The Chrysler Building
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A – SMOKE and MIRRORS (The United Nations Building to Grand
SMOKE AND MIRRORS (The United Nations to Grand Central Station) ____________________________________________ At the edge of the world sits a Tower. And this Tower is no structure of brick and mortar, but a kind of illusion; a trick of the light, flickering electric blue in and out of sight; a coalescing of vapors; of misplaced goodwill. The kings and queens of the world attend here, pronouncing PEACE, while raining armaments on those of their own, or those of their own they believe to be not. But still the pilgrims come in the thousands from the Terminal seeking an audience, uninformed or disregarding of this Congregation’s inadequacy. Through miles of devastated landscape they come with their fragile appeals in their hands, towards the Tower shimmering like a mirage in the distance; and the mediaeval brick city-fortress that guards its flanks. Around them, light and shadow play upon pillars of glass and steel, reflected one upon the other so reality is indiscernible from reflection; so the pilgrim, his eyes confused and diverted, does not realise that there is in fact, nothing behind the smoke and mirrors; that this entire landscape of grandiose ideals is insubstantial. Ting 8 1 – The United Nations Secretariat Tower, completed in 1952 and designed by an international committee of architects, including Le Corbusier, Oscar Niemeyer, amongst others. Ting 9 2 – Isaiah 2:4, on the Scharansky steps, named after a Soviet dissident, and part of the Ralphe Bunche Park. This park is across from the UN complex. 3 – Channelling Hampton Court: Tudor City, a luxury residential project built between 1925-28, by the Fred F. -
CHRYSLER BUILDING, 405 Lexington Avenue, Borough of Manhattan
Landmarks Preservation Commission September 12. 1978~ Designation List 118 LP-0992 CHRYSLER BUILDING, 405 Lexington Avenue, Borough of Manhattan. Built 1928- 1930; architect William Van Alen. Landmark Site: Borough of Manhattan Tax Map Block 1297, Lot 23. On March 14, 1978, the Landmarks Preservation Commission held a_public hearing on the proposed designation as a Landmark of the Chrysler Building and the proposed designation of the related Landmark Site (Item No. 12). The item was again heard on May 9, 1978 (Item No. 3) and July 11, 1978 (Item No. 1). All hearings had been duly advertised in accordance with the provisions of law. Thirteen witnesses spoke in favor of designation. There were two speakers in opposition to designation. The Commission has received many letters and communications supporting designation. DESCRIPTION AND ANALYSIS The Chrysler Building, a stunning statement in the Art Deco style by architect William Van Alen, embodies the romantic essence of the New York City skyscraper. Built in 1928-30 for Walter P. Chrysler of the Chrysler Corporation, it was "dedicated to world commerce and industry."! The tallest building in the world when completed in 1930, it stood proudly on the New York skyline as a personal symbol of Walter Chrysler and the strength of his corporation. History of Construction The Chrysler Building had its beginnings in an office building project for William H. Reynolds, a real-estate developer and promoter and former New York State senator. Reynolds had acquired a long-term lease in 1921 on a parcel of property at Lexington Avenue and 42nd Street owned by the Cooper Union for the Advancement of Science and Art. -
Feature Property
Woolworth Building An early skyscraper, National Historic Landmark since 1966, and New York City landmark since 1983, the Woolworth Building was the tallest building in the world upon completion in 1913 until 1930. 233 Broadway New York, NY Neo-Gothic Style Façade Architectural Details Straight lines of the “piers” ascend upwards to the over-scaled pyramidal cap Top Portion of Building 57th Floor Observation Deck until 1940 Building Use Transition U-Shaped Portion- 29 Stories Tall Top 30 Floors Conversion to Luxury Residential Condominiums Lobby Details Marble Finishes Vaulted Ceiling Mosaics Stained-Glass Ceiling Light Bronze Fittings PROJECT SUMMARY Project Description A classic early high-rise architectural landmark incorporating Gothic themes with the modern idea of a skyscraper. The 1913 Gothic Revival building featured gargoyles, arches and flying buttresses. Bordered by Broadway, Barclay Street, Church Street, and Park Place, the building is located in New York City’s Financial District. Building Description 57 floor, Neo-Gothic designed, steel-rigid frame structure with light gray, limestone-colored, glazed, terra-cotta façade Official Building Name Woolworth Building Location 233 Broadway, New York City, NY Construction Start - 1910 | Completion- 1913 History Tallest building in the World 1913 - 1930 Named the “Cathedral of Commerce” upon completion Construction Cost $13.5 million LEADERSHIP | PROJECT TEAM | DESIGN | CONSTRUCTION U.S. President Woodrow Wilson New York City Mayor William Jay Gaynor Building Owner 1913 F.W. Woolworth Company Developer F.W. Woolworth Company & Irving National Exchange Bank Architect Cass Gilbert Structural Engineering Gunvald Aus Company Primary Contractor Thompson-Starrett & Company Current Use Office | Residential (top 30 floors) BUILDING CONSTRUCTION & AMENITIES SUMMARY Size 1.3 Million GSF Height 792 Feet | 241 Meters Number of Floors 57 (above ground) Design 57 floor, Neo-Gothic architectural style, featuring gargoyles, arches and flying buttresses. -
15-B William Van Alen, the Chrysler Building, 1926–1930
WILLIAM VAN ALEN [1883–1954] 15b The Chrysler Building, 1926–1930 The Chrysler Building could only have been constructed in the To make the Chrysler Building distinct from others of its kind, Van competitive climate of Manhattan in the 1920s. The American Alen chose motifs appropriate to the machine age, particularly economy was flourishing, and there was not enough office space the automobile. The spire’s gleaming stainless steel cladding calls to go around; urban builders were encouraged to aim high. In to mind the polished chrome of a brand new car. Stylized 1926, Walter P. Chrysler, one of the wealthiest men in the auto- American eagle heads protrude from some corners of the build- motive industry, entered his bid in the unofficial competition to ing in playful reference to the gargoyles on Gothic cathedrals. build the tallest structure in New York City. He wanted an office Other corners are embellished with the winged forms of a building exalted enough to symbolize his own astounding ascent Chrysler radiator cap. One ornamental frieze incorporates a in the business world. Brooklyn-born architect William Van Alen, band of hubcaps. who had a reputation for progressive, flamboyant design, met If the exterior ornament enhances the modernity of the sky- Chrysler’s challenge with a seventy-seven-story building, the first scraper, the interior was designed to recall the distant past, and in the world to exceed a height of one thousand feet. positions the Chrysler Building among the wonders of the The pyramidal form of the Chrysler Building was dictated by a world. -
True to the City's Teeming Nature, a New Breed of Multi-Family High Rises
BY MEI ANNE FOO MAY 14, 2016 True to the city’s teeming nature, a new breed of multi-family high rises is fast cropping up around New York – changing the face of this famous urban jungle forever. New York will always be known as the land of many towers. From early iconic Art Deco splendours such as the Empire State Building and the Chrysler Building, to the newest symbol of resilience found in the One World Trade Center, there is no other city that can top the Big Apple’s supreme skyline. Except itself. Tall projects have been proposed and built in sizeable numbers over recent years. The unprecedented boom has been mostly marked by a rise in tall luxury residential constructions, where prior to the completion of One57 in 2014, there were less than a handful of super-tall skyscrapers in New York. Now, there are four being developed along the same street as One57 alone. Billionaire.com picks the city’s most outstanding multi-family high rises on the concrete horizon. 111 Murray Street This luxury residential tower developed by Fisher Brothers and Witkoff will soon soar some 800ft above Manhattan’s Tribeca neighborhood. Renderings of the condominium showcase a curved rectangular silhouette that looks almost round, slightly unfolding at the highest floors like a flared glass. The modern design is from Kohn Pedersen Fox. An A-team of visionaries has also been roped in for the project, including David Mann for it residence interiors; David Rockwell for amenities and public spaces and Edmund Hollander for landscape architecture. -
Must-Visit Holiday Events I Spy Photo Game the Grandest
HOLIDAYS 2017 The magazine devoted to all things Grand Central. Post your favorite Grand Central artwork on Instagram with #GCTArt or #ShareGCT and you could be featured on @G randCentralNYC ART CREDIT: Gavin Snider @GavinDedraw MUST-VISIT I SPY THE GRANDEST HOLIDAY EVENTS PHOTO GAME CONNECTIONSGIFT GUIDES HOLIDAYS 2017 1 p. 4-7 p. 12-13 p. 18-21 ESTRELLA of GRANT-BRIGGS THE PEOPLE Conductor, Metro-North Railroad How long have you been working GRAND CENTRAL for Metro-North? 18 years Whether you’re grabbing a cocktail, shopping, or taking a train, You were recently nominated for you’ll discover it’s the people that make Grand Central so special. an award; can you tell us a bit about that? I am a recipient of the Metro-North President’s award. SEAN KEOHANE It is the highest honor bestowed Do you have a favorite MNR Building Services Custodian, on an employee for exemplary route? Why is it your favorite? Metro-North Railroad customer service and the ability The New Haven line aka the Red to impact fellow coworkers with line is my favorite. There are so What is one interesting fact many different types of people about you that you want people positivity and graciousness. I was nominated and elected the award with interesting things to say. to know? I’m deaf and use I love the Red. American Sign Language (ASL). recipient by my coworkers. Just I can read lips if words are mouthed to know that I am respected and Where do you get a bite to eat in clearly or read body language. -
Building Up: What Are London's Limits?
Building Up Contents Building Up: What are London's limits? 01 Is London falling short on tall buildings? In the first of our ‘Building Up’ series, we look at some of the key challenges to 03 Dame Judith Hackitt’s review following delivering taller developments in the capital. With pressure for growth and land the Grenfell fire: the final values at record levels in certain areas, property experts are seeking innovative report ways to deliver high quality developments at increased densities. In this 04 Whose light is it anyway? Releasing publication, we go beyond the typical issues of planning, construction and lettings rights of light reaches the High to look at the specific issues that come with building up. Court 06 Love thy neighbour: starting your Charles Russell Speechlys cohosted a panel discussion with GIA on ‘London's development on the right foot skyline and the challenges of building up’ on 5 June 2018. At the seminar, we 08 Branding your Building (before drew together industry insight from our panel of experts from across development, someone else does) planning, politics and law and through live polling of our audience of leading 10 The only way is up? How new national professionals working within the real estate sector. This gave us an indepth planning policy will increase understanding of this topic from different perspectives in the market. pressure on building height and density If you have any questions on this publication, please get in touch with 12 About Charles Russell Speechlys Claire Fallows on [email protected] or James Souter on [email protected] with any questions. -
“Skyscraper” Poem How Did Carl Sandburg Capture the Spirit of a Skyscraper in a Poem?
th 8 Grade Language Arts ILS—1A, 1B, 1C, 2A, 2B, 3A, 3B “Skyscraper” Poem How did Carl Sandburg capture the spirit of a skyscraper in a poem? Theme Vocabulary This lesson explores how language can bring an object to life. The lesson assumes caissons watertight chambers used that students have a basic working knowledge of poems and poetry terminology. in construction work under water or It can be used within teaching units on architectural vocabulary, poetry, writing, as a foundation reading, or dramatic interpretation. girders main horizontal structural members that carry a vertical load; Student Objectives similar to a beam, but usually more • retell the story of Sandburg’s poem structurally important • describe the author and his connections to Chicago mortar the building material made • recognize literary devices found in the poem from cement, sand, and water that is applied between bricks and hardens Activities to form a strong connection • illustrate the story that the poem tells pilings long slender columns • (usually of timber, steel, or reinforced Grade Language Arts identify Sandburg’s use of literary devices th concrete) driven into the ground to 8 Type carry a vertical load indoor, desktop activities architect a person who designs and 409 oversees the construction of buildings Timeframe mason a skilled laborer who builds three class sessions of 30 minutes each with stone or bricks hod carrier a laborer hired to Materials carry supplies to bricklayers, • Handout A - copy of Carl Sandburg’s poem “Skyscraper” stonemasons, cement finishers, • Handout B - worksheet for identifying poetry terms in “Skyscraper” or plasterers on the job “Skyscraper” Poem • Handouts C and D - five photographs of historic Chicago skyscrapers and a tier a floor or a story of a building photo of Sandburg • large sheets of drawing paper, pencils, crayons, markers See Handout B for poetry vocabulary. -
2017: Skyscraper History's Tallest, Highest- Volume, and Most
ctbuh.org/papers Title: 2017: Skyscraper History’s Tallest, Highest- Volume, and Most Geographically Diverse Year Authors: Subjects: Architectural/Design Building Case Study Publication Date: 2018 Original Publication: CTBUH Journal 2018 Issue I Paper Type: 1. Book chapter/Part chapter 2. Journal paper 3. Conference proceeding 4. Unpublished conference paper 5. Magazine article 6. Unpublished © Council on Tall Buildings and Urban Habitat / CTBUH Year in Review: Tall Trends of 2017 2017: Skyscraper History’s Tallest, Highest- Volume, and Most Geographically Diverse Year Abstract This 2017 Tall Building Year in Review / Tall Buildings in Numbers data analysis report shows that more buildings of 200 meters’ height or greater were completed in 2017 than in any other year, with a total of 144 completions. Notably, 2017 was also the most geographically diverse year in terms of the number of cities and countries that completed 200-meter-plus buildings, with 69 cities across 23 countries represented in the data, up from 54 cities across 18 countries in 2016. The report covers other statistical highlights of 2017 and predicts completions for 2018. Note: Please refer to Tall Buildings in Numbers – The Global Tall Building Picture: Impact of 2017 in conjunction with this paper, pages 52–53 Keywords: 2017, Completions, Height, Statistics, Skyscrapers, Urbanization More buildings of 200 meters’ height or added together – was 35,145 meters, making densification, as more than one million greater were completed in 2017 than in any 2017 the “tallest year ever.” people on our planet urbanize each week. other year, with a total of 144 completions, Thirteen cities saw their first 200-meter-plus marking the fourth consecutive record- Notably, 2017 was also the most high-rise completion in 2017, in addition to breaking year (see Figure 2). -
EDUCATION MATERIALS TEACHER GUIDE Dear Teachers
TM EDUCATION MATERIALS TEACHER GUIDE Dear Teachers, Top of the RockTM at Rockefeller Center is an exciting destination for New York City students. Located on the 67th, 69th, and 70th floors of 30 Rockefeller Plaza, the Top of the Rock Observation Deck reopened to the public in November 2005 after being closed for nearly 20 years. It provides a unique educational opportunity in the heart of New York City. To support the vital work of teachers and to encourage inquiry and exploration among students, Tishman Speyer is proud to present Top of the Rock Education Materials. In the Teacher Guide, you will find discussion questions, a suggested reading list, and detailed plans to help you make the most of your visit. The Student Activities section includes trip sheets and student sheets with activities that will enhance your students’ learning experiences at the Observation Deck. These materials are correlated to local, state, and national curriculum standards in Grades 3 through 8, but can be adapted to suit the needs of younger and older students with various aptitudes. We hope that you find these education materials to be useful resources as you explore one of the most dazzling places in all of New York City. Enjoy the trip! Sincerely, General Manager Top of the Rock Observation Deck 30 Rockefeller Plaza New York NY 101 12 T: 212 698-2000 877 NYC-ROCK ( 877 692-7625) F: 212 332-6550 www.topoftherocknyc.com TABLE OF CONTENTS Teacher Guide Before Your Visit . Page 1 During Your Visit . Page 2 After Your Visit . Page 6 Suggested Reading List . -
Empire-State-Bldg.Pdf
I{est Dominating the westward foreground is the dramatic black spike of ()ne Penn Plaza rising above the Madison Square Garden sports entertainment complex, and to its immediate right, the sprawling Jacob Javits Convention Center. Just beyond, the retired World War Il aircnaft carrier, Intrepid, houses the Air and Space Museum. From this area ferry services Iink Manhattan with New Jersey in minutes, while fleets of excursion craft stand by for sightseeing trips and dinner cruises around the island, or for day-long trips up the Hudson. Across the Hudson the New Jersey landscape stretches out past Newark lnternational Airport to the gently rolling hills of the Ramapo Mountains and beyond to the resort and vacation playgrounds of Pennsylvania's Pocono Mountains, South To the south the City takes on a Iess lofty character, where many of its historical buildings are dwarfed by the soaring Wall Street structures. Visible in the center foreground is the appropriately- named Flatiron Building, and south from there the elegant Woolworth Building, once the tallest building in the world at only 60 floors. To the right in Upper New York Bay stands the Great Lady herself, the Statue of Liberty, and the adjoining EIIis Island, where millions of immigrants first stood on American soil. To the lower left, the Manhattan and Brooklyn Bridges appear as miniatures against the backdrop of the majestic span of the Verrazano-Narrows Bridge joining the boroughs of Brooklyn and Staten lsland. I Ncrth Far below in the foreground to the right stands the shimmering Chrysler Building, the impressive Metlife Building (formerly the Pan Am Building) bordering nearby. -
The Skyscraper of the 1920S
BECOMING MODERN: AMERICA IN THE 1920S PRIMARY SOURCE COLLECTION ONTEMPORAR Y IN OMMENTARY HE WENTIES T T C * THE SKYSCRAPER In the American self-image of the 1920s, the icon of modern was the modern city, the icon of the modern city was New York City, and the icon of New York City was the skyscraper. Love it or hate it, the skyscraper symbolized the go-go and up-up drive that “America” meant to itself and much of the world. A sampling of twenties illustration and commentary on the architectural phenomenon that still captures the American imagination is presented here. Berenice Abbott, Cliff and Ferry Street, Manhattan, photograph, 1935 Louis Lozowick, 57th St. [New York City], lithograph, 1929 Museum of the City of New York Renwick Gallery/Smithsonian Institution * ® National Humanities Center, AMERICA IN CLASS , 2012: americainclass.org/. Punctuation and spelling modernized for clarity. Complete image credits at americainclass.org/sources/becomingmodern/imagecredits.htm. R. L. Duffus Robert L. Duffus was a novelist, literary critic, and essayist with New York newspapers. “The Vertical City” The New Republic One of the intangible satisfactions which a New Yorker receives as a reward July 3, 1929 for living in a most uncomfortable city arises from the monumental character of his artificial scenery. Skyscrapers are undoubtedly popular with the man of the street. He watches them with tender, if somewhat fearsome, interest from the moment the hole is dug until the last Gothic waterspout is put in place. Perhaps the nearest a New Yorker ever comes to civic pride is when he contemplates the skyline and realizes that there is and has been nothing to match it in the world.