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IASPM 2018 Nashville Conference Program SCHEDULE 1 IASPM 2018 Nashville Conference Program SCHEDULE 1 THURSDAY, MARCH 8 Thursday, 9:00am- IASPM Board Meeting Room March 8 Noon 11670 2:00- PL1: Opening Plenary Organizer: Toby Seay Turner Hall 3:30pm Performance in the round: Moderator: Anthony Kwame Harrison Nashville songwriter culture Thu, March 8 4:00- P1-1: The Blues IN8: Muddy Waters, Folk Singer(?) 2192 5:30pm Sean Lorre, McGill University IN40: Endless Boogie, Hypnotic Timbre, and the Circulation of Regional Style in Mississippi’s Blues Economy Benjamin DuPriest IN111 Exactly Where We’re Going I Cannot Say: The Transformation of Henry Thomas’ “Bull Doze Blues” into Canned Heat’s “Goin’ Up the Country” Tom Zlabinger Thu, March 8 4:00- P1-2: Audio/Video IN48: Hymnodies for Virtual Nations: 2175 5:30pm Uncovering “Fayth” and Memory in Final Fantasy X Holley Replogle-Wong IN69: A Field Guide to Digital Naturalism: The Ludic Video Game Soundscape and Playing the Spatiality of Proteus Kate Galloway IN61: Country, Metal, and Horror: Imagining Texas in House of 1000 Corpses (2003) Rachel May Golden Thu, March 8 4:00-5:30 P1-3: Country Music History IN5: “Our Winter Love,” Bill Pursell, and the 2190 Nashville Sound Terry Klefstad IN95: What is a Reissue? A Case Study of the Bear Family Bristol Sessions Peter Schaefer IN63: “He Just Takes My Land and Apologize:” Disappearing Farms in Country and Americana Music, 1929-2015 William Holly Thu, March 8 4:00-5:30 P1-4: Bob Dylan In and Out Panel Organizer: Sean Latham Choral Hall of the Archive Sean Latham, Brian Hosmer, and Mark Davidson Thu, March 8 6:00- IASPM-U.S. Opening A special reception celebrating the new TBA IASPM 2018 Nashville Conference Program SCHEDULE 2 7:30pm Reception home of the Journal of Popular Music Studies. Welcoming guests from the Boards of the Society for Ethnomusicology (SEM) and the International Society for Metal Music Studies (ISMMS). Thu, March 8 6:30- Performance- Performers: Emily Lacy and Daniel Brummel Turner Hall 7:30pm Old Devil Time: Drone-Folk Meditations FRIDAY, MARCH 9 Friday, 8:00am- REGISTRATION OPEN March 9 3:00p Fri, March 9 8:30- P2-1: Country Musicology IN47: It Ain’t Your Mama’s Country: Vocal 2190 10:00am Backbeat in Contemporary Country Music Kristi Hardman IN68: “Three Chords and the Truth”?: A Corpus Analysis of Harmony in Country Music Trevor DeClercq IN59: Making Associations and Developing Transfer Skills Through Country Music In The Composition Classroom Megan Hoelting Fri, March 9 8:30- P2-2: British and Irish IN75: Revisiting the 'Hippie Aesthetic': 2175 10:00am Nationalism Myths, Legends, and British Identity According to Rick Wakeman Ivan Tan IN52: Transatlantic Call: Alan Lomax’s Radio Programs for the BBC, 1943-1960 Andrew J. Bottomley IN43: “Frank Ryan Bought You Whiskey in a Brothel in Madrid”: Wild Geese, Joycean Exiles, and Transnational Irishness in the Music of the Pogues Kevin Farrell Fri, March 9 8:30- P2-3: Conceptualizing Pop IN38: “Pullin’ Out of Here to Win:” The 2192 10:00am Music Changing Narrative of Springsteen’s “Thunder Road” Dana DeVlieger IN76: Switched-On-Country: Gil Trythall, Rick Powell, and Early Arrangements of Country Music for the Moog Synthesizer John Brackett IN24: Applying the Elaboration Likelihood Processing Model to Musical Genre Classification: The Special Case of Bluegrass Music IASPM 2018 Nashville Conference Program SCHEDULE 3 Lance Kinney Fri, March 9 8:30- P2-4: Blurring Genre in the Organizer: Andrew Lipow Choral Hall 10:30am City of Country Music Panelists: Andrew Lipow, Rick Wilkerson, Nicole Boggs, and Joseph Lekkas Fri, March 9 11:00- PL2: Plenary- Roundtable Organizer and Moderator: Turner Hall 12:30pm “As for me and my house”: Andrew Mall Nashville, the Home of Panelists: Dean Diehl, Chris Hauser, Gina Christian Music Miller, Jackie Patillo, and John J. Thompson Fri, March 9 12:30- LUNCH BREAK 1:00pm Fri, March 9 1:00- P3-1: Diplomacy and IN84: The Cultural Frontline: Music and U.S. 2175 2:30pm Populism Diplomacy in the Age of Trump Rebekah E. Moore IN99: The Office of Strategic Services Musac Project: “Lili Marleen,” Marlene Dietrich, and the Weaponized Popular Music of WWII Danielle Stein IN103: The Populist Sensorium: Popular Sounds and Sensation in the 2016 Campaign Justin Patch Fri, March 9 1:00- P3-2: Margins, Borders, Organizer and Moderator: Nadine Hubbs Choral Hall 3:00pm Boundaries and Crossings Panelists: Jewly Hight, Nadine Hubbs, Charles L. Hughes and Diane Pecknold Fri, March 9 1:00-3:00 P3-3: Queer(ing) Visions IN74: “Cowboys are Frequently, Secretly 2190 Fond of Each Other”: Hiding Homosexuality In Mainstream Country Music Michael Austin IN89: Personae and Gender Critique in Stromae’s Racine Carrée Michèle Duguay IN97: Sincerity and Camp in Queer and Trans Covers of “Frankie and Johnny” Shana Goldin-Perschbacher IN10: Silence = Death: Country Music’s Failure to Respond to HIV/AIDS Matthew Jones Fri, March 9 1:00- P3-4: Negotiating Borders IN85: Songs of Remembrance and Longing 2192 2:30pm from Distant Lands: The Case of the Syrian Refugees Guilnard Moufarrej IN67: The Influence of American Divas and Pop Rockers on Contemporary Philippine Music James Gabrillo IASPM 2018 Nashville Conference Program SCHEDULE 4 IN86: Reworking the Brasilidade Narrative: Dekassegui, Música Sertaneja, and the Identity Performance in the Japanese Brazilian Expatriate Community Junko Oba Fri, March 9 3:15- P4-1: Is Country IN23: Desperation Mode: Factors that 2190 4:45pm Homogeneous? Promote Homogeneity in Country Music Songs Rachel E. Skaggs IN50: Listening for Consent in the Contemporary Country Love Song Phoebe Hughes IN108: “Girl on the Billboard”: Changing Billboard Methodologies and Ecological Diversity in Hot Country Songs Jada Watson Fri, March 9 3:15- P4-2: Searching for Viability: Organizer: Bryan Bardine Choral Hall 4:45pm Dynamics in Three Metal Panelists: Bryan Bardine, Lewis Kennedy, Scenes around the World Edward Banchs Fri, March 9 3:15- P4-3: Symbols of American IN13: “Hail Columbia! Happy Land!”: An 2192 4:45pm Nationalism Untold Story of National Anthem as Political Protest Laura Lohman IN26: Let Your Freak Flag Fly: Rick James, Black Politics, and Sounding Allegiance to a Flag Elliott H. Powell IN62: The Construction of National Identity in 1930s Sing-Along Radio Programs Esther Morgan-Ellis Fri, March 9 3:15- P4-4: Rural Romanticism IN35: “Out in the Country”: Rural 2175 4:45pm Romanticism, The Western and Folk Ideology in American Rock Music at the Turn of the 1970s Caitlin Vaughn Carlos IN79: The Meaning of Backwards: Jack White and Romantic Agrarianism Josh Moon IN93: “They Shot a Western South of Here”: Josh Ritter’s Imaginary West Lily Corwin Fri, March 9 5:00- P5-1: Gatekeeping and IN16: Recording “The Country People”: 2175 6:30pm Tastemaking Talent Scouts as Tastemakers and Mythmakers Kyle Barnett IN109: The Literature of Country Music: Bill IASPM 2018 Nashville Conference Program SCHEDULE 5 Malone and Richard Peterson, sure, but what about Nick Tosches, Sharyn McCrumb, and Zora Neale Hurston? Eric Weisbard IN57: When Alt-Country Was New: Uncle Tupelo and the Question of Alt-Country's Innovation Robert Loss Fri, March 9 5:00- P5-2: Music Media IN72: Rocking Late-Night: Rock Concert 2190 6:30pm Programs Carve a Niche in Network Moderator: Victor Szabo Television Norma Coates IN64: Playing Records: Theorizing records, the public sphere, and popular music Timothy J. Anderson IN78: Ubiquitous Production: Making Music with the iPhone Mike D’Errico Fri, March 9 5:00- P8-4: Current Trends in IN32: Authenticity and “Country” Vocalists 2192 6:30pm County Music in Fundamental Christian Churches Sarah Bereza IN42: “My Church”: Nostalgia, Tradition, and the Rise of the Secular Praise and Worship Anthem Nathan Fleshner IN51: The Way Back Home: Joshua Davis’s Journeys Across the Mackinac Bridge Evelyn McConnell Fri, March 9 7:00- Event: Researching Country Join IASPM-U.S. and the Country Music Hall 9:00pm Music/Country Music Hall of Fame for a special session and tour. Ann of Fame Powers will moderate the roundtable “Researching Country Music,” followed by a guided tour of the collections and exhibitions of the Hall of Fame. Refreshments provided. SATURDAY, MARCH 10 Sat, March 8:00am- REGISTRATION OPENS 10 3:00p Sat, March 8:30- P5-1: Revivals and Tributes IN18: "Pinegrove, Alt-Country, and the 2192 10 10:00am Changing Landscape of the Emo Revival" Nathaniel Cortas IN58: Country Music that Does Not Suck: Bloodshot Records’ Use of Covers and Tribute Albums Nancy P. Riley IASPM 2018 Nashville Conference Program SCHEDULE 6 IN15: Folksong for Sale: Aesthetics of Commercial Recording in the Midcentury American Folk Revival Brian Jones Sat, March 8:30- P5-2: Bluegrass Scenes: Organizer and Moderator: Gregory Reish Choral Hall 10 10:30am Geography, Performance, Panelists: Jordan Laney, Benjamin Krakauer, and Mobility in “Country” Lee Bidgood, and Jonathan King Spaces Sat, March 8:30- P7-4: Music and American IN105: “Don’t Want Polonium, Rolled up in 2175 10 10:00pm Militarism my Sushi”: Jimmy Buffett, Margaritaville Americana, and Cold War Becoming(s) Rachel Tollett IN104: “The Army Goes Country and Western”: Race, Politics, and Music Row Militarism in the 1950s Joseph M. Thompson IN87: “Songs of the Golden Age: Music Production in Hanoi during the American War” Lonán Ó Briain Sat, March 8:30- P6-2: Gendered Authenticity IN29: Liverpool Lullabies: Cilla Black, 2190 10 10:00am Moderator: Roshanak Khesti Gendered Authenticities, and the Scouse Industry Alexandra Apolloni IN46: The “Good Hearted Woman”: Tina Turner Emily Milius IN73: Creative Process and the Quest for Freedom in the Music of Erykah Badu Sean Peterson Sat, March 10:15- P6-1: Space and Place IN22: Southern Sounds, Northern Voices: 2175 10 11:45am Distorting Borders Through Country Music Ryan Shuvera IN65: Bobbie Gentry’s Odes to Mississippi: Considering Musical Biographies of a Place Kristine M.
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