DOCSLIB.ORG

Executive Intelligence Review, Volume 19, Number 42, October 23

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Executive Intelligence Review, Volume 19, Number 42, October 23 Satan ism is a criminal conspiracy, but it is also a political movement which bridges the separation between extremists on the left and those on the right. This report is your defense against it. Crime Wave oflbe Who is right? '90s New York Archbishop Cardinal John O'Connor has denounced heavy metal rock as "a help to the devil" and said that "diabolically instigated violence is on the rise." (March 4, 1990) But the Federal Bureau of Investigation's expert, Kenneth Lanning, claims: "Far more crime and child abuse has been committed in the name of God, Jesus and Mohammed than has ever been committed in the name of Satan." (June 1989) Read the definitive study by EIR's inves­ tigative team, including: The Matamoros murders; Manson; the Atlanta child murders; the satanic roots of 'rock.' Plus, "The theory of the satanic personality," Order the "Satan ism" Report. by Lyndon H. LaRouche, Jr. Learn the Make check or money order payable to: $lOO extent of the satanist epidemic, who its EIR News Service postpaid high-Iev.el protectors are-and why some P.O. Box 17390 per copy officials want to cover it up. 154 pages. Washington, D.C. 20041-0390 Founder and Contributing Editor: Lyndon H. LaRouche, Jr. Editor: Nora Hamerman Managing Editors: John Sigerson, Susan Welsh From the Editor Assistant Managing Editor: Ronald Kokinda Editorial Board: Warren Hamerman, Melvin Klenetsky, Antony Papen, Gerald Rose, Edward Spannaus, Nancy Spannaus, Webster Tarpley, I take this opportunity to urge our readers who �e American elec­ Carol White, Christopher White Science and Technology: Carol White tors, to vote for Lyndon LaRouche for President in the Nov. 3 Special Services: Richard Freeman national elections. Those of you who read EIR regularly, and who Book Editor: Katherine Notley have been exposed to the painful spectacle of political "debate" in Advertising Director: Marsha Freeman Circulation Manager: Stanley Ezrol the course of the current campaign, must realize that a major showing INTELLIGENCE DIRECTORS: of electoral support for LaRouche candidacy is the only hope for the Agriculture: Marcia Merry United States to pull itself out of its current morass. Asia: Linda de Hoyos Counterintelligence: Jeffrey Steinberg, Consider the fact that everything LaRouche warned against in Paul Goldstein his past presidential campaigns has come true. Economics: Christopher White European Economics: William Engdahl In 1976 he warned that the backers of Jimmy Carter would create lbero-America: Robyn Quijano, Dennis Small Law: Edward Spannaus the conditions for world war, due to their genocidal policies. We are Medicine: John GrauerhOlz, M.D. now in the foothills of World War III, in the Balkans, and courting Russia and Eastern Europe: Rachel Douglas, Konstantin George the danger of uncontrollable conflagrations in the former Soviet Special Projects: Mark Burdman Union, due to precisely those policies, which have continued under United States: Kathleen Klenetsky both Democratic and Republican Presidents. INTERNATIONAL BUREAUS: Bangkok: Pakdee Tanapura, Sophie Tanapura In 1979 he warned that Paul Volcker's high interest rates would Bogota: Jose Restrepo spin the world into a new Great Depression. In 1982 he cited the Bonn: George Gregory, Rainer Apel Copenhagen: Poul Rasmussen dangers of the "Ibero-America debt bomb," which if not solved Houston: Harley Schlanger constructively between the U.S. government and the governments Lima: Sara Madueiio Melbourne: Don Veitch of our Hispanic neighbors, would explode against the United States. Mexico City: Hugo L6pez Ochoa On Oct. 21, the LaRouche-Bevel campaign will have aired its Milan: Leonardo Servadio New Delhi: Susan Maitra latest half-hour nationwide television broadcast over the ABC net­ Paris: Christine Bierre work, addressing "The Crisis in Education." Once again, LaRouche Rio de Janeiro: Silvia Palacios Stockholm: Michael Ericson offers the positive solutions glaringly lacking in his opponents. Just Washington, D.C.: William Jones as LaRouche has been unflinching in naming the names of humani­ Wiesbaden: G6ran Haglund ty's enemies, he has been equally bold in mappirtg out programs to EIR (ISSN 0273-63/4) is published weekly (50 issues) inspire the United States with a national mission, which is not bomb­ except for the second week of July, and the last week of December by EIR News Service Inc., 3331/2 ing some poorer nation to smithereens, but rather colonizing the Pennsylvania Ave .. S.E., 2nd Floor, Washington, DC 20003. (202) 544-7010. For subscriptions: (703) 777- Moon and Mars, greening the deserts and building new cities, de­ 9451. fending and extending human life, and restoring the method of Bee­ European Headquarters: Executive Intelligence Review Nachrichtenagentur GmbH, Postfach 2308, thoven to musical composition, to name but a few. D-6200 Wiesbaden, Otto von Guericke Ring 3, D-62OO Wiesbaden-Nordenstadt, Federal Republic of Germany I am personally convinced that LaRouche was jailed, more than Tel: (6122) 2503. Executive Directors: Anno Hellenbmich, Miehael Liebig anything else, because he proposed such programs, which will free In Denmark: ElR, Post Box 2613, 2100 Copenhagen 0E, Tel. 35-43 60 40 human beings from the deathgrip of the oligarchy. In the presentjin In Mexico: EIR, Francisco Ofaz Covarrubias 54 A-3 de regime climate, jail doors could soon revolve. Colonia San Rafael, Mexico DF. Tel: 705-1295. Bush and others Japan subscription sa/es: O.T.O. Research Corporation, who railroaded LaRouche may soon be in the doclc. Your vote could Takeuchi Bldg., 1-34-12 Takatanobaba, Shinjuku-Ku, Tokyo 160. Tel: (03) 3208-782l. help free LaRouche, and more importantly, yourselves. Copyright © 1992 EIR News Service. All rights reserved. Reproduction in whole or in part without permission strictly prohibited. Second-class postage paid at Washington D.C., and at an additional mailing offices. Domestie subscriptions: 3 months-$125, 6 months-$225, I year-$396, Single issue-$10 Postmaster: Send all address changes to EIR, P.O. Box 17390, Washington, D.C. 20041-0390. • TIillContents Interviews Political Economy Economics 11 Sen. Luciano Barca 4 London decrees: U.S. must Senator Barca, a member of the get no new infrastructure Democratic Party of the Left(PDS) If you believe the Economist of in the Italian Senate, blasts the London, the United States does not monetarist assumptions behind the need roads, bridges, water projects, Maastricht setup. and modem transportation, because the "baby boom" is over, and we're �N"�;�::;:::;: ,. in the· post-industrial society. No �-�;: � Departments ......... �,/I ('biia. thanks, guys! Offshore banking and off-balance-sheet financing seem to have kept the financial system afloat for 8 EcoDomic depression is 6 Strategic Map awhile, but now, the worldwide casino is bankrupt. Greenpeace begins terrorism causing political shocks in against Japan. 18 Casino Mondiale: A Britain swindle runs the monetary 14 Report from Rio system 10 Currency Rates Free trade policy takes a hit. The so-called debt multiplier and other tricks have transformed the 11 Unregulated market leads 15 Report from Bonn U.S. Treasury into the house bank to chaos Opposition to IMF austerity grows. of the world currency and bond An interview with Sen. Luciano market casino, and the Federal Barca in Rome. 66 Andean Report Reserve into the employee who After Guzman, the "moderates." deals winning hands from a stacked 13 Banking deck to favored clients. But the CiticQrp's coverup is cracking. 67 Dateline Mexico rigged system has broken down. An PAN party splits. analysis by Chris White, Marcia 16 Business Briefs Merry, John Hoefle, Anthony 77 Letters to the Editor Wikrent, and Laurence Hecht. Baha'i "religion," conspiracies, and populism. 24 Non-money: How the deficit is created 80 Editorial The great debate that wasn't. 27 World trade declines as speculators rush in 28 LaRouche: 'There's no recovery, anyWbere' Photo credits: Cover, Aruba Tourist Bureau. Page 29, Carlos de 30 Crack-up of dollar era Hoyos. Page 34, NSIPS. Page 54, institutions, June-October CARE. Page 65, EIRNS. Page 76, Stuart Lewis. 1992 32 From worker to yuppie: What happened to America's labor force? Volume 19. Number 42. October 23. 1992 Feature International National 36 Argentine patriots meet to 48 Pope rejects pre­ 70 Bush apparatus unraveling 'rebuild the nation' Columbian 'anti-culture of over 'Iraqgate' coverup The Movement for National death' There's open warfare among the Identity and Ibero-American Documentation: From statements crooks at the Department of Justice, Integration, founded in Buenos by Pope John Paul II in the the FBI, and the CIA-the heart of Aires, stands in opposition to the Dominican Republic. the U.S. police-state apparatus. free market policies of President Menem and the international 51 Seoul-Beijing ties portend 72 Senate report exposes bankers . instability 'mother of all scandals' 38 The movement's founding 53 In Jordan, eyes are on the 74 CAN nervous as trial date principles show trial of popular set in kidnap plot Muslim leader Shubeilat 42 Who is Col. Seineldin, and 75 U.S. Supreme Court to why is he in jail? 56 Will the Communist Party allow execution of the take China down with it? innocent? 43 Seineldin: 'a job for men of courage' 58 Bosnia expires under the 78 National News British knife 44 Breide: What we mean by 'revolution' 60 Disinformation from the Stasi's psywar kitchen: the 45 Worldwide messages of KGB and HVA support pour in Part 2 of a series by Anno Hellenbroich. 63 Iraq's dying children: 'If this is the new world order, what is HellT Documentation: Excerpts from the report on Iraqi infant and child mortality since the war, by a Harvard team. 68 International Intelligence �TIillEconoIDics London decrees: u.s. must get no new infrastructure by Marcia Merry The Oct. 10 issue of the Economist, a London weekly busi­ Federal Reserve. All these inl>titutions have a long heritage ness magazine, featured an article in its "American Survey" of opposition to infrastructure.
Load more

Recommended publications
  • Shapiro Auctions
    Shapiro Auctions RUSSIAN ART AUCTION INCLUDING POSTERS & BOOKS Tuesday - June 15, 2010 RUSSIAN ART AUCTION INCLUDING POSTERS & BOOKS 1: GUBAREV ET AL USD 800 - 1,200 GUBAREV, Petr Kirillovich et al. A collection of 66 lithographs of Russian military insignia and arms, from various works, ca. 1840-1860. Of varying sizes, the majority measuring 432 x 317mm (17 x 12 1/2 in.) 2: GUBAREV ET AL USD 1,000 - 1,500 GUBAREV, Petr Kirillovich et al. A collection of 116 lithographs of Russian military standards, banners, and flags from the 18th to the mid-19th centuries, from various works, ca. 1830-1840. Of varying sizes, the majority measuring 434 x 318mm (17 1/8 x 12 1/2 in.) 3: RUSSIAN CHROMOLITHOGRAPHS, C1870 USD 1,500 - 2,000 A collection of 39 color chromolithographs of Russian military uniforms predominantly of Infantry Divisions and related Artillery Brigades, ca. 1870. Of various sizes, the majority measuring 360 x 550mm (14 1/4 x 21 5/8 in.) 4: PIRATSKII, KONSTANTIN USD 3,500 - 4,500 PIRATSKII, Konstantin. A collection of 64 color chromolithographs by Lemercier after Piratskii from Rossiskie Voiska [The Russian Armies], ca. 1870. Overall: 471 x 340mm (18 1/2 x 13 3/8 in.) 5: GUBAREV ET AL USD 1,200 - 1,500 A collection of 30 lithographs of Russian military uniforms [23 in color], including illustrations by Peter Kirillovich Gubarev et al, ca. 1840-1850. Of varying sizes, the majority measuring 400 x 285mm (15 3/4 x 11 1/4 in.), 6: DURAND, ANDRE USD 2,500 - 3,000 DURAND, André.
    [Show full text]
  • NY ACKER Awards Is Taken from an Archaic Dutch Word Meaning a Noticeable Movement in a Stream
    1 THE NYC ACKER AWARDS CREATOR & PRODUCER CLAYTON PATTERSON This is our 6th successful year of the ACKER Awards. The meaning of ACKER in the NY ACKER Awards is taken from an archaic Dutch word meaning a noticeable movement in a stream. The stream is the mainstream and the noticeable movement is the avant grade. By documenting my community, on an almost daily base, I have come to understand that gentrification is much more than the changing face of real estate and forced population migrations. The influence of gen- trification can be seen in where we live and work, how we shop, bank, communicate, travel, law enforcement, doctor visits, etc. We will look back and realize that the impact of gentrification on our society is as powerful a force as the industrial revolution was. I witness the demise and obliteration of just about all of the recogniz- able parts of my community, including so much of our history. I be- lieve if we do not save our own history, then who will. The NY ACKERS are one part of a much larger vision and ambition. A vision and ambition that is not about me but it is about community. Our community. Our history. The history of the Individuals, the Outsid- ers, the Outlaws, the Misfits, the Radicals, the Visionaries, the Dream- ers, the contributors, those who provided spaces and venues which allowed creativity to flourish, wrote about, talked about, inspired, mentored the creative spirit, and those who gave much, but have not been, for whatever reason, recognized by the mainstream.
    [Show full text]
  • Going Everywhere and Nowhere from Moscow to the Urals – How Curatorial Delusions of Global Grandeur Betray Russian Art
    GOING EVERYWHERE AND NOWHERE FROM MOSCOW TO THE URALS – HOW CURATORIAL DELUSIONS OF GLOBAL GRANDEUR BETRAY RUSSIAN ART BY SIMON HEWITT I : A MOSCOW MIRED IN MEMORIES A BANNER was dangling from the giant triumphal portico of VDNKh, beneath the two collective farmworkers brandishing their bale of straw. It advertised the 6th Moscow Biennale – the number 6 allotted spiralling arms to resemble a Catherine Wheel. But the banner was challenged by a bigger hoarding wheeled on to the piazza below, blowing the trumpet of a separate festival called Circle of Light . The Biennale’s main show was taking place just behind Lenin in VDNKh’s Central Pavilion (also known as Pavilion N°1), erected in 1954 and topped by a 350-foot spire modelled on the St Petersburg Admiralty. The Biennale was meant to open at noon. I tried to find the entrance but couldn’t. There were no signs. No information about where and when the Biennale could be visited. Yuri Albert’s immortal line breezed through my mind: The Biennale cannot and will not take place . The 6 th Moscow Biennale had been having well-publicized financial problems. Was it so bankrupt that it had ceased to exist, morphing instead into a Conceptualist joke? VDNKh, six miles north of Red Square, was the sixth venue for the Moscow Biennale’s main exhibition. It had previously been held in the former Lenin Museum near Red Square; the under-construction Federation Tower at Moscow City; the newly restored Garage (now Jewish) Museum during its brief Abramovich/Zhukova tenancy; the renovated ArtPlay cultural and commercial complex; and, in 2013, the Manezh.
    [Show full text]
  • Shapiro Auctions
    Shapiro Auctions RUSSIAN + INTERNATIONAL ART & ANTIQUES Saturday - June 7, 2014 RUSSIAN + INTERNATIONAL ART & ANTIQUES 1: GUSTAV KLIMT (AUSTRIAN 1862-1918), Gustav Klimt. USD 3,000 - 5,000 GUSTAV KLIMT (AUSTRIAN 1862-1918), Gustav Klimt. Funfundzwanzig Handzeichnungen. [Gustav Klimt. Twenty-Five Hand Drawings]. 25 collotype plates, average size 510x330 mm; 20 1/8 x 13 inches, image, tipped to window mounts. Folio, plates and folded folio leaf containing title, plate list, and colophon laid into publisher's boards with cover title. Spine and flaps reinforced with linen. Printed by Max Jaffé. Number 275 of 500 copies. Vienna: Gilhofer & Ranschburg, (1919). Complete as published., 2: EGON SCHIELE (AUSTRIAN 1890-1918), Zeichnungen: Egon USD 7,000 - 9,000 EGON SCHIELE (AUSTRIAN 1890-1918), Zeichnungen: Egon Schiele. 12 Blatter in Originalgrosse. [Drawings: Egon Schiele. 12 Plates in Original Size] 12 Heliotype plates, of which 11 are original and 1 (plate VII) is a facsimile. Average size of plates: 475x310mm (18 3/4 x 12 1/4 in.). The title page HANDSIGNED, DATED AND NUMBERED BY EGON SCHIELE. Folio, introduction plate, and title page containting title, plate list, and colophone laid into publisher's boards with cover illustrated with Schiele's self-portrait . Printed by Max Jaffé. number 245 of 400 copies. Vienna: Buchhandlung Richard Lanyi, 1917. This very rare portfolio was printed in 1917 by Max Jaffe under Schiele's supervision, one year before Schiele's death in 1917. The printing plates and negatives were destroyed after printing to ensure that the printing would stay unique. The inside cover of the portfolio bears an ex-libris sticker from Helene Goldstern.
    [Show full text]
  • A Rich Offering of Rare and Rediscovered Russian Art at Christie’S in November
    For Immediate Release 11 November 2011 Contact: Alexandra Kindermann +41 44 268 10 19 [email protected] Matthew Paton 20 7389 2695 [email protected] A RICH OFFERING OF RARE AND REDISCOVERED RUSSIAN ART AT CHRISTIE’S IN NOVEMBER London - On 28 November, Christie's will present an exceptional auction, offering the strongest selection of Russian paintings and works of art on the market this season. The sale will offer rediscovered treasures by many of the most celebrated artists in the field, including Natalia Goncharova, Vasily Vereshchagin, Boris Grigoriev, Filipp Maliavin and Alexander Volkov. This selection is led by Vasily Vereshchagin‟s undisputed masterpiece Crucifixion by the Romans (see separate release) offered on behalf of the Brooklyn Museum and by two pairs of exquisite vases produced by the Imperial Porcelain Factory under Emperor Nicholas I. The sale will also feature over forty works of art by Fabergé, many distinguished by their rare Imperial provenance. Highlighted by masterpieces of tremendous importance and scale, the sale brings together outstanding examples of Russian art, much of which is appearing on the market for the first time in decades. MASTERS OF THE 19th CENTURY In addition to Vasily Vereshchagin‟s epic canvas, Christie‟s is delighted to present a number of outstanding 19th century paintings, including the highly exciting discovery of Viktor Vasnetsov‟s (1848-1926) truly iconic A Bogatyr. Under the patronage of the Moscow merchants, Savva Mamontov and Pavel Tretyakov, Vasnetsov designed and built a new studio which allowed him to work on a monumental scale, creating works such as his most famous masterpiece, Bogatyrs (1876-1898, State Tretyakov Gallery).
    [Show full text]
  • The Russian Sale New Bond Street, London | 28 November 2018
    The Russian Sale New Bond Street, London | 28 November 2018 Bonhams 1793 Limited Bonhams International Board Bonhams UK Ltd Directors Registered No. 4326560 Malcolm Barber Co-Chairman, Colin Sheaf Chairman, Gordon McFarlan, Andrew McKenzie, Registered Office: Montpelier Galleries Colin Sheaf Deputy Chairman, Harvey Cammell Deputy Chairman, Simon Mitchell, Jeff Muse, Mike Neill, Montpelier Street, London SW7 1HH Matthew Girling CEO, Emily Barber, Antony Bennett, Charlie O’Brien, Giles Peppiatt, India Phillips, Patrick Meade Group Vice Chairman, Matthew Bradbury, Lucinda Bredin, Peter Rees, John Sandon, Tim Schofield, +44 (0) 20 7393 3900 Asaph Hyman, Caroline Oliphant, Simon Cottle, Andrew Currie, Veronique Scorer, Robert Smith, James Stratton, +44 (0) 20 7393 3905 fax Edward Wilkinson, Geoffrey Davies, James Knight, Charles Graham-Campbell, Matthew Haley, Ralph Taylor, Charlie Thomas, David Williams, Jon Baddeley, Jonathan Fairhurst, Leslie Wright, Richard Harvey, Robin Hereford, Michael Wynell-Mayow, Suzannah Yip. Rupert Banner, Shahin Virani, Simon Cottle. Charles Lanning, Grant MacDougall, The Russian Sale New Bond Street, London | Wednesday 28 November 2018 at 3pm BONHAMS BIDS ENQUIRIES ILLUSTRATIONS 101 New Bond Street +44 (0) 20 7447 7447 London Front cover: Lot 29 London W1S 1SR +44 (0) 20 7447 7401 fax Daria Khristova Back cover: Lot 80 (detail) To bid via the internet please visit +44 (0) 20 7468 8338 Inside front: Lot 13 www.bonhams.com www.bonhams.com [email protected] Inside back: Lot 43 Opposite page: Lot 33 VIEWING Please provide details of the Cynthia Coleman Sparke Sunday 25 November lots on which you wish to place +44 (0) 20 7468 8357 To submit a claim for refund of 11am to 3pm bids at least 24 hours prior to [email protected] VAT, HMRC require lots to be Monday 26 November the sale.
    [Show full text]
  • 2Nd International Workshop on Durability and Sustainability of Concrete Structures 6-7 June 2018, Izmailovo Congress Center, Moscow
    2nd International Workshop on Durability and Sustainability of Concrete Structures Final Invitation and Program 6-7 June 2018, Izmailovo Congress Center, Moscow CO-SPONSORED BY: Preface Modern construction is unthinkable without concrete, the world production and consumption of which is about 10 billion m3 per year. Given the steady growth of the world’s population by 2050, it is expected to double this volume, which will undoubtedly be significantly affected on energy consumption and increase global CO2 emissions. Concrete is perhaps the most universal building material since the beginning and development of civilization. It is sufficient to recall the Great Wall of China, the palaces and temples of Ancient India, the pyramids of Ancient Egypt, the unique buildings of Romans, made with the use of lime-pozzolanic binders. Universality of concrete is defined by simplicity and convenience of its production, rather low cost, structural integrity and homogeneity, durability and a long service life under various aggressive environments. However, the concrete image is sometimes not favorable. It is associated with greater labor intensity of construction works and dismantlement, massive structures, a large impact on the environment in connection with the consumption of not renewable natural resources. The same perception is greatly facilitated by the fact that, according to Gigaton Throwdown Initiative, «the cement industry is responsible for about 5-7% of total CO2 emissions, or 2.1 Gt per year». Indeed, when producing cement clinker about 0.9 t CO2/t clinker are produced. Taking into account the annual increase in the production and use of Portland-based cement (more than 4.1 million tons per year) that is the main binder used in the production of concrete, this fact poses a significant threat to humanity as a whole.
    [Show full text]
  • B 20004 F Gw Issn 0001 - 0545
    B 20004 F GW ISSN 0001 - 0545 BULLETIN OF THE ANTIBOLSHEVIK BLOC OF NATIONS ON THE DEATH OF OLENA ANTONIV The news cut through the heart with a knife. They have killed Olena Antoniv, Mrs. Olena, Olenka. She was neither a poet, nor an artist, nor a composer. She did not write poetry. She did not compose music. She herself was music, a living melody of kindness and friendship in a savage empire of evil and cruelty. Because of this, the stupid, the cruel, the evil and the savage hated her. And they have killed her. Family, friends, the city of Lviv, the adornment of which was Olena Antoniv, have been left orphans. Together with all those persecuted for honesty in and outside Ukraine w'e are in deep sorrow, bidding farewell today... to yet another broken melody. Olena Antoniv and son Taras Svyatoslav Karavansky and Nina Strokata Munich, February 7, 1985 USSR News Brief issued the following: On February 4, in the Ukrainian city of Lviv, Olena Antoniv was killed in a car accident. Mrs. Antoniv, who was the wife of former political prisoner and poet Zinoviy Krasivsky, was very active in the framework of the Fund to Aid Political Prisoners and for this was strongly attacked in the Soviet mass media. On February 6, in Lithuania, the priest of the Cathedral of Rudamina Jozas Zdebskis was also killed in a car accident. J. Zdebskis, aged 57 was ordained a priest in 1952. In 1978 he became one of the founders of the unofficial Catholic Committee to Defend the Rights of Believers.
    [Show full text]
  • THE SHOSTAKOVICH WARS a Thesis Submitted in Partial Fulfilment Of
    REVISIONISM IN THE MUSIC HISTORY OF DMITRY SHOSTAKOVICH: THE SHOSTAKOVICH WARS A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in Russian at the University of Canterbury by G. C. Ginther University of Canterbury 2008 Table of Contents Acknowledgments ........................................................................................ 2 Abstract ......................................................................................................... 3 Glossary of names ........................................................................................ 4 Introduction .................................................................................................. 8 Chapter 1: Shostakovich in the Post-modern Aesthetic ........................ 13 1.1 Shostakovich’s Music in the West before World War Two ................. 14 1.2 The Cold War ........................................................................................................ 16 1.3 The Estrangement of the Audience .................................................................. 18 1.4 The Shostakovich Renaissance .......................................................................... 20 1.5 The Soviet Union Dissolves ............................................................................... 21 1.6 The Centenary of Shostakovich's Birth ............................................................ 23 1.7 The Hijacking of Shostakovich .........................................................................
    [Show full text]
  • Shapiro Auctions
    Shapiro Auctions EUROPEAN AND RUSSIAN FINE & DECORATIVE ART Saturday - February 28, 2015 EUROPEAN AND RUSSIAN FINE & DECORATIVE ART 1: CONTINENTAL SCHOOL, LATE 19TH CENTURY, ARTIST IN MANNER USD 600 - 800 CONTINENTAL SCHOOL, LATE 19TH CENTURY, ARTIST IN MANNER OF FRANCESCO TREVISANI (ITALIAN 1625-1713)Virgin Mary, oil on canvas66 x 51 cm (26 x 20 in.) 3: FOLLOWER OF SIR GODFREY KNELLER (ENGLISH 1646-1723) USD 5,000 - 7,000 FOLLOWER OF SIR GODFREY KNELLER (ENGLISH 1646-1723)Peter the Great, oil on panel29.2 x 24.2 cm (11 1/2 x 9 1/ 2in.)PROVENANCE: Acquired from a private English collection 4: JEAN-BAPTISTE NINI (FRENCH 1717-1786) A Terracotta USD 3,000 - 4,000 JEAN-BAPTISTE NINI (FRENCH 1717-1786)A Terracotta Effigy of Empress Catherine The Great , circa 1771cast terracotta diameter: 13.2 cm (5 1/4 in.)signed on tranche 5: RUSSIAN 18TH CENTURY PORTRAIT OF GOLITSYN USD 9,000 - 12,000 RUSSIAN 18TH CENTURY PORTRAIT OF GOLITSYNGeneral-Admiral Mikhail Mikhailovich Golitsyn, circa 1760oil on canvas111.5 x 85.7 cm (44 x 33 3/4 in.)LOT NOTESIn this extremely rare portrait of Prince Mikhail Mikhailovich Golitsyn (1684-1764), the Prince is in the uniform of General-Admiral (English: Lord High Admiral) bearing the sash, cross and breast star of the Russian Imperial Order of St. Prince Alexander Nevsky of the 1st Class. 6: JEAN VOILLE (FRENCH 1744-1806) Portrait of Cesaire USD 15,000 - 20,000 JEAN VOILLE (FRENCH 1744-1806)Portrait of Cesaire Gabriel Gerac, 1775/1780oil on canvas62 x 54.5 cm (24 3/8 x 21 1/2 in.)inscribed with sitter's name Cesaire Gabriel Gerac /nee en an.
    [Show full text]
  • PAPIERS RUSSES Œuvres Russes Sur Papier
    PAPIERS RUSSES œuvres russes sur papier 14 avril – 6 juin 2009 "Papiers Russes, œuvres russes sur papier" est une exposition collective d’œuvres sur papier de 14 artistes contemporains russes majeurs : Yuri Avvakumov, Gluklya, Nina Kertselli, Alyona Kirtsova, Oleg Kudryashov, Leonid Lamm, Igor Makarevich, Vladimir Nemukhin, Oscar Rabin, Naftali Rakuzin, Mikhail Roginsky, Vladimir Titov, Ira Waldron et Gennady Zubkov. La plupart de ces artistes travaillent le plus souvent avec d’autres techniques. AVVAKUMOV, architecte de formation, réalise des modèles, pratique la photographie et crée des objets. GLUKLYA détourne des vêtements trouvés, tourne des vidéos et fait des performances. KIRTSOVA crée des objets, des collages et peint. LAMM est reconnu pour ses installations, ses peintures, ses collages et ses photographies. MAKAREVICH, dont le travail sera cette année exposé à la Biennale de Venise et au Kunsthistorisches Museum de Vienne, construit des installations, réalise sculptures, peintures et photographies. Célèbre pour ses huiles sur toile, RABIN, l’un des fondateurs du mouvement des artistes non-conformistes russes, est un maître du sujet et de la composition. TITOV travaille lui aussi sur toile, incorporant souvent des éléments de collage dans ses oeuvres. WALDRON se sert de tissus, d’installations, de photographies et de gravures. ZUBKOV, disciple du Groupe de Sterligov, est connu pour ses grandes peintures colorées, mêlant également parfois des collages. Si KERTSELLI, KUDRYASHOV et RAKUZIN sont surtout connus pour leur travail sur papier, ROGINSKY l’est lui pour ses œuvres sur carton. NEMUKHIN, l’un des piliers de l’art non-conformiste russe, est quant à lui représenté par une gouache sur papier de 1965.
    [Show full text]
  • Contacts Moscow Maxim Boxer [email protected] +7 985 233
    Contacts Moscow Maxim Boxer [email protected] +7 985 233 06 33 London Sasha Burhanova [email protected] +44 776 529 11 70 Paris Alexandra Verhoturova [email protected] +33 6 34 27 16 53 Bidding [email protected] МЕТАФИЗИКА METAPHYSICS В РУССКОМ ИСКУССТВЕ IN RUSSIAN ART Viewing: 21–25 November 2014 Reception: 25 November 2014/5 pm Sale: 25 November 2014/6:30 pm Erarta Galleries London 8 Berkeley Street, Mayfair, W1J 8DN 4 5 6 Dear Friends, Дорогие друзья! 7 Following the success of our first exhibition and auction The new exhibition called Metaphysics in Russian Art is Подводя итоги нашей первой выставки и аукциона Новая выставка «Метафизика в русском искусстве» on Russian Cosmism in June, this seems like a good mo- a logical successor to Russian Cosmism, for ideas about «Русский космизм», мы с радостью убедились, что вы- оказывается логическим продолжением темы пре- ment to share our reflections on the process of bringing Eternity and Infinity are timeless aspects of Russian na- бранный нами подход полностью оправдался и ока- дыдущей программы «Русский космизм», ибо идеи such a venture to London. Our key intention with this tional self-identity. зался близок не только нам и нашим кураторам, но Вечности и Бесконечности являются константными project was to combine our commercial aims with the коллекционерам и широкой публике. Основная идея – для русского национального самосознания. important task of promoting Russian culture in Britain Maxim Boxer это совмещение в одном проекте культуртрегерской and Europe. We believe these aims were largely met – Konstantin Semkin и коммерческой задач. Максим Боксер that valuable cultural seeds have been sown, and that the Константин Семкин process was enjoyed as much by our artists as by collec- Сами художники стали участниками формирования tors and the general public.
    [Show full text]