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Ilu Ustrat Io Nbyrobertmaes Ta S • Rmm Il Lu Strat Io N
JESUS SHAPED HOLES IN OUR HEARTS SINCE 1992 ILUUSTRATION BY ROBERT MAESTAS • RMMILLUSTRATION.PROSITE.COM VOLUME 23 | ISSUE 43 | OCTOBER 23-29, 2014 | FREE [2] OCTOBER 23-29 , 2014 WEEKLY ALIBI WEEKLY ALIBI OCTOBER 23-29 , 2014 [3] [4] OCTOBER 23-29 , 2014 WEEKLY ALIBI alibi VOLUME 23 | ISSUE 43 | OCTOBER 23-29 , 2014 EDITORIAL MANAGING EDITOR/MUSIC EDITOR: Samantha Anne Carrillo (ext. 243) [email protected] FILM EDITOR: Devin D. O’Leary (ext. 230) [email protected] FOOD EDITOR/FEATURES EDITOR : Ty Bannerman (ext. 260) [email protected] ARTS & LIT EDITOR/ WEB EDITOR : Lisa Barrow (ext. 267) [email protected] CALENDARS EDITOR/COPY EDITOR: Mark Lopez (ext. 239) [email protected] CONTRIBUTING WRITERS: Cecil Adams, Steven Robert Allen, Captain America, Gustavo Arellano, Rob Brezsny, Shawna Brown, Suzanne Buck, Eric Castillo, David Correia, Erik Gamlem, Gail Guengerich, Nora Hickey, Zachary Kluckman, Kristi D. Lawrence, Ari LeVaux, Mark Lopez, August March, Genevieve Mueller, Amelia Olson, Geoffrey Plant, Benjamin Radford, Jeremy Shattuck, Mike Smith, M. Brianna Stallings, M.J. Wilde, Holly von Winckel PRODUCTION ART DIRECTOR: Jesse Schulz (ext. 229) [email protected] PRODUCTION MANAGER : Archie Archuleta (ext. 240) [email protected] GRAPHIC DESIGNER: Tasha Lujan (ext. 254) [email protected] STAFF PHOTOGRAPHER: Eric Williams [email protected] CONTRIBUTING ARTISTS: Ben Adams, Cutty Bage, ¡Brapola!, Michael Ellis, Stacy Hawkinson, KAZ, Robert Maestas, Julia Minamata, Tom Nayder, Ryan North, Jesse Phillips, Brian Steinhoff SALES SALES DIRECTOR: John Hankinson (ext. 265) [email protected] SENIOR DISPLAY ACCOUNT EXECUTIVE: Sarah Bonneau (ext. 235) [email protected] ACCOUNT EXECUTIVES: Valerie Hollingsworth (ext. 263) [email protected] Chelsea Kibbee (ext. -
Montana Kaimin, September 7, 2012 Students of the Niu Versity of Montana, Missoula
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 9-7-2012 Montana Kaimin, September 7, 2012 Students of The niU versity of Montana, Missoula Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Students of The nivU ersity of Montana, Missoula, "Montana Kaimin, September 7, 2012" (2012). Montana Kaimin, 1898-present. 5540. https://scholarworks.umt.edu/studentnewspaper/5540 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. MK fridaykaimin NOTALONE Emerging from the shadows of mental illness Volume CXV Issue 8 September 7, 2012 UM’s Independent Campus Newspaper Since 1898 @KaiminNews Montana Kaimin 2 OPINION Friday, September 7, 2012 SCIENCE COLUMN EDITORIAL CARTOON THE HUME’N EXPERIENCE Stop the stereotypes, save the wolves By Alice Martin Missoulians are immersed in an environmental culture that tends to worship at the shrine of nature — while the rest of Montana is full of ranchers and hunters upset by wolves attacking their livestock and de- pleting elk populations. Yet the issue of wolves isn’t just hippies versus rednecks. That debate boils down to two schools of thought: Wolves are either slavering beasts with a demonic intent to slaughter and devour, or “noble savages” whose relationship with Mother Earth symbolizes the mystical connections of all nature. -
Download a Volunteer Application Form at Www
/28 J/a 2012 / 06 volume 66 FESTIVALFESTIVAL SEASONSEASON ISIS HERE!HERE! 5 pages of folk, fringe and more arts page 5 TTHEHE CULTCULT OFOF CCROSSFITROSSFIT CULTURE pagE 3 WHATWHAT WINNIPEGWINNIPEG CANCAN LEARNLEARN FROMFROM DETROITDETROIT COMMENTSnews page pagp3ageE 4 FERRO DANGERCAT MELVINS LITE FEDERAL LIGHTS JENN MIERAU arts pages 10-11 02 News The UniTer July & August 2012 www.UniTer.ca Looking for LiStingS? Cover Image CaMPUs & COMMUNItY LISTINGs aND Brooklyn-based singer-songwriter Natalia Zukerman is one of more than VOLUNtEEr OPPORTUNItIEs PaGE 2 Six movies to see Monsters take over 60 musical acts scheduled to perform this summer the Winnipeg Art Gallery MUsIC PaGE 10 at the 2012 Winnipeg Folk Festival. FILM & LIt PaGE 12 Read our five pages of summer festival GaLLErIEs & MUsEUMs PaGE 12 arts page 12 arts page 13 coverage starting on page 5. tHEATRE, DaNCE & COMEDY PaGE 12 Photo by Asia Kepka News UNITER STAFF University of Winnipeg budget maintains faculty cuts Managing ediTor Provincial Bill 2 makes no move to address funding disparity, says faculty association Aaron Epp » [email protected] BUsiness Manager Geoffrey Brown » [email protected] entirely. eThaN CaBel Gazel Manuel, president of the PRODUcTion MANAGER volUNTeer STaff Sociology Society, said that many Ayame Ulrich » [email protected] introductory sociology courses have been moved online as a result Over a month after protests of department cuts. CoNTrIBUTORS: exploded at the University of Win- “That online intro course, I just nipeg around projected cuts to ten- think it's so wrong,” she said, add- rod Beilfuss, ethan cabel, Melanie ure track faculty positions, the uni- ing that the quality of education versity's board of regents approved has taken a major hit. -
Notes from the Underground: a Cultural, Political, and Aesthetic Mapping of Underground Music
Notes From The Underground: A Cultural, Political, and Aesthetic Mapping of Underground Music. Stephen Graham Goldsmiths College, University of London PhD 1 I declare that the work presented in this thesis is my own. Signed: …………………………………………………. Date:…………………………………………………….. 2 Abstract The term ‗underground music‘, in my account, connects various forms of music-making that exist largely outside ‗mainstream‘ cultural discourse, such as Drone Metal, Free Improvisation, Power Electronics, and DIY Noise, amongst others. Its connotations of concealment and obscurity indicate what I argue to be the music‘s central tenets of cultural reclusion, political independence, and aesthetic experiment. In response to a lack of scholarly discussion of this music, my thesis provides a cultural, political, and aesthetic mapping of the underground, whose existence as a coherent entity is being both argued for and ‗mapped‘ here. Outlining the historical context, but focusing on the underground in the digital age, I use a wide range of interdisciplinary research methodologies , including primary interviews, musical analysis, and a critical engagement with various pertinent theoretical sources. In my account, the underground emerges as a marginal, ‗antermediated‘ cultural ‗scene‘ based both on the web and in large urban centres, the latter of whose concentration of resources facilitates the growth of various localised underground scenes. I explore the radical anti-capitalist politics of many underground figures, whilst also examining their financial ties to big business and the state(s). This contradiction is critically explored, with three conclusions being drawn. First, the underground is shown in Part II to be so marginal as to escape, in effect, post- Fordist capitalist subsumption. -
Don Lombardi Danny Seraphine
s s ISSUE 11 ||| 2014 ||| DWDRUMS.COM a a Tommy Clufetos of Black Sabbath on location at the MGM,a Las Vegasa s s Contents Editor’s Notes: A Passion for Innovation ARTIST FEATURES 10 FULL THROTTLE: JON THEODORE At Drum Workshop, our mission statement In the driver’s seat with the Queens of the Stone Age stick man is fairly straightforward: Solve problems for drummers. To do so, means we have to constantly 16 DECADES WITH DW: DANNY SERAPHINE improve, remain ceaselessly innovative, and push Revisiting a Chicago and DW original the envelope of design. Whether it’s a top-of-the- 18 BIG GIGS: ARIN ILEJAY & CHRISTIAN COMA line product or a price-conscious one, the goal is Metal’s newest heavy hitters get friendly with Atom Willard the same. As a company, we were founded on this principle and it’s just as valid and relevant today, 22 TOMMY CLUFETOS maybe more so. Ozzy’s powerhouse joins Black Sabbath for a massive sold-out tour Steve Jobs once said, “Innovation distinguishes between a leader and a follower.” 32 BLUE MAN GROUP The most unique act in drumming joins the DW family There is no doubt that harnessing a wide range of ideas can be a daunting task and, let me assure 36 NOTEWORTHY: COADY WILLIS you, at DW there’s no shortage of ideas. The key See what all the buzz is about with half of The Melvins’ percussive attack seems to lie in looking at the entire landscape and deciding what’s most important and what 46 FOCUS: STEPHEN PERKINS will make the biggest impact on the drumming Nothing is shocking to this Alternative Rock pioneer community. -
Smells Like Nerd Spirit
# 2007/14 dschungel https://jungle.world/artikel/2007/14/smells-nerd-spirit Smells like Nerd Spirit Von Markus Ströhlein Die großen Verweigerer: Seit mehr als 20 Jahren halten die Melvins die Musikindustrie, die Presse und die Hörer zum Narren. von markus ströhlein Die erste Aussage weckt Vertrauen: »Ihr werdet bei uns immer eine Heimat haben, um die Platten aufzunehmen, die ihr machen wollt.« Wenige Sekunden später klingt der Anrufer schon distanzierter: »Sie haben euer Video abgelehnt. Was sollen wir jetzt eurer Meinung nach machen?« Eine Frau schlägt kurz darauf einen gänzlich anderen Ton an: »Es gibt keine Extraverpackungen für Bands, die noch nicht Gold geholt haben. Ihr solltet euch glücklich schätzen. Jedes andere Majorlabel hätte euch längst fallen lassen.« Der Mann äußert resignierend einen weiteren Satz: »Die Leute von den Radiosendern mögen eure Band einfach nicht.« Etliche Gruppen dürften schlechte Erfahrungen mit großen Plattenfirmen gemacht und ähnliche Sätze gehört haben. Doch nur wenige Bands haben solche Episoden in ihren Songs festgehalten. Und niemandem dürfte es so gut gelungen sein wie den Melvins, die absurde Seite des Musikgeschäfts derart prägnant in einem Stück zusammenzufassen, das nur zwei Minuten dauert. In »Laughing with lucifer at satan’s sideshow« sind die eingangs erwähnten, nachgestellten Anrufe zu hören. Unterlegt sind sie mit einem dadaistisch anmutenden, elektronischen Beat und einem Basslauf. Dazu trommelt jemand auf Bongos herum. Das klingt völlig beknackt und passt bestens zu dem peinlichen Gerede. Die Melvins hatten 1997 allen Grund dazu, auf ihrer Platte »Honky« einen Kommentar zu den gängigen Verfahrensweisen in der Musikwelt abzugeben. 1993 waren sie von der großen Plattenfirma Atlantic unter Vertrag genommen worden. -
DALE CROVER the Melvins’ Thunder King Has Been Summoning the Wrath of the Heavens for More Than Twenty-Five Years
ANAUTOGRAPHED*OEY+RAMER PRIZEPACKAGEFROM,UDWIG !,,-!.3'%!250s/2.%44%#/,%-!.3!-)2:)6 7). AND:ILDJIANWORTHOVER -AY 4HE7ORLDS$RUM-AGAZINE 4(%$25--%23/& 0!0! 2/!#( $2)6% "9 425#+%23 '%4!.%$'% "%!2).' %$'%"!3)#3 5IF.FMWJOT :FBST0G5)6/%&30643FJHO #,!33)#-/2%,,/2%6)3)4%$ '5)4!2#%.4%2$25- /&&&).!,3 2/'%2(5-0(2)%33),6%2337).'%2 3&7*&8&% -/$%2.$25--%2#/- ,04/0 45.).'#/.'!3#!./0539!)"!2/#+3%46!4%23)'.!452%3!-%$)!#9-"!,3!4-)#3 Volume 35, Number 5 • Cover photo by Alex Solca CONTENTS 44 29 ROGER HUMPHRIES Alex Solca In 1967 he left a plum gig with Horace Silver to follow his heart—back home. More than forty years later, his reputation as one of the most stylish players and most effective teachers around has only grown. 38 AMIR ZIV Combining jazz, electronic, free, and Brazilian styles, the New York avant-everything drummer proves there are always new worlds to conquer—in his playing, and in his clinics, classes, and drum-centric getaways. Only the fearless need apply. 44 DALE CROVER The Melvins’ thunder king has been summoning the wrath of the heavens for more than twenty-five years. His reign continues uncontested—yet he’s invited another storm- bringer to rattle the earth beside him. MD speaks with Crover and his percussive partner, Coady Willis. 80 WHAT DO YOU KNOW ABOUT...? TULSA TIME Chuck Blackwell, Jimmy Karstein, David Teegarden, and the unique scene that fueled classic rock 29 14 UPDATE Ratt’s BOBBY BLOTZER Gang Of Four’s MARK HEANEY Mose Allison/Lee Konitz’s RON FREE 16 GIMME 10! Papa Roach’s TONY PALERMO Fred Michael 38 66 PORTRAITS Drive-By Truckers’ BRAD MORGAN 88 FROM THE PAST Paul La Raia Classical Roots, Part 1 EDGARD VARESE MD DIGITAL SUBSCRIBERS! When you see this icon, click on a shaded box on the page to open the audio player. -
Les Misérables
2 River Cities’ Reader • Vol. 20 No. 834 • July 11 -24, 2013 Business • Politics • Arts • Culture • Now You Know • RiverCitiesReader.com MIDWEST TECHNICAL INSTITUTE July Specials Sunday & Monday - Closed Tuesday & Wednesday 12 pm - 4 pm Thurday 10 am - 4 pm FULL BODY $ Friday 9 am - 2 pm 15 Satruday - 9 am - 2 pm SPRAY TAN VALUE Tells us you saw our ad in the River in the River saw our ad us you Tells Cities Reader to receive these discounts. to receive Cities Reader www.midwesttech.edu 3620 Avenue of the Cities • Moline, IL All Services Preformed by Students Under the Supervision of a Licensed Instructor with training from MTI (888)Classes starting 976-5167 soon. Call Today. www.midwesttech.edu For gainful employment statistics, please visit: www.midwesttech.edu/GE MTI is approved by the Division of Private Business and Vocational Schools of the Illinois Board of Higher Education. MTI is approved by the United States Department of Education to participate in the Federal Financial Aid Program. Business • Politics • Arts • Culture • Now You Know • RiverCitiesReader.com River Cities’ Reader • Vol. 20 No. 834 • July 11 -24, 2013 3 GUEST COMMENTARY by John W. Whitehead [email protected] The Myth of a Post-Racial America “How can you thank a man for giving you what’s Voting Rights Act, legislation enacted during The criminal-justice system. The starkest • Only 14 percent of drug users are black, already yours? How then can you thank him for the Civil Rights Era that was critical to the example of racial discrimination in America but blacks constitute 37 percent of those giving you only part of what’s already yours? You enfranchisement of black Americans living in today is the treatment of blacks and other arrested for drug crimes. -
Buzz Osborne
51 melvin s lite 5T O U R D1 I A R Y The Melvins ‘51 States in 51 Days’ Tour Diary, Days 1 & 2: Riding the Stripper Bus in Alaska September 10 2012, 3:15 PM ET by Buzz Osborne “My God, what were we thinking?” September 5, 2012 – Anchorage, AK @ Bear Tooth Theatre and Pub September 6, 2012 – Seattle, WA @ Showbox at the Market 2 down, 49 to go We literally had to step over used syringes as we loaded the gear out of our practice space in downtown Los Angeles. Hmmm…I can’t wait to get back. We are now calling this tour “51 States in 51 Days” because we think DC should be a state. Nonetheless, no one is listening to us about that, or much else really. So we drive to Seattle, leave our gear and then fly to Anchorage for the first show of the trip. Weirdly enough we ran into Dylan Carlson and the rest of Earth who were getting ready to fly to New Zealand for their first ever tour down under. They said they had no working papers and just tourist visas. Good luck! I told them about the time New Zealand customs officials ruined two of my guitar cases by tearing all of the lining out of them looking for drugs and when they found none, simply shoved the now useless mess back to me and told me to beat it. The Earth people seemed a bit concerned but marched onto the plane anyway. I’m sure everything will be fine once they get there…. -
Seattleská Hudební Scéna Za Posledních 30Let
ZÁPADOČESKÁ UNIVERZITA V PLZNI FAKULTA PEDAGOGICKÁ KATEDRA HUDEBNÍ KULTURY SEATTLESKÁ HUDEBNÍ SCÉNA ZA POSLEDNÍCH 30 LET BAKALÁŘSKÁ PRÁCE Jakub Klička Popularizace hudební kultury Vedoucí práce: Doc. Mgr. Tomáš Kuhn, Ph.D. Plzeň, 2014 Prohlašuji, že jsem bakalářskou práci vypracoval samostatně s použitím uvedené literatury a zdrojů informací. Plzeň, 1. června 2013 .............................................................................. vlastnoruční podpis OBSAH ÚVOD ........................................................................................................ 4 1 VZNIK SEATTLESKÉHO ZVUKU....................................................... 5 1.1 JACK ENDINO ................................................................................ 5 1.2 HLAVNÍ PŘEDSTAVITELÉ ........................................................... 7 2 VZESTUP A ZLATÁ ÉRA GRUNGE.................................................. 15 2.1 HUDEBNÍ VYDAVATELSTVÍ ..................................................... 15 2.2 HLAVNÍ PŘEDSTAVITELÉ ......................................................... 18 2.3 SVĚTOVĚ UZNÁVANÍ PŘEDSTAVITELÉ GRUNGE ................ 25 3 GRUNGE MIMO SEATTLE ................................................................ 31 3.1 GRUNGE V ŽENSKÉM PODÁNÍ ................................................. 31 3.2 GRUNGE V OSTATNÍCH ČÁSTECH USA .................................. 34 4 STAV SCÉNY PO SMRTI KURTA COBAINA .................................. 37 4.1 DOZVUKY GRUNGE ................................................................... -
MUSIC TRAX.Crtr
HAPPEN, (1998), includes 3 new tracks and 3 WYLDE BUNCH is an unconventional never released demos for a total of 32 tracks. ten-piece, alternative hip-hop group influenced The songs run the gamut from acoustic demos by diverse acts such as Earth Wind & Fire, to fully-polished punk-pop anthems. An MC/Producer MC13 has released his debut Outkast, Green Day and Led Zeppelin. Their accompanying DVD features 12 MxPx videos. album, ILLADELPH sound on their self-titled CD infuses funk, jazz, (Tooth & Nail Records - ETERNAL. He soul, and rock within hip-hop. (Surfdog www.toothandnail.com) describes his sound is Records - www.surfdog.com) a “modern King David mixed with a little Bob Marley, SATRIANI LIVE! is a double CD from Bono, and Marvin CAROLYN TRAYLOR is blazing a trail JOE SATRIANI’s Anaheim tour stop in sup- Gaye”. The CD is for herself with a powerful voice and show- port of his CD Super Colossal. This virtuoso filled with classic stopping live performances likened to Patti has total command over his instrument, and beats, fresh lyrics LaBelle. THERE’S A STORY BEHIND MY gives the listener a range from shredding guitar and live instru- PRAISE, the title track from her new CD is to smooth soul. (Sony - www.sonymusic.com) ments. (MiaMind Music - one of the most requested songs in the Gospel LIGHT GRENADES is a new perspective www.iammc13.faithweb.com) market. (Malaco Records - www.malaco.com) for the five-piece alternative rock band INCUBUS. They’ve obviously taken time to work on the songs in this album and the matur- ity shows. -
Melvins Diplomarbeit
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit: „The Melvins. Geschichte, Analyse und Neubewertung eines (außer-) musikalischen Phänomens.“ Verfasser Clemens Marschall angestrebter akademischer Grad Magister der Philosophie (Mag. phil.) Wien, 2009 Studienkennzahl lt. Studienblatt: 316 Studienrichtung lt. Studienblatt: Musikwissenschaft Betreuer: Ao.Univ.-Prof.Dr. Manfred Angerer Inhaltsverzeichnis Vorwort 1. Einführung 4 2. Pre-Melvins 8 3. 1982-1984 (Montesano): Buzz Osborne, Mike Dillard, Matt Lukin 14 4. 1984-1988 (Aberdeen): Buzz Osborne, Dale Crover, Matt Lukin 17 5. 1988-1991 (San Francisco): Buzz Osborne, Dale Crover, Lori Black 34 6. 1991-1992 (San Francisco): Buzz Osborne, Dale Crover, Joe Preston 42 7. 1992-1993 (San Francisco): Buzz Osborne, Dale Crover, Lori Black 47 8. 1993-1998 (Los Angeles, San Francisco, London): Buzz Osborne, Dale Crover, Mark „D” Deutrom 56 9. 1998-2005 (Los Angeles, San Francisco): Buzz Osborne, Dale Crover, Kevin Rutmanis 81 10. 2005 (Los Angeles): Buzz Osborne, Dale Crover, David Scott Stone 110 11. 2005 (Los Angeles): Buzz Osborne, Dale Crover, Trevor Dunn 111 12. seit 2006 (Los Angeles): Buzz Osborne, Dale Crover, Coady Willis, Jared Warren 112 13. Rück- und Ausblick 116 14. Zusammenfassung 123 15. Literaturverzeichnis 124 16. Abbildungsverzeichnis 129 17. Anhang 130 18. Lebenslauf 138 1 Vorbemerkung zur Schreibweise In dieser Arbeit wurde aus Gründen des Leseflusses auf eine durchgehnd geschlechtsneutrale Formulierung verzichtet. Der Autor ist sich allerdings der diesbezüglichen Problematik bewusst und hat versucht, eine weitgehend neutrale, nicht diskriminierende Sprache einzusetzen. Bei direkt zitierten Interviewpassagen habe ich die Originalschreibweise übernommen.