1~1 Columbia Records of Canada. Ltd
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Access the Best in Music. a Digital Version of Every Issue, Featuring: Cover Stories
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MARCH 23, 2020 Page 1 of 27 INSIDE Lil Uzi Vert’s ‘Eternal Atake’ Spends • Roddy Ricch’s Second Week at No. 1 on ‘The Box’ Leads Hot 100 for 11th Week, Billboard 200 Albums Chart Harry Styles’ ‘Adore You’ Hits Top 10 BY KEITH CAULFIELD • What More Can (Or Should) Congress Do Lil Uzi Vert’s Eternal Atake secures a second week No. 1 for its first two frames on the charts dated Dec. to Support the Music at No. 1 on the Billboard 200 albums chart, as the set 28, 2019 and Jan. 4, 2020. Community Amid earned 247,000 equivalent album units in the U.S. in Eternal Atake would have most likely held at No. Coronavirus? the week ending March 19, according to Nielsen Mu- 1 for a second week without the help of its deluxe • Paradigm sic/MRC Data. That’s down just 14% compared to its reissue. Even if the album had declined by 70% in its Implements debut atop the list a week ago with 288,000 units. second week, it still would have ranked ahead of the Layoffs, Paycuts The small second-week decline is owed to the chart’s No. 2 album, Lil Baby’s former No. 1 My Turn Amid Coronavirus album’s surprise reissue on March 13, when a new (77,000 units). The latter set climbs two rungs, despite Shutdown deluxe edition arrived with 14 additional songs, a 27% decline in units for the week.Bad Bunny’s • Cost of expanding upon the original 18-song set. -
Satisfaction Rolling Stones 1965 3 American Pie Don Mclean 1972 4
AS VOTED AT OLDIESBOARD.COM 10/30/17 THROUGH 12/4/17 CONGRATULATIONS TO “HEY JUDE”, THE #1 SELECTION FOR THE 19 TH TIME IN 20 YEARS! Ti tle Artist Year 1 Hey Jude Beatles 1968 2 (I Can’t Get No) Satisfaction Rolling Stones 1965 3 American Pie Don McLean 1972 4 Light My Fire Doors 1967 5 In The Still Of The Nite Five Satins 1956 6 I Want To Hold Your Hand Beatles 1964 7 MacArthur Park Richard Harris 1968 8 Rag Doll Four Seasons 1964 9 God Only Knows Beach Boys 1966 10 Ain't No Mount ain High Enough Diana Ross 1970 11 Bridge Over Troubled Water Simon and Garfunkel 1970 12 Because Dave Clark Five 1964 13 Good Vibrations Beach Boys 1966 14 Cherish Association 1966 15 She Loves You Beatles 1964 16 Hotel California Eagles 1977 17 St airway To Heaven Led Zeppelin 1971 18 Born To Run Bruce Springsteen 1975 19 My Girl Temptations 1965 20 Let It Be Beatles 1970 21 Be My Baby Ronettes 1963 22 Downtown Petula Clark 1965 23 Since I Don't Have You Skyliners 1959 24 To Sir With Love Lul u 1967 25 Brandy (You're A Fine Girl) Looking Glass 1972 26 Suspicious Minds Elvis Presley 1969 27 You've Lost That Lovin' Feelin' Righteous Brothers 1965 28 You Really Got Me Kinks 19 64 29 Wichita Lineman Glen Campbell 1968 30 The Rain The Park & Ot her Things Cowsills 1967 31 A Hard Day's Night Beatles 1964 32 A Day In The Life Beatles 1967 33 Rock Around The Clock Bill Haley & His Comets 1955 34 Imagine John Lennon 1971 35 I Only Have Eyes For You Flamingos 1959 36 Waterloo Sunset Kinks 1967 37 Bohemian Rhapsody Queen 76 -92 38 Sugar Sugar Archies 1969 39 What's -
The Top 7000+ Pop Songs of All-Time 1900-2017
The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox -
Great Instrumental
I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T. -
Christmas Photo Album
CONTENTS My Christmas Memories .................................................................................................................... 6 CHRISTMAS SINGLES Researching Billboard’s Christmas Singles Charts............................................................................ 8 User’s Guide .................................................................................................................................... 11 ARTIST SECTION.............................................................................................................. 15 An alphabetical listing, by artist, of every Christmas song in chronological sequence that charted on Billboard’s singles charts from 1920 through 2004. SONG TITLE SECTION ................................................................................................. 67 An alphabetical listing, by song title, of every Christmas song that charted on Billboard’s singles charts from 1920 through 2004. Christmas Timeline .......................................................................................................................... 74 Christmas Singles Wrap-up ............................................................................................................. 76 Top Hits By Category....................................................................................................................... 77 CHRISTMAS PHOTO ALBUM A special four-color bonus section of 286 photos of various Christmas picture sleeves, record labels and album covers. ................................................... -
"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas. -
IASPM-US 2018 Annual Meeting Abstract Program
IASPM 2018 Nashville Conference Program ABSTRACTS 1 IASPM-US 2018 Annual Meeting Abstract Program Date/Time Time Panel Number and Title Panelists Location THURSDAY MARCH 8 Thursday, 9:00am- IASPM Board Meeting Room March 8 Noon 11670 Thurs March 8 2:00-3:30pm PL1: Plenary Organizer: Toby Seay Turner In the round: Nashville Moderator: Anthony Kwame Harrison Hall songwriter culture The songwriting industry that was previously driven by large publishing companies, such as tin pan alley, et al, has largely given way to producer led teams, where songs are written for a specific project with the inclusion of the recording artist. While publishing continues to be a major point of commerce within the music industry, the model of writing large pools of songs and then shopping them to potential music artists and producers has diminished, while shopping songs to film and video has increased. However, the Nashville songwriting culture maintains an industry of songwriter-led creation, while struggling with changes in the industry and modes of production. While the Nashville market is undergoing change, this performance will be in the traditional “songwriters in the round” setup in order to display the songwriter culture that has persisted in Nashville since the beginning of the recorded music industry. One round of songs by each songwriter will be followed by a moderated discussion concerning the creative process, the signifiers of Nashville musical output, and how the changes in monetary compensation impacts their art. A selection of up to three songwriters will be chosen for this performance/discussion. Thurs March 8 4:00-5:30pm P1-1: The Blues IN8: Muddy Waters, Folk Singer(?) 2192 Sean Lorre, McGill University Years before he was rebranded a Folk Singer by a 1964 Chess Records LP, British critics and record labels consistently adhered to a conspicuously rural presentation of Muddy Waters and his brand of Chicago-based electric blues. -
Rhythm & Blues...47
COUNTRY .......................2 POP.............................79 AMERICANA/ROOTS/ALT. .............14 POP INSTRUMENTAL .................87 OUTLAWS/SINGER-SONGWRITER .......15 LATIN ............................91 WESTERN..........................17 JAZZ .............................91 C&W SOUNDTRACKS.................18 SOUNDTRACKS .....................92 C&W SPECIAL COLLECTIONS...........18 SWING ...........................93 COUNTRY AUSTRALIA/NEW ZEALAND....19 COUNTRY DEUTSCHLAND/EUROPE.......19 DEUTSCHE OLDIES ..............94 BLUEGRASS ........................22 KLEINKUNST / KABARETT ..............99 INSTRUMENTAL .....................24 OLDTIME ..........................25 BOOKS/BÜCHER ................101 HAWAII ...........................26 DISCOGRAPHIES ....................109 CAJUN/ZYDECO ....................26 CHARTS ..........................110 FOLK .............................27 SINGLES ..........................110 CD SINGLES .......................106 ROCK & ROLL ...................30 POSTER ...........................106 LABEL R&R .........................40 R&R SOUNDTRACKS .................41 DVD ............................109 R&R SPECIAL COLLECTIONS............41 VINYL...........................120 ELVIS .............................42 RHYTHM & BLUES...............47 ARTIST INDEX...................122 BLUES ............................51 ORDER TERMS/VERSANDBEDINGUNGEN..127 GOSPEL ...........................52 SOUL.............................53 PRICELIST/PREISLISTE ...........128 VOCAL GROUPS ....................55 LABEL -
RCA Victor 12 Inch Popular Series LPM/LSP 4000-4299
RCA Discography Part 13 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor 12 Inch Popular Series LPM/LSP 4000-4299 LSP 4000 – All Time Christmas Hits – Piano Rolls and Voices by Dick Hyman [1968] Winter Wonderland/Silver Bells/It's Beginning To Look Like Christmas/Sleighride/The Christmas Song/I Saw Mommy Kissing Santa Claus/Let It Snow! Let It Snow! Let It Snow!/The Chipmunk Song/All I Want For Christmas Is My Two Front Teeth/Frosty The Snow Man/White Christmas LSP 4001 – Cool Crazy Christmas – Homer and Jethro [1968] Nuttin' Fer Christmas/Frosty The Snowman/I Saw Mommy Kissing Santa Claus/Santa Claus, The Original Hippie/All I Want For Christmas Is My Upper Plate/Ornaments/The Night Before Christmas/Jingle Bells/Randolph The Flat-Nosed Reindeer/Santa Baby/Santa's Movin' On/The Nite After Christmas LPM/LSP 4002 – I Love Charley Brown – Connie Smith [1968] Run Away Little Tears/The Sunshine Of My World/That's All This Old World Needs/Little Things/If The Whole World Stopped Lovin'/Don't Feel Sorry For Me/I Love Charley Brown/Burning A Hole In My Mind/Baby's Back Again/Let Me Help You Work It Out/Between Each Tear/There Are Some Things LPM/LSP 4003 – The Wild Eye (Soundtrack) – Gianni Marchetti [1968] Two Lovers/The Desert/Meeting With Barbara/The Kiss/Two Lovers/Bali Street/Don't Go Away/The Sultan/All The Little Pictures/The End Of The Orient/Love Comes Back/Nights In Saigon/The Letter/Life Goes On/Useless Words/The Statue/Golden Age/Goodbye/I Love You LSP 4004 – Country Girl – Dottie West [1968] -
P 1 ': 19 .- ~+-----+----~Truggling Songsmiths Canada's Songwriters Are Slowly Being Recognized but Originations
Volume 2 - No . t 3 Week of November 23rd ., 1964 J. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Canada's £b :p J ) JJ? J ;P 1 ': 19 .- ~+-----+----~truggling Songsmiths Canada's songwriters are slowly being recognized but originations. Even the Canadian-written "The World Is Wait mai nly by the Americans. Even in the 30's Canada's song ing For The Sunrise" by Ernest Seitz and Gene Lockhart writers were travelling to New York where the music business (the late actor) was originally a US publication. This tune was, to get some attention. As hard as it is to break into the was written in 1919. business and come up with a successful composition, it is In 1931, RCA Victor recorded a number of Canadian even harder in Canada,. but this situation is improving. College Songs . They were all Canadian. Later Mart Kenney The opposition to Canadian writers was so severe in the and the Happy Gang recorded a number of Canadian copy early days that there is a story of a Canadian song that be rights and although much wa sn't being done at least SOME came a very famous commercial and theme song. After it was THING was happening for the Canadiar. songwriter. disguised as an American song gives some indication of the In the late 40' s BMI Canada set up a publis hing firm and resis tance met by struggling Canadian songwriters. Canadian dedicated itself toward finding a place in Canada for Cana publis hing firms that would pick up a Canadian songwriters' dian works . One of their first breakthroughs was "Bluebird works are very rare. -
TITLE ARTIST Year
Presented by OldiesBoard.com and RewoundRadio.com (AS VOTED AT WWW.VOTETOP77.COM FROM 10/10/10/1610/16 through 11/28/16 TITLE ARTIST Year 1 Hey Jude Beatles 1968 2 (I Can't Get No) Satisfaction Rolling Stones 1965 3 American Pie Don McLean 1972 4 Good Vibrations Beach Boys 1966 5 Light My Fire Doors 1967 6 Bridge Over Troubled Water Simon and Garfunkel 1970 7 Stairway To Heaven Led Zeppelin 1971 8 I Want To Hold Your Hand Beatles 1964 9 Born To Run Bruce Springsteen & E Street Band 1975 10 MacArthur Park Richard Harris 1968 11 Rag Doll 4 Seasons 1964 12 She Loves You Beatles 1964 13 God Only Knows Beach Boys 1966 14 In The Still Of The Nite Five Satins 1956 15 Let It Be Beatles 1970 16 Ain't No Mountain High Enough Diana Ross 1970 17 My Girl Temptations 1965 18 Waterloo Sunset Kinks 1967 19 Like A Rolling Stone Bob Dylan 1965 20 Suspicious Minds Elvis Presley 1969 21 Imagine John Lennon & Plastic Ono Band 1971 22 Be My Baby Ronettes 1963 23 Cherish Association 1966 24 Hotel California Eagles 1977 25 Wichita Lineman Glen Campbell 1968 26 Runaway Del Shannon 1961 27 Will You Love Me Tomorrow Shirelles 1961 28 A Day In The Life Beatles 1967 29 Mr. Dieingly Sad Critters 1966 30 Because Dave Clark Five 1964 31 Dawn (Go Away) 4 Seasons 1964 32 Aquarius/Let The Sunshine In (The Flesh Failures) 5th Dimension 1969 33 Downtown Petula Clark 1965 34 Strawberry Fields Forever Beatles 1967 35 To Sir With Love Lulu 1967 36 You've Lost That Lovin' Feelin' Righteous Brothers 1965 37 Brandy (You're A Fine Girl) Looking Glass 1972 38 The House Of The Rising -
Light Music in the Practice of Australian Composers in the Postwar Period, C.1945-1980
Pragmatism and In-betweenery: Light music in the practice of Australian composers in the postwar period, c.1945-1980 James Philip Koehne Thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Elder Conservatorium of Music Faculty of Arts University of Adelaide May 2015 i Declaration I certify that this work contains no material which has been accepted for the award of any other degree or diploma in my name in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. In addition, I certify that no part of this work will, in the future, be used in a submission in my name for any other degree or diploma in any university or other tertiary institution without the prior approval of the University of Adelaide and where applicable, any partner institution responsible for the joint award of this degree. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying, subject to the provisions of the Copyright Act 1968. I also give permission for the digital version of my thesis to be made available on the web, via the University’s digital research repository, the Library Search and also through web search engines, unless permission has been granted by the University to restrict access for a period of time. _________________________________ James Koehne _________________________________ Date ii Abstract More than a style, light music was a significant category of musical production in the twentieth century, meeting a demand from various generators of production, prominently radio, recording, film, television and production music libraries.