Representative Gaucho Poetry and Fiction of Argentina
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This Thesis Comes Within Category D
* SHL ITEM BARCODE 19 1721901 5 REFERENCE ONLY UNIVERSITY OF LONDON THESIS Degree Year i ^Loo 0 Name of Author COPYRIGHT This Is a thesis accepted for a Higher Degree of the University of London, it is an unpubfished typescript and the copyright is held by the author. All persons consulting the thesis must read and abide by the Copyright Declaration below. COPYRIGHT DECLARATION I recognise that the copyright of the above-described thesis rests with the author and that no quotation from it or information derived from it may be published without the prior written consent of the author. LOANS Theses may not be lent to individuals, but the Senate House Library may lend a copy to approved libraries within the United Kingdom, for consultation solely on the .premises of those libraries. Application should be made to: Inter-Library Loans, Senate House Library, Senate House, Malet Street, London WC1E 7HU. REPRODUCTION University of London theses may not be reproduced without explicit written permission from the Senate House Library. Enquiries should be addressed to the Theses Section of the Library. Regulations concerning reproduction vary according to the date of acceptance of the thesis and are listed below as guidelines. A. Before 1962. Permission granted only upon the prior written consent of the author. (The Senate House Library will provide addresses where possible). B. 1962 -1974. In many cases the author has agreed to permit copying upon completion of a Copyright Declaration. C. 1975 -1988. Most theses may be copied upon completion of a Copyright Declaration. D. 1989 onwards. Most theses may be copied. -
The Argentine 1960S
The Argentine 1960s David William Foster It was the time of the Beatles, of high school studies, of “flower power,” of social ist revolution, of a new French movie house, of poetry, of Sartre and Fanon, of Simone de Beauvoir, of Salinger and Kerouac, of Marx and Lenin. It was all of that together. It was also the time of the Cuban Revolution, which opened our hearts, and it was the time of a country, Argentina, which took the first steps to ward vio lence that was to define our future (Fingueret 20-21). El cine es una institución que se ha modificado tanto que ya perdió su carácter de “región moral”. Las salas de cine hasta los primeros años de la década del sesen- ta eran lugares de reunión social donde la gente iba a estar como en un centro de reunión social, un club o un café del que se era habitué....Las antiguas salas tenían personalidad propia y algunas cum plían otras funciones que aquellas para las que habían sido creadas; en tiempo de represión sexual, eran frecuen- tadas por parejas heterosexuales que se besaban y mas- turbaban. Los homosexuales tenían su espaci en cier- tas salas llamadas “populares” no frecuentadas por familias, y en mu chos casos sus espectadores eran varones solos. “Hacer el ajedrez” se decia en el argot de los habitués, en esos cines, a cambiarse cons - tantemente de butaca en busca de la compañía ade- cuada (Sebreli 344).1 In Argentina, it was the best of times, and it was the worst of times. -
Popular, Elite and Mass Culture? the Spanish Zarzuela in Buenos Aires, 1890-1900
Popular, Elite and Mass Culture? The Spanish Zarzuela in Buenos Aires, 1890-1900 Kristen McCleary University of California, Los Angeles ecent works by historians of Latin American popular culture have focused on attempts by the elite classes to control, educate, or sophisticate the popular classes by defining their leisure time activities. Many of these studies take an "event-driven" approach to studying culture and tend to focus on public celebrations and rituals, such as festivals and parades, sporting events, and even funerals. A second trend has been for scholars to mine the rich cache of urban regulations during both the colonial and national eras in an attempt to mea- sure elite attitudes towards popular class activities. For example, Juan Pedro Viqueira Alban in Propriety and Permissiveness in Bourbon Mexico eloquently shows how the rules enacted from above tell more about the attitudes and beliefs of the elites than they do about those they would attempt to regulate. A third approach has been to examine the construction of national identity. Here scholarship explores the evolution of cultural practices, like the tango and samba, that developed in the popular sectors of society and eventually became co-opted and "sanitized" by the elites, who then claimed these activities as symbols of national identity.' The defining characteristic of recent popular culture studies is that they focus on popular culture as arising in opposition to elite culture and do not consider areas where elite and popular culture overlap. This approach is clearly relevant to his- torical studies that focus on those Latin American countries where a small group of elites rule over large predominantly rural and indigenous populations. -
Ballve, Teo. Mate on the Market.Pdf
NACLA REPORT ON THE AMERICAS update Mate on the Market: Fair Trade and the Gaucho’s ‘Liquid Vegetable’ Part two in a series By Teo Ballvé HEN EUGENIO KASALABA AWOKE ON went to the morgue to identify their leader’s mu- March 24, 1976, in Argentina’s north- tilated body. Kasalaba now holds the post once Weastern-most province of Misiones, occupied by Peczak. His biggest fear is no longer he and his father began the day with their usual the military; it’s the market. routine of heating water and turning on the ra- In the last 15 years, mate has quietly bloomed dio. But instead of the expected news program or into a multimillion-dollar global industry, with a an old tango, they heard an unmistakable sign of growing consumer base in Asia, Europe, North the coming terror: “Avenida de las Camelias,” the America, and the Middle East. International sell- Argentine military’s favorite marching-band song, ers are trying to position mate—packed with all across the radio dial, the same song. Stunned, vitamins and minerals, including more antioxi- Kasalaba muttered, “Papá, el golpe, el golpe” dants than green tea—as a healthy alternative to (Dad, the coup, the coup). Without coffee, with a milder caffeine buzz. taking his eyes off the radio, his father In the last 15 Meanwhile, a handful of initiatives are replied, “Come, let’s have a mate.” years, mate has banking on the organic and fair trade Even in the worst of times—or espe- markets as a way for small-scale mate cially in the worst of times—drinking quietly bloomed producers to make a sustainable living an infusion of yerba mate (pronounced into a multi- without damaging the environment. -
Benito Lynch: the New Interpreter of the Pampa
WNW-O LYNCH: THE NEW iNT-ERPRETER OF THE -PAMPA~-.. Thesis for the Dogma a? M. A. M‘ICHEGoAN STATE UNIVERSITY Richard Dwight Pawers E964 THIS” LIBRARY Michigan State University BENITO LYNCH: THE NEW INTERPRETER OF THE PAMPA I By Richard Dwight Powers A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Department of Foreign Languages Spanish 196“ -.. _ o.» .J wordemphd a J. HZUMPLm ;.Hm h mowmeo \( U) Ss.h C w “out.” 06 )movxmh I. O\Ci‘hOEW/IIW any \l/ L 3H éomo . .... J ._ --K|-’ .16...» “ I to).‘1 .. OSPCDE HUDSUmapV wo+c_e 6 m ? UOQQ®.:U mopfiw- p. mahfiwa P. ’I'J‘I II)...- .'<I.ll\‘-U.IIJI ‘ 4f! LP...» . ... C(C .rrlur. C HEEL?» .3) .Q o:rL.C EEC... I O O O O .... .1 V1!..l)|_1.J.\. ..IA than. ......(CFHC a. O O O O 0 0 ””8 ....n1 EH} 9;“ .(O (.-.... 8 3) Z.) x. .. _ .L .21 «4 rk( n5 1w_.r4. v mOCeflyirLr. In.) 1‘. .1....4_.J ..Zfl. [Pk ....-(r/ a -.(.C.. ...,L 00.,1 ‘J. A. 11.74-47 .a. 1H] 0 .1 .K. F ...... U. .. frkrr LLL. L fl) mo...‘ ..JJ..‘I.... v1 . .DFrP_I...(-fi I. .q .d‘C'ol JuJ.‘ J ‘IOOI‘. .14.. r . Lark r. .U. ..(?! (‘ H. .k [ml F LIH mpwuusaonb on7_o .wo -.a-r-m as o:.nqu “VFW Lo MCQEmHm d .H . 20H-u.momem .1 hmwraxm INTRODUCTION many epithets have been placed after the name of Benito Lynch. -
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12th EASA Biennial Conference Nanterre, France 10-13th July 2012 Uncertainty and disquiet Panel W076 Anxious sovereignties Convenors: Rebecca Bryant (LSE) and Jakob Rigi (CEU) Is federalism a threat to state sovereignty? The politics of new interprovincial regions in Argentina Julieta Gaztañaga (UBA/CONICET, Argentina) Introduction Federalism has been a powerful and quite controversial concept since the very origins of Argentine nation-state. From the bloody civil wars that followed the declaration of independence in the 19th century to the current macro-politics debates about federal taxes, federalism seems to be an omnipresent metaphor of the Argentine state imagination. Without a doubt, federalism is central to the imagination and realization of Argentine the Sate, for it connects in a symbolic and material form both past and present, and range of dramas and possibilities of the state's legitimacy and sovereignty. But federalism is also a political value that enacts specific –and sometimes controversial– policy making. In this paper I focus on the relations between federalism and state sovereignty, using my ethnographic research among politicians –mainly identified with Peronismo–1 and other social actors engaged with the creation and bolstering of a new region, the Central Region Centro of Argentina (RC)2. I’d like to show that most of the debates conveyed in terms of federalism are not about political organization neither about distribution of resources, but about an ongoing project of nation-state building, marked by a specific language of consensus/ confrontation rather than an ideology of integration/cohesion, regarding the process of transforming space into territory inherent to modern state. -
Romancing the Masses: Puig, Perón and Argentine Intellectuals at the Fin De Siècle
Romancing the Masses: Puig, Perón and Argentine Intellectuals at the Fin de Siècle Dr. Silvia Tandeciarz DePaul University Prepared for delivery at the 1997 meeting of the Latin American Studies Association, Continental Plaza Hotel, Guadalajara, Mexico, April 17-19, 1997. 2 I’d like to begin by situating my intervention here in two contexts: that of my work as a cultural critic in the American Academy and that of my work on Peronism. My comments emerge from questions I have been asking myself regarding the meaning and place of intellectual work, questions that have been overdetermined by polemics central to both, Peronist discourse and the relatively new field of Cultural Studies. My immersion in Cultural Studies has pressed me to ask what it means to be an intellectual in what we might call the age of postmodernism; what are the new challenges that face us, given the new ways in which culture is disseminated, given the new technologies we have to contend with, given the literary permutations they’ve inspired in traditional genres and the transformations of the publishing world, etc.? What is our role? Are we still, in some way, gatekeepers, determining, as Daniel James has written, “notions of social and cultural legitimacy--what Pierre Bourdieu has defined as ‘cultural and symbolic’ capital”?1 Are we secretly activists trying to convert students into militant subversives? What kinds of culture will we promote? What will we teach in “culture and civilization” classes and to what ends? What does it mean to form part of institutions that -
Argentine Literature As Part of the Latin-American: Debates, Characteristics and Dialogues
INTERLITTERARIA 2020, 25/2: 359–366 359 Argentine Literature as Part of the Latin-American: Debates, Characteristics and Dialogues Argentine Literature as Part of the Latin-American: Debates, Characteristics and Dialogues LUCÍA CAMINADA ROSSETTI Abstract. The article will suggest that the texts and ways of reaching some materials and perspectives in Argentina, remains at a national level. It is important to notice that in order to read criticism and theory regarding Latin American literature, Spanish from Río de la Plata separates at some point the fields. In that regard, one of the greatest assets and achievements of Argentinian literary research concerns the relationship between politics and fiction. In connection with this it might be asked how we can think of Argentinian literature without linking it to the social discourse? How can we think of the comparative field of Latin-American and Argentinian literature as one academic area of studies? In our view, comparatism seems to be one of the loneliest areas of studies in terms of the fields of theory, fiction and criticism. We thus suggest that in Argentina, literary research and criticism in general are strictly concerned with only one option: the national culture. Thus, exclusively, western theoretical frames are chosen to read literature and comparative perspectives are mostly applied to European studies. That is why I insist on the fact that comparative literary research is not represented institutionally at all. Keywords: Latin America; Argentine literature; comparative literature; cultural studies Introduction How do we think of the comparative field of Latin-American and Argentinian literature as one and the same academic area of studies? In our view, comparative literature in Latin America seems to be one of the loneliest areas of study in terms of theory, fiction and criti-cism. -
Crime, Histoire & Sociétés / Crime, History
Crime, Histoire & Sociétés / Crime, History & Societies Vol. 8, n°2 | 2004 Varia Ricardo D. Salvatore, Wandering Paysanos. State Order and Subaltern Experience in Buenos Aires During the Rosas Era Durham and London, Duke University Press, 2003, 524 p., ISBN 0 8223 3086 5 Ruth Stanley Electronic version URL: http://journals.openedition.org/chs/471 DOI: 10.4000/chs.471 ISSN: 1663-4837 Publisher Librairie Droz Printed version Date of publication: 1 November 2004 Number of pages: 163-166 ISBN: 2-600-00803-5 ISSN: 1422-0857 Electronic reference Ruth Stanley, “Ricardo D. Salvatore, Wandering Paysanos. State Order and Subaltern Experience in Buenos Aires During the Rosas Era”, Crime, Histoire & Sociétés / Crime, History & Societies [Online], Vol. 8, n°2 | 2004, Online since 20 February 2009, connection on 16 February 2021. URL: http:// journals.openedition.org/chs/471 ; DOI: https://doi.org/10.4000/chs.471 This text was automatically generated on 16 February 2021. © Droz Ricardo D. Salvatore, Wandering Paysanos. State Order and Subaltern Experienc... 1 Ricardo D. Salvatore, Wandering Paysanos. State Order and Subaltern Experience in Buenos Aires During the Rosas Era Durham and London, Duke University Press, 2003, 524 p., ISBN 0 8223 3086 5 Ruth Stanley REFERENCES Ricardo D. Salvatore, Wandering Paysanos. State Order and Subaltern Experience in Buenos Aires During the Rosas Era, Durham and London, Duke University Press, 2003, 524 p., ISBN 0 8223 3086 5 1 In this impressive book, Ricardo D. Salvatore draws on a wide range of sources including military records, legal archives, official correspondence and popular poetry to reconstruct subaltern experience during the supremacy of Juan Manuel de Rosas within the Argentine Confederation. -
Argentina-Report-World
CultureGramsTM World Edition 2015 Argentina (Argentine Republic) Before the Spanish began to colonize Argentina in the 1500s, BACKGROUND the area was populated by indigenous groups, some of whom belonged to the Incan Empire. However, most groups were Land and Climate nomadic or autonomous. Colonization began slowly, but in Argentina is the-eighth largest country in the world; it is the 1700s the Spanish became well established and somewhat smaller than India and about four times as big as indigenous peoples became increasingly marginalized. The the U.S. state of Texas. Its name comes from the Latin word British tried to capture Buenos Aires in 1806 but were argentum, which means “silver.” Laced with rivers, Argentina defeated. The British attempt to conquer the land, coupled is a large plain rising from the Atlantic Ocean, in the east, to with friction with Spain, led to calls for independence. At the the towering Andes Mountains, in the west, along the Chilean time, the colony included Paraguay and Uruguay as well as border. The Chaco region in the northeast is dry, except Argentina. during the summer rainy season. Las Pampas, the central Independence plains, are famous for wheat and cattle production. Patagonia, A revolution erupted in 1810 and lasted six years before to the south, consists of lakes and rolling hills and is known independence was finally declared. Those favoring a centrist for its sheep. The nation has a varied landscape, containing government based in Buenos Aires then fought with those such wonders as the Iguazú Falls (1.5 times higher than who favored a federal form of government. -
Destination Report
Miami , Flori daBuenos Aires, Argentina Overview Introduction Buenos Aires, Argentina, is a wonderful combination of sleek skyscrapers and past grandeur, a collision of the ultrachic and tumbledown. Still, there has always been an undercurrent of melancholy in B.A. (as it is affectionately known by expats who call Buenos Aires home), which may help explain residents' devotion to that bittersweet expression of popular culture in Argentina, the tango. Still performed—albeit much less frequently now—in the streets and cafes, the tango has a romantic and nostalgic nature that is emblematic of Buenos Aires itself. Travel to Buenos Aires is popular, especially with stops in the neighborhoods of San Telmo, Palermo— and each of its colorful smaller divisions—and the array of plazas that help make up Buenos Aires tours. Highlights Sights—Inspect the art-nouveau and art-deco architecture along Avenida de Mayo; see the "glorious dead" in the Cementerio de la Recoleta and the gorgeously chic at bars and cafes in the same neighborhood; shop for antiques and see the tango dancers at Plaza Dorrego and the San Telmo Street Fair on Sunday; tour the old port district of La Boca and the colorful houses along its Caminito street; cheer at a soccer match between hometown rivals Boca Juniors and River Plate (for the very adventurous only). Museums—Museo de Arte Latinoamericano de Buenos Aires (MALBA: Coleccion Costantini); Museo Nacional de Bellas Artes; Museo Municipal de Arte Hispano-Americano Isaac Fernandez Blanco; Museo Historico Nacional; Museo de la Pasion Boquense (Boca football); one of two tango museums: Museo Casa Carlos Gardel or Museo Mundial del Tango. -
John Koga St. John Newman SDC Uruguay Gaucho Culture 2016 My
John Koga St. John Newman SDC Uruguay Gaucho Culture 2016 My summer adventure began before I even landed in Uruguay when I hopped off the plane at New York’s JFK Airport. Coming from suburban Naples, I panicked when I landed at the airport, alone, having to figure out how to navigate the Airtrain, find food, and find my baggage. If New York was a completely different culture to me, then Uruguay was going to be a more significant shock. After passing the first night in New York, I met my other group members at the bright and early time of 5am. I knew instantly that I was going to have a great time with my group; everyone was very outgoing and friendly. After sharing stories about the places from which we came, I realized that we ourselves came from very different cultures, even if we were all from the same country. The airport representatives then called our zone number to board, and even before boarding, I knew that my adventure had already started. After two flights and a layover in Panama City, we finally arrived around one in the morning in Montevideo, the capital of Uruguay. I still remember vividly when this tiny woman came up to us and kissed us all on the cheek. Her name was Florencia, a name that took me many days to remember, and she was going to be our in-country leader. The kiss on the cheek was the first main cultural difference I experienced. Not only did men and women trade kisses on the cheek instead of a handshake to greet one another, men and men did, as well.