The Russian Sale New Bond Street, London | 5 June 2019

Total Page:16

File Type:pdf, Size:1020Kb

The Russian Sale New Bond Street, London | 5 June 2019 The Russian Sale New Bond Street, London | 5 June 2019 Bonhams 1793 Limited Bonhams International Board Registered No. 4326560 Malcolm Barber Co-Chairman, Registered Office: Montpelier Galleries Colin Sheaf Deputy Chairman, Montpelier Street, London SW7 1HH Matthew Girling CEO, Asaph Hyman, Caroline Oliphant, +44 (0) 20 7393 3900 Edward Wilkinson, Geoffrey Davies, James Knight, +44 (0) 20 7393 3905 fax Jon Baddeley, Jonathan Fairhurst, Leslie Wright, Rupert Banner, Simon Cottle. The Russian Sale New Bond Street, London | Wednesday 5 June 2019 at 3pm BONHAMS BIDS ENQUIRIES ILLUSTRATIONS 101 New Bond Street +44 (0) 20 7447 7447 London Front cover: Lot 22 London W1S 1SR +44 (0) 20 7447 7401 fax Daria Khristova Back cover: Lots 99 - 110 To bid via the internet please visit +44 (0) 20 7468 8338 Inside front: Lot 135 VIEWING www.bonhams.com [email protected] Inside back: Lot 17 Tuesday 28 May Opposite page: Lot 139 9am to 4.30pm Please provide details of the Cynthia Coleman Sparke Wednesday 29 May lots on which you wish to place +44 (0) 20 7468 8357 To submit a claim for refund of 9am to 4.30pm bids at least 24 hours prior to [email protected] VAT, HMRC require lots to be Thursday 30 May the sale. exported from the EU within strict 9am to 4.30pm Sophie Law deadlines. For lots on which Friday 31 May New bidders must also provide +44 (0) 207 468 8334 Import VAT has been charged 9am to 4.30pm proof of identity when submitting [email protected] (marked in the catalogue with a *) Sunday 2 June bids. Failure to do this may result lots must be exported within 30 11am to 3.00pm in your bids not being processed. Stefania Sorrentino days of Bonhams’ receipt of pay- Monday 3 June +44 (0) 20 7468 8212 ment and within 3 months of the 9am to 4.30pm Bidding by telephone will only be stefania.sorrentino@ sale date. For all other lots export Tuesday 4 June accepted on a lot with a lower bonhams.com must take place within 3 months 9am to 4.30pm estimate in excess of £1000. of the sale date. Wednesday 5 June New York 9am to 1pm Live online bidding is Yelena Harbick REGISTRATION available for this sale +1 212 644 9136 IMPORTANT NOTICE Please email Please note that all customers, SALE NUMBER [email protected] 25291 [email protected] irrespective of any previous with “Live bidding” in the subject activity with Bonhams, are Moscow CATALOGUE line 48 hours before the auction required to complete the Bidder £25 to register for this service. Kamilla Shushanyants Registration Form in advance of +7 985 991 06 91 the sale. The form can be found Please see back of catalogue kamilla.shushanyants@ at the back of every catalogue for important notice to bidders bonhams.com and on our website at www. bonhams.com and should be www.bonhams.com/russian returned by email or post to the [email protected] specialist department or to the bids department at bids@ CUSTOMER SERVICES bonhams.com & PAYMENTS To bid live online and / or leave Monday to Friday 8.30am to 6pm internet bids please go to +44 (0) 20 7447 7447 www.bonhams.com/auctions/ 25291 and click on the Register to bid link at the top left of the page. Bonhams 1793 Limited Bonhams International Board Registered No. 4326560 Malcolm Barber Co-Chairman, Registered Office: Montpelier Galleries Colin Sheaf Deputy Chairman, Montpelier Street, London SW7 1HH Matthew Girling CEO, Asaph Hyman, Caroline Oliphant, +44 (0) 20 7393 3900 Edward Wilkinson, Geoffrey Davies, James Knight, +44 (0) 20 7393 3905 fax Jon Baddeley, Jonathan Fairhurst, Leslie Wright, Rupert Banner, Simon Cottle. Sale Information BIDS BUYERS COLLECTION & PAYMENT IN ADVANCE +44 (0) 20 7447 7447 STORAGE AFTER SALE (Telephone to ascertain +44 (0) 20 7447 7401 fax INFORMATION amount due) To bid via the internet please visit by: cash, cheque with banker’s www.bonhams.com All sold lots will remain in the card, credit or debit card. Collections room at Bonhams PAYMENTS New Bond Street free for a period PAYMENT AT TIME OF Buyers of not less than 14 calendar days COLLECTION BY: +44 (0) 20 7447 7447 from the sale date Wednesday 5 cash, cheque with banker’s card, +44 (0) 20 7447 7401 fax June 2019 until 5.30pm Tuesday 18 credit or debit card June 2019. Lots not collected by Sellers this time will be returned to the Payment of sale proceeds department storage charges may +44 (0) 20 7447 7447 apply. +44 (0) 20 7447 7401 fax VAT VALUATIONS, TAXATION Will be applied at the current rate & HERITAGE on all above charges +44 (0) 20 7468 8340 +44 (0) 20 7468 5860 fax The following symbol is [email protected] used to denote that VAT is due on the hammer price CATALOGUE SUBSCRIPTIONS and buyer’s premium To obtain any Bonhams catalogue or to take out † VAT 20% on hammer price an annual subscription: and buyer’s premium Subscriptions Department +44 (0) 1666 502200 * VAT on imported items at +44 (0) 1666 505107 fax a preferential rate of 5% on [email protected] hammer price and the prevailing rate on buyer’s premium SHIPPING For information and estimates Y These lots are subject to on domestic and international CITES regulations, please shipping as well as export read the information in the licenses please contact Alban back of the catalogue. Shipping on +44 (0) 1582 493 099 [email protected] 1 ALEKSEI ILYCH KRAVCHENKO (1889-1940) A Russian church in autumn signed in Cyrillic (lower middle) tempera and pencil on cardboard 46 x 69.5cm (18 1/8 x 27 3/8in). £8,000 - 10,000 US$10,000 - 13,000 €9,200 - 12,000 The present lot is offered with a certificate of authenticity from E. Nesterova, A. Benois Expertise Centre, 2018. For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE RUSSIAN SALE | 5 2 3 2 3* NIKOLAI EGOROVICH SVERCHKOV (1817-1898) KONSTANTIN YAKOVLEVICH KRYZHITSKY (1858-1911) A winter’s day in the village Meadow in the woods signed in Cyrillic (lower left) signed in Cyrillic (lower right); stretcher inscribed in Russian with the oil on canvas title 40 x 69cm (15 3/4 x 27 3/16in). 32 x 48.5cm (12 1/2 x 19in). £35,000 - 45,000 £6,000 - 8,000 US$45,000 - 58,000 US$7,800 - 10,000 €40,000 - 52,000 €6,900 - 9,200 Provenance Provenance Private collection, UK Private American collection For details of the charges payable in addition to the final Hammer Price of each Lot 6 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 4 ALEXANDER MIKHAILOVICH LEONTOVSKY (1865-1928) Portrait of an Officer of the Life Guard Horse Regiment with order of St. Anne with swords signed in Latin (lower right) oil on canvas 73.4 x 60cm (28 7/8 x 23 5/8in). £3,000 - 4,000 US$3,900 - 5,200 €3,500 - 4,600 4 5 PIOTR YAKOVLEVICH OVCHINNIKOV (1881-1915) The billiard room in the Imperial Palace in Belovezha Forest signed in Cyrillic and titled ‘in Puscha’ (lower right) watercolour on paper 42.3 x 54.4cm (16 5/8 x 21 7/16in). £1,500 - 2,000 US$1,900 - 2,600 €1,700 - 2,300 5 For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE RUSSIAN SALE | 7 6* IVAN PAVLOVICH POKHITONOV (1850-1923) ‘Autour de l’étang de Matrionovka’, 1882 signed and dated ‘I Pokitonow 82’ (lower right) oil on panel 18 x 26cm (7 1/16 x 10 1/4in). £50,000 - 70,000 US$65,000 - 91,000 €58,000 - 81,000 Provenance Private collection, Canada The offered lot has been inspected in person by Olivier Bertrand, expert on Pokhitonov and author of volume 1 of the catalogue raisonné of the artist’s works. M. Bertrand also reviewed an X-ray of the offered lot and has confirmed its authenticity. The present lot is to be sold with a certificate, dated 21st March 2019, confirming its inclusion in the 2nd volume of the artist’s catalogue raisonné, presently being prepared by M. Bertrand. For details of the charges payable in addition to the final Hammer Price of each Lot 8 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE RUSSIAN SALE | 9 7 MIKHAIL MARKIANOVITCH GUERMACHEFF (1867-1930) ‘A woodland pool’ signed in Latin (lower right) oil on canvas 46 x 55.3cm (18 1/8 x 21 3/4in). £3,000 - 4,000 US$3,900 - 5,200 €3,500 - 4,600 Provenance The Reid Gallery Ltd, Guildford, Surrey Purchased from the above in 1971 Gifted by the purchaser (a close relation of the present owner) to a private English collection 7 8 SERGEY EVGRAFOVICH LEDNEV-SCHUKIN (1875-1961) Winter landscape signed in Cyrillic (lower right) oil on canvas 50.8 x 60.8cm (20 x 23 15/16in). £2,000 - 3,000 US$2,600 - 3,900 €2,300 - 3,500 Provenance With A La Vieille Russie, Zolotnitskiy (according to label on verso) 8 For details of the charges payable in addition to the final Hammer Price of each Lot 10 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.
Recommended publications
  • Shapiro Auctions
    Shapiro Auctions RUSSIAN ART AUCTION INCLUDING POSTERS & BOOKS Tuesday - June 15, 2010 RUSSIAN ART AUCTION INCLUDING POSTERS & BOOKS 1: GUBAREV ET AL USD 800 - 1,200 GUBAREV, Petr Kirillovich et al. A collection of 66 lithographs of Russian military insignia and arms, from various works, ca. 1840-1860. Of varying sizes, the majority measuring 432 x 317mm (17 x 12 1/2 in.) 2: GUBAREV ET AL USD 1,000 - 1,500 GUBAREV, Petr Kirillovich et al. A collection of 116 lithographs of Russian military standards, banners, and flags from the 18th to the mid-19th centuries, from various works, ca. 1830-1840. Of varying sizes, the majority measuring 434 x 318mm (17 1/8 x 12 1/2 in.) 3: RUSSIAN CHROMOLITHOGRAPHS, C1870 USD 1,500 - 2,000 A collection of 39 color chromolithographs of Russian military uniforms predominantly of Infantry Divisions and related Artillery Brigades, ca. 1870. Of various sizes, the majority measuring 360 x 550mm (14 1/4 x 21 5/8 in.) 4: PIRATSKII, KONSTANTIN USD 3,500 - 4,500 PIRATSKII, Konstantin. A collection of 64 color chromolithographs by Lemercier after Piratskii from Rossiskie Voiska [The Russian Armies], ca. 1870. Overall: 471 x 340mm (18 1/2 x 13 3/8 in.) 5: GUBAREV ET AL USD 1,200 - 1,500 A collection of 30 lithographs of Russian military uniforms [23 in color], including illustrations by Peter Kirillovich Gubarev et al, ca. 1840-1850. Of varying sizes, the majority measuring 400 x 285mm (15 3/4 x 11 1/4 in.), 6: DURAND, ANDRE USD 2,500 - 3,000 DURAND, André.
    [Show full text]
  • Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
    Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town.
    [Show full text]
  • NY ACKER Awards Is Taken from an Archaic Dutch Word Meaning a Noticeable Movement in a Stream
    1 THE NYC ACKER AWARDS CREATOR & PRODUCER CLAYTON PATTERSON This is our 6th successful year of the ACKER Awards. The meaning of ACKER in the NY ACKER Awards is taken from an archaic Dutch word meaning a noticeable movement in a stream. The stream is the mainstream and the noticeable movement is the avant grade. By documenting my community, on an almost daily base, I have come to understand that gentrification is much more than the changing face of real estate and forced population migrations. The influence of gen- trification can be seen in where we live and work, how we shop, bank, communicate, travel, law enforcement, doctor visits, etc. We will look back and realize that the impact of gentrification on our society is as powerful a force as the industrial revolution was. I witness the demise and obliteration of just about all of the recogniz- able parts of my community, including so much of our history. I be- lieve if we do not save our own history, then who will. The NY ACKERS are one part of a much larger vision and ambition. A vision and ambition that is not about me but it is about community. Our community. Our history. The history of the Individuals, the Outsid- ers, the Outlaws, the Misfits, the Radicals, the Visionaries, the Dream- ers, the contributors, those who provided spaces and venues which allowed creativity to flourish, wrote about, talked about, inspired, mentored the creative spirit, and those who gave much, but have not been, for whatever reason, recognized by the mainstream.
    [Show full text]
  • Going Everywhere and Nowhere from Moscow to the Urals – How Curatorial Delusions of Global Grandeur Betray Russian Art
    GOING EVERYWHERE AND NOWHERE FROM MOSCOW TO THE URALS – HOW CURATORIAL DELUSIONS OF GLOBAL GRANDEUR BETRAY RUSSIAN ART BY SIMON HEWITT I : A MOSCOW MIRED IN MEMORIES A BANNER was dangling from the giant triumphal portico of VDNKh, beneath the two collective farmworkers brandishing their bale of straw. It advertised the 6th Moscow Biennale – the number 6 allotted spiralling arms to resemble a Catherine Wheel. But the banner was challenged by a bigger hoarding wheeled on to the piazza below, blowing the trumpet of a separate festival called Circle of Light . The Biennale’s main show was taking place just behind Lenin in VDNKh’s Central Pavilion (also known as Pavilion N°1), erected in 1954 and topped by a 350-foot spire modelled on the St Petersburg Admiralty. The Biennale was meant to open at noon. I tried to find the entrance but couldn’t. There were no signs. No information about where and when the Biennale could be visited. Yuri Albert’s immortal line breezed through my mind: The Biennale cannot and will not take place . The 6 th Moscow Biennale had been having well-publicized financial problems. Was it so bankrupt that it had ceased to exist, morphing instead into a Conceptualist joke? VDNKh, six miles north of Red Square, was the sixth venue for the Moscow Biennale’s main exhibition. It had previously been held in the former Lenin Museum near Red Square; the under-construction Federation Tower at Moscow City; the newly restored Garage (now Jewish) Museum during its brief Abramovich/Zhukova tenancy; the renovated ArtPlay cultural and commercial complex; and, in 2013, the Manezh.
    [Show full text]
  • By Tim Adams Docent Guild General Meeting, May 23, 2012 (Notes Taken by Carol Hallenbeck)
    Lecture on Fabergé – by Tim Adams Docent Guild General Meeting, May 23, 2012 (Notes taken by Carol Hallenbeck) When we think of Fabergé, we think of the Imperial Easter eggs – of the delightfully jeweled, enameled works and of gold work techniques. In a San “Diego exhibition there were 27 Easter eggs – They had eggs from every known collection. But Fabergé was so much more. He was a designer and a goldsmith. He owned a business. He had engineers, enamellers, gem setters, goldsmiths as employees – 2700 at one time. He was the visionary. He supervised everything Nothing left his workshop without his approval. He had shops in St. Petersburg, Moscow, Odessa, Kiev, London. They were Edwardian jewelry stores. The store in St. Petersburg had the shop on the first floor, workshops and design center on the second and third floor. He and his family lived on the top, or fourth, floor. He told the story of Maria Pavlovna and her Fabergé collection, part of which was purchased by the McFerrins and is on display in our exhibit. The Grand Duchess Maria Pavlovna was a good customer of Fabergé. On December 30, 2009, Sotheby’s in London auctioned some of her important pieces. They came from a newly discovered cache of Fabergé objects that she owned. She was the wife of Grand Duke Vladimir, the brother of Tsar Alexander III. The McFerrins purchased some of the most impressive pieces. They represent the highest quality of craftsmanship from the House of Fabergé. Pavlovna’s story represents intrigue and danger during the darkest hour of Russian history.
    [Show full text]
  • English & Continental Furniture & Decorative Arts Old Master Paintings
    ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS OLD MASTER PAINTINGS & DRAWINGS RUSSIAN WORKS OF ART Wednesday, October 31, 2018 NEW YORK ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS OLD MASTER PAINTINGS & DRAWINGS RUSSIAN WORKS OF ART AUCTION Wednesday, October 31, 2018 at 10am EXHIBITION Saturday, October 27, 10am – 5pm Sunday, October 28, Noon – 5pm Monday, October 29, 10am – 6pm LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com OLD MASTER PAINTINGS & DRAWINGS INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF Paintings 1-103 The Eileen & Herbert C. Bernard Collection Russian Works of Art 104-245 Swanhild N. Castle Silver 246-337 A Connecticut Collector Furniture & Decorative Arts 338-508 A Prominent Connecticut Estate Chandeliers & Lighting 509-519 An East Hampton Collection Furniture & Decorative Arts 520-592 Leo Hershkowitz Carpets & Rugs 593-617 Lili Israel Eleanor Johnson Wendy Vanderbilt Lehman Hermine Leventhal The Noel and Harriet Levine Collection A Private Collection Felice Ross Glossary I Marianne Schaller Conditions of Sale II Jo Anne Schneider Terms of Guarantee IV Stephen Stempler Information on Sales & Use Tax V Sheldon and Judith Streisand Buying at Doyle VI Barbara Wainscott Selling at Doyle VIII The James P. and Joan M. Warburg Collection Auction Schedule IX Company Directory X Absentee Bid Form XII INCLUDING PROPERTY FROM The Descendants of Grand Duchess Xenia Alexandrovna An Arizona Private Collection A Beekman Place Apartment A Connecticut Private Collection An Important Jewel Collector A Miami Lady A Private Collector The Collection of Bennett and Judie Weinstock Lot 7 1 7 1 2 4 7 10 11 Circle of Lucas Cranach the Elder Manner of Marcus Gheeraerts the Elder Flemish School After Bernardino Luini After Raffaello Sanzio, called Raphael Follower of Andrea del Sarto The Feast of Love Portrait of Sir Thomas Chamberlayne 17th Century An Allegory of Modesty and Vanity Allegory of Theology Holy Family Inscribed DE IMAGINE CONVIVII Inscribed Sr.
    [Show full text]
  • Shapiro Auctions
    Shapiro Auctions RUSSIAN + INTERNATIONAL ART & ANTIQUES Saturday - June 7, 2014 RUSSIAN + INTERNATIONAL ART & ANTIQUES 1: GUSTAV KLIMT (AUSTRIAN 1862-1918), Gustav Klimt. USD 3,000 - 5,000 GUSTAV KLIMT (AUSTRIAN 1862-1918), Gustav Klimt. Funfundzwanzig Handzeichnungen. [Gustav Klimt. Twenty-Five Hand Drawings]. 25 collotype plates, average size 510x330 mm; 20 1/8 x 13 inches, image, tipped to window mounts. Folio, plates and folded folio leaf containing title, plate list, and colophon laid into publisher's boards with cover title. Spine and flaps reinforced with linen. Printed by Max Jaffé. Number 275 of 500 copies. Vienna: Gilhofer & Ranschburg, (1919). Complete as published., 2: EGON SCHIELE (AUSTRIAN 1890-1918), Zeichnungen: Egon USD 7,000 - 9,000 EGON SCHIELE (AUSTRIAN 1890-1918), Zeichnungen: Egon Schiele. 12 Blatter in Originalgrosse. [Drawings: Egon Schiele. 12 Plates in Original Size] 12 Heliotype plates, of which 11 are original and 1 (plate VII) is a facsimile. Average size of plates: 475x310mm (18 3/4 x 12 1/4 in.). The title page HANDSIGNED, DATED AND NUMBERED BY EGON SCHIELE. Folio, introduction plate, and title page containting title, plate list, and colophone laid into publisher's boards with cover illustrated with Schiele's self-portrait . Printed by Max Jaffé. number 245 of 400 copies. Vienna: Buchhandlung Richard Lanyi, 1917. This very rare portfolio was printed in 1917 by Max Jaffe under Schiele's supervision, one year before Schiele's death in 1917. The printing plates and negatives were destroyed after printing to ensure that the printing would stay unique. The inside cover of the portfolio bears an ex-libris sticker from Helene Goldstern.
    [Show full text]
  • A Rich Offering of Rare and Rediscovered Russian Art at Christie’S in November
    For Immediate Release 11 November 2011 Contact: Alexandra Kindermann +41 44 268 10 19 [email protected] Matthew Paton 20 7389 2695 [email protected] A RICH OFFERING OF RARE AND REDISCOVERED RUSSIAN ART AT CHRISTIE’S IN NOVEMBER London - On 28 November, Christie's will present an exceptional auction, offering the strongest selection of Russian paintings and works of art on the market this season. The sale will offer rediscovered treasures by many of the most celebrated artists in the field, including Natalia Goncharova, Vasily Vereshchagin, Boris Grigoriev, Filipp Maliavin and Alexander Volkov. This selection is led by Vasily Vereshchagin‟s undisputed masterpiece Crucifixion by the Romans (see separate release) offered on behalf of the Brooklyn Museum and by two pairs of exquisite vases produced by the Imperial Porcelain Factory under Emperor Nicholas I. The sale will also feature over forty works of art by Fabergé, many distinguished by their rare Imperial provenance. Highlighted by masterpieces of tremendous importance and scale, the sale brings together outstanding examples of Russian art, much of which is appearing on the market for the first time in decades. MASTERS OF THE 19th CENTURY In addition to Vasily Vereshchagin‟s epic canvas, Christie‟s is delighted to present a number of outstanding 19th century paintings, including the highly exciting discovery of Viktor Vasnetsov‟s (1848-1926) truly iconic A Bogatyr. Under the patronage of the Moscow merchants, Savva Mamontov and Pavel Tretyakov, Vasnetsov designed and built a new studio which allowed him to work on a monumental scale, creating works such as his most famous masterpiece, Bogatyrs (1876-1898, State Tretyakov Gallery).
    [Show full text]
  • Nephrite Imperial Presentation Portrait Snuffbox by Carl Fabergé St
    The Orlov-Davydov Nephrite Imperial Presentation portrait snuffbox by Carl Fabergé St. Petersburg. The box was presented on the 26 November 1904 to Count Anatoli Vladimirovich Orlov-Davydov (1837-1905) on his retirement and presented by the Empress Alexandra Feodorovna in the absence of the Emperor at the front. The Orlov-Davydov Imperial Presentation snuffbox by Carl Fabergé St. Petersburg.1904. Nephrite, gold, diamonds. Workmaster: Henrik Wigström. Provenance: Emperor Nicholas II & Empress Alexandra Feodorovna. Count Anatoli Vladimirovich Orlov-Davydov. Wartski, London. The Duchess of Alba. 1 Bibliography. Carl Fabergé - Goldsmith to the Imperial Court of Russia by A. Kenneth Snowman, page 118. Wartski- The First One hundred and Fifty Years by Geoffrey C. Munn, page 248. A highly important Imperial presentation snuffbox, the bun shaped nephrite lid and base mounted with a cage work of green gold laurels and red gold beadwork secured with red gold forget-me-not flowers, tied with similarly coloured gold bows and bearing trefoils set with rose diamonds. The lid is emblazoned with a miniature of Emperor Nicholas II wearing the uniform of the Preobrazhensky Guards by the court miniaturist Vasyli Zuiev, in an elaborate diamond frame surmounted with a diamond-set Romanov crown. Jewelled works of art incorporating the sovereign’s portrait were the highest form of state gift in Imperial Russia. During the reign of Nicholas II Fabergé only supplied fourteen examples to the Emperor and this box is the most lavish of those that survive. Dia. 8.5cm; H. 6cm. The box was presented on 26th September 1904 by Empress Alexandra Feodorovna to Lieutenant-General and Grand Master of the Horse, Count Anatoli Vladimirovich Orlov- Davydov.
    [Show full text]
  • The Russian Sale New Bond Street, London | 28 November 2018
    The Russian Sale New Bond Street, London | 28 November 2018 Bonhams 1793 Limited Bonhams International Board Bonhams UK Ltd Directors Registered No. 4326560 Malcolm Barber Co-Chairman, Colin Sheaf Chairman, Gordon McFarlan, Andrew McKenzie, Registered Office: Montpelier Galleries Colin Sheaf Deputy Chairman, Harvey Cammell Deputy Chairman, Simon Mitchell, Jeff Muse, Mike Neill, Montpelier Street, London SW7 1HH Matthew Girling CEO, Emily Barber, Antony Bennett, Charlie O’Brien, Giles Peppiatt, India Phillips, Patrick Meade Group Vice Chairman, Matthew Bradbury, Lucinda Bredin, Peter Rees, John Sandon, Tim Schofield, +44 (0) 20 7393 3900 Asaph Hyman, Caroline Oliphant, Simon Cottle, Andrew Currie, Veronique Scorer, Robert Smith, James Stratton, +44 (0) 20 7393 3905 fax Edward Wilkinson, Geoffrey Davies, James Knight, Charles Graham-Campbell, Matthew Haley, Ralph Taylor, Charlie Thomas, David Williams, Jon Baddeley, Jonathan Fairhurst, Leslie Wright, Richard Harvey, Robin Hereford, Michael Wynell-Mayow, Suzannah Yip. Rupert Banner, Shahin Virani, Simon Cottle. Charles Lanning, Grant MacDougall, The Russian Sale New Bond Street, London | Wednesday 28 November 2018 at 3pm BONHAMS BIDS ENQUIRIES ILLUSTRATIONS 101 New Bond Street +44 (0) 20 7447 7447 London Front cover: Lot 29 London W1S 1SR +44 (0) 20 7447 7401 fax Daria Khristova Back cover: Lot 80 (detail) To bid via the internet please visit +44 (0) 20 7468 8338 Inside front: Lot 13 www.bonhams.com www.bonhams.com [email protected] Inside back: Lot 43 Opposite page: Lot 33 VIEWING Please provide details of the Cynthia Coleman Sparke Sunday 25 November lots on which you wish to place +44 (0) 20 7468 8357 To submit a claim for refund of 11am to 3pm bids at least 24 hours prior to [email protected] VAT, HMRC require lots to be Monday 26 November the sale.
    [Show full text]
  • Fabergé Museum in Saint Petersburg
    IN ST. PETERSBURG EXHIBIT INDEX • 2014 Fabergé Museum in Saint Petersburg EXHIBIT INDEX Saint Petersburg 2014 Museum Plan 8 9 12 7 10 11 2 6 1 3 5 4 Legend Footer Footer on the right page of the print Number of case 01 indicates the number of the room and in the room the number of the case □ Exhibits outside the case Room Room Cases number name on current pages 15 Exhibit number 2 • Blue Room | 05–08 Contents Museum Plan, legend ..............................................2 3 About the Link of Times Foundation ............6 Red Room page 21 Russian Silver .............................................................22 Cases 01–03 .......................................................24 1 04 ................................................................25 Grand Staircase 05–06 .......................................................26 page 9 07–08 .......................................................27 09–11 ........................................................28 About the Grand Staircase ...............................10 12.................................................................29 Outside the cases ................................................... 11 Outside the cases ...................................................30 2 4 Knights' Room Blue Room page 13 page 33 Military memorabilia art ....................................14 Fabergé Easter Masterpieces ........................34 Cases 01–02 .......................................................16 Cases 01–03 .......................................................36
    [Show full text]
  • 2Nd International Workshop on Durability and Sustainability of Concrete Structures 6-7 June 2018, Izmailovo Congress Center, Moscow
    2nd International Workshop on Durability and Sustainability of Concrete Structures Final Invitation and Program 6-7 June 2018, Izmailovo Congress Center, Moscow CO-SPONSORED BY: Preface Modern construction is unthinkable without concrete, the world production and consumption of which is about 10 billion m3 per year. Given the steady growth of the world’s population by 2050, it is expected to double this volume, which will undoubtedly be significantly affected on energy consumption and increase global CO2 emissions. Concrete is perhaps the most universal building material since the beginning and development of civilization. It is sufficient to recall the Great Wall of China, the palaces and temples of Ancient India, the pyramids of Ancient Egypt, the unique buildings of Romans, made with the use of lime-pozzolanic binders. Universality of concrete is defined by simplicity and convenience of its production, rather low cost, structural integrity and homogeneity, durability and a long service life under various aggressive environments. However, the concrete image is sometimes not favorable. It is associated with greater labor intensity of construction works and dismantlement, massive structures, a large impact on the environment in connection with the consumption of not renewable natural resources. The same perception is greatly facilitated by the fact that, according to Gigaton Throwdown Initiative, «the cement industry is responsible for about 5-7% of total CO2 emissions, or 2.1 Gt per year». Indeed, when producing cement clinker about 0.9 t CO2/t clinker are produced. Taking into account the annual increase in the production and use of Portland-based cement (more than 4.1 million tons per year) that is the main binder used in the production of concrete, this fact poses a significant threat to humanity as a whole.
    [Show full text]