Le Circuit 2Pissarro

Total Page:16

File Type:pdf, Size:1020Kb

Le Circuit 2Pissarro Le circuit 2Pissarro Cette toile est sans doute l’une des dernières peintes par Camille Pissarro avant son départ pour Pontoise. Le paysage n’a guère changé, si ce n’est la construction de la ligne de chemin de fer. Au bout de cette avenue : le château de Voisins, propriété de la BNP et à gauche, dans l’angle, la maison de la mère de Renoir. Pissarro, puis Renoir la représentèrent dans deux de leurs toiles. Parcours PR 74 Louveciennes - Marly-le-Roi Louveciennes - Bougival 6.6 km Temps de parcours estimé AR : 2h55 Les reproductions 4 "Vue de Marly-le-Roi" 8 "Le village de Voisins" 11 "Route de Saint-Germain Camille Pissarro Camille Pissarro à Marly-le-Roi" 1 "La route de Versailles" 1870, collection particulière 1872, collection particulière Alfred Sisley Pierre-Auguste Renoir 1872, Mc Nay Art Museum, 1895, Musée des Beaux Arts, Lille "Entrée du village de 5 9 "Chemin de la Machine, San Antonio Voisins" "Place du Chenil à Marly, Louveciennes" 2 Camille Pissarro Alfred Sisley 12 "Barrage de la Machine de effet de neige" 1872, Musée d’Orsay, Paris 1873, Musée d’Orsay, Paris Marly" Alfred Sisley Alfred Sisley 1876, Musée des Beaux Arts, 6 "L’aqueduc de Marly" 1876, Collection particulière Rouen Alfred Sisley 10 "Hauteurs de Marly, ferme 1874, Toledo Museum of Art, Ohio de mi-côte" 13 «Restaurant à Bougival» 3 "L’abreuvoir de Marly, Camille Pissarro Maurice de Vlaminck gelée blanche" 7 "Une rue de Village, 1870, collection particulière vers 1905, Musée d’Orsay, Paris Alfred Sisley Louveciennes" 1876, Virginia Museum of Fine Camille Pissarro Arts, Richmond 1871, Manchester Art Gallery Ce document a été réalisé par l’Office de Tourisme du Pays des Impressionnistes, il est tiré de la carte "Le Chemin des Impressionnistes". Son usage est uniquement réservé à Internet, pour tout renseignement merci de vous adresser à l’Office de Tourisme, Tél. 01 30 61 61 35. Entre rives de Seine et forêt de Marly de Seine Entre rives Pissarro Office Pays Découvrez également : de des Le circuit Sisley2 : 3.15 km, Le Pecq - Le Port-Marly Tourisme Le circuit Monet : 4.25 km, Chatou - Croissy-sur-Seine - Bougival Impressionnistes Le circuitLe circuit Renoir : 3.6 km, Chatou - Carrières-sur-Seine.
Recommended publications
  • Avis D'enquête Publique
    LIBERTÉ ‐ ÉGALITÉ – FRATERNITÉ RÉPUBLIQUE FRANÇAISE LIBERTÉ ‐ ÉGALITÉ – FRATERNITÉ PRÉFET DES YVELINES Direction Régionale et Interdépartementale de l'Environnement et de l’Énergie d’Île de-France Unité départementale des Yvelines AVIS D’ENQUÊTE PUBLIQUE Demande d’autorisation de recherche de gîte géothermique basse température dit «Grand Parc Nord », présentée par la société ENGIE ENERGIE SERVICES Par arrêté préfectoral du 12 juin 2020, une enquête publique d’une durée de 22 jours est organisée du 8 juillet 2020 au 29 juillet 2020 inclus sur la demande d’autorisation de recherche de gîte géothermique basse température (inférieure à 150 °C) au Dogger et au Trias, présentée par la société ENGIE ENERGIE SERVICES, pour une durée de 3 ans. Le site de recherche concerne, pour tout ou partie, les communes du Chesnay- Rocquencourt, Versailles, Bailly, Marly-le-Roi, Louveciennes, Bougival et La Celle-Saint- Cloud. Le dossier d’enquête publique comporte notamment les caractéristiques du projet et les informations environnementales. Pendant la durée de l’enquête, le dossier est consultable : - sur internet aux adresses suivantes : • http://demande-autorisation-recherche-gite-geotherm ique-le-chesnay.enquetepublique.net • http://www.yvelines.gouv.fr/Publications/Enquetes-p ubliques/Geothermie (Préfecture des Yvelines), - sur support papier et support informatique, aux mairies du Chesnay-Rocquencourt, La Celle-Saint-Cloud et Louveciennes, aux jours et horaires d’ouverture au public. Le public peut consigner ses observations et propositions directement sur le registre d’enquête à feuillets non mobiles, côté et paraphé par le commissaire-enquêteur, ouvert à cet effet dans les mairies du Chesnay-Rocquencourt, La Celle-Saint-Cloud et Louveciennes pendant la durée de l’enquête.
    [Show full text]
  • OF Versailles
    THE CHÂTEAU DE VErSAILLES PrESENTS science & CUrIOSITIES AT THE COUrT OF versailles AN EXHIBITION FrOM 26 OCTOBEr 2010 TO 27 FEBrUArY 2011 3 Science and Curiosities at the Court of Versailles CONTENTS IT HAPPENED AT VErSAILLES... 5 FOrEWOrD BY JEAN-JACqUES AILLAGON 7 FOrEWOrD BY BÉATrIX SAULE 9 PrESS rELEASE 11 PArT I 1 THE EXHIBITION - Floor plan 3 - Th e exhibition route by Béatrix Saule 5 - Th e exhibition’s design 21 - Multimedia in the exhibition 22 PArT II 1 ArOUND THE EXHIBITION - Online: an Internet site, and TV web, a teachers’ blog platform 3 - Publications 4 - Educational activities 10 - Symposium 12 PArT III 1 THE EXHIBITION’S PArTNErS - Sponsors 3 - Th e royal foundations’ institutional heirs 7 - Partners 14 APPENDICES 1 USEFUL INFOrMATION 3 ILLUSTrATIONS AND AUDIOVISUAL rESOUrCES 5 5 Science and Curiosities at the Court of Versailles IT HAPPENED AT VErSAILLES... DISSECTION OF AN Since then he has had a glass globe made that ELEPHANT WITH LOUIS XIV is moved by a big heated wheel warmed by holding IN ATTENDANCE the said globe in his hand... He performed several experiments, all of which were successful, before Th e dissection took place at Versailles in January conducting one in the big gallery here... it was 1681 aft er the death of an elephant from highly successful and very easy to feel... we held the Congo that the king of Portugal had given hands on the parquet fl oor, just having to make Louis XIV as a gift : “Th e Academy was ordered sure our clothes did not touch each other.” to dissect an elephant from the Versailles Mémoires du duc de Luynes Menagerie that had died; Mr.
    [Show full text]
  • Giving a Good Impressionism
    Program Tuition The Parsippany~Troy Hills Live Well, Age Smart! Public Library System Fall 2016 Lecture Series Inclusive fee for all 4 sessions: $25 www.parsippanylibrary.org October 7, 14, 21, 28 This fee will help us to cover the cost of our Main Library speaker and materials. 449 Halsey Road Giving a Good Please make your check payable to: Parsippany, NJ 07054 “Parsippany Public Library Foundation” 973-887-5150 Impressionism Registration is open until October 6, 2016 Lake Hiawatha Branch You may either mail your registration to 68 Nokomis Avenue Speaker: Dr. Michael Norris Parsippany-Troy Hills Public Library Founda- Lake Hiawatha, NJ 07034 Metropolitan Museum of tion, Attn: Stephanie Kip. 973-335-0952 Art Educator 449 Halsey Road, Parsippany, NJ 07054 or Mount Tabor Branch drop it off at any of our library locations. 31 Trinity Park Name: _________________________________ Mount Tabor, NJ 07878 Parsippany~Troy Hills Public Library 973-627-9508 449 Halsey Road Address:_________________________________ Parsippany, NJ 07054 _________________________________ 973-887-5150 www.parsippanylibrary.org Phone: _________________________________ Email: _________________________________ Please check: _____ I would like to receive information about future Live Well, Age Smart programs _____ I would also like to receive information about ongoing programs. The library is the of your community! About Live Well, Class Information Presenter Biography Age Smart Live Well, Age Smart is an ongoing series Friday, October 7, 2:00-3:30 pm Dr. Michael Norris that provides creative learning opportuni- A New French Revolution: Impressionism ties to the Parsippany area community. Uti- in Art lizing collegiate level speakers, the series Learn how influences from Japan, a fascina- Dr.
    [Show full text]
  • VILLES Et VILLAGES
    catalogueVVMF2011_catalogueVVMF2011.qxd 28/11/11 10:15 Page1 CONCOURS DES VILLES et VILLAGES NOUS AGISSONS POUR LA QUALITÉ DE VIE DANS LES YVELINES catalogueVVMF2011_catalogueVVMF2011.qxd 28/11/11 10:18 Page2 Sommaire P 3 Avant-propos P 4 – 5 Concours et trophées du fleurissement : faire (re)connaître la qualité du cadre de vie dans les Yvelines ● Le concours des Villes et Villages Fleuris ● Les Trophées Yvelinois du Fleurissement ● Le jury départemental Un fleurissement au service de l’aménagement du territoire La nature au service du fleurissement P 6 – 12 Le palmarès des Villes et Villages Fleuris 2011 P 13 Les prix spéciaux du jury P 14 Le concours des Villes et Villages Fleuris aux niveaux régional et national P 15 – 17 Les Trophées Yvelinois du Fleurissement 2011 P 18 Eco-gestes dans les Yvelines : suivez l’exemple ! P 19 Calendrier 2012 du fleurissement dans les Yvelines 2 catalogueVVMF2011_catalogueVVMF2011.qxd 28/11/11 10:18 Page3 Avant-propos epuis 1983, le Conseil général des Yvelines a le plaisir d’organiser le concours Ddes Villes et Villages Fleuris (VVF), une distinction reconnue par les élus comme par le grand public. Elément essentiel du cadre de vie des Yvelinois, le fleurissement est au cœur des projets de territoire. Depuis toujours, il répond à un objectif d’embellissement des lieux de vie. Dans sa conception moderne, il met en scène les fonctions et les usages de la ville et prend en compte les principaux défis de l’aménagement du territoire : économie, climat, énergie, biodiversité… Réduire les arrosages et tarir les apports de produits chimiques tout en entretenant de grandes ambitions paysagères et écologiques : tels sont les enjeux du fleurissement aujourd’hui.
    [Show full text]
  • Annual Report 1995
    19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p.
    [Show full text]
  • Picturing France
    Picturing France Classroom Guide VISUAL ARTS PHOTOGRAPHY ORIENTATION ART APPRECIATION STUDIO Traveling around France SOCIAL STUDIES Seeing Time and Pl ace Introduction to Color CULTURE / HISTORY PARIS GEOGRAPHY PaintingStyles GOVERNMENT / CIVICS Paris by Night Private Inve stigation LITERATURELANGUAGE / CRITICISM ARTS Casual and Formal Composition Modernizing Paris SPEAKING / WRITING Department Stores FRENCH LANGUAGE Haute Couture FONTAINEBLEAU Focus and Mo vement Painters, Politics, an d Parks MUSIC / DANCENATURAL / DRAMA SCIENCE I y Fontainebleau MATH Into the Forest ATreebyAnyOther Nam e Photograph or Painting, M. Pa scal? ÎLE-DE-FRANCE A Fore st Outing Think L ike a Salon Juror Form Your Own Ava nt-Garde The Flo ating Studio AUVERGNE/ On the River FRANCHE-COMTÉ Stream of Con sciousness Cheese! Mountains of Fra nce Volcanoes in France? NORMANDY “I Cannot Pain tan Angel” Writing en Plein Air Culture Clash Do-It-Yourself Pointillist Painting BRITTANY Comparing Two Studie s Wish You W ere Here Synthétisme Creating a Moo d Celtic Culture PROVENCE Dressing the Part Regional Still Life Color and Emo tion Expressive Marks Color Collectio n Japanese Prin ts Legend o f the Château Noir The Mistral REVIEW Winds Worldwide Poster Puzzle Travelby Clue Picturing France Classroom Guide NATIONAL GALLERY OF ART, WASHINGTON page ii This Classroom Guide is a component of the Picturing France teaching packet. © 2008 Board of Trustees of the National Gallery of Art, Washington Prepared by the Division of Education, with contributions by Robyn Asleson, Elsa Bénard, Carla Brenner, Sarah Diallo, Rachel Goldberg, Leo Kasun, Amy Lewis, Donna Mann, Marjorie McMahon, Lisa Meyerowitz, Barbara Moore, Rachel Richards, Jennifer Riddell, and Paige Simpson.
    [Show full text]
  • My Dearest Watercolourists, I Hope You Are Doing Well. I Could Not Miss The
    My dearest watercolourists, I hope you are doing well. I could not miss the occasion to share some beautiful winter landscapes with you, so for this week’s newsletter we will look at Pissarro’s work! One of the Impressionist artists mentioned two weeks ago, Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). Pissarro was the oldest of the Impressionist group and a figure younger artists were looking up to. For example, artist Paul Cézanne said "he was a father for me. A man to consult and a little like the good Lord". What is revolutionary about Pissarro’s work is his profound interest in illustrating realist portraits of peasants and workers, the common folk. He decided to approach his subjects without artificial embellishments, in their common setting. For today I chose only wintery landscapes, but I highly encourage you to explore more of Pissarro’s work. Simply google ‘Camille Pissarro- paining ’ and enjoy! You will not be disappointed. Let’s have a look! Below there are three landscapes. The first one is probably the most interesting. It is a cityscape with a very unusual perspective and viewpoint. It shows what would be a fairly high-class part of the city- The Avenue de L'Opera, Paris. However, the moment chosen, the morning, as well as the perspective present a very different demography. What do you think about these choices? The next two images are winter countryside landscapes inhabited by solitary peasant figures.
    [Show full text]
  • Mary Cassatt
    National Gallery of Art Summer 2008 ngakids inside scoop Washington Pull-out who?what?how? [images for this section: Leonardos’ Ginevra de’Benci; Leonardo’s self-portrait] [design: place quote somewhere inside] A face is not well done unless it expresses a state of mind. Leon- “I have had a joy from which no one can rob me — I have been able to touch some people with my art.” Mary Cassatt Mary Cassatt, The Boating Party (detail), 1893 / 1894, National Gallery of Art, Chester Dale Collection who? what? how? Impressionist Connection 2 Early in her career, Cassatt explored different styles exhibit with the Impressionists in 1879. The Impres- of painting. Soon, however, she began to observe and sionists depicted fleeting moments in both nature and paint the scenes around her in Paris, exploring the ordinary human activity and experimented with bright subject of modern life. But Cassatt was not a bohemian colors, loose brush strokes, and innovative angled artist. She was comfortable in her own social milieu, viewpoints. These techniques reflected a dynamic new and it is this world — populated by family, friends, and approach to painting. their children — that she depicted. Ladies seated in Among these artists, Cassatt was the only American — the theater, women reading or taking tea in homes or and one of only three women. Her artistic talent, gardens, mothers washing and swaddling babies, and understanding of French language and culture, and children playing were the subjects that were part of her independent thinking earned her the respect of everyday world. this selective group, whose membership included Her ability to capture a moment in time caught the Claude Monet, Auguste Renoir, Camille Pissarro, and attention of Edgar Degas, who invited Cassatt to Alfred Sisley.
    [Show full text]
  • Download (PDF)
    EDUCATOR GUIDE SCHEDULE EDUCATOR OPEN HOUSE Friday, September 28, 4–6pm | Jepson Center TABLE OF CONTENTS LECTURE Schedule 2 Thursday, September 27, 6pm TO Visiting the Museum 2 Members only | Jepson Center MONET Museum Manners 3 French Impressionism About the Exhibition 4 VISITING THE MUSEUM PLAN YOUR TRIP About the Artist 5 Schedule your guided tour three weeks Claude Monet 6–8 in advance and notify us of any changes MATISSE Jean-François Raffaëlli 9–10 or cancellations. Call Abigail Stevens, Sept. 28, 2018 – Feb. 10, 2019 School & Docent Program Coordinator, at Maximilien Luce 11–12 912.790.8827 to book a tour. Mary Cassatt 13–14 Admission is $5 each student per site, and we Camille Pissarro 15–16 allow one free teacher or adult chaperone per every 10 students. Additional adults are $5.50 Edgar Degas 17–19 per site. Connections to Telfair Museums’ Use this resource to engage students in pre- Permanent Collection 20–22 and post-lessons! We find that students get Key Terms 22 the most out of their museum experience if they know what to expect and revisit the Suggested Resources 23 material again. For information on school tours please visit https://www.telfair.org/school-tours/. MEMBERSHIP It pays to join! Visit telfair.org/membership for more information. As an educator, you are eligible for a special membership rate. For $40, an educator membership includes the following: n Unlimited free admission to Telfair Museums’ three sites for one year (Telfair Academy, Owens-Thomas House & Slave Quarters, Jepson Center) n Invitations to special events and lectures n Discounted rates for art classes (for all ages) and summer camps n 10 percent discount at Telfair Stores n Eligibility to join museum member groups n A one-time use guest pass 2 MUSEUM MANNERS Address museum manners before you leave school.
    [Show full text]
  • NEA-Annual-Report-1992.Pdf
    N A N A L E ENT S NATIONAL ENDOWMENT FOR~THE ARTS 1992, ANNUAL REPORT NATIONAL ENDOWMENT FOR!y’THE ARTS The Federal agency that supports the Dear Mr. President: visual, literary and pe~orming arts to I have the honor to submit to you the Annual Report benefit all A mericans of the National Endowment for the Arts for the fiscal year ended September 30, 1992. Respectfully, Arts in Education Challenge &Advancement Dance Aria M. Steele Design Arts Acting Senior Deputy Chairman Expansion Arts Folk Arts International Literature The President Local Arts Agencies The White House Media Arts Washington, D.C. Museum Music April 1993 Opera-Musical Theater Presenting & Commissioning State & Regional Theater Visual Arts The Nancy Hanks Center 1100 Pennsylvania Ave. NW Washington. DC 20506 202/682-5400 6 The Arts Endowment in Brief The National Council on the Arts PROGRAMS 14 Dance 32 Design Arts 44 Expansion Arts 68 Folk Arts 82 Literature 96 Media Arts II2. Museum I46 Music I94 Opera-Musical Theater ZlO Presenting & Commissioning Theater zSZ Visual Arts ~en~ PUBLIC PARTNERSHIP z96 Arts in Education 308 Local Arts Agencies State & Regional 3z4 Underserved Communities Set-Aside POLICY, PLANNING, RESEARCH & BUDGET 338 International 346 Arts Administration Fallows 348 Research 35o Special Constituencies OVERVIEW PANELS AND FINANCIAL SUMMARIES 354 1992 Overview Panels 360 Financial Summary 36I Histos~f Authorizations and 366~redi~ At the "Parabolic Bench" outside a South Bronx school, a child discovers aspects of sound -- for instance, that it can be stopped with the wave of a hand. Sonic architects Bill & Mary Buchen designed this "Sound Playground" with help from the Design Arts Program in the form of one of the 4,141 grants that the Arts Endowment awarded in FY 1992.
    [Show full text]
  • Edgar Degas French, 1834–1917 Woman Arranging Her Hair Ca
    Edgar Degas French, 1834–1917 Woman Arranging her Hair ca. 1892, cast 1924 Bronze McNay Art Museum, Mary and Sylvan Lang Collection, 1975.61 In this bronze sculpture, Edgar Degas presents a nude woman, her body leaned forward and face obscured as she styles her hair. The composition of the figure is similar to those found in his paintings of women bathing. The artist displays a greater interest in the curves of the body and actions of the model than in capturing her personality or identity. More so than his posed representations of dancers, the nude served throughout Degas’ life as a subject for exploring new ideas and styles. French Moderns McNay labels_separate format.indd 1 2/27/2017 11:18:51 AM Fernand Léger French, 1881–1955 The Orange Vase 1946 Oil on canvas McNay Art Museum, Gift of Mary and Sylvan Lang, 1972.43 Using bold colors and strong black outlines, Fernand Léger includes in this still life an orange vase and an abstracted bowl of fruit. A leaf floats between the two, but all other elements, including the background, are abstracted beyond recognition. Léger created the painting later in his life when his interests shifted toward more figurative and simplified forms. He abandoned Cubism as well as Tubism, his iconic style that explored cylindrical forms and mechanization, though strong shapes and a similar color palette remained. French Moderns McNay labels_separate format.indd 2 2/27/2017 11:18:51 AM Pablo Picasso Spanish, 1881–1973 Reclining Woman 1932 Oil on canvas McNay Art Museum, Jeanne and Irving Mathews Collection, 2011.181 The languid and curvaceous form of a nude woman painted in soft purples and greens dominates this canvas.
    [Show full text]
  • Les Grands Projets Pour Les Six Prochaines Années
    SEPTEMBRE / OCTOBRE 2020 56 LES GRANDS PROJETS POUR LES SIX PROCHAINES ANNÉES www.ville-bougival.fr SEPTEMBRE / OCTOBRE 2020 Sommaire Édito BOUGIVAL : VOS RENDEZ- 04-08 09-11 12-15 VOUS 56 Les clés de la ville Budget 2020 Dossier UN PEU PARTOUT DANS LA VILLE Samedi 19 et dimanche 20 septembre JournéesEuropéennesduPatrimoine surlethème:«PatrimoineetEducation: apprendrepourlavie!». Programme des JEP en page 7 et sur : www.ville-bougival.fr et www.tourisme-bougival.com 6 12 OFFICE DE TOURISME DE BOUGIVAL 1 rue du Général Leclerc, Chères Bougivalaises, d’Enlèvement des Ordures Ménagères entrée quai Clémenceau (TEOM), mode actuel de facturation du [email protected] Chers Bougivalais, service de collecte et de traitement des Tél : 01 39 69 21 23 déchets ménagers. Le principe est simple : Samedi 26 septembre n ce temps de rentrée, une vie presque moins on produit de déchets résiduels -ceux L’OfficedeTourismeorganiseunecroisière « normale » reprend à Bougival et que l’on incinère- moins on paye. Pour pique-nique(durée:3heures),deBougival une nouvelle dynamique se met àAsnières.Renseignementsetinscriptions 17 18 E être gagnant, les recettes sont connues progressivement en place. J’évoquais et faciles à mettre en œuvre : mieux trier, auprèsdel’Officedetourisme. dans mon précédent éditorial ce réseau composter ses biodéchets, déposer dans de solidarité, inédit et dense, qui s’est tissé les ressourceries les objets dont on ne veut NAUTIC PARK • Coudre à ras du bord DIY (Fabriqué à dans notre ville au moment où la situation plus, éviter les emballages inutiles, etc. Pour ILE DE LA CHAUSSÉE Directeur de la publication : ÉTAPE 4 : Finalisation sanitaire était la plus critique.
    [Show full text]