ANNUAL REVIEW 2017 / 2018 AN AMBITIOUS THOUGHTS FROM OUR JOURNEY YOUNG TRUSTEES saw the Young At the core of the “Trusteeship as an Roundhouse are young, opportunity to give creative artists. To have Simon Turner We think it’s vital to place young people at the something back to them as representatives Roundhouse Chair heart of our organisation, from our creative projects all the way through to decision making the Roundhouse from of change is crucial to at board level. Here, two of our Young Trustees, the top. keeping the Roundhouse who also sit on the Roundhouse Youth Advisory Board (RYAB), share why they think it’s relevant, innovative and important too. One thing that I’ve taken progressive.

from the meetings is how DOM, YOUNG TRUSTEE I loved the Roundhouse before I joined here as valued the Young Trustees’ Chair. And after a year, I’ve become even more opinions are by other ” excited about the future of this wonderful place. One of the things that motivates me the most is board members. They the young people I’ve met here who are, day in, listen, consider and and day out, putting themselves out there and taking on new challenges. engage with your ideas From being on a theatre as they would any That is why I decided to take on my own “ challenge this year. Along with a group of close course to joining RYAB and other member. friends I skied to the South Pole to raise money now becoming a Young for the Roundhouse. The whole way I felt inspired by the young people I’ve met. Knowing Trustee, the Roundhouse has the money we raised would help to achieve our been a home away from home! main goal from our new five-year business plan of working with 10,000 young people a year by 2023, made this mission even more important The board meetings have to me. And I wasn’t the only one who took on a challenge this year, 133 people took on Ride the allowed me to understand Roundhouse and we had people jumping out the real foundations of an of planes and running marathons. All to help us achieve our ambitions, and all who can see how organisation and just how vital the Roundhouse is. important each and every

Particularly as over half of the young people person is. who come to the Roundhouse are from the most deprived areas of the UK and 38% are BAME. We hear time and again in the media and from Rather than hypothesising, others in the industry that there isn’t a level the Roundhouse listens playing field for young people in the arts, and yet we know the role that creativity can play to young people directly, in social mobility of young people and therefore the values of the communities. This is why we have ambitions . to grow, to ensure that more young people organisation stay true have the same opportunities. AYESHA, YOUNG TRUSTEE

We thank you for your support so far, and we look forward to going on an ambitious journey ” with you over the next few years.

2 3 A YEAR OUR YEAR OF IMPACT IN NUMBERS

Marcus Davey, OBE Chief Executive and OUR WORK WITH OUR ARTISTIC OUR DIGITAL Artistic Director YOUNG PEOPLE PROGRAMME REACH

Each year writing the annual review gives me a moment sessions on to look back and reflect on what we have achieved, to 11-25 year-olds our website think about where we’re aiming to go, and consider our engaged in creative 25,500,429 purchased a ticket for role within the and the wider cultural landscape. 5,944 opportunities with us the first time A great energiser for the Roundhouse team is knowing 56,159 that we have increased the numbers of 11-25 year-olds we work with to just under 6,000 this year.

live in the Beyond the numbers, we’ve seen hundreds of our areas ranked young people use their creativity to tell their story. From the most Suhaiymah Manzoor-Khan’s ‘This is not a humanising deprived in revenue from email poem’ to our season And Now What? that explored the 53% £337,479 the UK performances hosted times we are living in. This has also been reflected in the incredible artistic performances we have commissioned 346 and presented. Compagnie XY’s beautiful performance showed us an extraordinary vision for what society could are BAME revenue look like. Our collaboration with the Royal Opera for The 38% from social Return of Ulysses highlighted the plight of refugees and £12,372 displaced people. And, Wayne McGregor’s and Random International’s +/-Human gave us insights in to a future tickets sold AI world. 307,532 live in Even set against a challenging world, especially for Greater London young people, I feel positive about the blossoming 87% careers of the young artists who come through our studios. of our However, we know the arts and creative industries aren’t audiences of whom come yet representative of the vibrant diversity in our society. book online from Camden 87% And what that means is we’re missing out on the rich talent, 16% the many different voices, the breadth of creativity that we could be seeing on our stages. We are committed to doing more to champion diversity and inclusion, to making change and I’m excited about the role inclusive creativity live outside will play in shaping our future. 13% London My considerable thanks go to everyone who came to the Roundhouse this year, to all our incredible donors for supporting the artists of tomorrow and helping us ensure creativity is celebrated.

4 5 FUTURE VISION: OUR FUTURE VISION: 10,000 AND BEYOND ROOM TO GROW

Over the next five years the Roundhouse has given me access As part of facilitating our growth Roundhouse’s principal goal is to “ to working with 10,000 young grow the number of young people to facilities and the opportunity to people a year, planning continued we work with to 10,000 a year. work with professionals who help for our new Centre for Creative and Digital Entrepreneurs (CCDE) Our ambition is to increase the me achieve my artistic vision. for 18-30 year-olds, which is a number of creative opportunities I don’t think I’d have been able to central part of our planned new for 11-25 year-olds both here at Campus Building. the Roundhouse and out in the get that anywhere else. I also really community with our partners. respect how open the Roundhouse Currently only 1 in 10 people But more significantly we want to working in the creative industries build the number of pathways into community is for people from all come from lower socio-economic employment particularly those from kinds of backgrounds. backgrounds, and only 12.6% of the under represented backgrounds and creative industries workforce are help both diversify the creative JELLY CLEAVER, EMERGING ARTIST AND RYAB MEMBER BAME. Part of our goal in building industries and, through the pipeline the new centre is to help combat of talent, support its growth as this lack of diversity and support the fastest growing industry in the UK. ” the social mobility of young people from lower socio-economic and Our additional objectives in support BAME backgrounds. of our principal goal are: As this annual review goes to print Matt Hancock, Health Secretary and former Secretary of State for Digital, Culture, Media Commissioning high-quality we are £5.1 million away from our and Sport, with with Marcus Davey OBE at the launch of our Centre for Digital and Creative 1 new work that pushes artistic total fundraising target of £15 million. Entrepreneurs, June 2018 boundaries and involves young people. The new Campus Building facilities will include: Championing the voice of 2 young people and helping The Centre for Creative and shape tomorrow’s leaders. 1 Digital Entrpreneurs with flexible and affordable office space for Our nation’s future will be built at the Developing and diversifying masterclasses and industry nexus“ of artistic creativity and 3 our carefully balanced mixed- networking. economy model. technical capability. So the iconic Music wing with two new state Roundhouse’s ambitious expansion plan Investing in our people and 2 of the art studios for ensembles, 4 nurturing an entrepreneurial bands and choirs. is fantastic and will help new talent and innovative culture. A triple-height studio for circus break through in our booming creative 3 and experiential theatre. and digital industries.

MATT HANCOCK, FORMER SECRETARY OF STATE FOR DIGITAL, ” CULTURE, MEDIA AND SPORT, JUNE 2018

6 7 OUR REACH

In 2017/18 a total of 5,944 Every opportunity I’ve 11-25 year-olds engaged with us “ through creative projects and had has been through opportunities. Let’s take a closer the Roundhouse. INDEPENDENT look at who they were… PROJECTS CHLOE, RESIDENT ARTIST STUDIO USERS OPEN TO ALL ”

GUIDED BY YOUNG VOICES

WELLBEING HARDEST & SUPPORT TO REACH 1,505 PROFESSIONAL attended open access projects OPPORTUNITIES in circus, performing arts, 1,717 music, broadcast & digital 275 young people accessed our young people were supported through studios to work on their creative 1:1s with our youth support team 1,025 62 projects independently through our engaged through education NEET (not in 516 attended a drop-in session with us programme employment, education or 910 young people received Youth support teams 32 training) projects young radio presenters used a professional opportunity 94% provided support their voice to reach 33,303 455 learnt or developed a new skill engaged listeners through 513 radio shows whilst attending a drop-in and advice in 1:1s Unless you’re at music through 70% college“ it’s impossible community participants from 389 with young people, 18-25s attended industry festivals & NEET projects to get access to the focused masterclasses on topics such as 23 events went back into 16-25s were members of RYAB employment, employment, mental kind of facilities you We hosted education or health, legal rights find in the Roundhouse training 70 resident and disability support. Studios. artists ” EMERGING ARTIST 8 9 GUIDED BY YOUNG VOICES

THE POWER OF YOUTH GOVERNANCE GENERAL ELECTION

Reflecting our values and practice, For the General Election we we are urging all arts and cultural 800 I decided to join RYAB commissioned Roundhouse Resident copies of the guide have “ organisations to place young people Artist Rachel Nwokoro to write a been sent out. because I believe it at the heart of their governance poem encouraging young people structures, so they can help create is important to give to register to vote. This is a big part tomorrow’s leaders. We believe the 320 of our advocacy work – engaging in copies of the guide back to organisations sector can lead a societal change that significant public moments that allow were distributed at the better reflects the world we live in; that support you, and us to put young people centre stage Arts Council England one that ensures the voices of young on the issues that matter to them. CEOs & Chairs conference. because I believe people are heard loud and clear. that it is important “I don’t care which way you vote.

In November 2017 we launched 6 It is our right to choose. But if we organisations, so for young people’s our Youth Governance Guide, in don’t, at least, show up, then all far, have committed to partnership with Arts Council England, voices to be heard. of us will lose.” recruiting young trustees which outlines the impact that or starting a youth board. ABS, EMERGING ARTIST, RYAB organisations can achieve by bringing It received MEMBER AND FILM-MAKER young trustees around the table.

It includes practical tips on how to 30,000 ” views on Facebook. prepare a board, how to build a talent pool, support young trustees and how It was shared by The i Paper to overcome potential challenges and other sector peers along the way. including Unicorn Theatre and Stratford Circus.

GUIDED BY YOUNG VOICES How to include young people on your board and in your decision making processes

1

Download your copy here: www.roundhouse.org.uk/youthgovernance

10 11 PLATFORMING YOUNG VOICES

Each year our Last Word Festival Suhaiymah has not stopped soaring. views celebrates fearless storytelling. 59,000 From competing in last year’s Poetry on YouTube and once The festival culminates in the Slam she went on to perform her own TRANSMISSION shared on Facebook, Roundhouse Poetry Slam, which sell out show Lol Inshallah, at the 2018 its reach was seismic: sees talented young poets compete Last Word Festival. on our main stage for first place.

1.9 million Jane, via Facebook ROUNDHOUSE views on Facebook In 2017’s Poetry Slam it was the poet Nothing but respect 2018 saw the launch of Transmission who came second – Suhaiymah for this free thinking shares Roundhouse, formally Roundhouse Radio, Manzoor-Khan – who demanded the 29,000 strong young woman. our acclaimed and award-winning audio attention of not only the room, but the This will resonate with Her poem was featured in platform for young creatives aged 18-25. country. Her poem ‘This is not a more than the Muslim , The Indy humanising poem’ questioned why community. Keep up 100, Elle and the National society feels it has to positively the work. Student, and has been reinforce the idea that Muslims are translated into German, For several years Still powered by the Roundhouse, the good people too; “If I have to prove Italian, Spanish, Icelandic Roundhouse Radio had station champions diverse voices. Its my humanity, I’m not the one who’s and Urdu. provided young people with shows are boundary-pushing, radical, not human”. It was a powerful hands-on training in the world creative and driven by powerful young message which struck a chord, and of radio. It became clear, people with big ideas. The Transmission went on to catapult her talent to new however, that over time the Roundhouse logo, and visual and tonal and exciting heights, triggering the station’s own unique identity identity, boldly reflects these values. launch of her poetry career. was forming. It was time to switch things up and create a The station will build the new brand new sub-brand to reach more through savvy and largely presenter-led listeners, to better reflect the social marketing and commissioning of station’s content and new artists/content with an emphasis on creators. And so, creative, socially engaged speech radio. Transmission Roundhouse was born.

12 13 REACHING OUR COMMUNITY WAX LYRICAL LIFT AND QUEENS CRESCENT COMMUNITY ASSOCIATION (QCCA) One of our NEET projects is Wax Lyrical, a poetry FREERUNNING project for 16-25 year-olds. Its mission is to take marginalised voices and place them centre stage. In partnership with youth hub LIFT We firmly believe that the Islington and with QCCA, we ran opportunities we provide should Our 2017 Wax Lyrical participants didn’t want their weekly freerunning sessions for young reach beyond our circular walls. spoken word journey to end when the project did, people aged 11-19. The young people Our Community Participation so they created their own performance group: involved developed greater physical Programme aims to reach the most Shutdown Collective. Supported by the Roundhouse literacy, emotional strength and marginalised in our community. team, they wrote a successful bid to the Arts self-confidence. We deliver community projects, Council, which enabled them to rework their show intensive NEET (not in employment, and perform it at two Roundhouse festivals. education or training) projects and partnership projects with local youth clubs, community It’s fun and inclusive organisations and charities. –“ you meet new people and learn new personal and physical skills. Wax Lyrical shaped my life. I“ came and I was confused QCCA PARTICIPANT and so unconfident [about] ” my future and coming here

and speaking to artists who OPEN TO ALL have been in my shoes, has The Roundhouse Bursary really given me the confidence Scheme supports young to develop my writing and to people facing personal and financial challenges to gain pursue a career. access to the arts, in order to further their artistic WAX LYRICAL 2017 PARTICIPANT development. The support provides access to studios, ” creative projects and travel costs. 162 individual young people progressed on to engaged with the employment, education Roundhouse through or training within 6 months bursaries and financial 89% of completing the project. support – an 11% increase from last year.

The average Studio Bursary is £54.52

14 15 EDUCATION PROGRAMME ON MASS, NOVEMBER 2017 OUR INTERNATIONAL REACH

On Mass is a huge celebration of We worked with young artists aged music and performing arts. Young 16-25 with partner organisations in artists we work with from around the India, Faroe Islands, Brazil, Scotland We have seen significant growth world and the UK come together to and Palestine and created brand new in the number of students we’ve perform with a legendary music artist. music and circus inspired by their worked with through our Education This year it was Angelique Kidjo. different cultures. Programme. 1,025 young people, “The creative experiences Students from one of our partner most of whom had not engaged with schools, William Ellis School, were us before, experienced a range of the Roundhouse has given some of the 180 performers on stage. opportunities. We teamed them up with the carnival the young people have been band, Kinetika Bloco, who they The programme offers workshops rehearsed with for four weeks in the and projects in music, performing life altering for them. lead up to the show. They performed arts and digital media not only to three different pieces of music in the schools, but also to colleges and MARTIN COOK, HEAD OF MEDIA STUDIES, HAMPSTEAD SCHOOL show and experienced a performance pupil referral units, who work with opportunity of a lifetime. excluded students. ”

We’ve worked with;

15 schools, PRUs, colleges and universities to deliver a range of workshops and taster sessions.

369 young people aged 11-19 gained access to taster workshops at the Roundhouse.

125 young people participated in long-term programmes across four schools in Camden.

534 young people learnt about creative careers through our sessions at the Roundhouse and our stands at external events.

16 17 PROFESSIONAL GETTING INTO OPPORTUNITIES THE INDUSTRY

A big part of our work with emerging artists is to provide genuine professional opportunities. When I started at “As a result of the Nicola “ Whether it’s filmmakers live streaming Thorold Fellowship, I am Roundhouse I had no our events online or the Roundhouse making steps towards Choir supporting M.I.A at Southbank’s professional radio Meltdown festival, we help young creating a deeply diverse people take their first steps to experience and becoming a creative professional. audio and radio production company which I see as dreamed of working As part of our music series In the being progressive and Round, young emerging artists and in the industry. Now I Roundhouse Resident Artists were essential for the industry. given the chance to perform opening work for BBC Radio 1. slots for the likes of Oumou Sangaré, ERICA Chip, Beth Orton and Gogo Penguin. ” Roundhouse gave me NICOLA THOROLD FELLOWSHIPS the support, facilities

In memory of Nicola Thorold, who and freedom to gain was part of our team as Executive Producer for eight years, we launched the experience I the Nicola Thorold Fellowship to ensure her legacy continues. This year needed to get ahead we welcomed Scott Barnett, Erica McKoy and Suhaiymah Manzoor-Khan in radio: it was the as our inaugural fellows. They will receive mentoring and support to launchpad for my develop their professional careers in the creative industries. radio career. ” HARRISON STOCK I have been going to the Roundhouse since I was Harrison started with Roundhouse in 2014 on a “ radio project, now he is the Assistant Producer 16 so performing on the main stage was definitely for Huw Stephens and Phil Taggart’s shows on a goal I have always wanted to achieve. Supporting BBC Radio 1. He was also recently named as a rising star in the Radio Academy and ReelWorld a great artist like Chip was an amazing opportunity ‘30 under 30’ list, which celebrates the UK audio which wouldn’t have come so soon in my career if industry’s most promising young individuals. You can hear more from Harrison by tuning into I was not a Resident Artist at the Roundhouse. his new music show ‘Juicebox’ on Transmission Roundhouse every Tuesday at 6pm. ” FRED FREDAS 18 19 ARTISTIC HIGHLIGHTS

+/- HUMAN THE RETURN Multi award-winning choreographer Wayne OF ULYSSES Our main space was McGregor and Random transformed into the International created an conflicted world of interactive performance Monteverdi’s opera between the Royal Ballet in our second co- dancers and the other- production with the worldly flying spheres of Royal Opera House. our +/- Human installation.

Michael Haslam @PrimateArch The new #PlusMinusHuman exhibition @RoundhouseLDN is an astonishing show of #CollectiveIntelligence. It feels very natural, and very alien.

THE LAST WORD This four-week poetry and spoken word festival was the UK’s largest festival of spoken word and celebrated fearless storytelling, showcasing a variety of powerful creative voices. Jet Sweeney was the winner of the 2017 Poetry Slam (pictured).

ROUNDHOUSE RISING This new music festival had a line up bursting with the headliners of tomorrow and DANIEL KITSON culminated in ‘Welcome The offbeat storyteller to Wonderland’, a day of weaved his ideas, music curated and headlined musings and by hip hop heroine Little observations around Simz. Roundhouse Rising our main space, in his Soundclash winners Prestige stripped back three- Pak are pictured. week residency.

20 21 ARTISTIC HIGHLIGHTS COMPAGNIE XY This seat-clutching show saw 22 acrobats flip and catapult each other around our main space, in an electric fusion of dance and circus. AND NOW WHAT? This bold and dynamic Lissy Lovett season asked performers @LissyLovett to explore the theme of #CompagnieXY ‘Times we are Living in @RoundhouseLDN last Now’. They responded night was astonishingly through spoken word, good. Unlike anything music, theatre and film else I’ve ever seen. and transformed our Super-human, but building. Cocoa Butter without bravado. Club are pictured.

IN THE ROUND Now in its third year, audiences were once more able to enjoy intimate and atmospheric ON MASS performances On Mass, 180 young from an eclectic musicians and circus range of artists, performers from including Nadine India, Palestine, Shah, Gogo Faroe Islands and Penguin, Beth the UK, came Orton and Chip together for one (pictured). spectacular night and performed with Angeliqe Kidjo.

22 23 GIGS #Queuewatch on our social channels

None of us would be here without the fans, so we wanted to showcase their Whether its jazz, electro, soul or heavy metal BLONDIE loyalty, passion and we celebrate every music genre and this is 3 May 17 enthusiasm when reflected in our programming. The iconic punk rockers they were in the dominated the stage queue, eager to This past year has seen a myriad of music and set the venue alight get in. legends step onto our stage and create with their huge back unforgettable nights for our audiences. catalogue of hits.

Here are just a few of our favourite gigs.

JAMES BLAKE 5 Feb 18 With his unmistakable mix of soulful vocals, wistful roundhouseldn “My lyrics and gutsy electronics, look tonight is based this intimate gig was one on British colonialism to remember. and bankers so I’ve got a suit on that’s far too big and a chicken bone stuck to my forehead.” Meet Jenny who’s been queueing for the Adam LITTLE SIMZ Ant show tonight and 4 Mar 18 our final gig of 2017. This stand out #queuewatch performance from one of the UK’s biggest grime and hip hop artists, was the perfect end to the Rising Festival.

GHOSTPOET 9 Nov 17 He captivated the audience #queuewatch for the with his distinctive and NADINE SHAH last ever HIM gig here dark poetic lyrics and 2 Feb 18 in the UK. These guys have been queuing atmospheric melodies. The Mercury-nominated artist since 4.30am. We performed an impressive set salute you! as part of our intimate gig series, In the Round.

24 25 YOUR SUPPORT TRANSFORMS LIVES We are a proud partner of the Roundhouse and support“ their important work with young people. Our involvement with the OnTrack programme We are supported by an incredible The collective power of your AWARD WINNING CORPORATE extends to some of our staff at Universal Music family of people, businesses and PARTNERSHIP UNIVERSAL UK participating in Q&A panels offering career grant makers. Every donation, support helped us raise £3.4m, & ONTRACK whether it’s £3 from a ticket buyer which all goes towards helping advice and a deeper understanding of the or a major grant from a charitable OnTrack is a six week intensive music industry. We are particularly proud of the trust, has a positive impact on support our young creatives music programme for 16-25 every single young person and our artistic commissions. year-olds who are not currently in positive impact this programme has on these we support. employment, education or training. OnTrack 2018 was funded by young participants, helping them feel a greater These are just some of the ways Universal Music and also made sense of confidence and hope for the future. people have raised money for us possible with the help of The Austin this year… and Hope Pilkington Trust and We’re delighted that the partnership won Gold The Joe Strummer Foundation. for Best Arts and Culture Programme in 2018. 133 JANIE ORR, HEAD OF UNIVERSAL MUSIC UK CHARITY OFFICE people raised £30,491 by taking part in Ride the Roundhouse. They cycled 3,800 ” miles on spin bikes in our iconic main space

Eight intrepid explorers, led by our Chair Simon Turner, walked to the South Pole in December 2017 to raise £277,582 7.8% of our annual income comes from Arts Council England 1,061 26,477 Roundhouse Members donations were made by ticket gave £158,798 buyers totaling £73,055

26 27 The Roundhouse maintains a mixed but integrated financial HOW OUR model that derives income from several key areas and activities. EVERYONE BUSINESS WORKS WELCOME The incredible Our diverse business model means we are less reliant on one income “ stream and gives us greater flexibility to plan ahead. Enabling us to diversity – in all its achieve our charitable aims of providing opportunities for young people, developing our varied artistic programme and maintaining forms - of the our Grade II* listed building. This year we developed our business Our board is currently made up of: young people who plan 2018-2022, setting out a vision engage with the for the kind of organisation we want 30% BAME individuals to be, and the impact we want to Roundhouse is We raise and make money in many ways: have, over the next five years. 30% Women* something we’re Ensuring that every part of our organisation prioritises diversity Our diversity and inclusion strategy incredibly proud Office Studio hire and inclusion, runs through the will reach all areas of the business rent and Artistic Food and project of. For us, diversity entire business plan. over the next five years. It will include advertising Programme and drink fees Cloakroom £308k £1.2m £2.3m £129k £74k working with staff to ensure we have and inclusion We know we engage diverse an inclusive culture, improving our audiences, but we are putting signage to be accessible to all, and aren’t just moral Arts Council Gigs and Corporate events processes in place to monitor reaching out to the community to imperatives, they England Fundraising merchandise and activities who we are reaching and working engage new groups of young people. £974k £2.4m £2m £2.1m with. By doing this we know that spark creativity, inclusivity is being built into our Here’s to the next five years! fresher thinking organisational DNA. and greatly We have to invest to secure this income: With this in mind, we decided the *We have revised our nominations committee enhance the best place to begin was at the top, terms to include a 50% gender parity target for our board by the end of our next business collective choices by taking a look at our board. planning period. Food and Corporate we make as a Fundraising drink event hire Gigs £655,394 £1,956,437 £1,305,830 £1,534,191 board. Bringing decision makers The Roundhouse board has always made and audiences efforts“ to represent audiences in an closer together authentic way, such as taking the initiative should be a top to incorporate young trustees, which the priority for any organisation has been doing since 2005. organisation, and But this year we have taken the opportunity I’m delighted that to further diversify our board to be more the Roundhouse is reflective of society. Diversity and inclusion once again leading is intrinsic to the work the Roundhouse does, the way. Through our from artistic programming, to staff, visitors JONATHAN BADYAL, mixed-economy and beyond. Taking steps at board level is a ROUNDHOUSE TRUSTEE AND model we generate HEAD OF COMMUNICATIONS strong statement of intent for the future of ” AT UNIVERSAL MUSIC £6.5m the organisation. to fund: £2.28m £1.7m £1m Creative programme Artistic Caring for our iconic for 11-25 year-olds programme grade II* building SIMON TURNER, ROUNDHOUSE CHAIR

28 ” 29 SUPPORTERS

Thank you to everyone for further four years from 2018-2022. The Ursula Macfarlane Pierre Micottis Jason Cheung Anthony Gutman supporting our work. core support these, and other funders, & Roy Ackerman John Mills Julian Ball (from Nov 2017) provide gives us confidence to make Angela Massey Cerys Morgan Keifer Lewin-Nation Spider J We would like to say particular thanks long-term plans for our creative Simon & Kathryn McGeary Stuart Mullin Kieran Salt Sophie Kilburn (from May 2017) to the Norman Trust and the Paul programme for young people and our Mark Nebelung Sally O’Neill Martina Pezzatini Adam Knight Hamlyn Foundation for their ongoing artistic productions. None of which Chris & Caroline Pieroni Alison Perkins Merrick Winter (to June 2017) Ben R & Naomi B Bucks Music Group Ltd Michael Wornell support of the Roundhouse. Thanks would be possible without their Caspar Norman JP & Shane Rangaswami Ben Raumann Montana Leigh also to Arts Council England for support and the support of all of the Sally O’Neill John Reed Mary Jane Reed Muyiwa Adigun confirming the Roundhouse’s status as people recognised here and those Midge Palley Budley Salterton David Rogerson Ozel Rowland a National Portfolio Organisation for a who give anonymously. (to Nov 2017) John Samuels Ann Rosenthal Pelham Hughes Bob Shennan Marcella Sturman Tessa Smith Richard Acha Pauline Tambling CBE Miles Thomas Barry Smith Ryder Agolli Andria Vidler Jeremiah & D’one Wagner David Spector Sandra Nakigagga (to July 2017) Nicola Wherity Alexander Stockler Sophie Kilburn NEXT GENERATION PIONEERS Hedley & Fiona Goldberg Frank & Caroline Runge Camden Market Sally Wood Hiro Tamura Vidisha Bansal Mark & Diane Aedy Alex Graham Michael & Melanie Sherwood Carlsberg Penny Woolcock ICON Anthony & Jacqueline Todd Cara Evans Josh & Elizabeth Critchley Anthony & Sandra Gutman Tom & Mary Ellen Wanty ibis.com (to June 2017) First Response Fire Safety Jeff Twentyman Isabelle Georgeaux Martin & Celestina Hughes Clive & Michele Warshaw Kopparberg Michael Wornell UK Ltd David Warren Our Young Trustees for & Patrick Healy (from May 2017) Brian & Lynne Magnus Erica Wax & Andrew Balls Lavazza Darren Ager Carole Warren 1 April 2017 to 31 March 2018 Glass Half Full Productions Sean Melnick M.A.C. Cosmetics Abigail Amey were Michael Wornell and Hedley & Fiona Goldberg COMPANY SECRETARY Richard & Philippa Mintz TRUSTS & STATUTORY Nando’s Michael Amey Sophie Kilburn Nic Humphries AMBASSADORS Philip Watkins Simon & Midge Palley Arts Council England Nationwide Building Society Christopher Beasley Lliana Bird Wol & Kerry Kolade Sharon & Paul Pindar The Atkin Foundation On The Beach Michael Bex Guy Chambers FOUNDER AND PRESIDENT Simon Tate EX OFFICIO Paul & Sara Phillips The Austin and Hope Spotify Andy Burge Sir Torquil Norman CBE Ray Cooper, FRAM Richard Beale Simon Turner The Rubin Foundation Pilkington Trust Universal Music UK Ross Cattell and Vicky Unwin Sir Ray Davies CBE Charitable Trust The Baskin Foundation Alan Hodson YouTube Simon and Mimi Cornwell VICE PRESIDENTS Pete Dennis Peter Popper PILLARS OF THE ROUNDHOUSE Mark & Mandy Salter The David Isaacs Fund Sir Lloyd Dorfman CBE Simon Curtis Eliza Doolittle Ron Arad Teresa & Christopher The D’Oyly Carte Charitable CORPORATE MEMBERS Tony Elliott CBE David Hewitt Lindsay Duncan CBE Celia & Edward Atkin CBE Satterthwaite CBE Trust GIG AND SHOW PHOTOGRAPHY AnalogFolk Joachim Fleury Wayne McGregor CBE Charles & Fiona Severs Esmée Fairbairn Foundation Sadie Frost Nici Eberl CHK Charities Limited Carlsberg Baroness McIntosh of Hudnall Mr P A & Mrs N Gallagher Sir Bob Geldof KBE Sir Antony Gormley OBE Anthony & Jacqueline Todd Ex-Animo Foundation CMS John Williams John, Christine and Henry Rt. Hon Baroness Morris Terry Gilliam Cesare De Giglio Alex Graham Simon Turner Garrick Charitable Trust The Future Laboratory of Yardley Ivan Gazidis George Harrison & Family John & Annette Younger Heritage Lottery Fund Tokio Marine Kiln Ravi Deepres and Alicia Clarke Developing Consultants Chris Satterthwaite CBE Institut Français Trevor Horn CBE Stephen Cummisky Nick Mason Limited The Joe Strummer Foundation Daniel Kaluuya David Levene Louis J Mintz PRODUCING CIRCLE LEGEND David Hewitt TRUSTEES Allen Austin-Bishop The Norman Trust Ewan McGregor OBE Ellie Pinney Sir Torquil Norman CBE Jaakko Ahmala Soo & Jonathan Hitchin Simon Turner (Chair) Simon Bowman Paul Hamlyn Foundation Nick Mason Roxene Anderson Paul & Sara Phillips Steve Cooke Philip Hobbs Ade Adepitan MBE & Gina Edwards PRS Foundation Deborah Meaden Teresa & Christopher Darent Wax Company Jonathon Hogg (from Nov 2017) Satterthwaite CBE Stanley Buchthal Rachel Charitable Trust Dame Helen Mirren DBE DESIGN Simon Davis Mike Humphries Nicholas Allott OBE Nicola Thorold OBE & Maja Hoffmann Red Hill Trust Huw Stephens reasondesign.co.uk Mark Donald Karim Jadwat Jonathan Badyal Kevin & Deborah Gundle Rogers, Stirk, Harbour + Sally Wood (from Nov 2017) Johanna Ehrnrooth Stella Johnson Alexander Partners Charitable Foundation Julian Ball COPYWRITING CHAIRMAN’S CIRCLE & MAJOR Tim Hailstone Matthew Jukes DONORS Gunning QC Royal Victoria Hall Foundation ROUNDHOUSE YOUTH (to May 2017) Charlotte Livingstone Nicholas Horwood John Kinder AdLib Foundation Nick & Diane Harvey The Runciman Charitable Trust ADVISORY BOARD Ella Bennett The J Leon Company Alyssa E Kreutzer Ella Bennett Simon & Catherine Karr The Sackler Trust 1 April to 31 December 2017 Sanjeev Bhaskar OBE JC & Karmen Kara Lawson John Booth & Tim Ashley Edmund Lehmann Youth Music Asad Ahmed (from Nov 2017) JHA Recruitment Ronald Klein & Loretta Ed & Ingeborg Boyce Mike Lucy Ayesha Charles Jason Cheung Steven Joseph Leberknight Colin & Helen David The Mackintosh Foundation Azirfan Azhar (to May 2017) CORPORATE PARTNERS Michael & Sophie Kent Andy Martin David & Sumi Jennifer Nguyen ASOS Bo Dee Kelly Marcus Davey OBE Paivi Lonnqvist Anthony & Min May Jane & Tony Elliott CBE Jesse Norman MP Bloomberg Philanthropies Elizabeth Adely Tony Elliott CBE Rod McLeod & Kate Bingham Ezekiel Forbes (to Nov 2017) 30 31 From“ the outset it’s good for building morale and confidence but you might just discover you’ve got a real passion for something. It’s got untold value. ” SOPHIE ELLIS-BEXTOR ON THE ROUNDHOUSE

Charity Number 101487