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1/Tbb$T63c3+41.1Társ1/`I0$1T8/T81t6'i~Tf Rs;Ii1~1111$«X638+T6'i8'tf1tfi1t6i~1$1499101/Tlsi1~1 86 BACKBEAT 1/tBB$t63c3+41.1tÁrS1/`i0$1t8/t81t6'i~tF rS;ii1~1111$«x638+t6'i8'tF1tFi1t6i~1$1499101/tlsi1~1 C .:. h gab 1 the best to date Basie: mixed results Ella: loose but assured Kiugh: one of and the evocative Dark sound than on layering or special effects. Blood, Sweat & Tears like China Groue "The Captain and Asa result. the quiet pulse of Joan Baez's James William Guercio, producer Eyed Cajun Woman. was originally released in 1973, prov- music is greatly enhanced overall by the Half-speed remastered, DBX encoded Me" that started out increased dynamic range. The remaster- Direct Discs Labs SD 16605 ing that this is a band kept getting better. ing process has brought out Wilton Fel- good and just der's fine bass playing as well-note his Blood, Sweat & Tears was the origi- Count Basie, sensitive touch in the lower ranges on the nal jazz/rock horn band, and this, its sec- Ella Fitzgerald, title tune. And whenever Baez slides into ond LP (released in the late '60s), was a Joe Pass, Niels Pederson: her fabled upper -register vibrato, the rich- milestone in its day. The new recording's Digital Ill at Montreux producer ness and presence of her voice are extended dynamic range will be an attrac- Norman Granz. gripping. tion, especially on the well-known flute Digitally recorded passages in the Erik Satie variations. In Pablo Live D2308223 Count Basie, Joe Turner, addition, the horns sound a little brassier loose -but -as- Eddie 'Cleanhead' Vinson: on Spinning Wheel and Jim Fielder's bass This was one of those nights when swinging Kansas City Shout a little fuller on You've Made Me So Very sured jazz festival foremost on everyone's Norman Granz; producer Happy. But even with DBX encoding, was first and -location digital recording Digitally recorded there is still a certain amount of the tape agenda. The on nicely the normally Pablo D2310859 hiss that was part and parcel of the '60s. has pulled together distant. scattered strands of a live jazz disc. Flying Home gets marvelous Joe Turner and Eddie Vinson are The Doobie Brothers: An inspired Ella, from her lowest classic blues shouters and here, backed by The Captain and Me full coverage by highest "shoo bee wop." Basie's elegant unit, both are in fine voice TedTempleman, producer growls to her segment is also superb, and spirit. The digital recording yields Half-speed remastered The Basie band two-fisted drum solo by mixed results. however. On the trio setting Nautilus NR 5 with an eloquently Mileage. A Joe of Just a Dream on My Mind, the bass, Butch Miles on Good { Pederson guitar and bass duet drums, and piano sound slightly antiseptic This one is definitely worth the re - Pass -Niels Oleo closes the set with and therefore lack the proper grit and bite mastering effort. Producer Ted Temple - on Sonny Rollins' and presence. to support Turner's wonderfully dirty man managed to keep a vibrant separa- bristling energy blues phrasing. But with the entire Basie tion between instruments without losing Finger Paintings band behind Vinson's potent, Charlie the authentic rock ensemble playing and Earl Kiugh: Rosen. Parker -tinged alto sax on Cherry Red, the looseness that was always the Doobies' Dave Grusin & Larry Half -speed remastered fullness of the mix and the rich timbres strongest suit. On Long Train Runnin', the producers. Mobile Fidelity Sound Lab MFSL 1 025 are awesome. even on the soft passages. guitars literally ring while the congas and One final note: Despite the disc's striking. percussion are noticeably crisp and clean. "Finger Paintings" features light- blood -red vinyl pressing. my copy is a tad TomJohnston's unique voice never weight. almost fluffy pop/jazz. built much in the click and pop department. sounded richer, especially on chestnuts .
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