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SEM 62 Annual Meeting
SEM 62nd Annual Meeting Denver, Colorado October 26 – 29, 2017 Hosted by University of Denver University of Colorado Boulder and Colorado College SEM 2017 Annual Meeting Table of Contents Sponsors .............................................................................................................................................................................................................. 1 Committees, Board, Staff, and Council ................................................................................................................................................... 2 – 3 Welcome Messages ............................................................................................................................................................................................. 4 Exhibitors and Advertisers ............................................................................................................................................................................... 5 General Information ................................................................................................................................................................................. 5 – 7 Charles Seeger Lecture...................................................................................................................................................................................... 8 Schedule at a Glance. ........................................................................................................................................................................................ -
Music in the World of Islam a Socio-Cultural Study
Music in the World of Islam A Socio-cultural study Arnnon Shiloah C OlAR SPRESS © Arnnon Shiloah, 1995 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise withoııt the prior permission of the pııb lisher. Published in Great Britain by Scolar Press GowerHouse Croft Road Aldershat Hants GUll 31-IR England British Library Cataloguing in Pııblication Data Shiloah, Arnnon Music in the world of Islam: a socio-cultural study I. Title 306.4840917671 ISBN O 85967 961 6 Typeset in Sabon by Raven Typesetters, Chester and printed in Great Britain by Biddles Ltd, Guildford Thematic bibliography (references) Abbreviations AcM Acta Musicologica JAMS Journal of the American Musicological Society JbfMVV Jahrbuch für Musikalische Volks- und Völkerkunde JIFMC Journal of the International Fo lk Music Council JRAS Journal of the Royal Asiatic Society RE! Revue des Etudes Islamiques S!Mg Sammelbiinde der In temationale Musikgesellschaft TGUOS Transactions of the Glasgow University Oriental Society YIFMC Yearbook of the International Folk Music Council YFTM Yearbook for Traditional Music ZfMw Zeitschrift für Musikwissenschaft I. Bibliographical works (see also 76) 1. Waterman, R. A., W. Lichtenwanger, V. H. Hermann, 'Bibliography of Asiatic Musics', No tes, V, 1947-8,21, 178,354, 549; VI, 1948-9, 122,281,419, 570; VII, 1949-50,84,265,415, 613; VIII,1950-51, 100,322. 2. Saygun, A., 'Ethnomusicologie turque', AcM, 32, 1960,67-68. 3. Farmer, H. G., The Sources ofArabian Music, Leiden: Brill, 1965. 4. Arseven, V., Bibliography of Books and Essays on Turkish Folk Music, Istanbul, 1969 (in Turkish). -
Wajd Songs of Separation
WAJD SONGS OF SEPARATION Directed by: AMAR CHEBIB World Premiere: DOXA DOCUMENTARY FILM FESTIVAL Production Country: CANADA Run Time / Year: 87 MINS / 2018 Language: ARABIC, ENGLISH, TURKISH LOGLINE: In the wake of unimaginable loss, three Syrian refugees turn to their love of Sufi music. SHORT SYNOPSIS Shot initially in Syria prior to the civil war, Wajd offers a window into the lives of three Syrian musicians turned refugees. Forced to rebuild their lives in exile, they turn to their love of Sufi music to find meaning in the aftermath of destruction and atrocity. MEDIUM SYNOPSIS Inspired by the traditional sacred music of Syria, filmmaker Amar Chebib travelled to Damascus and Aleppo in 2010. Six months later the revolution began, escalating into a bloody civil war and the largest humanitarian crisis of our time. Touched by the harrowing experiences of the friends he made, Wajd transformed into the stories of three musicians turned refugees. Over five years, we witness the struggles of Ibrahim, Abdulwahed, and Mohamed as they face their traumatic past. Forced to rebuild their lives in exile, they turn to their love of music to help them find meaning in the aftermath of destruction and atrocity. Intimate footage of their daily lives weaves together with bittersweet musical performances, extremely rare Sufi ceremonies, and poetic imagery of a pre-war Syria that no longer exists. What unfolds is a cinematic meditation on loss, yearning, and faith. Wajd: Songs of Separation - Press Notes 2 FULL SYNOPSIS (DOXA) After the trauma, turmoil, and dislocation of war, how does one begin to pick up the pieces and heal? In 2010, Syrian-Canadian filmmaker Amar Chebib headed to Syria, just months before chaos broke out, to film a short documentary about traditional Sufi music. -
Iran 2019 Human Rights Report
IRAN 2019 HUMAN RIGHTS REPORT EXECUTIVE SUMMARY The Islamic Republic of Iran is an authoritarian theocratic republic with a Shia Islamic political system based on velayat-e faqih (guardianship of the jurist). Shia clergy, most notably the rahbar (supreme leader), and political leaders vetted by the clergy dominate key power structures. The supreme leader is the head of state. The members of the Assembly of Experts are nominally directly elected in popular elections. The assembly selects and may dismiss the supreme leader. The candidates for the Assembly of Experts, however, are vetted by the Guardian Council (see below) and are therefore selected indirectly by the supreme leader himself. Ayatollah Ali Khamenei has held the position since 1989. He has direct or indirect control over the legislative and executive branches of government through unelected councils under his authority. The supreme leader holds constitutional authority over the judiciary, government-run media, and other key institutions. While mechanisms for popular election exist for the president, who is head of government, and for the Islamic Consultative Assembly (parliament or majles), the unelected Guardian Council vets candidates, routinely disqualifying them based on political or other considerations, and controls the election process. The supreme leader appoints half of the 12-member Guardian Council, while the head of the judiciary (who is appointed by the supreme leader) appoints the other half. Parliamentary elections held in 2016 and presidential elections held in 2017 were not considered free and fair. The supreme leader holds ultimate authority over all security agencies. Several agencies share responsibility for law enforcement and maintaining order, including the Ministry of Intelligence and Security and law enforcement forces under the Interior Ministry, which report to the president, and the Islamic Revolutionary Guard Corps (IRGC), which reports directly to the supreme leader. -
22.09. Mannheim
rethink 12. — 22.09. international MANNHEIM music SA — 14.09. SAWELCOME — 14.09. TO PLANET EARS! Liebe Gäste, mit Planet Ears feiert ein deutschlandweit einmaliges Veranstal- tungskonzept seine Premiere in Mannheim. An elf Tagen werden rund um die Alte Feuerwache genreübergreifend aktuelle Ent- wicklungen einer globalen Musikszene präsentiert und diskutiert, die hierzulande weitgehend unbekannt sind. Wie wichtig der kul- turelle Austausch für ein tolerantes und respektvolles Zusammen- leben in Vielfalt ist, hat man in Mannheim längst erkannt. Planet Ears leistet diesbezüglich einen entscheidenden Beitrag. Ich begrüße herzlich die zahlreichen Gäste aus dem internationa- len Ausland. Kostenlose Open-Airs ermöglichen es allen Mannhei- merinnen und Mannheimern an diesem besonderen Event teilzu- haben. Ich wünsche Ihnen allen interessante Begegnungen und eine gute Zeit auf PLANET EARS! Herzlichst, Oberbürgermeister Dr. Peter Kurz DO — 12.09. KLUB FEUERWACHE IM ANSCHLUSS VORWORT JIMI TENOR TWO TRIBES DJ-SET (FINNLAND) EINTRITT FREI Klingt freie Improvisation in Beirut anders als in Mannheim? Wo liegt der Unterschied zwischen Global Music und globalized music? Wie entsteht finnischer Afrobeat? Und was bitte ist Shamstep?! Wer sich auf der Suche nach neuen musikalischen Impulsen und Inspirationen auf die große Reise begibt, sieht sich zunächst mit einigen Fragezeichen und noch mehr neuen Welten konfrontiert. Es kann ein wenig dauern, sich in der zerklüfteten Landschaft von PLANET EARS zurecht zu finden. Und es lohnt sich! Shamstep zum Beispiel verbindet uralte arabische Dabke-Rhyth- men mit elektronischen Beats und Synthesizerklängen. Das Genre wurde von 47Soul geprägt, einer der angesagtesten Bands im Na- hen Osten, wo tausende Menschen zu ihren Konzerten kommen; z.B. beim Al Balad Music Festival in Amman/Jordanien, DEM Festi- val für alle Facetten arabischer Musik. -
Activity Report 2017 International Yehudi Menuhin Foundation
Activity Report 2017 International Yehudi Menuhin Foundation TABLE OF CONTENTS Foreword ............................................................................ 5 International Yehudi Menuhin Foundation ...................... 7 Who we are and what we stand for Our Vision, Mission and Values .................................................................................................... 7 Our Activity Areas ........................................................................................................................ 8 Our network ....................................................................... 9 The MUS-E® programme Objective ....................................................................................................................................... 9 Background and Fields of Activity ............................................................................................... 9 The MUS-E® network ............................................................................................................... 11 Our European projects ..................................................... 21 Overview and recent activity Background ................................................................................................................................. 21 META - Minorities Education Through the Arts (2015-2018) ................................................... 22 E-ArtinED project (2015-2018) .................................................................................................. 23 MultiLib -
Strategic Export Controls
House of Commons Defence, Foreign Affairs, International Development and Trade and Industry Committees Strategic Export Controls Annual Report for 2002, Licensing Policy and Parliamentary Scrutiny First Joint Report of Session 2003–04 Fourth Report from the Defence Committee of Session 2003–04 Sixth Report from the Foreign Affairs Committee of Session 2003–04 Fifth Report from the International Development Committee of Session 2003–04 Fourth Report from the Trade and Industry Committee of Session 2003–04 Report, together with formal minutes, oral and written evidence Ordered by The House of Commons to be printed 5 May 2004 HC 390 Published on 18 May 2004 by authority of the House of Commons London: The Stationery Office Limited £22.00 The Committees on Strategic Export Controls (Quadripartite Committee) The Defence, Foreign Affairs, International Development and Trade and Industry Committees are appointed by the House of Commons to examine the expenditure, administration, and policy of the Ministry of Defence, the Foreign and Commonwealth Office, the Department for International Development, the Department of Trade and Industry, and any associated public bodies . Current membership DEFENCE: Mr Crispin Blunt*, Mr James Cran, Mr David Crausby, Mike Gapes, Mr Bruce George*§, Mr Mike Hancock, Mr Dai Havard, Mr Kevan Jones, Mr Frank Roy, Rachel Squire*, Mr Peter Viggers*. FOREIGN AFFAIRS: Donald Anderson*§, Mr David Chidgey, Mr Fabian Hamilton*, Mr Eric Illsley, Mr Andrew Mackay*, Andrew Mackinlay, Mr John Maples*, Mr Bill Olner*, Mr Greg Pope, Sir John Stanley*, Ms Gisela Stuart. INTERNATIONAL DEVELOPMENT: Tony Baldry*§, John Barrett*, Mr John Battle*, Hugh Bayley, Ann Clwyd*, Mr Tony Colman*, Mr Quentin Davies*, Mr Piara S Khabra*, Chris McCafferty, Mr Andrew Robathan, Tony Worthington*. -
Semschc Abstracts 2017
SEMSCHC ABSTRACTS 2017 Balcomb, Hannah (UCR) “Rethinking the Boundaries of Argentine Folk: The Power of Copyright Language to Visibilize Indigenous Groups” This paper examines a historical denial of indigeneity and indigenous music in Argentina and demonstrates how notions of Argentine folk music and dance and the wielding of these genres by local practitioners, national folk institutes, schools, and even government officials, directly impacts which musical styles have become part of a nationally recognized repertoire and which have not. I examine this through two case studies. The first, documents a 2006 legal battle that ultimately resulted in the official recognition and codification of eighteen, previously uncategorized indigenous rhythms; this made these rhythms classifiable within acknowledged nomenclatures and in turn allowed for practitioners of these styles to register their work with the copyright office. The second study analyzes contemporary efforts by musicians to re-classify indigenous musics under the overarching umbrella of Argentine folk. This would allow indigenous musicians to participate in national folk festivals and competitions, since, while they are not outright prohibited, they are rarely showcased, as they do not fall under the rubrics of folk or popular. Many scholars have highlighted the ways that copyright laws, which prioritize capitalist musical modes of production by rewarding individuality and sole-authorship and relegating collective authorship to the arenas of unknown author or public domain, allow for the exploitation of non-Western and particularly indigenous groups. My paper contributes to this body of scholarship and urges scholars to consider the ways that genre definitions in both copyright law as well as state competitions, coterminously reflect and shape discursive boundaries for national inclusion and exclusion. -
10 Days Free from Violence
2019 SCHEDULE OF EVENTS All events are free and open to all ages unless noted SEPTEMBER 20, 2019 ONGOING LET PEACE & LOVE PREVAIL, Commissioned mural created by BLACKDAZE (blackdazeart.com) for Twin Cities Nonviolent’s “10 Days Free From Violence” 3032 Fremont Avenue South, Mpls The mural will wrap around a garage in Uptown Mpls, and will have artwork including “Peace” and “Love” inscribed in 20 languages encouraging local, national, & global solidarity. FRIDAY, SEPTEMBER 20, 2019 FRIDAY, SEPTEMBER 20, 2019 1:30 – 4PM “Friends With Guns”. written by Stephanie Alison Walker, directed by Shalee Coleman Off Leash Art Box, 4200 East 54th Street, Mpls 55417. “Friends With Guns” is a dark comedy that pulls the curtain back on liberals with guns. It explores what happens when one person in a marriage suddenly does a 180 on the gun issue and it asks what we can compartmentalize and what we can’t. Uprising Theatre Company believes in warning audiences about potentially triggering material. “Friends with Guns” contains the following content warnings: -Simulated gun fire sounds-Discussions and depictions of Intruder and Domestic Violence. If you have questions about the specific context of these content warnings, contact: [email protected] and we will get back to you. Tickets $5 – $50. FRIDAY, SEPTEMBER 20, 2019 7:00PM World Citizen Presents: Peace Concert, Partners in Peace, Unity South Church 7950 1st Ave. S. Bloomington, MN 55420. Doors open at 6:30, Concert starts at 7:00pm. Enjoy an evening of Great Live Music and learn about World Citizen’s Five Peace Actions. Support them as they Empower Communities to Educate for a Just and Peaceful World Music to uplift and inspire us! http://peacesites.org Featuring Holly Circle and Jimmy Steffen http://www.hollyandjimmy.com, with Special Guest Shawn Hockett. -
MAN Truck & Bus Jordan Provides Over 100 New Vehicles to Greater Amman Municipality
Dubai, 15.11.2018 MAN Truck & Bus Jordan provides over 100 new vehicles to Greater Amman Municipality MAN is presenting vehicles, repair & maintenance services as MAN Truck & Bus Middle East comprehensive solutions for municipal applications Jebel Ali Free Zone Street S101 Dubai United Arab Emirates • Greater Amman Municipality (GAM) upgrades its solid Should any questions arise, waste operations by acquiring 101 MAN trucks please contact: • Handover ceremony attended by H.E. Youssef Shawarbeh, Anne Morawitz Phone: +971 4 821 8822 Mayor of GAM and other dignitaries [email protected] www.middleeast.com MAN Truck & Bus Jordan have supplied 101 MAN trucks to make the Jordan capital city of Amman cleaner and greener for residents and visitors. The delivery of the new vehicles at King Hussain Gardens was celebrated under the patronage of the Mayor of GAM, His Excellency Youssef Shawarbeh. Also, in attendance at the celebrations were Mr. Omar Al-Lozy, City Manag- er, Her Excellency Ms. Birgitta Siefker-Eberle, German Ambassador to Jor- dan, His Excellency Mr. Edward Oakden, British Ambassador and Ms. Nil Gokce, Commercial Counsellor of Embassy of Turkey, among other distinguished dignitaries The new fleet consist of: 35 x TGS 33.360 6X4; 40 x TGM 18.240 4X2; 10 x TGL 10.180 4X2 Refuse Collector 4m3: 10x TGM 15.240 4X2 Refuse Collec- tor 8m3: 2 x TGM 18.240 4X2 Skip Loader 9m3; and 4x TGS 41.400 8X4 Roll-on Roll-off trucks. All vehicles have been supplied with a two-year repair and maintenance contract. Commenting on the tender appointment, Erhan Eren, Head of Truck Sales at MAN Trucks & Buses Middle East said: “GAM now manages approximately 4,000 tonnes of solid waste a day, a 48 per cent increase on the amounts seen in 2011. -
The Druze Musical Heritage: an Overview1
The Druze Musical Heritage: An Overview1 By Kathleen Hood Is there something distinctive about Druze music? My research suggests that just as the Druzes are culturally and linguistically Arabs, in general they share musical traditions with other Arab groups. Indeed, although there are some genres that seem to have originated with the Druzes in Syria, there are no overarching traits that distinguish Druze music. Rather, I propose that the Druzes in each geographic region have adopted the prevailing musical style of that area. Nevertheless, in each locale where they live, music is an integral part of their life. In my research, based on fieldwork as well as various audio-visual and written sources, I have found the music of the Lebanese and Palestinian/Israeli Druzes to be very similar to that of other Arab groups in those areas, whereas the music of the Syrian and Jordanian Druzes can be considered to be the most characteristically Druze, with regard to song lyrics, performance style, a few genres, and the contexts in which music and dance genres are used. In this paper, I will give an overview of the various musical traditions found among the Druzes living in Syria, Lebanon, Palestine/Israel, and Jordan, focusing mainly on weddings and funerals. Druze Music In Druze communities, as in other Near Eastern societies, the main contexts for music are engagements and weddings, funerals, work, child rearing, and warfare.2 Although there are common musical and cultural traits that are found throughout the Near East, there is a great deal 1 This paper is based on my book, Music In Druze Life: Ritual, Values, and Performance Practice, published by the Druze Heritage Foundation. -
Acrobat Format
- 1 - - 2 - - 3 - CONTENTS Pages RECOMMENDATIONS.............................................................................................................5 FOREWORD...............................................................................................................................7 INTRODUCTION .......................................................................................................................9 CHAPTER I - OVERVIEW......................................................................................................15 I. FAST-CHANGING SOCIETIES................................................................................16 II. THE RETURN OF RELIGION: A HARDENING IDENTITY...............................18 III. THE GAP BETWEEN PEOPLES AND GOVERNMENTS...................................20 IV. A DIFFICULT RELATIONSHIP WITH THE WEST ...........................................21 V. ASSETS AND CONSTRAINTS ................................................................................22 VI. THE POLITICAL RISE OF SHIISM .....................................................................25 CHAPTER II - A TWO-PRONGED CHALLENGE ...............................................................29 I. PEACE AND SECURITY FOR ALL: CREATING A PALESTINIAN STATE .......................................................................................................................29 II. AVOIDING NUCLEAR PROLIFERATION IN THE MIDDLE EAST .................61 CHAPTER III - WEAKNESSES ..............................................................................................83