“The Great Call of the Hour”: Hillel Zeitlin's Yiddish Writings On
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2006 Abstracts
Works in Progress Group in Modern Jewish Studies Session Many of us in the field of modern Jewish studies have felt the need for an active working group interested in discussing our various projects, papers, and books, particularly as we develop into more mature scholars. Even more, we want to engage other committed scholars and respond to their new projects, concerns, and methodological approaches to the study of modern Jews and Judaism, broadly construed in terms of period and place. To this end, since 2001, we have convened a “Works in Progress Group in Modern Jewish Studies” that meets yearly in connection with the Association for Jewish Studies Annual Conference on the Saturday night preceding the conference. The purpose of this group is to gather interested scholars together and review works in progress authored by members of the group and distributed and read prior to the AJS meeting. 2006 will be the sixth year of a formal meeting within which we have exchanged ideas and shared our work with peers in a casual, constructive environment. This Works in Progress Group is open to all scholars working in any discipline within the field of modern Jewish studies. We are a diverse group of scholars committed to engaging others and their works in order to further our own projects, those of our colleagues, and the critical growth of modern Jewish studies. Papers will be distributed in November. To participate in the Works in Progress Group, please contact: Todd Hasak-Lowy, email: [email protected] or Adam Shear, email: [email protected] Co-Chairs: Todd S. -
Aaron Zeitlin and Rebbe Nachman
The Poetry of Faith and Doubt ELUL 2018 The Poetry of Faith and Doubt: Aaron Zeitlin and Rebbe Nachman Poetry of Faith and Doubt Aaron Zeitlin and Rebbe Nachman The Poetry of Faith and Doubt ELUL 2018 Where does faith live? If you want to find its dwelling—go to despair and ask. The path leads through his lands. Faith lives on ruins. On the bare foundation of a building, which is burned, her tears run. The tears reflect a dawn, which illuminates the firmament over her and the ruins. In her tears dawn shines while she sits and wrings her hands. And if you did not know despair— you will not find faith. Aaron Zeitlin January, 1946 Poetry of Faith and Doubt Aaron Zeitlin and Rebbe Nachman The Poetry of Faith and Doubt ELUL 2018 The Yiddish poetry of Aaron Zeitlin is very different from that of his contemporaries. His is a unique voice in the Yiddish poetry written in the wake of the Holocaust. His unusual situation as a Polish Jew who escaped the Holocaust through a quirk of fate also affected his perspective. He was not, like his fellow poets in America, someone who had left the old world voluntarily and had made his peace with the loss of that part of his life. On the other hand, he did not live through the Holocaust and did not share the experience of his nation. The result was a tremendous sense of guilt, an unusual form of survivor guilt. He asks himself why did he not share the fate of his people. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES English Department Hasidic Judaism in American Literature by Eva van Loenen Thesis for the degree of Doctor of Philosophy December 2015 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF YOUR HUMANITIES English Department Thesis for the degree of Doctor of Philosophy HASIDIC JUDAISM IN AMERICAN LITERATURE Eva Maria van Loenen This thesis brings together literary texts that portray Hasidic Judaism in Jewish-American literature, predominantly of the 20th and 21st centuries. Although other scholars may have studied Rabbi Nachman, I.B. Singer, Chaim Potok and Pearl Abraham individually, no one has combined their works and examined the depiction of Hasidism through the codes and conventions of different literary genres. Additionally, my research on Judy Brown and Frieda Vizel raises urgent questions about the gendered foundations of Hasidism that are largely elided in the earlier texts. -
ZOHAR QUESTIONS – DANIEL MATT 1) How Did You First Become Drawn
ZOHAR QUESTIONS – DANIEL MATT 1) How did you first become drawn to the mystical side of Judaism? My father, Hershel Matt, was a rabbi—a genuinely spiritual rabbi. He rarely used the word “mystical,” but I imbibed spirituality from him, from praying, singing, and studying with him. Largely because of him, I felt drawn to exploring the mystical dimension of Judaism. At Brandeis University I took courses in Jewish mysticism with Professor Alexander Altmann. Arthur Green, who was then a graduate student, taught an informal course in Hasidic texts. These courses inspired me to begin studying the Zohar, which I first undertook in Jerusalem at the Hebrew University during my junior year abroad in 1970. 2) How has the Zohar informed your life and what meaning can it have in our contemporary world—for Jews and other spiritual seekers? I see the Zohar as a celebration of the imagination. It shows how to discover radically new meaning in an ancient text. The Zohar, after all, is a commentary on the Torah, not an independent book. It challenges you to delve deeply into Scripture. Though it builds on all the previous layers of Jewish tradition, it also demonstrates a holy dissatisfaction with traditional formulations. Typically we read: “This verse has already been discussed, but…” It is that pregnant “but” that provides an opening for new discovery, for new possibilities of meaning. The Zohar has taught me to never stop questioning, to build on the past and to soar higher. Through its imaginative power, it has helped me cultivate a sense of wonder. -
Radical Judaism: Rethinking God and Tradition, by Arthur Green. New Haven: Yale University Press, 2010
Radical Judaism: Rethinking God and Tradition, by Arthur Green. New Haven: Yale University Press, 2010. 197 pp. $26.00. Arthur Green’s book is one of the most profound interpretations of the Jewish tradition that I have read in the last decade, and it is certainly the most radical. Green, currently rector of the Rabbinical School at Hebrew College in Massachusetts, has also served as president of the Reconstructionist Rabbinical School and as professor at the University of Pennsylvania and Brandeis University. For the last fifty years Green, one of the most significant Jewish theologians in America, has devoted his life to learning and teaching the classical Jewish sources, especially mystical and Hasidic sacred texts. This book is so rich in its use of major classical Jewish sources, including some of the most cryptic ones from the Jewish mystical tradition, and covers so many critical issues that in this short review I will focus only on his view of God, which to me seems to be the most controversial issue in this work and has serious implications for other core Jewish ideas. Green argues that at the heart and center of Judaism the one core idea which Jews must continue to teach to the world is the universalist vision of Simeon ben Azzai for whom the Torah’s most basic principle is that there is one God and that every human being is created in God’s image. In Green’s new vision of the Jewish tradition, this means that “Being is One, and each person is God’s unique image” (p. -
Create Me Anew: Hillel Zeitlin and Kedusha Discussion Guide
Create Me Anew: Hillel Zeitlin and Kedusha Moshe Waldoks orn in White Russia in 1871, Hillel Zeitlin ably unique role in the Warsaw community. Bwas murdered by the Nazis in the process His home on Shliska Street became a salon for of liquidating the Warsaw Ghetto in 1942. He mystics, occultists, youthful Hasidic seekers was, in many ways, the urvater, the progenitor and skeptics, journalists, and writers. Zeitlin of much of the post-Shoah interest in mysti- began to play the role of an independent cism, Kabbalah, and the Zohar. rebbe. In the 1920s and early ’30s he corre- Zeitlin was a combination of scholar, jour- sponded with Rav Kook and others with mys- nalist, poet, polemicist, mystic, and prophet, tical leanings. inspiring Abraham Joshua Heschel (Zeitlin After the Second World War began, Zeitlin was the first to use the term hishtomemut hane- joined his beloved Warsaw Jews in the ghetto, fesh, “radical amazement,” in a 1911 essay) and refusing many offers to be smuggled out. (His Elie Wiesel. He is also a formative figure in the son, the renowned Yiddish poet Aaron Zeitlin, thought of Rabbi Zalman Schachter-Shalomi, was in America at the outbreak of the war.) In the founder of the Jewish renewal approach the ghetto he gathered around him Bratzlaver to post-Holocaust Judaism in the United and other Hasidic mystics, to usher in the mes- States. sianic redemption of shnat Shabbat [taf shin bet], Writing in Hebrew, Yiddish, and Aramaic, 1942. At the close of that year in the Hebrew Zeitlin contributed to the most well-read Yid- calendar the 71-year-old Zeitlin, according to dish newspaper in Warsaw, Der Moment, for Hillel Siedman’s eyewitness account, marched over 30 years, as well as to noted Hebrew and to the transfer point in the Warsaw Ghetto Yiddish journals. -
Simon Dubnow and the Politics of the Jewish Past Roni Gechtman
Document generated on 09/25/2021 7:34 p.m. Journal of the Canadian Historical Association Revue de la Société historique du Canada Creating a Historical Narrative for a Spiritual Nation: Simon Dubnow and the Politics of the Jewish Past Roni Gechtman Volume 22, Number 2, 2011 Article abstract Simon Dubnow (1860–1941) was a towering intellectual figure in the history of URI: https://id.erudit.org/iderudit/1008979ar East European Jewry in the half-century before the Second World War. His DOI: https://doi.org/10.7202/1008979ar influence was manifested mostly in two areas: as the preeminent Jewish historian of his generation and as the main theorist of Jewish diaspora See table of contents nationalism (Folkism) and intellectual leader of the Folkspartey in Russia (1907-1917). This article examines the relation between the two aspects of Dubnow’s career and legacy. As a historian, Dubnow developed a method for Publisher(s) the study of Jewish history he called ‘historism’. Politically, Dubnow was an atypical nationalist, in that he did not demand territorial independence for his The Canadian Historical Association / La Société historique du Canada people but only the recognition of Jews as a nation with autonomous status within the states where they already lived. I show how Dubnow’s Jewish ISSN nationalism and his political views derived, to a large extent, from his historical theory and analysis, and in turn, how his historical interpretations 0847-4478 (print) were often informed by his ideological preconceptions. By analyzing and 1712-6274 (digital) juxtaposing his historical and theoretical works, I argue that the writing of history was for Dubnow a means to achieve his more ambitious goal: to change Explore this journal the future of Jewish society and, by extension, the countries where the Jews lived. -
2020 21 Course Catalogue
202021 COURSE CATALOGUE 1299 Church Road, Wyncote, Pa. 215.576.0800 RRC.edu Table of Contents I. THE RECONSTRUCTIONIST RABBINICAL COLLEGE .................................................................................... 4 Mission and Vision Statements ..................................................................................................................... 4 RRC: Our Academic Philosophy and Program ............................................................................................... 4 The Reconstructionist Movement: Intellectual Origins ................................................................................ 6 II. FACULTY .................................................................................................................................................... 7 Emeritus Faculty ............................................................................................................................................ 8 III. DEGREE PROGRAMS AND ADMISSIONS REQUIREMENTS ..................................................................... 9 Master of Arts in Hebrew Letters and Title of Rabbi .................................................................................... 9 Requests for Credit for Independent Study at RRC .................................................................................... 14 Learning Opportunities Outside of RRC, Including Transfer of Credit Policy .............................................. 14 Applying for Exemption from Requirements While at RRC ....................................................................... -
The Quest for the Lost Princess in Rabbi Nachman of Braslav’S “Book of Stories from Ancient Times”
CORE Metadata, citation and similar papers at core.ac.uk Provided by Unisa Institutional Repository THE QUEST FOR THE LOST PRINCESS IN RABBI NACHMAN OF BRASLAV’S “BOOK OF STORIES FROM ANCIENT TIMES” by YAKOV SHAMMAI AZRIEL submitted in accordance with the requirements for the degree of DOCTOR OF LITERATURE AND PHILOSOPHY in the subject JUDAICA at the UNIVERSITY OF SOUTH AFRICA PROMOTER: DR M RESNICK JOINT PROMOTER: DR J SCHWARTZ NOVEMBER 2003 1 SUMMARY One of the most innovative and original Hasidic leaders and thinkers, Rabbi Nachman of Braslav (1772 — 1810), related thirteen long, complex fables during the final four years of his life. This doctoral thesis presents an analysis of the quest for the Lost Princess in Rabbi Nachman of Braslav’s “Book of Stories in Ancient Times.” The image of the Lost Princess and the quest to find and rescue her, which appear in four of these stories (including the first and the last ones), are central symbols in Rabbi Nachman’s thought. The most important key to an analysis of this image and theme lies in understanding the symbols and concepts of the Jewish mystical tradition (the Kabbalah), as Rabbi Nachman himself suggested. KEY TERMS Rabbi Nachman of Braslav; Hasidism; Kabbalah; Jewish mysticism; redemption; Jewish literature; Hasidic literature; allegory; East European Jewry; Rabbi Nathan of Nemirov 2 TABLE OF CONTENTS VOLUME ONE Summary and Key-Terms page 1 Table of Contents page 2 Chapter One pages 3-31 Chapter Two pages 32-56 Chapter Three pages 57-96 Chapter Four pages 97-132 Chapter Five pages -
Judaism for the Contemporary Seeker and Study Guide, 1998
MS-831: Jack, Joseph and Morton Mandel Foundation Records, 1980–2008. Series C: Council for Initiatives in Jewish Education (CIJE). 1988–2003. Subseries 5: Communication, Publications, and Research Papers, 1991–2003. Box Folder 43 12 Green, Arthur and Valerie Sandler. Restoring the Aleph: Judaism for the Contemporary Seeker and Study Guide, 1998. For more information on this collection, please see the finding aid on the American Jewish Archives website. 3101 Clifton Ave, Cincinnati, Ohio 45220 513.487.3000 AmericanJewishArchives.org ~ TARGUM SHUSID, INC. g An Aryeh and Raquel Rubin Fowidat.ilon A Judr and Michael Steinhardt Foundation Dear Rabbi: An.ached for your review is a copy of the essay Restoring the Aleph: Judaism for the Contemporary Seeker by Dr. Arthur Green, with an accompanying study guide. We would be pleased to send you additional copies of both the essay and guide for distribution to your congregants for their own study. We believe that this essay will stimulate and challenge the reader and hope it wilJ inspire a dialogue among rabbis, communaJ leaders, and thoughtful seekers within all denominations. Perhaps the contents of this essay will aJso serve as a cataJyst to individuaJs and their institutions ta bring back those unaffiliated Jews who want a home within our people. Our creative energies need to be harnessed to the creation of new ways to reunite and heaJ a divided Jewry. This program is sponsored by Targum Shlishi, Inc., through the offices of Jewish Life Network Please note J.J. Greenberg's introductory letter to the guide. ln it he states that while the sponsoring institutions and the individuals associated with them may not agree •vvith every statement in the essay, all believe it is important to bring the essay's ideas to the synagogue c:ommuntty. -
Cherry Camouflage Motive
Zeramim: An Online Journal of Applied Jewish Thought Vol. IV: Issue 1–2 | Fall–Winter 2019–2020/ 5779–5780 THE CAMOUFLAGED TA’AM (“MOTIVE”): REDEMPTIVE IMPLICATIONS OF RABBINIC THEURGY* Shai Cherry Introduction The literature that most influenced and informed the Rabbis’ worldviews was the Hebrew Bible.1 In that canon, living long on the Land that the Lord bequeathed to the Israelites was the goal. The Israelites were principally motivated to perform sacrifices and engage in other mitzvot as a vehicle to that end. After the destruction of the second Temple (70 C.E.), the failure of the revolt against Trajan (116 C.E.), and the Bar Kochba Rebellion (132–135 C.E.), the Rabbis sought both an explanation of their plight and a political restoration program that would not again provoke the Romans. Abraham Joshua Heschel, in the early 1960s, isolated a textual tradition of Rabbinic thought that reveals both God’s weakness and the recommended remedy.2 The Rabbis responsible for that school of thought helped to create a Torah-rooted religion that explained the destruction of their society and offered a discrete program of national * This paper is dedicated to my teacher, Rabbi Arthur Green. 1 Of course, the Rabbis were reading that literature within the cultural matrix of the Roman Empire. Note that I capitalize ‘Rabbis’ and ‘Rabbinic’ when referring to the founders of what became Rabbinic Judaism during the period from the 1st century C. E. to the 6th century. Theology of) ות הר ןמ םימשה הירלקפסאב לש ודה ר תו ,Abraham Joshua Heschel 2 Ancient Judaism), 3 vols. -
No. 2 - What Was Is Chassidut?
No. 2 - What was is Chassidut? 1 1 | Rachel Elior, The Mystical Origins of Hasidism, p. 1 2 | R. Aryeh Kaplan (New York, 1934-1983), The Chassidic Masters and Their Teachings, p. 4 “The earlier Kabbalah tried to bring man into heaven. The main idea of Chasidus was to bring heaven into man.” 3 | R. Tzvi Freeman, 18 Joyous Teachings of the Baal Shem Tov, pp. 1-9 “Happiness at happy times shines bright and clear, but the joy wrestled from the abyss of despair can transform the world… It wasn’t as though the Baal Shem Tov introduced joy to Judaism… but for the Baal Shem Tov, joy was more than a detail of Jewish life; it was a path of its own - the key and central path… and perhaps most fascinating, the Baal Shem Tov understood joy as a device to repair the world, as a key to redemption. 1 Elior writes that although “the various hasidic communities differed in their way of life, social identity, and spiritual orientation… they were bound together by a shared consciousness of spiritual renewal, mystical insight, and charismatic leadership… they also produced an impressively distinctive body of literature.” She further posits that “the search for common denominators unifying the various hasidic groups yields four factors: (1) A relationship to the Ba’al Shem Tov. Direct and indirect identification with the spiritual legacy of Israel Ba’al Shem Tov, who is universally regarded as the founder of hasidism, and with his disciples and their disciples as bearers, interpreters, and disseminators of his teaching…” (Elior, p.