Tour of Ludvig Holberg's Copenhagen

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Born in Bergen Lived in Copenhagen 1684 1703-1754 Tour of Ludvig Holberg’s Copenhagen ENRESSH meeting in Copenhagen, 5 November 2018 n 1684: Born in Bergen 3. December. n Bergen was at that time Norway’s largest city with 15,000 inhabitants The celebration of Holberg’s 200th anniversary in Bergen 3rd December 1884 Bergen 3rd December 1884: Griegs’s Holberg Suite was composed on this occasion n 1691-1702: The cathedral school of Bergen n 1702: Bergen burns down. Goes to Copenhagen for final exam n 1702: Voss, Norway n 1703-04: Studies om Copenhagen The Bodleyan Library, Oxford n 1704-05: Travels to the Netherlands n 1705: Kristiansand, Norway n 1706-08: London and Oxford n 1708: Dresden and Leipzig n 1714-16: Copenhagen- Netherlands- Belgium-France- Italy-France- Germany- Copenhagen n 1725-26: Paris Professor at the University of Copenhagen 1717-1754 The most productive and influential author of the Enlightenment in Denmark and Norway History Fiction Essays Law and social science Autobiography 0 1000 2000 3000 4000 5000 6000 Number of pages n 1702-28 and 1748-54: 32 comedies n 1741: The Journey of Niels Klim to the World Underground Published by Aarhus University Press Open Access to everything Holberg wrote Am I dreaming, or am I awake? Professor at the University of Copenhagen 1717-1754 We take the metro three stops to Nørreport (Northgate) We walk to the old university and Copenhagen’s quartier latin We will see the house where Holberg lived in his last years, and the student dormitory of his early years We go to Købmagergade (Merchant street) where he lived while writing his comedies We go to Ny Adelgade, where the theater (now gone) performed his comedies We go to Kongens Nytorv, where we find him in front of the Royal Theatre We continue to Nyhavn We take the Harbour Bus (boat) to the Royal Library The Royal Library We continue to the theatre museum at the old Court Theatre where the director, Peter Teilmann, will receive us for a guided tour and drinks We must leave the Theatre Museum at 7pm at the latest .

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THE DRAMATURGY OF LUDVIG HOLBERG'S COMEDIES Gerald S. Argetsinger A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 1975 BOWLIÎO&EBÎ STATE UNIVERSITY LIBRARY © 1975 GERALD SCOTT ARGETSINGER ALL RIGHTS RESERVED il ABSTRACT This study first described Ludvig Holberg's dramaturgy and then identified the characteristics which • have engendered the comedies' continued popularity. All of the prior Holberg research was studied, but most of the understanding of the comedies came through the careful studying of the playscripts. Holberg's form was greatly influenced by the comedies of Moliere and the Commedia dell' Arte. The content and tone were influenced by the comedies of Ben Jonson and George Farquhar. Holberg wrote for, and was best liked by, the middle class. At first, scholars found his plays crass and inferior. But only twenty years after his death, the plays were accepted as the foundation of the Royal Danish Theatre’s repertory. Holberg created comic characters based upon middle class types. The characters’ speech is almost strictly everyday, Copenhagen Danish. Little was done to linguistically individualize speech except when it was an integral part of the satire of the play. Holberg was also adept at writing jokes. He was a master at creating comic situations. These situations give the characters a setting in which to be funny and provide a foundation for intrigues and other comic business. The visual aspects of the early productions were not important. After careful investigation, it was concluded that Holberg's plays did not succeed, as previous writings tend to assume, because of the "Danishness” of the characters.
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