulation ("FAR") (48 C.F.R.) 2.101. Consistent with FAR 12.212 and DoD FAR Supp. 227.7202-1 through 227.7202-4, and notwithstanding any other FAR or other contractual clause to the contrary in any agreement into which the Agreement may be incorporated, Customer may provide to Government end user or, if the Agreement is direct, Government end user will acquire, the Services and Documentation with only those rights set forth in the Agreement. Use of either the Services or Documentation or both constitutes agreement by the Government that the Services and Documentation are commercial items and constitutes acceptance of the rights and restrictions herein. Last updated: 10232013 www.webex.com Table of Contents Setting up and Preparing for a Training Session ....................................................... 1 Setting up Training Center ........................................................................................ 1 System requirements for Training Center for Windows ..................................... -
Md Dinesh Nair
Poetry Series M.D DINESH NAIR - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive M.D DINESH NAIR(9 -21) My poems tresspss the boundaries of caste, creed, nationaity and lines flip not, the lands wither not and thoughts never retreat. My negation of the concept of God is highly motivated by my own convictions and transparency of thoughts validated by common reading of the most illustrative science based articles has revealed to me the non existence of the supernatural of any Stephen Hawkins. the scientist who explained the mystery of time, the big bang theory and the various aspects of rational thinking is a great hero to me. If you think that what you think of God and religion otherwise is correct, I just leave you there and in this regard I humbly reject all your demands on reconsidering my conviction.. M.D Dinesh Nair, Lecturer in English, Sri Chaitanya Group of Colleges, Vijayawada, INDIA. e-mail: mddnair@ www.PoemHunter.com - The World's Poetry Archive 1 A Breath I Cherish I cherish your breath a lot. As your breath is a sweet sob That chimes out tales for a reverie. Perhaps you breathe for none but me. At times I miss your breath As I flee to a world of solitude. But then is heard your breath winding in To reach the peaks of my utopia. Your breath gets cannonised And my entity rebounds unto you again. A love is born and blossomed As I search for you in the dark. I cherish your breath a lot. -
A 50Th Anniversary Tribute to YES Sonic Elements Presents Yesterday and Today – a Tribute to YES 1
A 50th Anniversary Tribute to YES Sonic Elements Presents Yesterday and Today – A Tribute to YES 1. Machine Messiah (Featuring Nick D’Virgilio & Geoff Downes) 2. Yours Is No Disgrace (Featuring Marisol Koss & Tony Kaye) 3. Turn of the Century (Featuring Sally Minnear & Dave Bainbridge) 4. Sweetness (Featuring Pat Sansone) 5. Soon (Featuring Curved Air) 6. Cinema (Featuring Steve Hackett) 7. Changes (Featuring Robert Berry, Billy Sherwood & Tom Brislin) 8. I’m Running (Featuring Robin Schell, Billy Sherwood & Marco Minnemann) 9. Acoustic Medley (Featuring Jon Davison) i. Your Move ii. And You and I iii. Wonderous Stories 10. Yesterday and Today (Featuring Dr. Danny) 11. Long Distance Runaround (Featuring Leslie Hunt) 12. The Fish (Featuring Billy Sherwood) 13. Starship Trooper (Featuring Francis Dunnery) Produced by Dave Kerzner and Fernando Perdomo Executive Producer: Dave Kerzner FEATURING Jon Davison, Tony Kaye, Jay Schellen, Billy Sherwood Robert Berry, Francis Dunnery, Nick D’Virgilio, Geoff Downes, Steve Hackett, Marco Minnemann, Pat Sansone Dennis Atlas, Dave Bainbridge, Tom Brislin, Johnny Bruhns, Joe Cass, Derek Cintron, Dr. Danny, John Demarkis, Jay Gore, Marisol Koss, Roger Houdaille, Leslie Hunt, Walter Ino, Randy McStine, Sally Minnear, Mark Murdock, Hal Rosenfeld, Robin Schell, Jonathan Schang, Ken Sharp Curved Air: Sonja Kristina, Robert Norton, Paul Sax, Kit Morgan, Chris Harris, Andy Tween ℗ & © 2018 RecPlay, Inc. All rights reserved. All trademarks are the property of their respective owners. Unauthorized copying, hiring, lending, public performance and broadcasting of this record prohibited. A Tribute to YES People sometimes ask us what appeals to us about making The Beatles were my first love, then Yes became the logical a tribute album. -
MEDIA RELEASE 27Th June, 2014 the ICONIC and GRAMMY-WINNING ROCK BAND YES ANNOUNCE 4 CITY AUSTRALIAN TOUR PERFORMING TWO of T
MEDIA RELEASE 27th June, 2014 THE ICONIC AND GRAMMY-WINNING ROCK BAND YES ANNOUNCE 4 CITY AUSTRALIAN TOUR PERFORMING TWO OF THEIR CLASSIC ALBUMS IN THEIR ENTIRETY IN ONE EVENING: ‘FRAGILE’ AND ‘CLOSE TO THE EDGE’ PLUS AN ENCORE OF THEIR GREATEST HITS TOUR LAUNCHES IN NOVEMBER FEATURING PERFORMANCES IN PERTH, GOLD COAST, SYDNEY AND MELBOURNE YES (L-R): Steve Howe, Jon Davison, Alan White, Geoff Downes, Chris Squire Photo Credit: Rob Shanahan Iconic and Grammy-winning rock band YES will tour Australia this November for a four city Australian tour where the band will be performing two of their classic albums in their entirety. Having sold over 50 million records over its forty-six year career, YES continues creating masterful music that inspires fans and musicians from around the world. With rave reviews and sell out shows in the US, YES are thrilled to bring this very special show to Australia for the first time. Fans will hear the 1971 groundbreaking album FRAGILE and the 1972 album CLOSE TO THE EDGE from start to finish, followed by an encore of the band’s greatest hits. Tickets will go on sale to the general public from 9am on Monday 7th July 2014. Kicking off on the 12th November in Perth, the tour will then head to Jupiter’s Casino on the Gold Coast 14th November, Sydney’s State Theatre on 15th & 16th November before making its way south, hitting the Palais Theatre Melbourne on the 18th November. The Gold Coast, Sydney and Melbourne shows will be supported by Australian soul favourites, THE WIDOWBIRDS. -
The Modern Trombone in the African American Church: Shout
THE MODERN TROMBONE IN THE AFRICAN AMERICAN CHURCH: SHOUT BANDS AND THE AFRICAN AMERICAN PREACHER IN THE UNITED HOUSE OF PRAYER Tyrone J. Block, B.A., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2015 APPROVED: Tony Baker, Major Professor Don Little, Committee Member Benjamin Brand, Committee Member and Director of Graduate Studies John Holt, Chair of the Department of Instrumental Studies James C. Scott, Dean of the College of Music Costas Tsatsoulis, Interim Dean of the Toulouse Graduate School Block, Tyrone J. The Modern Trombone in the African American Church: Shout Bands and the African American Preacher in the United House of Prayer. Doctor of Musical Arts (Performance), May 2015, 35 pp., bibliography, 33 titles. The United House of Prayer was established by Marcelino Manuel da Graça (1881- 1960), who is also known as Charles Manuel “Sweet Daddy” Grace, or “Daddy” Grace. He founded and developed the use of the shout bands which are charismatic gospel trombone ensembles within this church. This study explores the importance of shout bands and examines them from multiple perspectives focusing in particular on worship practices. Additionally, it examines rhythmic elements as the most important characteristic of music performed by these unique ensembles, rhythms that reflect the preacher’s personal timing and inflections that the trombones then imitate. The approach used here supports a deeper understanding of the United House of Prayer and of the trombone in church services of this denomination. Indeed, it ultimately establishes the trombone’s role in the United House of Prayer.