Official Guide Book of the Fair Chicago, 1933
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Introducion to Duplicate
INTRODUCTION to DUPLICATE INTRODUCTION TO DUPLICATE BRIDGE This book is not about how to bid, declare or defend a hand of bridge. It assumes you know how to do that or are learning how to do those things elsewhere. It is your guide to playing Duplicate Bridge, which is how organized, competitive bridge is played all over the World. It explains all the Laws of Duplicate and the process of entering into Club games or Tournaments, the Convention Card, the protocols and rules of player conduct; the paraphernalia and terminology of duplicate. In short, it’s about the context in which duplicate bridge is played. To become an accomplished duplicate player, you will need to know everything in this book. But you can start playing duplicate immediately after you read Chapter I and skim through the other Chapters. © ACBL Unit 533, Palm Springs, Ca © ACBL Unit 533, 2018 Pg 1 INTRODUCTION to DUPLICATE This book belongs to Phone Email I joined the ACBL on ____/____ /____ by going to www.ACBL.com and signing up. My ACBL number is __________________ © ACBL Unit 533, 2018 Pg 2 INTRODUCTION to DUPLICATE Not a word of this book is about how to bid, play or defend a bridge hand. It assumes you have some bridge skills and an interest in enlarging your bridge experience by joining the world of organized bridge competition. It’s called Duplicate Bridge. It’s the difference between a casual Saturday morning round of golf or set of tennis and playing in your Club or State championships. As in golf or tennis, your skills will be tested in competition with others more or less skilled than you; this book is about the settings in which duplicate happens. -
The World's Columbian Exposition: Idea, Experience, Aftermath
The World's Columbian Exposition: Idea, Experience, Aftermath Julie Kirsten Rose Morgan Hill, California B.A., San Jose State University, 1993 A Thesis presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Master of Arts Department of English University of Virginia August 1996 L IV\CLslerI s E~A-3 \ ~ \qa,(c, . R_to{ r~ 1 COLOPHON AND DEDICATION This thesis was conceived and produced as a hypertextual project; this print version exists solely to complete the request and requirements of department of Graduate Arts and Sciences. To experience this work as it was intended, please point your World Wide Web browser to: http:/ /xroads.virginia.edu/ ~MA96/WCE/title.html Many thanks to John Bunch for his time and patience while I created this hypertextual thesis, and to my advisor Alan Howard for his great suggestions, support, and faith.,.I've truly enjoyed this year-long adventure! I'd like to dedicate this thesis, and my work throughout my Master's Program in English/ American Studies at the University of Virginia to my husband, Craig. Without his love, support, encouragement, and partnership, this thesis and degree could not have been possible. 1 INTRODUCTION The World's Columbian Exposition, held in Chicago in 1893, was the last and the greatest of the nineteenth century's World's Fairs. Nominally a celebration of Columbus' voyages 400 years prior, the Exposition was in actuality a reflection and celebration of American culture and society--for fun, edification, and profit--and a blueprint for life in modem and postmodern America. -
Acol Bidding Notes
SECTION 1 - INTRODUCTION The following notes are designed to help your understanding of the Acol system of bidding and should be used in conjunction with Crib Sheets 1 to 5 and the Glossary of Terms The crib sheets summarise the bidding in tabular form, whereas these notes provide a fuller explanation of the reasons for making particular bids and bidding strategy. These notes consist of a number of short chapters that have been structured in a logical order to build on the things learnt in the earlier chapters. However, each chapter can be viewed as a mini-lesson on a specific area which can be read in isolation rather than trying to absorb too much information in one go. It should be noted that there is not a single set of definitive Acol ‘rules’. The modern Acol bidding style has developed over the years and different bridge experts recommend slightly different variations based on their personal preferences and playing experience. These notes are based on the methods described in the book The Right Way to Play Bridge by Paul Mendelson, which is available at all good bookshops (and some rubbish ones as well). They feature a ‘Weak No Trump’ throughout and ‘Strong Two’ openings. +++++++++++++++++++++++++++++++++++++ INDEX Section 1 Introduction Chapter 1 Bidding objectives & scoring Chapter 2 Evaluating the strength of your hand Chapter 3 Evaluating the shape of your hand . Section 2 Balanced Hands Chapter 21 1NT opening bid & No Trumps responses Chapter 22 1NT opening bid & suit responses Chapter 23 Opening bids with stronger balanced hands Chapter 24 Supporting responder’s major suit Chapter 25 2NT opening bid & responses Chapter 26 2 Clubs opening bid & responses Chapter 27 No Trumps responses after an opening suit bid Chapter 28 Summary of bidding with Balanced Hands . -
Bridge Glossary
Bridge Glossary Above the line In rubber bridge points recorded above a horizontal line on the score-pad. These are extra points, beyond those for tricks bid and made, awarded for holding honour cards in trumps, bonuses for scoring game or slam, for winning a rubber, for overtricks on the declaring side and for under-tricks on the defending side, and for fulfilling doubled or redoubled contracts. ACOL/Acol A bidding system commonly played in the UK. Active An approach to defending a hand that emphasizes quickly setting up winners and taking tricks. See Passive Advance cue bid The cue bid of a first round control that occurs before a partnership has agreed on a suit. Advance sacrifice A sacrifice bid made before the opponents have had an opportunity to determine their optimum contract. For example: 1♦ - 1♠ - Dbl - 5♠. Adverse When you are vulnerable and opponents non-vulnerable. Also called "unfavourable vulnerability vulnerability." Agreement An understanding between partners as to the meaning of a particular bid or defensive play. Alert A method of informing the opponents that partner's bid carries a meaning that they might not expect; alerts are regulated by sponsoring organizations such as EBU, and by individual clubs or organisers of events. Any method of alerting may be authorised including saying "Alert", displaying an Alert card from a bidding box or 'knocking' on the table. Announcement An explanatory statement made by the partner of the player who has just made a bid that is based on a partnership understanding. The purpose of an announcement is similar to that of an Alert. -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Shelter Point ~ March 2018
October 2012 Debbie Halusek: Activity Director MPR-Multi Purpose Room C-Chapel Please Call: 162 for assistance Shelter Point ~ March 2018 IA-Independent Activity SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY Evening Activities 1) 2) 3) March Birthday’s 10:00 Stretch & Strength 10:00 Stretch & Strength 10:00 Rise & Shine-400 Jerlean H. 3-6 Sarah S. 3-24 10:30 Joke Time 10:30 Rise & Shine 10:30 Stretch Tuesdays: Mary A. 3-10 James H. 3-26 11:00 Making Bread/Snack Time 11:00 Snack Time Calendars are & Strength-400 6:30 Bingo Frank H. 3-15 Betty B. 3-29 11:30 Toss & Talk 11:30 Sing A Long 11:00 Snack Time Iola W. 3-15 Doris B. 3-29 7:00 Relaxing Rhythms Subject 2:00 Bingo 2:00 Reminisce 11:30 Sing A Long Edith P. 3-17 Scott G. 3-30 3:00 Bread/Ice Cream Social 2:30 Noodle Ball Pryse F. 3-21 Dorothy S. 3-30 To change. 1:30 Hoy-400 3:30 Pong Toss 3:00 Ice Cream Social Shari Houze 3-21 Dean M. 3-30 4:30 Beauty Spot 3:30 Table Top Bowling Addie F. 3-22 4:30 Color Me Fun 4) 5 ) 6) 7) 8) 9 ) 10) 10:00 Rise & Shine-400 10:00 Stretch & Strength 10:00 Stretch & Strength 10:00 Stretch & Strength 10:00 Stretch & Strength 10:00 Star Glazers 10:00 Rise & Shine-400 10:30 Reminisce-400 10:30 Rise & Shine 10:30 Joke Time 10:30 Rise & Shine 10:30 Joke Time Ceramics 10:30 Stretch 11:30 Catholic 11:00 Snack Time 11:00 Snack Time 11:00 Snack Time 11:00 Snack Time 11:00 Snack Time & Strength-400 Communion 11:15 Beauty Spot 11:30 Reminisce 11:15 Beauty Spot 11:30 Toss & Talk 11:30 Sing A Long 11:00 Snack Time 1:30 Bingo-400 11:45 Sing A Long 2:00 Catholic Communion-C 2:00 Making A Quilt-MPR 2:00 Bingo 2:00 Reminisce 11:30 Sing A Long 2:00 Bingo 2:00 Music: Mr. -
Carnival Ball Letter
CARNIVAL BALL KREWE BORD de L’EAU Dear Parents, The Krewe Bord de L’eau Carnival Balls are themed celebrations held each year involving students from 1st through 12th grade who participate on a royal court. The couples who raise the most money will be named king and queen. All money raised is contributed toward the betterment and advancement of our school. Students from 1st grade to 8th grade participate in the Junior Court, and students in high school participate in the Senior Court. Students from PK4 to 12th grade also have the opportunity to dress in costume and perform for the two courts and all the audience in attendance. The Carnival Balls focus on music, dance, and visual arts; all components of the Arts taught here at Riverside Academy. Krewe Bord de L’eau originated in 1980 from an idea Mrs. Althea Cambre had to raise money for a new elementary building which is still used by students today. The Carnival Ball committee was, and still is, composed of dedicated volunteer faculty members, parents, grandparents, and students who organize and create the grandeur event for everyone to enjoy. This school year the Junior and Senior Carnival Balls will be held Friday, January 26, 2018 and Saturday, January 27, 2018. The entertainment participation letters have gone out for students to sign up. Being a part of this entertainment affair is one many students enjoy. We hope that you consider letting your student experience what this magnificent event is all about. We have openings for court members to participate in both the Junior and Senior courts. -
Do-It Yourself Carnival Game Idea List
DO-IT YOURSELF CARNIVAL GAME IDEA LIST ‘16 Game instruction sheets are available upon request on some games - they include: How to set up games, Rules, Tips, Prize price points and Suggested quantity to buy. Let your imagination be your inspiration for your games at your picnic. You can create a limitless variety of fun activities and make them more fun by awarding fun prizes and or awards. The prizes are the easy part of the equation and where we shine. We hope you can come in and visit our showroom. If you or your committee can- not personally come in, please use our catalog and web site to pick fun stuff for the kids, young and old. If you are in the St. Louis area check out our rental games for your picnic. We have a wide variety of skill games and games of chance. Take your pick. If you visit our showroom between January 15 and April 15 or June 20 through August 30, you will be able to see our games set up in our downstairs showroom. If you can’t make it in when the Game Showroom is set up, you can always look at our photo album with pictures of all the games. If you are not in the local area, or do not want to rent games, the following information may give you ideas for your picnic. Think of all the ways you can create games to keep the kids busy. Throw balls into buckets. Frisbees through targets, putt golf balls into circles, shoot hockey pucks at targets. -
CONSTRUCTING TIN PAN ALLEY 17 M01 GARO3788 05 SE C01.Qxd 5/26/10 4:35 PM Page 18
M01_GARO3788_05_SE_C01.qxd 5/26/10 4:35 PM Page 15 Constructing Tin Pan 1 Alley: From Minstrelsy to Mass Culture The institution of slavery has been such a defining feature of U.S. history that it is hardly surprising to find the roots of our popular music embedded in this tortured legacy. Indeed, the first indige- nous U.S. popular music to capture the imagination of a broad public, at home and abroad, was blackface minstrelsy, a cultural form involving mostly Northern whites in blackened faces, parodying their perceptions of African American culture. Minstrelsy appeared at a time when songwriting and music publishing were dispersed throughout the country and sound record- The institution of slavery has been ing had not yet been invented. During this period, there was an such a defining feature of U.S. history that it is hardly surprising to find the important geographical pattern in the way music circulated. Concert roots of our popular music embedded music by foreign composers intended for elite U.S. audiences gener- in this tortured legacy. ally played in New York City first and then in other major cities. In contrast, domestic popular music, including minstrel music, was first tested in smaller towns, then went to larger urban areas, and entered New York only after success elsewhere. Songwriting and music publishing were similarly dispersed. New York did not become the nerve center for indigenous popular music until later in the nineteenth century, when the pre- viously scattered conglomeration of songwriters and publishers began to converge on the Broadway and 28th Street section of the city, in an area that came to be called Tin Pan Alley after the tinny output of its upright pianos. -
Rebel Cities: from the Right to the City to the Urban Revolution
REBEL CITIES REBEL CITIES From the Right to the City to the Urban Revolution David Harvey VERSO London • New York First published by Verso 20 12 © David Harvey All rights reserved 'Ihe moral rights of the author have been asserted 13579108642 Verso UK: 6 Meard Street, London WI F OEG US: 20 Jay Street, Suite 1010, Brooklyn, NY 1120 I www.versobooks.com Verso is the imprint of New Left Books eiSBN-13: 978-1-84467-904-1 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data Harvey, David, 1935- Rebel cities : from the right to the city to the urban revolution I David Harvey. p. cm. Includes bibliographical references and index. ISBN 978-1-84467-882-2 (alk. paper) -- ISBN 978-1-84467-904-1 I. Anti-globalization movement--Case studies. 2. Social justice--Case studies. 3. Capitalism--Case studies. I. Title. HN17.5.H355 2012 303.3'72--dc23 2011047924 Typeset in Minion by MJ Gavan, Cornwall Printed in the US by Maple Vail For Delfina and all other graduating students everywhere Contents Preface: Henri Lefebvre's Vision ix Section 1: The Right to the City The Right to the City 3 2 The Urban Roots of Capitalist Crises 27 3 The Creation of the Urban Commons 67 4 The Art of Rent 89 Section II: Rebel Cities 5 Reclaiming the City for Anti-Capitalist Struggle 115 6 London 201 1: Feral Capitalism Hits the Streets 155 7 #OWS: The Party of Wall Street Meets Its Nemesis 159 Acknowledgments 165 Notes 167 Index 181 PREFACE Henri Lefebvre's Vision ometime in the mid 1970s in Paris I came across a poster put out by S the Ecologistes, a radical neighborhood action movement dedicated to creating a more ecologically sensitive mode of city living, depicting an alternative vision for the city. -
Concepts and Categories in the History of World Expositions: Introductory Remarks
CORE Metadata, citation and similar papers at core.ac.uk Provided by OpenstarTs Guido Abbattista Concepts and Categories in the History of World Expositions: Introductory Remarks This collection of essays presents the results of a two-year project carried out in 2012- 2013 at the University of Trieste by a group of researchers from various disciplines working under the direction of this author. We hope the variety of approaches and methods that in- spired the studies may convincingly illustrate some of the original and interesting perspec- tives from which national, international, universal and world expositions can be explored. World’s fairs and expositions have aroused increasing interest among scholars in the last two decades. As the authors of a 2006 essential bibliography point out, research on the history of international exhibitions and world’s fairs is burgeoning and […] sources on the topic have proliferated enormously in recent years. As a consequence, the field has grown tremendously and now involves disciplines as diverse as History, Cultural Geography, Urban Studies, Art History and the History of Architecture, among others.1 Scholars now have a growing number of specialized publications and reference texts in several languages at their disposal, including an Encyclopedia of World’s Fairs and Expositions2 as well as works on particular expositions, single national experiences or on 1 A. C. T. Geppert, J. Coffey and T. Lau,International Exhibitions, Expositions Universelles and World’s Fairs, 1851-2005: A Bibliography (Fresno, CA: Freie Universität Berlin-California State University, 2006), last accessed 1 August 2014, http://www.fresnostate.edu/library/subjectresources/specialcollections/world- fairs/ExpoBibliography3ed.pdf. -
Guide to the Larry Zim World's Fair Collection
Guide to the Larry Zim World's Fair Collection NMAH.AC.0519 Angela Baccala 1999 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 5 Series 1: World 's Fairs Materials, 1841-1988......................................................... 5 Series 2: Reference and Miscellaneous Materials................................................. 39 Series 3: Larry Zim Materials................................................................................. 40 Series 4: Oversize Materials, 1909-1968..............................................................