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Montana Kaimin, September 7, 2012 Students of the Niu Versity of Montana, Missoula
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 9-7-2012 Montana Kaimin, September 7, 2012 Students of The niU versity of Montana, Missoula Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Students of The nivU ersity of Montana, Missoula, "Montana Kaimin, September 7, 2012" (2012). Montana Kaimin, 1898-present. 5540. https://scholarworks.umt.edu/studentnewspaper/5540 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. MK fridaykaimin NOTALONE Emerging from the shadows of mental illness Volume CXV Issue 8 September 7, 2012 UM’s Independent Campus Newspaper Since 1898 @KaiminNews Montana Kaimin 2 OPINION Friday, September 7, 2012 SCIENCE COLUMN EDITORIAL CARTOON THE HUME’N EXPERIENCE Stop the stereotypes, save the wolves By Alice Martin Missoulians are immersed in an environmental culture that tends to worship at the shrine of nature — while the rest of Montana is full of ranchers and hunters upset by wolves attacking their livestock and de- pleting elk populations. Yet the issue of wolves isn’t just hippies versus rednecks. That debate boils down to two schools of thought: Wolves are either slavering beasts with a demonic intent to slaughter and devour, or “noble savages” whose relationship with Mother Earth symbolizes the mystical connections of all nature. -
Notes from the Underground: a Cultural, Political, and Aesthetic Mapping of Underground Music
Notes From The Underground: A Cultural, Political, and Aesthetic Mapping of Underground Music. Stephen Graham Goldsmiths College, University of London PhD 1 I declare that the work presented in this thesis is my own. Signed: …………………………………………………. Date:…………………………………………………….. 2 Abstract The term ‗underground music‘, in my account, connects various forms of music-making that exist largely outside ‗mainstream‘ cultural discourse, such as Drone Metal, Free Improvisation, Power Electronics, and DIY Noise, amongst others. Its connotations of concealment and obscurity indicate what I argue to be the music‘s central tenets of cultural reclusion, political independence, and aesthetic experiment. In response to a lack of scholarly discussion of this music, my thesis provides a cultural, political, and aesthetic mapping of the underground, whose existence as a coherent entity is being both argued for and ‗mapped‘ here. Outlining the historical context, but focusing on the underground in the digital age, I use a wide range of interdisciplinary research methodologies , including primary interviews, musical analysis, and a critical engagement with various pertinent theoretical sources. In my account, the underground emerges as a marginal, ‗antermediated‘ cultural ‗scene‘ based both on the web and in large urban centres, the latter of whose concentration of resources facilitates the growth of various localised underground scenes. I explore the radical anti-capitalist politics of many underground figures, whilst also examining their financial ties to big business and the state(s). This contradiction is critically explored, with three conclusions being drawn. First, the underground is shown in Part II to be so marginal as to escape, in effect, post- Fordist capitalist subsumption. -
Fr, 26.4. 21H30
2 AGENDA woxx | 26 04 2013 | Nr 1212 WAT ASS LASS I 26.04. - 05.05. oares WAT S ASS LASS? arlene ©M : oto F Zu dritt jazzt es sich doch am Besten: Das Reis/Demuth/Wiltgen-Trio beglückt am 26. April das Kulturhaus Niederanven, im Rahmen der „Musek am Syrdall“. marc Demarco, Exit07, Luxembourg, Fr, 26.4. 21h30. musek theateR Reis/Demuth/Wiltgen, jazz, Tschick, von Wolfgang Herrndorf, Kulturhaus, Niederanven, 20h. sparte4 (Eisenbahnstr. 22), Tél. 26 34 73-1. Dans le cadre de Saarbrücken (D), 11h. www.sparte4.de « Musek am Syrdall. » Close up, Choreographie von Yutaka shiina european Quartet, Marguerite Donlon, Alte Feuerwache, jazz, Brasserie L’Inouï, Redange/Attert, Saarbrücken (D), 19h30. 20h. Tél. 26 62 02 31. Tel. 0049 681 30 92-0. matthew Barley ensemble feat. klamms krieg, mit Nickel Bösenberg, Viktoria mullova, oeuvres de Bartok, Trois C-L (Banannefabrik, 12, rue du Kodaly, Weather Report et autres, Puits), Luxembourg, 19h30. Trifolion, Echternach, 20h. Tél. 47 08 95-1. Dans le cadre du Theatersport, auf Zuruf der Zuschauer Festival International d’Echternach. wird spontan improvisiert, Tufa, Großer Saal, Trier (D), 20h. Jali, Maison de la Culture, Arlon (B), Tel. 0049 651 7 18 24 12. 20h30. Tél. 0032 63 24 58 50. COMPLET ! Viel Lärm um nichts, Gastspiel der Bremer Shakespeare Company, Open seas, EP release party, Cube 521, Marnach, 20h. Tel. 52 15 21, Soulkitchen, Luxembourg, 20h30. www.ticket.lu The Bootleg Beatles, Rockhal, Club, Les règles du savoir-vivre dans la WAT ASS LASS Esch, 21h. société moderne, de Jean-Luc Lagarce, Kalender S. -
Les Misérables
2 River Cities’ Reader • Vol. 20 No. 834 • July 11 -24, 2013 Business • Politics • Arts • Culture • Now You Know • RiverCitiesReader.com MIDWEST TECHNICAL INSTITUTE July Specials Sunday & Monday - Closed Tuesday & Wednesday 12 pm - 4 pm Thurday 10 am - 4 pm FULL BODY $ Friday 9 am - 2 pm 15 Satruday - 9 am - 2 pm SPRAY TAN VALUE Tells us you saw our ad in the River in the River saw our ad us you Tells Cities Reader to receive these discounts. to receive Cities Reader www.midwesttech.edu 3620 Avenue of the Cities • Moline, IL All Services Preformed by Students Under the Supervision of a Licensed Instructor with training from MTI (888)Classes starting 976-5167 soon. Call Today. www.midwesttech.edu For gainful employment statistics, please visit: www.midwesttech.edu/GE MTI is approved by the Division of Private Business and Vocational Schools of the Illinois Board of Higher Education. MTI is approved by the United States Department of Education to participate in the Federal Financial Aid Program. Business • Politics • Arts • Culture • Now You Know • RiverCitiesReader.com River Cities’ Reader • Vol. 20 No. 834 • July 11 -24, 2013 3 GUEST COMMENTARY by John W. Whitehead [email protected] The Myth of a Post-Racial America “How can you thank a man for giving you what’s Voting Rights Act, legislation enacted during The criminal-justice system. The starkest • Only 14 percent of drug users are black, already yours? How then can you thank him for the Civil Rights Era that was critical to the example of racial discrimination in America but blacks constitute 37 percent of those giving you only part of what’s already yours? You enfranchisement of black Americans living in today is the treatment of blacks and other arrested for drug crimes. -
Buzz Osborne
51 melvin s lite 5T O U R D1 I A R Y The Melvins ‘51 States in 51 Days’ Tour Diary, Days 1 & 2: Riding the Stripper Bus in Alaska September 10 2012, 3:15 PM ET by Buzz Osborne “My God, what were we thinking?” September 5, 2012 – Anchorage, AK @ Bear Tooth Theatre and Pub September 6, 2012 – Seattle, WA @ Showbox at the Market 2 down, 49 to go We literally had to step over used syringes as we loaded the gear out of our practice space in downtown Los Angeles. Hmmm…I can’t wait to get back. We are now calling this tour “51 States in 51 Days” because we think DC should be a state. Nonetheless, no one is listening to us about that, or much else really. So we drive to Seattle, leave our gear and then fly to Anchorage for the first show of the trip. Weirdly enough we ran into Dylan Carlson and the rest of Earth who were getting ready to fly to New Zealand for their first ever tour down under. They said they had no working papers and just tourist visas. Good luck! I told them about the time New Zealand customs officials ruined two of my guitar cases by tearing all of the lining out of them looking for drugs and when they found none, simply shoved the now useless mess back to me and told me to beat it. The Earth people seemed a bit concerned but marched onto the plane anyway. I’m sure everything will be fine once they get there…. -
Seattleská Hudební Scéna Za Posledních 30Let
ZÁPADOČESKÁ UNIVERZITA V PLZNI FAKULTA PEDAGOGICKÁ KATEDRA HUDEBNÍ KULTURY SEATTLESKÁ HUDEBNÍ SCÉNA ZA POSLEDNÍCH 30 LET BAKALÁŘSKÁ PRÁCE Jakub Klička Popularizace hudební kultury Vedoucí práce: Doc. Mgr. Tomáš Kuhn, Ph.D. Plzeň, 2014 Prohlašuji, že jsem bakalářskou práci vypracoval samostatně s použitím uvedené literatury a zdrojů informací. Plzeň, 1. června 2013 .............................................................................. vlastnoruční podpis OBSAH ÚVOD ........................................................................................................ 4 1 VZNIK SEATTLESKÉHO ZVUKU....................................................... 5 1.1 JACK ENDINO ................................................................................ 5 1.2 HLAVNÍ PŘEDSTAVITELÉ ........................................................... 7 2 VZESTUP A ZLATÁ ÉRA GRUNGE.................................................. 15 2.1 HUDEBNÍ VYDAVATELSTVÍ ..................................................... 15 2.2 HLAVNÍ PŘEDSTAVITELÉ ......................................................... 18 2.3 SVĚTOVĚ UZNÁVANÍ PŘEDSTAVITELÉ GRUNGE ................ 25 3 GRUNGE MIMO SEATTLE ................................................................ 31 3.1 GRUNGE V ŽENSKÉM PODÁNÍ ................................................. 31 3.2 GRUNGE V OSTATNÍCH ČÁSTECH USA .................................. 34 4 STAV SCÉNY PO SMRTI KURTA COBAINA .................................. 37 4.1 DOZVUKY GRUNGE ................................................................... -
University Slow on Athletics Transparency Records Request Stalls
est, J BBBBI __BB_I THE nBr "^»-» POST Apn7 30, 2012 THE STUDENT-RUN INDEPENDENT NEWSPAPER Issue 28, Volume $6 is ; ; .JiH ^SBn jL^^i^^S* Featured |Baseballrrecap page 6 | Blrf Chalk it up $5,500 clean-up cost and Personnel foul seven citations issued By Clair Sprenger Pc9e?r leadership within athletics alleged cause of athletic directors resignation Staff Writer [email protected] By Jeremy Lubus and Zack Garhart Sports Editor and Staff Writer Police issued citations to seven [email protected] Allied Student Voice officers for spray-chalking ASV's logo on cam UW-Milwaukee administrators were pus as part of their election campaign. scrambling Monday morning following for The university estimates the clean mer Athletic Director Rick Costello's deci up costs at $5,500, and each citation sion to resign late Sunday night. the officers issued was for $267. Vice Chancellor of Media Relations Officers of ASV said they followed Tom Luljak strongly urged department rules and took all the necessary pre members not to talk to the press about the cautions by buying spray-chalk that resignation with some anonymous sources was advertised as easily washing away. expressing fear of retribution if they did. The ASV officers say they consider the in resignation took place during an investiga cident a misunderstanding. Police say tion of the department conducted by third- the chalking is still vandalism, even party company Iconic. if the spray-chalk brand promised to Rick Costello poses for a photo in September with Speaker of the Senate Rick Banks (middle) and Luljak did not say who is taking over wash off. -
Slugmag.Com 1 2 Saltlakeunderground Slugmag.Com 3 Saltlakeunderground • Vol
slugmag.com 1 2 SaltLakeUnderGround slugmag.com 3 SaltLakeUnderGround • Vol. 23 • Issue #282 • June 2012 • slugmag.com Publisher: Eighteen Percent Gray Marketing Coordinator: Editor: Angela H. Brown Karamea Puriri Managing Editor: Marketing Team: Ischa Buchanan, Jeanette Jeanette D. Moses D. Moses, Stephanie Buschardt, Giselle Contributing Editor/Napalm Flesh Editor: Vickery, Veg Vollum, Emily Burkhart, Jeremy Ricky Vigil Riley, Sabrina Costello, Taylor Hunsaker, Tom Editorial Assistant: Esther Meroño Espinoza, Grason Roylance, Kristina Sandi, Junior Editor: Alexander Ortega Brooklyn Ottens, Angella Lucisano Office Coordinator: Gavin Sheehan Copy Editing Team: Jeanette D. Moses, Social Networking Coordinator: Rebecca Vernon, Ricky Vigil, Esther Meroño, Grason Roylance Liz Phillips, Rio Connelly, Alexander Ortega, Mary Enge, Cody Kirkland, Hannah Christian, Distribution Manager: Eric Granato Johnathan Ford, Eleanor Scholz, K.C. Hutton, Distro: Eric Granato, Tommy Dolph, Tony Alex Cragun Bassett, Joe Jewkes, Nancy Burkhart, Joyce Bennett, Adam Okeefe, Ryan Worwood, Cover Illustration: Sean Hennefer Jennifer Quintana, John Ford, Kristina Sandi, Lead Designer: Joshua Joye Cody Kirkland, Nate Brooks Design Team: Eric Sapp, Nic Annette Miller Design Intern: Jeremy Riley Senior Staff Writers: Mike Brown, Mariah Ad Designers: Kent Farrington, Sumerset Mann-Mellus, James Orme, Lance Saunders, Bivens, Christian Broadbent, Kelli Tompkins, Jeanette D. Moses, Bryer Wharton, Peter Maggie Poulton, Eric Sapp, Brad Barker, Lind- Fryer, James Bennett, Ricky Vigil, Gavin Hoff- sey Morris, Paden Bischoff, Maggie Zukowski, man, Jon Robertson, Esther Meroño, Rebecca Thy Doan Vernon, Sam Milianta, Jimmy Martin, Ben Tren- Website Design: Kate O’Connor telman, JP, Tyler Makmell, Princess Kennedy, Office Interns: Jeremy Riley, Kia McGinnis Sean Zimmerman-Wall, Cody Hudson, Shawn Illustrators: Ryan Perkins, Phil Cannon, Benji Mayer, Rio Connelly, Courtney Blair, Dean O.