DOCSLIB.ORG

WDR 3 Jazz & World, 18. Dezember 2017

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
WDR 3 Jazz & World, 18. Dezember 2017 WDR 3 Jazz & World, 18. Dezember 2017 You Can’t Make Love Alone! – Der Altsaxofonist und Sänger Eddie “Cleanhead” Vinson 22:04-24:00 Stand: 18.12.2017 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de Moderation: Hans W. Ewert Redaktion: Bernd Hoffmann 22:04-24:00 Laufplan 1. Tune Up K: Eddie Vinson 4:55 EDDIE VINSON AND THE MUSE Muse MR 5208; LC: 04441 ALL LP: Live at Sandy’s 2. No Good Woman Blues K: Eddie Vinson 2:46 EDDIE CLEANHEAD VINSON Ace CHD 877; LC: 05982 CD: Bald Headed Blues 3. Juice Head Baby K: Holmes Daylie/ Cootie 3:11 COOTIE WILLIAMS Williams Classics 5017 CD: Cootie Williams Orch.1945- 47 4. Somebody’s Got To Go K: Lonnie Johnson 3:40 EDDIE CLEANHEAD VINSON wie Titel 3 5. Cherry Red K: Pete Johnson/ Joe Turner 2:52 EDDIE CLEANHEAD VINSON wie Titel 3 6. Kidney Stew K: Leona Blackman/ Eddie 2:54 EDDIE CLEANHEAD VINSON Vinson wie Titel 3 7. Old Maid Boogie K: Eddie Vinson 2:45 EDDIE CLEANHEAD VINSON Blue Boar BB 1008 / IHL 18 CD: Old Maid Boogie 8. Cleanhead Blues K: Jessie Mae Robinson/ Eddie 2:51 EDDIE CLEANHEAD VINSON Vinson wie Titel 7 9. Somebody Done Stole My K: Eddie Vinson 2:35 Cherry Red King 1087; LC: 00828 EDDIE CLEANHEAD VINSON LP: Cherry Red Blues 10. Ashes On My Pillow K: Eddie Vinson 2:36 EDDIE CLEANHEAD VINSON wie Titel 9 Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 1 WDR 3 Jazz & World, 18. Dezember 2017 You Can’t Make Love Alone! – Der Altsaxofonist und Sänger Eddie “Cleanhead” Vinson 22:04-24:00 Stand: 18.12.2017 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de 11. Jump And Grunt K: Eddie Vinson 2:54 EDDIE CLEANHEAD VINSON22:04-24:00 Gusto 5035X2; LC: 22534 2LP: Cherry Red Blues 12. QueenK: David Bee BluesGlover 13 Arriving K: David Glover; LC: 22534 2:48 EDDIE GustoCLEANHEAD 5035X2 VINSON 2 LP: Cherry wie Titel 11 13. Arriving Soon K: Eddie Vinson 6:20 EDDIE CLEANHEAD VINSON Landmark 1309; LC: 06094 CD: Cleanhead & Cannonball 14. I’m In An Awful Mood K: Eddie Vinson/ Joe Turner/ 5:37 EDDIE CLEANHEAD VINSON Pete Johnson Black+Blue 33.543; LC: 01008 LP: Kidney Stew 15. Red Top K: Lionel Hampton/ Ben Kynard 4 :55 EDDIE VINSON & JAY McSHANN Black+Blue 33.304; LC: 01008 LP: Jumpin’ The Blues 16.Taxi Driver Blues K: Leonard Feather 5:08 EDDIE CLEANHEAD VINSON Muse LP MR 5116; LC: 04441 LP: The Clean Machine 17. The Clean Machine K: Eddie Vinson 5:41 EDDIE CLEANHEAD VINSON wie Titel 16 18. Take the A-train K: Billy Strayhorn 13 :57 EDDIE CLEANHEAD VINSON Muse 5243; LC: 04441 LP: Hold it Right There 19. You can’t make love alone K: Eddie Vinson 4:42 EDDIE CLEANHEAD VINSON Mega M31-1012; LC: 08945 LP: You Can’t Make Love Alone 20. Movin’ With Lester K: Lester Young 6 :58 EDDIE VINSON & ROOMFUL OF Muse MR 5282; LC: 04441 BLUES LP: ECV & Roomful of Blues 21 Past Sixty Blues K: Eddie Vinson 4 :25 EDDIE VINSON & ROOM FUL OF Muse MR 5310; LC: 04441 BLUES LP: E C V Sings The Blues Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 2 WDR 3 Jazz & World, 18. Dezember 2017 You Can’t Make Love Alone! – Der Altsaxofonist und Sänger Eddie “Cleanhead” Vinson 22:04-24:00 Stand: 18.12.2017 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de 22. Stuffy K: Coleman Hawkins 4 :44 EDDIE VINSON/ OSCAR 22:04-24:00 Pablo 2310-92; LC: 03254 PETERSON/ HARRY EDISON LP: ohne Titel Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 3 .
Load more

Recommended publications
  • Unions Show Tim* 111 10:4S P.M—Slid 11:41 Ia Dancing for Reservation* CLUB E Ee«F Ittlo C*A*«T EL—SINO Far Raaarratiaiks Call 17)0 St
    Eddie Vinson Puts f" DETROIT TRIBUNE SAT., JANUARY 15, 1949 15 | Big Town I tmphasis.On Youth By JAMES L. HICKS WALLS Around .NEW YORK | —— NEW YOR/K, N. Y. Eddit Vinson, the blues YORK (NNPA) Jackie Robinson, the By Jay and V. Franklin Wall NEW Dodger jErfl pinging, saxaphone playing maestro, may have started > star, who is a teetotaler, although he broadcasts I for wine company, pearl left for a year's study in Africa of na- trend in bigtime music circles with his new “kid” a ankled into a Harlem hotspot one Primus anew Sunday night squiring his Mrs. and women. tive art and dancing under a Julius Uosenwald Fellow* two other ' ! band. i 1 HI Dorothy Calaway | . featuring With the air of a gentleman, he summoned waiter and ship . Well’s Music Bar Aside from the leader, there is not a single member a gave him the order for his party. When the waiter re- who is makinsr her New York debut a* a popular singer. of the sensational new combo , put together by Mr. turned with drinks for all, including a tall, long glass of Miss Calawav was trained for the concert stage. who is more than twenty-four years of age. deadhead. something for Jackie, newsmen immediately buttonholed Nellie Lutcher’s sister, Vydah emphasize* youth Airlines is considering hiring cnk waiter. * Lutcher. is a very sweet and I Vinson decided to emphasize New Yjrk the present at ored girls as stewardesses as a after a recent road * shy person. She was aspect of things “Looks like Jackie has decid- M V*' a of Melvin the vouth sev- tour he disbanded the combina- i**' the fare .veil party (one of many [ result >f suggestion ago.
    [Show full text]
  • Jazz Album Picks
    Jazz Series Pilot TOP 407* LBUMS Taped At CBS, L.A. LOS ANGELES — “Stars of Jazz — Nostalgia & New Sounds," a proposed new Weeks Weeks television series showcasing mainstream On un Chart as well as younger jazz artists, its 3/25 Chari 3/25 taped pilot Feb. 19 at CBS-TV studios here. 1 WEEKEND IN L.A. GEORGE BENSON 21 EASY LIVING The first one-hour program was hosted SONNY ROLLINS (Milestone M-9080) 23 9 (Warner Bros. 2WB 3139) 1 9 by Bobby Troup and featured perfor- THE BIJOU 22 MULTIPLICATION mances by Hadley Caliman, Sarah 2 LIVE AT 14 16 GROVER WASHINGTON JR. ERIC GALE (Columbia JC 34938) Vaughan, the Billy May Band and theTeddy (Kudu KUX-3637 MZ) 2 15 Buckner Band. 23 RUBY, RUBY (A&M SP 19 24 3 RAINBOW SEEKER GATO BARBIERI 4655) According to executive producer JOE SAMPLE (ABC AA-1050) 3 8 LAWS AT THE PAVILLION — Columbia Charles Allen, negotiations are now un- 24 SAY IT WITH SILENCE — recording artist Hubert Laws was con- derway for a series sponsor. 4 HOLD ON HUBERT LAWS (Columbia JC 35022) 1 NOEL POINTER gratulated at a reception in his honor after The series is produced by James Carlton (United Artists UA-LA 848H) 4 8 25 HAVANA CANDY his recent performance at the Dorothy Baker and directed by Mark Massair. Music PATTI AUSTIN (CTI 7-5006) 24 20 Chandler Pavillion. Pictered (l-r) are: Dr. coordinator is Don Bagely, in conjunction 5 FEELS SO GOOD CHUCK MANGIONE (A&M SP 4658) 5 22 26 TIGHTROPE George Butler, vice president jazz & with consultant Bobby Knight.
    [Show full text]
  • The African American Historic Designation Council (Aahdc)
    A COMPILTION OF AFRICAN AMERICANS AND HISTORIC SITES IN THE TOWN OF HUNTINGTON Presented by THE AFRICAN AMERICAN HISTORIC DESIGNATION COUNCIL (AAHDC) John William Coltrane On Candlewood Path in Dix Hills, New York. obscured among overgrown trees, sits the home of jazz legend John Coltrane, a worldwide jazz icon. Born on September 23, 1920, in Hamlet, North Carolina, Coltrane followed in the foot steps of his father who played several instruments. He learned music at an early age, influenced by Lester Young and Johnny Hodges and others which led him to shi to the alto saxophone. He connued his musical training in Philadelphia and was called to military service during World War II, where he performed in the U.S. Navy Band. Aer the war, Coltrane connued his zest for music, playing the tenor saxophone with the Eddie Vinson Band, performing with Jimmy Heath. He later joined the Dizzy Gillespie Band. His passion for experimentaon was be- ginning to take shape; however, it was his work with the Miles Davis Quintet in 1958 that would lead to his own musical evoluon. He was impressed with the freedom given to him by Miles Davis' music and was quoted as say- ing "Miles' music gave me plenty of freedom." This freedom led him to form his own band. By 1960, Coltrane had formed his own quartet, which included pianist McCoy Tyner, drummer Elvin Jones, and bassist Jimmy Garrison. He eventually added other players including Eric Dolphy and Pharaoh Sanders. The John Coltrane Quartet, a novelty group, created some of the most innovave and expressive music in jazz histo- ry, including hit albums: "My Favorite Things," "Africa Brass," "Impressions," and his most famous piece, "A Love Supreme." "A Love Supreme," composed in his home on Candlewood Path, not only effected posive change in North America, but helped to change people's percepon of African Americans throughout the world.
    [Show full text]
  • Eddie "Cleanhead" Vinson Cherry Red Blues Mp3, Flac, Wma
    Eddie "Cleanhead" Vinson Cherry Red Blues mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: Cherry Red Blues Country: Germany Released: 1976 MP3 version RAR size: 1153 mb FLAC version RAR size: 1651 mb WMA version RAR size: 1943 mb Rating: 4.7 Votes: 646 Other Formats: MP4 DTS VOC MIDI ADX AC3 DMF Tracklist Hide Credits Cherry Red A1 2:42 Written-By – Turner*, Johnson* Ashes On My Pillow A2 2:32 Written-By – Hot Lips Page Kidney Stew A3 2:27 Written-By – Vinson*, Blackman* Queen Bee Blues A4 2:48 Written-By – Davis*, Glover*, Mann* Somebody Done Stole My Cherry Red A5 2:36 Written-By – Davis*, Glover* Lonesome Train A6 2:20 Written-By – Singleton*, McRae* Person To Person B1 2:12 Written-By – Singleton*, McRae* My Big Brass Bed Is Gone B2 2:41 Written-By – Glover*, Mann* Rainy Mornin' Blues B3 2:30 Written-By – Henry Glover I Need You Tonight B4 2:30 Written-By – Singleton*, McRae* Feathered Mama B5 2:34 Written-By – Bernard*, Mann* Good Bread Alley B6 2:34 Written-By – Singleton*, McRae* Other versions Category Artist Title (Format) Label Category Country Year Cherry Red Blues (LP, KS 1087 Eddie Vinson* King Records KS 1087 US 1976 Comp) Cherry Red Blues (LP, KS 1087 Eddie Vinson* King Records KS 1087 US Unknown Comp) Cherry Red Blues (Cass, GD-5035X Eddie Vinson* Gusto Records GD-5035X US 1979 Comp) Highland Music, Cherry Red Blues (2xLP, GD-5035X Eddie Vinson* Inc., Gusto GD-5035X US Unknown Comp, RE) Records, Inc. Cherry Red Blues (LP, KS 1087 Eddie Vinson* King Records KS 1087 Japan 1983 Comp, RE) Related Music albums to Cherry Red Blues by Eddie "Cleanhead" Vinson Eddie "Cleanhead" Vinson - The Original Cleanhead Eddie "Cleanhead" Vinson - Cherry Red Eddie "Cleanhead" Vinson - You Cant Make Love Alone SUPER BLACK BLUES Leon Thomas/ T-Bone Walker/ Eddie "Cleanhead" Vinson/ Joe Turner - Eddie Vinson - The Chronological Eddie Vinson 1947-1949 Eddie "Cleanhead" Vinson - Cleanhead's Back In Town Eddie "Cleanhead" Vinson - Jamming The Blues Etta James & Eddie "Cleanhead" Vinson - The Late Show.
    [Show full text]
  • Donaldson, Your Full Name and Your Parents’ Names, Your Mother and Father
    Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. LOU DONALDSON NEA Jazz Master (2012) Interviewee: Louis Andrew “Lou” Donaldson (November 1, 1926- ) Interviewer: Ted Panken with recording engineer Ken Kimery Dates: June 20 and 21, 2012 Depository: Archives Center, National Music of American History, Description: Transcript. 82 pp. [June 20th, PART 1, TRACK 1] Panken: I’m Ted Panken. It’s June 20, 2012, and it’s day one of an interview with Lou Donaldson for the Smithsonian Institution Oral History Jazz Project. I’d like to start by putting on the record, Mr. Donaldson, your full name and your parents’ names, your mother and father. Donaldson: Yeah. Louis Andrew Donaldson, Jr. My father, Louis Andrew Donaldson, Sr. My mother was Lucy Wallace Donaldson. Panken: You grew up in Badin, North Carolina? Donaldson: Badin. That’s right. Badin, North Carolina. Panken: What kind of town is it? Donaldson: It’s a town where they had nothing but the Alcoa Aluminum plant. Everybody in that town, unless they were doctors or lawyers or teachers or something, worked in the plant. Panken: So it was a company town. Donaldson: Company town. For additional information contact the Archives Center at 202.633.3270 or [email protected] Page | 1 Panken: Were you parents from there, or had they migrated there? Donaldson: No-no. They migrated. Panken: Where were they from? Donaldson: My mother was from Virginia. My father was from Tennessee. But he came to North Carolina to go to college.
    [Show full text]
  • The University of North Carolina at Wilmington Department of Music
    The University of North Carolina at Wilmington Department of Music SELECT SAXOPHONE REPERTOIRE & LEVELS First Year Method Books: The Saxophonist’s Workbook (Larry Teal) Foundation Studies (David Hite) Saxophone Scales & Patterns (Dan Higgins) Preparatory Method for Saxophone (George Wolfe) Top Tones for the Saxophone (Eugene Rousseau) Saxophone Altissimo (Robert Luckey) Intonation Exercises (Jean-Marie Londeix) Exercises: The following should be played at a minimum = 120 q • Major scales, various articulations • Single tongue on one note • Major thirds • Alternate fingerings (technique & intonation) • Single tongue on scale excerpt, tonic to dominant • Harmonic minor scales • Chromatic scale • Arpeggios in triads Vibrato (minimum = 108 for 3/beat or = 72-76 for 4/beat) q q Overtones & altissimo Jazz articulation Etude Books: 48 Etudes (Ferling/Mule) Selected Studies (Voxman) 53 Studies, Book I (Marcel Mule) 25 Daily Exercises (Klose) 50 Etudes Faciles & Progressives, I & II (Guy Lacour) 15 Etudes by J.S. Bach (Caillieret) The Orchestral Saxophonist (Ronkin/Frascotti) Rubank Intermediate and/or Advanced Method (Voxman) Select Solos: Alto Solos for Alto Saxophone (arr. by Larry Teal) Aria (Eugene Bozza) Sicilienne (Pierre Lantier) Dix Figures a Danser (Pierre-Max Dubois) Sonata (Henri Eccles/Rasher) Sonata No. 3 (G.F. Handel/Rascher) Adagio & Allegro (G.F. Handel/Gee) Three Romances, alto or tenor (Robert Schumann) Sonata (Paul Hindemith) 1 A la Francaise (P.M. Dubois) Tenor Solo Album (arr. by Eugene Rousseau) 7 Solos for Tenor Saxophone
    [Show full text]
  • Jazz Combos and Jazz Guitar Ensemble Trey Wright, Director
    program Kennesaw State University School of Music Wednesday, April 1, 2015 at 8:00 pm Dr. Bobbie Bailey & Family Performance Center, Morgan Hall Ninety-fourth Concert of the 2014-15 Concert Season Jazz Combos and Jazz Guitar Ensemble Trey Wright, director BROOKER HALL JAZZ COMBO Four / Eddie Vinson Black Orpheus / L. Bonfa / A. Maria Sweet Georgia Brown / B. Bernie / M. Pinkard / K. Casey 109 JAZZ COMBO A Felicidade / Antonio Carlos Jobim Poinciana / N. Simon / B. Bernier Softly as in a Morning Sunrise / S. Romberg / O. Hammerstein II JAZZ GUITAR ENSEMBLE Sleepy Lulu / Jack Petersen Some Other Monday / Trey Wright The Quilt Master in the Woods / Fred Hamilton Naima / John Coltrane Jared Leach, Christian Artieda, guitars Samba D'Orfeo / Luiz Bonfa / arr. by Trey Wright personnel BROOKER HALL JAZZ COMBO Muhsin Quraishi, tenor saxophone Sarah Hoefer, violin Simon Needle, guitar Damontae Scott, bass Mateo Castano, drums 109 JAZZ COMBO Michael Opitz, tenor saxophone Brandon Radaker, alto saxophone Patrick Arthur, guitar Brandon Boone, bass Janna Graham, drums JAZZ GUITAR ENSEMBLE Jared Leach, guitar Patrick Arthur, guitar Christian Artieda, guitar Caleb Tokarska, guitar Jonathan Flores, guitar Brandon Boone, bass Cameron Austin, drums biography rey Wright is a jazz guitarist, composer, and recording artist based in Roswell, Georgia. Initially inspired by the blues, Trey was exposed to jazz early in his development by a private instructor. While studying TSociology at the University of Georgia, Wright furthered his study of jazz improvisation with pianist and composer, Steve Dancz. In 1994, he co-founded the Athens/Atlanta based jazz band, Squat. The group is a six-time winner of Best Jazz Band at the Flagpole Athens Music Awards and has been a featured artist at the Atlanta Jazz Festival, Bel Chere, the Twilight Athens Jazz Festival, the Cherry Blossom Festival, Harvest Midtown, and Athfest.
    [Show full text]
  • Morgenstern, Dan. [Record Review: John Murtaugh: Blues Current] Down Beat 37:15 (July 23, 1970): 22,24
    Remember those Hollywood movies markably like Bunky Green. His multinote where the hero had to play in a jazz solo, though, is strictly his own invention, (swing?) band for a living, but always and though complex , hangs together beau­ ANN ARBOR worked on his "concerto" during the breaks tifully. Corea play s a provocative electric and after the gig when the other cat s in piano solo and Klo ss returns with a fever­ the band were out balling? He always got ish postscript. BLUES the girl, of course, and in the end his Kloss overdubs his original tenor line magnum opus was performed at Carnegie one third below for an interesting touch on Hall and his old mother would cry while Cynara-one that perhaps should be con­ FESTIVAL thousands cheered. sidered more often on one-hornman dates Well, that's exactly the kind of concerto -bu t only if the harmonic potential of the Friday, August 7 / 6 :30 p.m. this is, except there's more of it (the mov­ material is enhanced. I'm partial to Corea's Roosevelt Sykes ies didn't have 27:42 to spare on the acoustic piano work- he seems more me­ Bukka White music, which was usually by Leith Stevens lodically oriented. But the electric piano Mighty Joe Young anyway). has enormous potential in the new music I'm a very eclectic listener. I love all and Co rea is perhaps its best exponent. Jirnmy Dawkin kinds of jazz from New Orlean s to New Though he hold s my interest on whichever John Lee Hooker Music; I love all kinds of blues; I love all instrument he's using, all factors consid­ Howlin' Wolf kinds of classical music from Vivaldi to ered, his Cynara solo is his best of the LP.
    [Show full text]
  • "The Texas Shuffle": Lone Star Underpinnings of the Kansas City
    Bailey: The Texas Shuffle Produced by The Berkeley Electronic Press, 2006 1 'k8 Texas Shume ': Lone Star Underpinnings of the Kansas Civ Jcm Sound Journal of Texas Music History, Vol. 6 [2006], Iss. 1, Art. 3 7he story of Amerlcan juz is often .d~minakdby discussions of New Weans and of juz music's migro- 1 Won up the Mississippi RRlver into the urban centers of New York, Chicago, 1 Philadelphia, Detroit, and St. Louis. I mis narrative, whlle accurate in mony respecis, belies the true I nature of the music and, as with b any broad hisforIca1 generaliizu- tion, contulns an ultimate presump tlve flaw The emergence of jan cannot be aftributed solely fo any single clfy or reglon of he country. Instead, jan music Grew out of he collective experiences of Amerl- k b- .r~& cans from VU~~Wof backgrounds , living ihroughout the ndon.1 The routinely owrlookd conmibutions of T- &m to the dcvclopment of jazz unhmthe ndfor a broader un- of how chis music drew from a wide range of regidinfluenm. As dyas the I920s, mwhg pups of jm musidans, or %tory bands,* whicb indudad a n& of Tarnns, were hdping spread dmughout &t Souktand Miwest in such wwns as Kana City, Daltas. Fort Wod, Mo,Hnumn, Galveston. Sm Antonio, Tulsa, Oklahoma City, and beyond. The w11cctive iducnaof dmc musihbought many things to /bear on the dmeIopment of American jazz, including a cemh smsc of frcwlom md impraviaation dm later would be rcseewd in the erne- of bebop ad in the impromp jam dm,or eonmrs," rhac mn until dawn and helped spdighr youagu arrists and Md, new musical hmuiom.' The Tmas and sourhwesrern jas~ http://ecommons.txstate.edu/jtmh/vol6/iss1/3 2 Bailey: The Texas Shuffle scenes, while not heralded on the same scale as those in New in competitive jam sessions, or cutting contests, which allowed Orleans, Chicago, and New York City, have not gone artists to hone their skills, display their talents, and establish completely unnoticed by scholars.
    [Show full text]
  • Mcqueen's Sundries
    LAND GRANT THE MIAMITIMES, MIAMI,FLORIDA COLLEGES MAY SATURDAY, DECEMBER 15, 1951 PAGE SEVEN I'VE BEEN GET ROTC UNIT WASHINGTON (ANP) A reserve officers training corps AROUND may be established at all Negro J-t land grant colleges if a recent Beating The Gun ruling of the federal office of ed- NEW YORK ucation is observed. J The ruling said that present now, and NEW YORK (ANP) Madison Square Garden is , law requires military training at I , By TED YATES York City what the fabulous they to re- always has been to sport-conscious New these schools if are Soit is not surprising to me that ever — of Coliseum was to the Romans. ceive federal funds. The office Garden from head to toe. now is making a state and anon, sportsmen discuss the Rdtated exclusively through the facilities of the INDEPENDENT PRESS SERVICE, 273 Blanker Stmk education capable who discuss sport topics about as by state survey to determine Joe Breen, a musician New York 14. N. Y. Reproduction «s part tr whole Urtctlp ftrkiddea. daily and weekly newspapers, told me what can be done about comply- well as do the top writers on there were two or three Madison Square Gar- ing with this ruling. of a wager on whether BECAUS OF YOU . history. An agency report lists these den buildings in New York’s Todd Rhodes and his band DOLEY WILSON’S states as operating separate Here is the story: The Flatiron Building, a New York landmark, grant Square. scored a terrific hit at the Troc- White and Negro land col- is the only tangible evidence that there ever was a Madison PLAYS leges: gardens that were averia, Columbus, Ohio .
    [Show full text]
  • Week 4 Independent Study Packet
    4th Week 4 Grade Independent Study Packet Education.com 5 MORE Days of Independent Activities in Reading, Writing, Math, Science, and Social Studies ANSWERINCLUDED KEYS Find worksheets, games, lessons & more at education.com/resources © 2007 - 2020 Education.com Helpful Hints for Students and Families Materials You Will Need: Pencils Extra paper or a notebook/journal (You may put everything into one notebook if you like.) Colored pencils, markers, or crayons for some of the activities Internet access to conduct research for some activities You will need dierent materials for the optional Design Challenges Dice Directions & Tips There is a schedule for each day. You may complete the activities in any order. Make sure to plan your time so that you don’t let things pile up at the end. Read the directions carefully before completing each activity. Check o each of the activities when you finish them on the menu. Make sure an adult signs the activity menu before you bring it back to school. Find worksheets, games, lessons & more at education.com/resources 2 © 2007 - 2020 Education.com Find worksheets, games, lessons & more at education.com/resources © 2007 - 2020 Education.com Activity Menu Day 1 Day 2 Day 3 Day 4 Day 5 Reading Read for 20 minutes and complete the daily reading activity. Write a Letter Act Out a Make a Make a Make a to the Author Commercial Mind Map Movie Trailer Found Poem Biography: Who Was Feelings Perseverance Who Was Booker T. Sor Juana Word Search in Challenging Junko Tabei? Washington Inés de Times la Cruz? Writing Write
    [Show full text]
  • Steve Lucky & the Rhumba Bums
    Steve Lucky & the Rhumba Bums Complete Song List Song Composer/Lyricist Made Popular By: Style Tempo Adam's Rib Wynonie Harris Wynonie Harris Jump Blues/Swing Med Swing All of Me S. Simons/G. Marks Many, Billie Holiday Jazz Standard Med. Swing/Foxtrot Ain’t Gonna Quit You Helen Humes Swinging blues Slow-Med Blues Alimony Blues Aaron (T Bone) Walker T Bone Walker Medium swing Andy of Mayberry (tv theme song) TV theme Fast swing Angelos Dick Siegel Swing Med. Swing At Last Harry Warren, Mack gordon Etta James Ballad Beat Girl John Barry plus Steve Lucky (early '60s movie theme) Bennie’s From Heaven Eddie Jefferson Eddie Jefferson Swing Med Blues After Hours Avery Parrish Swinging blues/jazz slow classic Boogie Blues Gene Krupa, Ray Biondi & James Anita O'Day with Gene Krupa Big Band Medium swing Noble Boogus Interruptus Steve Lucky Steve Lucky Boogie woogie Bowlin' with Jones Steve Lucky Jump blues But Not For Me Gershwin Jazz Standard Slow swinging ballad Bye Bye Baby Aaron (T Bone) Walker T Bone Walker Jump Blues Medium swing Bye Bye Blackbird Mort Dixon Ray Henderson many Medium swing Can I Steal a Little Love? Phil Tuminello Sinatra Jazz Standard Foxtrot Centerpiece John Hendricks, Sweets Edison Lambert, Hendricks & Ross Jazz Standard med-slow swimg Chartreuse Leslie McFarland/Jessie Moore Louis Jordan Med Swing Cherry Red Joe Turner and Pete Johnson Big Joe Turner Blues Classic Slow-Med Blues Chattanooga Choo Choo Mack Gordon & Harry Warren Glenn Miller Choo Choo Ch’ Boogie Louis Jordan Louis Jordan Medium swing Comes Love Brown, Stept & Tobias Billie Holiday Jazz Standard med swing ballad Cotton Tail Duke Ellington Duke Ellington Fast swing Cool it Baby Eddie Fontaine? From the '50s film The Girl Can't Help It (Hey) Daddy Bobby Troup Many: Della Reese, Julie London Cha-cha-cha Daddy Daddy Rudolph Toombs Ruth Brown Rhumba Daddy-o Gene DePaul/Don Raye Louis Jordan med swing Do Nothin’ Til you Hear From Me Ellington/Strayhorn Many Jazz Standard Ballad Do the Pup Steve Lucky Med Western Swing Dog Patch our sax player S.
    [Show full text]