Eyewitness Views Gallery Guide
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© in This Web Service Cambridge University
Cambridge University Press 978-1-107-10591-1 - The Material Atlantic: Clothing, Commerce, and Colonization in the Atlantic World, 1650–1800 Robert S. DuPlessis Index More information Index Textiles and garments frequently found in Atlantic dress regimes are noted only when first mentioned and/or defined. Abenaki alamode, 96, 118 dress adornment among, 49 alapeen. See alpine acculturation Algonquin attempts at, 89 dress adornment among, 110, 266 pressures for, 85 alpine, 69 adornment, 46 Amerindians absence of, 87, 131 and peddlers, 77 among Amerindians, 48, 95, 97, change in dress of, 52, 99, 100–1, 108, 98, 104, 109, 114, 120, 121, 114, 122, 123, 124 263, 266 clothing gifted to, 118 among Europeans, 31 comparison with European dress, among Khoikhoi, 226 114–16, 118, 121 among Tainos, 255 comparison with slave dress, 162 among Tupinambá, 41 comparisons with European dress, 118 Atlantic African, 36, 37, 39, 40, 236 corporeal adornment of, 110, 114, corporeal, 7, 41, 49, 84, 89 120, 121 European attitudes about corporeal, 26 dress and gender among, 94 non-corporeal, 24, 27, 43, 114 dress diversity among, 48–49, 121, of Carib dress, 226 122, 123 of free settler dress, 180, 203, 205, 222 dress gifted to, 92–94, 106, 118 of free women of color, 188, 189, dress regimes among Christian converts, 190, 203 101–2, 106, 108, 121 of indentured servants, 150 dress regimes at contact, 46–50 of slave dress, 152, 153, 156, 158 dress syncretism among, 101, 102, 105, advertisements 113, 121, 123 and textile retailing, 71, 73, 74, 174 fashion among, 115, 118, -
Word Definitions
PAGE 1 OF 12 WORD DEFINITIONS The Catholic Words Memory Match Card Game, a fun way for the entire family—or classroom— to learn new Catholic vocabulary words! Instilling a love and reverence for the faith should begin at an early age. This game was borne out of my own desire to do just that for my own children. The Catholic Words Memory Match Card Game will provide parents, grandparents, teachers, homeschoolers, Dan Gonzalez, his wife Elisa and their catechists and youth ministers a fun way to help teach Catholic vocabulary words. two children Matthew and Zoe. A FUN WAY TO LEARN Watch your little one’s excitement at Mass when they recognize the vessels, objects and vestments With these free printable definitions, the game used in the liturgy. Introducing these words will cards become flash cards. help prepare them to receive the Sacraments and Show a card and read its definition. Let the inaugurate a lifelong journey of learning about the child see the picture of the real-world object. wonders of their Catholic faith. Discuss where the object is seen at your local May God bless you and those entrusted to your care. parish or in the home. Take the cards with you to church and point out the items before or after Mass. Then, let the games begin! Catholic Words Memory Match is an addictive way to learn new Catholic vocabulary words! Dan Gonzalez Advent Wreath: A wreath usually made Alb: A white robe with long sleeves worn by the Altar Bells: A bell or set of bells rung of holly or evergreen branches that hold three priest under his chasuble and the deacon under immediately after the consecration of each purple candles and a rose one. -
Prints from Private Collections in New England, 9 June – 10 September 1939, No
Bernardo Bellotto (Venice 1721 - Warsaw 1780) The Courtyard of the Fortress of Königstein with the Magdalenenburg oil on canvas 49.7 x 80.3 cm (19 ⁵/ x 31 ⁵/ inches) Bernardo Bellotto was the nephew of the celebrated Venetian view painter Canaletto, whose studio he entered around 1735. He so thoroughly assimilated the older painter’s methods and style that the problem of attributing certain works to one painter or the other continues to the present day. Bellotto’s youthful paintings exhibit a high standard of execution and handling, however, by about 1740 the intense effects of light, shade, and color in his works anticipate his distinctive mature style and eventual divergence from the manner of his teacher. His first incontestable works are those he created during his Italian travels in the 1740s. In the period 1743-47 Bellotto traveled throughout Italy, first in central Italy and later in Lombardy, Piedmont, and Verona. For many, the Italian veduteare among his finest works, but it was in the north of Europe that he enjoyed his greatest success and forged his reputation. In July 1747, in response to an official invitation from the court of Dresden, Bellotto left Venice forever. From the moment of his arrival in the Saxon capital, he was engaged in the service of Augustus III, King of Poland and Elector of Saxony, and of his powerful prime minister, Count Heinrich von Brühl. In 1748 the title of Court Painter was officially conferred on the artist, and his annual salary was the highest ever paid by the king to a painter. -
Kingston Lacy Illustrated List of Pictures K Introduction the Restoration
Kingston Lacy Illustrated list of pictures Introduction ingston Lacy has the distinction of being the however, is a set of portraits by Lely, painted at K gentry collection with the earliest recorded still the apogee of his ability, that is without surviving surviving nucleus – something that few collections rival anywhere outside the Royal Collection. Chiefly of any kind in the United Kingdom can boast. When of members of his own family, but also including Ralph – later Sir Ralph – Bankes (?1631–1677) first relations (No.16; Charles Brune of Athelhampton jotted down in his commonplace book, between (1630/1–?1703)), friends (No.2, Edmund Stafford May 1656 and the end of 1658, a note of ‘Pictures in of Buckinghamshire), and beauties of equivocal my Chamber att Grayes Inne’, consisting of a mere reputation (No.4, Elizabeth Trentham, Viscountess 15 of them, he can have had little idea that they Cullen (1640–1713)), they induced Sir Joshua would swell to the roughly 200 paintings that are Reynolds to declare, when he visited Kingston Hall at Kingston Lacy today. in 1762, that: ‘I never had fully appreciated Sir Peter That they have done so is due, above all, to two Lely till I had seen these portraits’. later collectors, Henry Bankes II, MP (1757–1834), Although Sir Ralph evidently collected other – and his son William John Bankes, MP (1786–1855), but largely minor pictures – as did his successors, and to the piety of successive members of the it was not until Henry Bankes II (1757–1834), who Bankes family in preserving these collections made the Grand Tour in 1778–80, and paid a further virtually intact, and ultimately leaving them, in the visit to Rome in 1782, that the family produced astonishingly munificent bequest by (Henry John) another true collector. -
Buddhist Monastic Traditions of Southern Asia
BUDDHIST MONASTIC TRADITIONS OF SOUTHERN ASIA dBET Alpha PDF Version © 2017 All Rights Reserved BDK English Tripitaka 93-1 BUDDHIST MONASTIC TRADITIONS OF SOUTHERN ASIA A RECORD OF THE INNER LAW SENT HOME FROM THE SOUTH SEAS by Sramana Yijing Translated from the Chinese (Taishô Volume 54, Number 2125) by Li Rongxi Numata Center for Buddhist Translation and Research 2000 © 2000 by Bukkyo Dendo Kyokai and Numata Center for Buddhist Translation and Research All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transcribed in any form or by any means —electronic, mechanical, photocopying, recording, or otherwise— without the prior written permission of the publisher. First Printing, 2000 ISBN: 1-886439-09-5 Library of Congress Catalog Card Number: 98-67122 Published by Numata Center for Buddhist Translation and Research 2620 Warring Street Berkeley, California 94704 Printed in the United States of America A Message on the Publication of the English Tripit aka The Buddhist canon is said to contain eighty-four thousand different teachings. I believe that this is because the Buddha’s basic approach was to prescribe a different treatment for every spiritual ailment, much as a doctor prescribes a different medicine for every medical ailment. Thus his teachings were always appropriate for the par ticular suffering individual and for the time at which the teaching was given, and over the ages not one of his prescriptions has failed to relieve the suffering to which it was addressed. Ever since the Buddha’s Great Demise over twenty-five hundred years ago, his message of wisdom and compassion has spread through out the world. -
An Argument for the Wider Adoption and Use of Traditional Academic Attire Within Roman Catholic Church Services
Transactions of the Burgon Society Volume 17 Article 7 10-21-2018 An Argument for the Wider Adoption and Use of Traditional Academic Attire within Roman Catholic Church Services Seamus Addison Hargrave [email protected] Follow this and additional works at: https://newprairiepress.org/burgonsociety Part of the Catholic Studies Commons, Fiber, Textile, and Weaving Arts Commons, Higher Education Commons, History of Christianity Commons, and the Religious Education Commons This work is licensed under a Creative Commons Attribution-Noncommercial 4.0 License Recommended Citation Hargrave, Seamus Addison (2018) "An Argument for the Wider Adoption and Use of Traditional Academic Attire within Roman Catholic Church Services," Transactions of the Burgon Society: Vol. 17. https://doi.org/10.4148/2475-7799.1150 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Transactions of the Burgon Society by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Transactions of the Burgon Society, 17 (2017), pages 101–122 An Argument for the Wider Adoption and Use of Traditional Academic Attire within Roman Catholic Church Services By Seamus Addison Hargrave Introduction It has often been remarked that whilst attending Church of England or Church of Scotland services there is frequently a rich and widely used pageantry of academic regalia to be seen amongst the ministers, whilst among the Catholic counterparts there seems an almost near wilful ignorance of these meaningful articles. The response often returned when raising this issue with various members of the Catholic clergy is: ‘well, that would be a Protestant prac- tice.’ This apparent association of academic dress with the Protestant denominations seems to have led to the total abandonment of academic dress amongst the clergy and laity of the Catholic Church. -
Life at a Higher Elevation AFFORDABLE HOUSING BUILDING HEALTHY COMMUNITIES VIRTUAL PUBLIC FORUM Thursday, March 11, 2021 5:30 PM - 8:00 PM
Page 2 GRAND GAZETTE March 4, 2021 WWW.GRANDGAZETTE.NET Life at a Higher Elevation AFFORDABLE HOUSING BUILDING HEALTHY COMMUNITIES VIRTUAL PUBLIC FORUM Thursday, March 11, 2021 5:30 PM - 8:00 PM Learn more and register for this FREE event here: roadshowgrandjacksoncounties.eventbrite.com photo by Molly Johnson Below zero temperatures did not faze the experienced ranch hands from Bear Mountain and the Peak. Every year they make the drive the herd of expectant mommas to the pasture where they will calve. (L to R) Brian Manuel, Brad Probst, Rich Sherman, Corry Taylor and Mike Sherman. Spanish interpretation provided Not pictured Bruce James and Dave Hammer. Hosted by Colorado Coalition for the Homeless, Colorado Center on Law and Policy, and Colorado Fiscal Institute Our Community! Our News! Our Paper! send news items and pictures to [email protected] FAITH NOTES Kremmling Gore Range Baptist Church: photo by Jim Yust Community Church Pastor Allen will host a Sunday A bald eagle watches an opening in the Blue River. & The Gathering service via Facebook Live at 10am. Sunday worship gatherings Find this and other resources on will be held at 10am and 5pm. Facebook at Gore Range Baptist Weekly emails provide updates, Church. -- Take note that services ongoing opportunities, and Stirring are telecast via the private Facebook Historical Hindsights Group news. For more information group and not the Church’s main provided by the Grand County Historical Association or to sign up for email contact, go to page. Go to https://www.facebook. kremmlingcommunitychurch.org. com/groups/1236993409966318/ and request to join. -
Fashion Jewellery Style Guide
Fashion Jewellery Style Guide 1 About this document Customers today actively visit major e-commerce portals like Amazon to search, seek, compare and consume brand/product information before making a purchase decision. Our goal is to present our selection in a curated and personalized manner such that customers feel like they’re wandering through a mall where their favorite brands are featured but also being able to discover new brands and styles with a boutique-like feel where it’s easy to find anything they’re looking for. The information that you upload to Amazon is displayed on the product detail page and plays a critical role in educate customers to purchase your products. Since Amazon customers are not able to physically pick up or view products when shopping for an item, our goal is to enable the customer to make an informed buying decision by providing as much information as possible on the product detail page. A good detail page is a proven way of driving traffic, product discoverability and online product sales. The below style guide has two components: Data and Imaging .This Style Guide is intended to give you guidance you need to create effective, accurate product detail pages in Jewellery category. Table of Contents Fashion Jewellery Style Guide ...................................................................................................................... 1 About this document ................................................................................................................................... 2 Table of -
The Splendours of Venice View Paintings from the Eighteenth Century the Splendours of Venice View Paintings from the Eighteenth Century
The Splendours of Venice View Paintings from the Eighteenth Century The Splendours of Venice View Paintings from the Eighteenth Century The Splendours of Venice View Paintings from the Eighteenth Century Valentina Rossi and Amanda Hilliam DE LUCA EDITORI D’ARTE The Splendours of Venice View Paintings from the Eighteenth Century Lampronti Gallery 1-24 December 2014 9.30 - 6 pm Exhibition curated by Acknowledgements Amanda Hilliam Marcella di Martino, Emanuela Tarizzo, Barbara De Nipoti, the staff of Valentina Rossi Itaca Transport, the staff of Simon Jones Superfreight. Catalogue edited by Amanda Hilliam Valentina Rossi Photography Mauro Coen Matthew Hollow LAMPRONTI GALLERY 44 Duke Street, St James’s London SW1Y 6DD Via di San Giacomo 22 00187 Roma [email protected] [email protected] p. 2: Francesco Guardi, The lagoon with the Forte di S. Andrea, cat. 20, www.cesarelampronti.com detail his exhibition and catalogue commemorates the one-hundred-year anniversary of Lampronti Gallery, founded in 1914 by my Grandfather and now one of the foremost galleries specialising in Italian Old TMaster paintings in the United Kingdom. We have, over the years, developed considerable knowledge and expertise in the field of vedute, or view paintings, and it therefore seemed fitting that this centenary ex- hibition be dedicated to our best examples of this great tradition, many of which derive from important pri- vate collections and are published here for the first time. More precisely, the exhibition brings together a fine selection of views of Venice, a city whose romantic canals and quality of light were never represented with greater sensitivity or technical brilliance than during the eigh- teenth century. -
Image Prop Quan Tity Information Shout Plastic Megaphone 40X OTS 2 Reds and One Green Disney Maleficient Cameo Purple Hat
Image Prop Quan Information tity Shout Plastic Megaphone 40x OTS 2 Reds and one Green Disney Maleficient Cameo 1 OTS - 35$ Purple Hat Feathers Sequins Mini Top Hat NWT Mardi Gras The Emblem on the front is missing Maroon Karneval Half Mask 1 OTS - 25$ Classic Venetian masquerade style maroon mask with side feathers Vintage 1983 Latex Pig Nose 1 OTS - $ unknown v Mask by Cesar Vintage item from the 1980s Material: latex Geezer Groucho Glasses 1 OTS Slightly Worn out Plastic domino eye mask 5 OTS 2 red, 1 green, 2 black 10 OTS 4 pink, 3 purple, 1 blue 2 green Superhero Sunglasses Fun Express Plastic Swirl 12 OTS $ 6.75 Spin Tops (1 Dozen) Fashion Puppy Tattoos 20 OTS Sporting Goods NewJersey 7 OTS → 4 orange, 3 white Propellers OTS 9 various colors Telescope 7 OTS 3 blue, ,2green, 1red Slide Whistles 6 OTS 3 purple, 3 red, Black Nerdy Plastic Glasses 5 OTS Deputy Sheriff Starr 7 OTS Design Has star in the center Mini Kaleidoscopes 9 OTS ieuwbrK Bouncy balls 5 OTS 2 different green designs, 3 different red designs jar of Jar of Money Bank 1 OTS Boone 64” Eisel 1 OTS White Mirror Pink Umbrella White Battery Operated Closet 4 OTS - 9$ each Tap Light Surfer Dude Wig 1 OTS 13.38$ Forum Novelties Deluxe Santa 1 OTs Claus Wig & Big Set $21.95 1 OTS Sassy Bob $8.99 Neon Purple Wig DELUXE 1 OTS $13.64 INTERNATIONA L BEAUTY BLONDE WIG 1 OTS Jumbo $7.45 Brown Afro Wig Black Braided Hippie Wig 2 OTS - $12.99 Santa Hat 1 OTS Red is sequins by prima creations 1 OTS- 1.95 Patriotic Stove ● Quantity- 1 ● Color- Red, White, Pipe Hat Blue ● Size- 11 Inches -
Venice: Canaletto and His Rivals February 20, 2011 - May 30, 2011
Updated Friday, February 11, 2011 | 3:41:22 PM Last updated Friday, February 11, 2011 Updated Friday, February 11, 2011 | 3:41:22 PM National Gallery of Art, Press Office 202.842.6353 fax: 202.789.3044 National Gallery of Art, Press Office 202.842.6353 fax: 202.789.3044 Venice: Canaletto and His Rivals February 20, 2011 - May 30, 2011 Important: The images displayed on this page are for reference only and are not to be reproduced in any media. To obtain images and permissions for print or digital reproduction please provide your name, press affiliation and all other information as required(*) utilizing the order form at the end of this page. Digital images will be sent via e-mail. Please include a brief description of the kind of press coverage planned and your phone number so that we may contact you. Usage: Images are provided exclusively to the press, and only for purposes of publicity for the duration of the exhibition at the National Gallery of Art. All published images must be accompanied by the credit line provided and with copyright information, as noted. File Name: 2866-103.jpg Title Title Section Raw File Name: 2866-103.jpg Iconografica Rappresentatione della Inclita Città di Venezia (Iconongraphic Iconografica Rappresentatione della Inclita Città di Venezia (Iconongraphic Representation of the Illustrious City of Venice), 1729 Display Order Representation of the Illustrious City of Venice), 1729 etching and engraving on twenty joined sheets of laid paper etching and engraving on twenty joined sheets of laid paper 148.5 x 264.2 -
Press Notice Exhibitions 2010
EXHIBITIONS AT THE NATIONAL GALLERY 2010 PRESS NOTICE MAJOR EXHIBITION PAINTING HISTORY: DELAROCHE AND LADY JANE GREY 24 February – 23 May 2010 Sainsbury Wing Admission charge Paul Delaroche was one of the most famous French painters of the early 19th century, with his work receiving wide international acclaim during his lifetime. Today Delaroche is little known in the UK – the aim of this exhibition is to return attention to a major painter who fell from favour soon after his death. Delaroche specialised in large historical tableaux, frequently of scenes from English history, characterised by close attention to fine detail and often of a tragic nature. Themes of imprisonment, execution and martyrdom Paul Delaroche, The Execution of Lady Jane Grey, 1833 © The National Gallery, London were of special interest to the French after the Revolution. The Execution of Lady Jane Grey (National Gallery, London), Delaroche’s depiction of the 1554 death of the 17-year-old who had been Queen of England for just nine days, created a sensation when first exhibited at the Paris Salon in 1834. Monumental in scale, poignant in subject matter and uncanny in its intense realism, it drew amazed crowds, as it still does today in London. This exhibition will, for the first time in the UK, trace Delaroche’s career and allow this iconic painting to be seen in the context of the works which made his reputation, such as Marie Antoinette before the Tribunal (1851, The Forbes Collection, New York). Together with preparatory and comparative prints and drawings for Lady Jane Grey on loan from collections across Europe, it will explore the artist’s notion of theatricality and his ability to capture the psychological moment of greatest intensity which culminated in Lady Jane Grey.