Beginning to Learn the Byzantine Musical System Using Western Otation and Theory
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ARTES. JOURNAL of MUSICOLOGY Vol
“GEORGE ENESCU” NATIONAL UNIVERSITY OF ARTS IAŞI FACULTY OF PERFORMANCE, COMPOSITION AND MUSIC THEORY STUDIES RESEARCH CENTER “THE SCIENCE OF MUSIC” DOCTORAL SCHOOL – MUSIC FIELD ARTES. JOURNAL OF MUSICOLOGY vol. 23-24 ARTES 2021 RESEARCH CENTER “THE SCIENCE OF MUSIC” ARTES. JOURNAL OF MUSICOLOGY Editor-in-chief – Prof. PhD Laura Vasiliu, “George Enescu” National University of Arts, Iași, Romania Senior editor – Prof. PhD Liliana Gherman, “George Enescu” National University of Arts, Iași, Romania SCIENTIFIC COMMITTEE Prof. PhD Gheorghe Duțică, “George Enescu” National University of Arts, Iași, Romania Prof. PhD Maria Alexandru, “Aristotle” University of Thessaloniki, Greece Prof. PhD Valentina Sandu-Dediu, National University of Music Bucharest, Romania Prof. PhD Pavel Pușcaș, “Gheorghe Dima” National Music Academy, Cluj-Napoca, Romania Prof. PhD Mirjana Veselinović-Hofman, University of Arts in Belgrade, Serbia Prof. PhD Victoria Melnic, Academy of Music, Theatre and Fine Arts, Chișinău, Republic of Moldova Prof. PhD Violeta Dinescu, “Carl von Ossietzky” Universität Oldenburg, Germany Prof. PhD Nikos Maliaras, National and Kapodistrian University of Athens, Greece Lect. PhD Emmanouil Giannopoulos, “Aristotle” University of Thessaloniki, Greece EDITORS Assoc. Prof. PhD Irina Zamfira Dănilă, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Diana-Beatrice Andron, “George Enescu” National University of Arts, Iași, Romania Lect. PhD Rosina Caterina Filimon, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Gabriela Vlahopol, “George Enescu” National University of Arts, Iași, Romania Assist. Prof. PhD Mihaela-Georgiana Balan, “George Enescu” National University of Arts, Iași, Romania ISSN 2344-3871 ISSN-L 2344-3871 Translators: PhD Emanuel Vasiliu Assist. Prof. Maria Cristina Misievici DTP Ing. -
EARLY MUSIC NOW with SARA SCHNEIDER Broadcast Schedule — Summer 2020
EARLY MUSIC NOW WITH SARA SCHNEIDER Broadcast Schedule — Summer 2020 PROGRAM #: EMN 20-01 RELEASE: June 22, 2020 Treasures from Wolfenbüttel Starting in the late Renaissance, the court at Wolfenbüttel in northern Germany emerged as a cultural center. The dukes of the house of Welf employed high-profile composers like Michael Praetorius to increase their prestige, but lesser masters like Daniel Selichius made their mark as well. In this edition of Early Music Now, we'll hear from both composers, with performances by the Huelgas Ensemble and Weser-Renaissance Bremen. PROGRAM #: EMN 20-02 RELEASE: June 29, 2020 Those Talented Purcells This week's show focuses on Henry Purcell, and his lesser-known brother (or cousin) Daniel. We'll hear chamber music by both composers, plus selections from the semiopera they worked on together: The Indian Queen, from a 2015 release by The Sixteen. PROGRAM #: EMN 20-03 RELEASE: July 6, 2020 The Lost Voices of Hagia Sophia This week's program showcases an extraordinary recent release from the Portland-based ensemble Cappella Romana. This recording of medieval Byzantine chant composed for Hagia Sophia was recorded entirely in live, virtual acoustics, and soared to #1 on Billboard's Traditional Classical chart! These evocative sounds linger in the soul long after the music fades. PROGRAM #: EMN 20-04 RELEASE: July 13, 2020 Salomone Rossi: Revolutionary Jewish composer Salomone Rossi was a musician who served the Gonzaga court in Mantua. They valued him so highly that he was given a relatively large amount of personal freedom, while other members of the Jewish faith were restricted. -
OCTOECHOS – DAY of the WEEK Tone 1 – 1St Canon – Ode 3
OCTOECHOS – DAY OF THE WEEK Tone 1 – 1st Canon – Ode 3 – Hymn to the Theotokos You conceived God in your womb through the Holy Spirit, and yet remained unconsumed, O Virgin. The bush unconsumed by the fire clearly foretold you to the lawgiver Moses for you received the Fire that cannot be endured. Monday – Vespers / Tuesday - Matins: Aposticha – Tone 1 O VIRGIN, WORTHY OF ALL PRAISE: MOSES, WITH PROPHETIC EYES, BEHELD THE MYSTERY THAT WAS TO TAKE PLACE IN YOU, AS HE SAW THE BUSH THAT BURNED, YET WAS NOT CONSUMED; FOR, THE FIRE OF DIVINITY DID NOT CONSUME YOUR WOMB, O PURE ONE. THEREFORE, WE PRAY TO YOU AS THE MOTHER OF GOD, // TO ASK PEACE, AND GREAT MERCY FOR THE WORLD. Tone 2 – Saturday Vespers & Friday Vespers (repeated) – Dogmaticon Dogmatic THE SHADOW OF THE LAW PASSED WHEN GRACE CAME. AS THE BUSH BURNED, YET WAS NOT CONSUMED, SO THE VIRGIN GAVE BIRTH, YET REMAINED A VIRGIN. THE RIGHTEOUS SUN HAS RISEN INSTEAD OF A PILLAR OF FLAME.// INSTEAD OF MOSES, CHRIST, THE SALVATION OF OUR SOULS. Tone 3 – Wed Matins – 2nd Aposticha ON THE MOUNTAIN IN THE FORM OF A CROSS, MOSES STRETCHED OUT HIS HANDS TO THE HEIGHTS AND DEFEATED AMALEK. BUT WHEN YOU SPREAD OUT YOUR PALMS ON THE PRECIOUS CROSS, O SAVIOUR, YOU TOOK ME IN YOUR EMBRACE, SAVING ME FROM ENSLAVEMENT TO THE FOE. YOU GAVE ME THE SIGN OF LIFE, TO FLEE FROM THE BOW OF MY ENEMIES. THEREFORE, O WORD, // I BOW DOWN IN WORSHIP TO YOUR PRECIOUS CROSS. Tone 4 – Irmos of the First Canon – for the Resurrection (Sat Night/Sun Morn) ODE ONE: FIRST CANON IRMOS: IN ANCIENT TIMES ISRAEL WALKED DRY-SHOD ACROSS THE RED SEA, AND MOSES, LIFTING HIS HAND IN THE FORM OF THE CROSS, PUT THE POWER OF AMALEK TO FLIGHT IN THE DESERT. -
THO 3347 (H 2015) – Glossary of Terms
THO 3347 (H 2015) – Glossary of Terms Akathist Literally, “not standing.” A hymn dedicated to our Lord, the Theotokos, a saint, or a holy event. Aposticha The stichera sung with psalm verses at the end of Vespers and Matins. These differ from the stichera at Psalm 140 (Vespers) and at the Praise Psalms (Matins), which are sung with fixed psalms, in that the psalm verses used (pripivs) vary with the day or feast, and do not end the singing of the whole psalm. See also stichery na stichovnych. Archieratikon Тhе book containing texts and rubrics for the solemn Hierarchical (a.k.a. Pontifical) Divine Liturgy. The Archieratikon also contains the sacrament of Ноlу Orders and special blessings and consecrations. Canon A system of nine odes (the Second Ode is sung only during Great Lent) sung at Matins after Psalm 50 and before the Praises. Each ode is connected traditionally with a scriptural canticle (see below for the nine scriptural canticles) and consists of an Irmos, a variable number of troparia and, on feasts, a katavasia. After the Third Ode a sidalen is usually sung, and after the Sixth Ode a kontakion and ikos, and after the Ninth Ode, the Svitelen is sung. The Canon has its own system of eight tones. Domatikon A theotokion sung after “Now…” (or “Glory… Now…”) at the end of Psalms 140, 141, 129, and 116 at Vespers on Friday and Saturday evenings, and on the eve of a Polyeleos saint or saints with a vigil in the same tone as the last sticheron of the saint (at “Glory…”). -
SEM 62 Annual Meeting
SEM 62nd Annual Meeting Denver, Colorado October 26 – 29, 2017 Hosted by University of Denver University of Colorado Boulder and Colorado College SEM 2017 Annual Meeting Table of Contents Sponsors .............................................................................................................................................................................................................. 1 Committees, Board, Staff, and Council ................................................................................................................................................... 2 – 3 Welcome Messages ............................................................................................................................................................................................. 4 Exhibitors and Advertisers ............................................................................................................................................................................... 5 General Information ................................................................................................................................................................................. 5 – 7 Charles Seeger Lecture...................................................................................................................................................................................... 8 Schedule at a Glance. ........................................................................................................................................................................................ -
GRAMMENOS KARANOS 83 Sherman Road, Brookline, MA 02467 Telephone: 617-850-1236 E-Mail: [email protected], [email protected]
REV. DR. GRAMMENOS KARANOS 83 Sherman Road, Brookline, MA 02467 Telephone: 617-850-1236 E-mail: [email protected], [email protected] Curriculum Vitae Last updated August 22, 2018 Education National and Kapodistrian University of Athens, Athens, Greece School of Philosophy, Department of Musical Studies • Ph.D. in Byzantine Musicology and Psaltic Art (2011) • Dissertation: Τὸ Καλοφωνικὸν Εἱρμολόγιον [The Kalophonic Heirmologion] • Advisors: Gregorios Stathis, Achilleus Chaldaeakes, Demetrios Balageorgos Boston University, Boston, MA Graduate School of Management • Master of Business Administration (2004) Harvard University, Cambridge, MA Harvard-Radcliffe Colleges • Bachelor of Arts cum laude in Government (1997) • Senior Thesis: The Concept of Moderation in the Theories of Plato and Aristotle • Advisor: Petr Lom Greek Orthodox Metropolis of Boston, Boston, MA School of Byzantine Music • Certificate of Byzantine Music with highest distinction (2002) • Studied under Professor Photios Ketsetzis, Archon Protopsaltis of the Greek Orthodox Archdiocese of America. Teaching Experience / Appointments Hellenic College/Holy Cross Greek Orthodox School of Theology, Brookline, MA Assistant Professor of Byzantine Liturgical Music (September 2011 – present) Mathimata, Kratimata, and Deinai Theseis The Kalophonic Heirmologion History of Western Music History of Byzantine Music Directed Study in Byzantine Music Instruction for Beginners Directed Study in Advanced Ecclesiastical Composition in English Service Rubrics Byzantine Music for Clergy Byzantine Music X – Papadike, Old Sticherarion, and Kalophonic Heirmoi Byzantine Music IX – Papadike and Old Sticherarion CV of Grammenos Karanos Byzantine Music VIII – Divine Liturgy Byzantine Music VII – Doxastarion & Slow Heirmologion Byzantine Music VI – Holy Week Byzantine Music V – Prosomoia and Music for Sacraments Byzantine Music IV – Anastasimatarion: Modes II, Pl. II & Varys Byzantine Music III – Anastasimatarion: Modes III, IV & Pl. -
Music in the World of Islam a Socio-Cultural Study
Music in the World of Islam A Socio-cultural study Arnnon Shiloah C OlAR SPRESS © Arnnon Shiloah, 1995 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise withoııt the prior permission of the pııb lisher. Published in Great Britain by Scolar Press GowerHouse Croft Road Aldershat Hants GUll 31-IR England British Library Cataloguing in Pııblication Data Shiloah, Arnnon Music in the world of Islam: a socio-cultural study I. Title 306.4840917671 ISBN O 85967 961 6 Typeset in Sabon by Raven Typesetters, Chester and printed in Great Britain by Biddles Ltd, Guildford Thematic bibliography (references) Abbreviations AcM Acta Musicologica JAMS Journal of the American Musicological Society JbfMVV Jahrbuch für Musikalische Volks- und Völkerkunde JIFMC Journal of the International Fo lk Music Council JRAS Journal of the Royal Asiatic Society RE! Revue des Etudes Islamiques S!Mg Sammelbiinde der In temationale Musikgesellschaft TGUOS Transactions of the Glasgow University Oriental Society YIFMC Yearbook of the International Folk Music Council YFTM Yearbook for Traditional Music ZfMw Zeitschrift für Musikwissenschaft I. Bibliographical works (see also 76) 1. Waterman, R. A., W. Lichtenwanger, V. H. Hermann, 'Bibliography of Asiatic Musics', No tes, V, 1947-8,21, 178,354, 549; VI, 1948-9, 122,281,419, 570; VII, 1949-50,84,265,415, 613; VIII,1950-51, 100,322. 2. Saygun, A., 'Ethnomusicologie turque', AcM, 32, 1960,67-68. 3. Farmer, H. G., The Sources ofArabian Music, Leiden: Brill, 1965. 4. Arseven, V., Bibliography of Books and Essays on Turkish Folk Music, Istanbul, 1969 (in Turkish). -
Byzantine Music Theory for Western
Moderato a 4 J k kk 64 j k k dkk k 4 j j j j jk k k k j J Ôáéò ðñåó- âåß - áéò ôçò Èå- ï - ôü - êïõ, Óþ- ôåñ, Óþ- óïí ç- ìÜò. a k k 64 jj k dk k kk kjk j k k 4 jj k k jizk j j Ôáéò ðñåó- âåß- áéò ôçò Èå- ï - ôü - êïõ, Óþ- ôåñ, Óþ- óïí ç- ìÜò. Understanding the Byzantine Musical System Using Western Notation and Theory or Name That Tone! by Stanley Takis Most Greek Orthodox church musicians have seen references to “tones” and “modes” in liturgical texts and choir music. But many ask the question, “What are they?” How do you recognize one tone from another? What exactly is a mode? Are modes and tones the same thing? Why do chanters use those squiggly lines while choirs use “real” music? This article provides some observations and information to help “tone-deaf” or “non-mode- ivated” persons understand more of the Byzantine musical system which has been part of Orthodox hymnology from the earliest days. During the first centuries of the Church, our music was greatly influenced by the religious music of the synagogue and the secular music of the Syrians and the Greeks. This ancient music contained a multitude of scales and styles. It was St. John of Damascus who codified a system of eight musical styles, selected because they were not too theatrical or worldly and they helped create a prayerful attitude in the faithful. This system is called the octoechos (eight tones). -
TYPIKON (Arranged by Rev
TYPIKON (Arranged by Rev. Taras Chaparin) March 2016 Sunday, March 26 4th Sunday of Great Lent Commemoration of Saint John of the Ladder (Climacus). Synaxis of the Holy Archangel Gabriel. Tone 4. Matins Gospel I. Liturgy of St. Basil the Great. Bright vestments. Resurrection Tropar (Tone 4); Tropar of the Annunciation; Tropar of St. John (4th Sunday); Glory/Now: Kondak of the Annunciation; Prokimen, Alleluia Verses of Resurrection (Tone 4) and of the Annunciation. Irmos, “In You, O Full of Grace…” Communion Hymn of Resurrection and of the Annunciation. Scripture readings for the 4th Sunday of Lent: Epistle: Hebrew §314 [6:13-20]. Gospel: Mark §40 [9:17-31]. In the evening: Lenten Vespers. Monday, March 27 Our Holy Mother Matrona of Thessalonica. Tuesday, March 28 Our Venerable Father Hilarion the New; the Holy Stephen, the Wonderworker (464). Wednesday, March 29 Our Venerable Father Mark, Bishop of Arethusa; the Deacon Cyril and Others Martyred during the Reign of Julian the Apostate (360-63). Dark vestments. Liturgy of the Presanctified Gifts. Scripture readings for the 5th Wednesday of Lent: Genesis 17:1-9; Proverbs 15:20-16:9. Thursday, March 30 Our Venerable Father John Climacus, Author of The Ladder of Divine Ascent (c. 649). Great Canon of St. Andrew of Crete. Friday, March 31 Our Venerable Father Hypatius, Bishop of Gangra (312-37). Dark vestments. Liturgy of the Presanctified Gifts. Scripture readings for the 5th Friday of Lent: Genesis 22:1-18; Proverbs 17:17-18:5. April 2016 Saturday, April 1 5th Saturday of Lent – Saturday of the Akathist Hymn Our Venerable Mother Mary of Egypt (527-65). -
Middle Eastern Music and Dance Since the Nightclub Era
W&M ScholarWorks Arts & Sciences Book Chapters Arts and Sciences 10-30-2005 Middle Eastern Music and Dance since the Nightclub Era Anne K. Rasmussen William and Mary, [email protected] Follow this and additional works at: https://scholarworks.wm.edu/asbookchapters Part of the Ethnomusicology Commons Recommended Citation Rasmussen, A. K. (2005). Middle Eastern Music and Dance since the Nightclub Era. Anthony Shay and Barbara Sellers-Young (Ed.), Belly Dance: Orientalism, Transnationalism, And Harem Fantasy (pp. 172-206). Mazda Publishers. https://scholarworks.wm.edu/asbookchapters/102 This Book Chapter is brought to you for free and open access by the Arts and Sciences at W&M ScholarWorks. It has been accepted for inclusion in Arts & Sciences Book Chapters by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. B E L L .v C)ri enta ·l•i S.:I_I_ Transnationalism & Harem Fantasy FFuncling�orthe publication ofthis v\olume w\ as pro\Iv idcd in part by a grant from ✓ Ther Iranic a Institute, Irv\i ine California and b)y TThe C A. K. Jabbari Trust Fund Mazda Publisher• s Academic Publishers P.O. Box 2603 Co st a Mesa, CCa lifornia 92626 Us .S. A . \\ ww.mazdapub.com Copyright © 2005 by Anthony Shay and Barbara Sellers-Young All rights resserved. ' No parts of this publication may be reproduced or transmitted by any form or by any means without written permission from the publisher except in the case of brief quotations embodied in critical articles and re iews. Library of Congress Cataloging-in-Publication Data Belly Dance: Orientalism. -
Median Modes in the Light of the Greek Manuscript No. 9 from the National Archives in Drobeta Turnu Severin
122 International Journal of Orthodox Theology 6:3 (2015) urn:nbn:de:0276-2015-3081 Adrian-Cristian Maziliţa Median Modes in the Light of the Greek Manuscript No. 9 from the National Archives in Drobeta Turnu Severin Abstract The Greek manuscript no. 9 from 1751 – a unique manuscript in Romania tells us more about the musical tradition of the Eastern Church, tradition which provided the unmodified safekeeping until today of the music and repertory that is an integral part of the cult of the Ortho- dox Church. Taking into account the importance of this manuscript for the musicological research of the ecclesi- astical chant before the hrisantic Rev. PhD Associate reform, this study deals with different Lecturer Adrian-Cristian aspects from the old theory of Maziliţa, Faculty of Byzantine music, as: metrophony, Orthodox Theology at the solfeggio, median modes and trohos University from Craiova, system. Romania Median Modes in the Light of the Greek Manuscript No. 9 from the 123 National Archives in Drobeta Turnu Severin Keywords Greek manuscript, Byzantine chant, old notation, median modes, trohos system, Saint Ioannes Koukouzeles, Ioannes Plousiadinos 1 Median Modes A particularly important element presented in the Greek manuscript no. 9 at the National Archives in Drobeta Turnu - Severin1, is the median modes about which, until now, we have few accounts. 1 The Greek manuscript no. 9 at the National Archives in Drobeta Turnu- Severin, includes excerpts from the theoretical work of Saint Ioannes Koukouzeles, hermeneia of St. Ioan Damaschin, hermeneia of Manuel Chrysaphes about requirements of psaltic music and about phtorals, of the monk Pahomie and hermeneia about trills, together with musical- theological explanation written by Nikolaos Malaxos. -
Pacific Northwest Viol Workshop Pacific Northwest Viol #207 S.W
Faculty JOANNA BLENDULF has performed as soloist and continuo player in leading Pacific Northwest Viols period-instrument ensembles including the Catacoustic Consort, Wildcat Viols, the Portland Baroque Orchestra, Bach Collegium San Diego, Nota Bene Viol Consort and Pacific MusicWorks. Joanna teaches viola da gamba and baroque cello privately and in workshops/master classes across the country and has served as viola da gamba soloist at the Carmel and Oregon Bach Presents the Festivals. LEE INMAN – composer/arranger, lecturer, teacher, and ensemble coach – has played Baroque cello and viola da gamba for over forty years. He is president of Pacific Northwest Viols, and has frequently been on the faculty of summer workshops in Arizona, Washington and Oregon. Lee has performed with Baroque orchestras in both Seattle and Portland, and in 2009 helped establish the Portland Viol Consort, the only professional viol quartet in the Pacific Northwest. LAWRENCE LIPNIK has performed with many acclaimed early music Pacific ensembles from ARTEK and Anonymous 4 to Piffaro and the Waverly Consort, and is a founding member of the viol consort Parthenia and vocal ensemble Lionheart. In addition to performing, he is co-director of the New York Recorder Guild, enjoys a busy teaching schedule which has included national and international festivals from the Benslow Music Trust in the UK, Port Northwest Townsend, San Diego and Madison Early Music to Pinewoods and Amherst. He has recorded for numerous labels including EMI, Angel, Nimbus, Virgin, Sony, Koch International and Cantaloupe, and has been a frequent musical collaborator with artist William Wegman. Viol SARAH MEAD teaches, performs, and proselytizes polyphony in the Boston area.