Una Mirada Hacia El Canon Literario Del Siglo XIX En La Nueva Escuela Secundaria

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Una Mirada Hacia El Canon Literario Del Siglo XIX En La Nueva Escuela Secundaria Notas y reflexiones didácticas en torno a dos experiencias de escritura electrónica TIPO DE ARTÍCULO: Experiencias de aula Una mirada hacia el canon literario del siglo XIX en la nueva escuela secundaria A view to 19th century literary canon in the new high school Páginas 68-76 Vanina Reinoso Marilina Aibar Cátedra Literatura Argentina I [email protected] Departamento Letras [email protected] Facultad de Humanidades Universidad Nacional de Catamarca Letralia. Revista del Departamento Letras Dirección de Publicaciones Facultad de Humanidades Universidad Nacional de Catamarca Año 3 | N° 3 Volumen 2 Fecha de recepción: 25.jul.2014 ISSN 2545-8515 Fecha de aceptación: 18.mar.2015 Septiembre de 2017 Letralia. Revista del Departamento Letras N°3. Volumen 2 Página 68 Septiembre de 2017 | págs. 68-76 ISSN 2545-8515 Vanina Reinoso | Marilina Aibar El artículo se plantea una reflexión sobre el canon de la literatura argentina, que se The article raises a reflection on the inicia en la Historia de la literatura Resumen canon of Argentine literature, which argentina de Ricardo Rojas, compilación begins in the Historia de la Literatura ambiciosa que ha gozado de Argentina by Ricardo Rojas, an reconocimiento y aceptación por parte ambitious compilation that has enjoyed de la crítica. Nos preguntamos si este recognition and acceptance by critics. canon aún prevalece en nuestro tiempo y We wonder if this canon still prevails in cómo se refleja, de ser así, en las our time and how it is reflected, if so, in propuestas de enseñanza de la literatura the teaching proposals of Argentine argentina en la Nueva Escuela literature in New High School. The Secundaria. El propósito es examinar la purpose is to examine the presence or presencia o la ausencia de tal canon en absence of such a canon in the las instituciones educativas de la ciudad educational institutions of the city of de San Fernando del Valle de Catamarca. San Fernando del Valle de Catamarca. In En una primera parte, reflexionamos the first part, we reflect on the concept acerca del concepto de canon literario. of literary canon. Then, we analyze the Luego, analizamos los documentos current curricular documents in the curriculares vigentes en la búsqueda de search for answers to the initial respuestas a las preguntas iniciales. questions. Palabras-clave: Abstract Canon literario. Literatura Argentina. Key words: Nueva Escuela Secundaria. Canon literary. Literature Argentina. New High School. Letralia. Revista del Departamento Letras N°3. Volumen 2 Página 69 Septiembre de 2017 | págs. 68-76 ISSN 2545-8515 Una mirada hacia el canon literario del siglo XIX en la nueva escuela secundaria Introducción conformación. Uno de esos criterios ve en los propios escritores, en su talento artístico Cada época histórica tiene sus personal y en el mérito objetivo de sus obras, peculiaridades. Estas influyen tanto en la el verdadero motor de la máquina de valor y sociedad, como en la cultura. La educación, de prestigio por la que llega a definirse un canon. El otro criterio, en cambio, postula una y particularmente la enseñanza de la serie de mediaciones institucionales: diversas Literatura Argentina, no son ajenas a estos instancias de valoración que definen centros y cambios e influencias. periferias, inclusiones y exclusiones, más allá Hace un siglo que Ricardo Rojas escribió de lo que pueda estar al alcance de los propios Historia de la literatura argentina. Allí se escritores o del poder que sus obras tendrían engendró el primer canon de nuestra para imponerse por sí mismas (Kohan, 2013: literatura y, a través de los años, aquella 3). ambiciosa compilación ha gozado de reconocimiento y aceptación por parte de Por otra parte, el teórico considera que: la crítica. Ante este panorama nos preguntamos: ¿El canon de Ricardo Rojas La temática del canon literario toca un aspecto aún prevalece en nuestro tiempo? Y de ser fundamental del trabajo de los docentes (pero así, ¿cómo se refleja en la enseñanza de la también del trabajo de los escritores, los críticos, los periodistas culturales, los Nueva Escuela Secundaria? bibliotecarios, los editores, los traductores, Nuestro propósito es examinar la vigencia los sociólogos, etc.): en la definición del canon o ausencia de tal canon en establecimientos se dirimen centralidades y periferias, valores de la ciudad de San Fernando del Valle de y disvalores literarios, consagraciones y Catamarca. postergaciones, pedestales y olvidos; también Hablar de canon, de su determinación y se determina qué literatura va a ser leída y qué límites ha resultado siempre complejo pues literatura no va a ser leída, y de qué manera va “el del canon es un problema dependiente a ser leída la que sea leída (dentro de qué de contextos académicos muy precisos” tradición, con qué categorías, con qué (Pozuelo, 2006: 18) y, entre otros factores, sentidos); en la definición del canon literario se dirime también una manera de concebir de los modos en que las instituciones una identidad (aquella a la que una culturales otorgan un lugar de privilegio a determinada literatura puede interpelar; ya ciertas obras en detrimento de otras. Ya en sea por ejemplo la literatura latinoamericana, 1994, Harol Bloom en The Western Canon o la literatura judía, o la literatura argentina, o abordaba dicha problemática; a grandes la literatura universal. (Kohan, 2013: 2). rasgos, defendía la concepción individual del artista y de su producción. Sostenía, en En vistas a determinar la posible este sentido, que la inclusión de un autor persistencia del criterio de Rojas en el dentro del canon obedece al impacto estado actual, tanto del campo literario estético de su obra, a su posición social como del pedagógico, creímos conveniente privilegiada dentro del campo cultural y a en primer lugar, indagar – mediante otros elementos presentes en el sistema encuestas– a un grupo de veinte literario de la época1. educadores que se desempeñan en En torno al canon, Martín Kohan plantea establecimientos educativos de la capital que: catamarqueña, tanto en el Ciclo Básico Común como en el Orientado.2 Un gran Existen al menos dos modos de concebir lo porcentaje trabaja en los dos últimos años que es el canon literario, dos criterios, que del Ciclo Orientado y un porcentaje menor, más que complementarse se oponen, acerca en los primeros años de este ciclo. Esto de la manera en que un canon se integra a permitió determinar no sólo el grado de través del proceso histórico de su permanencia de los nombres ya señalados 1 Según este criterio, la producción del escritor 2 Los sondeos se llevaron a cabo en siete reviste un carácter personal que nada tiene que ver establecimientos educativos. Fueron entrevistados con la representación de una clase o de un grupo docentes de ambos sexos. Las edades oscilaron, para social determinado, tal como lo defendían los los hombres entre 21 y 26 años y para las mujeres, Estudios Culturales. entre 37 y 53 años. Vanina Reinoso | Marilina Aibar por Rojas en los planes de estudio, sino del estudio y la consideración de obras también observar el conocimiento que los emblemáticas para una imagen de la educadores tienen sobre el señalado canon cultura argentina. Respecto de lo cual, el fundacional. El relevamiento, en segundo mismo Rojas decía: “El estudio de la lugar, posibilitó enmarcar la reflexión literatura argentina, omitido hasta acerca de cómo se configura el canon entonces […] es una asignatura cuya literario en la sociedad actual y de qué fundación se hacía necesaria para manera se implementa en nuestra Escuela completar el conocimiento de nuestra Secundaria. formación nacional” (Rojas, 1948: 25). La idea de una idiosincrasia nacional se sustenta, pues, desde un conjunto de obras Desarrollo de la reflexión que, tanto en el plano del contenido como en el de la forma, reflejan, por así decirlo, Para encuadrar más claramente los datos una manera de ser argentina. El criterio con extraídos a partir de los sondeos, es que Rojas organizó la clasificación de los conveniente trazar algunas generalidades textos parece obedecer no solo a factores acerca de los elementos que juegan un estéticos sino al contenido que suscita en el papel importante en los procesos de lector valores patrióticos o nacionalistas. canonización de los textos. Al tratarse de Atestigua lo que estamos señalando, la una problemática constituida por selección que presenta: da la impresión de numerosas aristas no pretendemos aquí ser cronológica pero –si nos fijamos bien– agotar o esclarecer el asunto, sino intentar no es tan así. Se pueden encontrar una aproximación crítica y exploratoria del escritores separados por el tiempo, pero tema. unidos por filiaciones estéticas, ideológicas Acercarnos a un canon histórico como el de y políticas. Por ejemplo, Echeverría es un Rojas ha implicado, en primer lugar, escritor que pertenece a “Los Proscriptos”; colocarnos frente a una norma sin embargo, La Cautiva tiene las cuidadosamente fijada para un período características de los textos que determinado de las letras argentinas y, en corresponden a “Los Gauchescos”. En segundo lugar, observar ‘la centralidad’ de relación a esto, Ricardo Rojas ironiza sobre unos textos en relación a otros, pues, esta cuestión cuando se refiere a algunos se ubican en un lugar de privilegio Sarmiento: dentro del campo cultural. ¿Qué mecanismos incidieron para que éstos Tentado estuve, cuando escribía “Los ocuparan tal posición? gauchescos” de incluir a Sarmiento en aquella Es innegable que el valor estético juega un serie, aunque desdeñó tanto a los gauchos. papel fundamental a la hora de su Pero su Facundo es una descripción de la consideración. Libros como La cautiva, pampa y la vida pastora, y tal habría sido la justificación, para hablar de él en la misma Facundo, Martín Fierro por ejemplo, parte donde he hablado de […] Echeverría por presentan un elaborado trabajo de estilo y La Cautiva, el poema del desierto argentino expresión.
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