DOCSLIB.ORG

Online Fake Book Index

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Online Fake Book Index AFB ALTEREGO FAKE BOOK ESB Erwins Songbook GDC The Groove Doctors' Music Charts GGG The Guitarguy's Golden Classics KGS Keith's Guitar Song Sheets MFC My Favorite Guitar Chords And Tabs OST OLD STANDARDS & CLASSIC JAM TUNES RCS Riff Ron's Cheat Sheets STS Sing Those Songs real Realbook Jazz Charts / realbook.us st SongTrellis vb The Vanilla Book A002 B008 C016 D021 E026 F029 G032 H036 I040 J051 K054 L054 M061 N067 O070 P073 Q076 R076 S078 T088 U095 V095 W096 Y102 Z105 http://www.io.com/~superego/fakebook.html http://i.wuell.net/songbook/ http://www.groovedoctors.com/GrooveCharts.html http://www.theguitarguy.com/ http://www.fortunecity.com/tinpan/bongos/893/ http://incolor.inetnebr.com/tgannon/chrd/chrdprog.html http://www.mediaversal.com/wesley/songbook.html http://www.realbook.us/ http://www.songtrellis.com/changesPage http://www.ralphpatt.com/Song.html STS 1-2-3 Indigo Girls st 245 STS 25 OR 6 TO 4 Chicago STS 4+20 Crosby, Stills, & Nash GDC 867-5309 Jenny Tommy Tutone AFB 96 Tears ? & the Mysterians GGG A - You're Adorable - Perry Como with The Fontane Sisters, 1949 GGG Aba Daba Honeymoon - Debbie Reynolds, 1951 real Ablution GGG About A Quarter to Nine - Al Jolson, 1947 AFB Absolutely Sweet Marie Bob Dylan GGG Ac-Cen-Tu-Ate The Positive - Bing Crosby & The Andrews Sisters, 1942 st Ac-Cent-Tchu-Ate The Positive real Accentuate The Positive real Accustomed To Her Face GGG Across The Alley From The Alamo - The Mills Brothers, 1947 ESB ACROSS THE BORDERLINE Ry Cooder, John Hiatt, Jim Dickinson STS ACROSS THE GREAT DIVIDE Kate Wolf STS ACROSS THE UNIVERSE The Beatles ESB ACROSS THE UNIVERSE Lennon/McCartney KGS Act Naturally Morrison/Russell st Adam's Apple st Aerobatic st Africaine real African Flower real Afro Blue st Afro-Blue st Afro-Centric GDC After Midnight Eric Clapton ESB AFTER MIDNIGHT J.J.Cale, as performed be Eric Clapton GGG After The Ball - Kathryn Grayson, 1951 STS AFTER THE GOLD RUSH Neil Young OST After the Gold Rush (1970) Neil Young MFC After The Goldrush Neil Young GGG After The Lovin' - Englebert Humperdink, 1976 real After the Rain OST After You've Gone (1918) GGG After You've Gone - Judy Garland, 1942 real After You've Gone st After You've Gone vb AFTER YOU'VE GONE real Afternoon In Paris st Afternoon in Paris GGG Again - Doris Day, 1949 ESB AGAINST THE WIND Bob Seger st Aggression st Agua de beber (Water To Drink) GGG Agua De Beber - Astrud Gilberto, 1959 real Agua De Beber GGG Ah! Sweet Mystery of Life - Nelson Eddy & Jeanette MacDonald, 1935 real Ah-Leu-Cha AFB Ain't Misbehavin' Fats Waller, Harry Brooks, Andy Razaf ESB AIN'T MISBEHAVIN' Thomas 'Fats' Waller & Harry Brooks/Andy Razaf OST Ain't Misbehavin' (1929) GGG Ain't Misbehavin' - Billie Holiday, 1945 real Ain't Misbehavin' st Ain't Misbehavin' vb AIN'T MISBEHAVIN' AFB Ain't No Mountain High Enough Marvin Gaye GDC Ain't No Other Man Chiristina Aguilera STS AIN'T NO SUNSHINE Bill Withers MFC Ain't No Sunshine Bill Withers OST Ain't No Sunshine When She's Gone (1971) Bill Withers st Ain't No Sunshine GGG Ain't No Way to Treat a Lady - Helen Reddy, 1975 OST Ain't She Sweet (1927) GGG Ain't She Sweet - Frank Sinatra, 1962 st Ain't She Sweet GGG Ain't That A Kick In The Head - Dean Martin, 1960 GDC Ain't Too Proud To Beg Temptations AFB Ain't Too Proud to Beg Temptations GGG Ain't We Got Fun - Doris Day, 1953 st Ain't We Got Fun STS AIR from Hair real Air Mail Special vb AIR MAIL SPECIAL st Airmail Special ESB AIR THAT I BREATHE, THE (Hammond / Hazelwood) real Airegin st Airegin vb AIREGIN st Aisha McCoy Tyner GGG Al-Di-La - Emilio Pericoli, 1962 st Alabama Jubilee st Alabamy Bound MFC Alberta Bound Gordon Lightfoot ESB ALCOHOLIC Starsailor - Love Is Here - 2001 st Alexander's Ragtime Band vb ALEXANDER'S RAGTIME BAND GGG Alfie - Dionne Warwick, 1967 real Alfie st Alfie st Alfie's Theme Sonny Rollins st Algiers Strut real Alice In Wonderland st Alice in Wonderland OST Alice's Restaurant (1966) Arlo Guthrie st Alice's Restaurant STS ALISON Elvis Costello KGS Alison Elvis Costello AFB Alison Elvis Costello GGG All Alone Am I - Brenda Lee, 1963 STS ALL ALONG THE WATCHTOWER Bob Dylan KGS All Along the Watchtower Bob Dylan ESB ALL ALONG THE WATCHTOWER Bob Dylan OST All Along the Watchtower (1967) Bob Dylan GGG All At Once You Love Her - Perry Como, 1955 OST All Blues (1959) Miles Davis real All Blues st All Blues vb ALL BLUES GGG All By Myself - Bobby Darin, 1962 st All By Myself GGG All By Myself - Eric Carmen, 1975 ESB ALL DAY AND ALL OF THE NIGHT Ray Davies (Kinks) AFB All Day and All of the Night Kinks vb ALL GOD'S CHILDREN GOT RHYTHM real All God's Chillum Got Rhythm GGG All I Do Is Dream Of You - Dick Robertson, 1934 st All I Do Is Dream Of You ESB ALL I HAVE TO DO IS DREAM Felice and Boudleaux Bryant MFC All I Have To Do Is Dream The Everly Brothers OST All I Have to Do Is Dream (1958) The Everly Brothers GGG All I Need Is the Girl - Mel Torme, 1953 STS ALL I WANT Joni Mitchell GGG All I Want For Christmas Is You - Vince Vance & The Valiants, 1989 real All In Love Is Fair st All In Love Is Fair Stevie Wonder OST All My Ex's Live in Texas (1986) George Strait GGG All My Life - Julie London, 1957 STS ALL MY LOVING The Beatles AFB All My Loving Lennon/McCartney MFC All My Loving The Beatles st All My Loving GGG All My Tomorrows - Frank Sinatra, 1961 real All My Tomorrows GGG All Night Long - Jo Stafford, 1952 ESB ALL OF ME Seymour Simons/Gerald Marks AFB All of Me Seymour Simons / Gerald Marks MFC All Of Me Willie Nelson OST All of Me (1931) GGG All Of Me - Frank Sinatra, 1952 real All Of Me st All of Me vb ALL OF ME GGG All Of You - Ella Fitzgerald, 1956 real All Of You st All of You vb ALL OF YOU GGG All Or Nothing At All - Frank Sinatra, 1940 real All or Nothing at All st All Or Nothing At All STS ALL SHOOK UP Elvis Presley real All That Jazz GGG All The Things You Are - Frank Sinatra, 1949 real All The Things You Are st All The Things You Are st All The Things You Are - verse vb ALL THE THINGS YOU ARE GGG All The Way - Frank Sinatra, 1957 real All The Way OST All the Young Dudes (1972) Mott the Hoople real All Through The Day st All Through The Night GGG All Too Soon - Peggy Lee, 1959 st All Too Soon MFC All You Need Is Love The Beatles GGG Allegheny Moon - Patti Page, 1956 real Almost Blue GGG Almost Like A Song - Ronnie Milsap, 1977 GGG Almost Like Being In Love - Frank Sinatra, 1943 real Almost Like Being In Love st Almost Like Being In Love vb ALMOST LIKE BEING IN LOVE GGG Almost There - Andy Williams, 1964 real Aloha Oe GGG Alone - Tommy Dorsey, 1936 st Alone Again, Naturally GGG Alone Together - Ella Fitzgerald, 1961 real Alone Together st Alone Together vb ALONE TOGETHER st Along Came Betty vb ALONG CAME BETTY OST Already Gone (1973) The Eagles real Altoitis GGG Always - Frank Sinatra, 1943 real Always st Always vb ALWAYS GGG Always In My Heart - Glenn Miller, 1942 ESB ALWAYS ON MY MIND Thompson, James, Christopher OST Always on My Mind (1982) Willie Nelson real Always On My Mind GGG Am I Blue - Ethyl Waters, 1929 real Am I Blue st Am I Blue vb AM I BLUE GGG Am I That Easy To Forget - Englebert Humperdink, 1968 GGG Amapola - Jimmy Dorsey, 1941 real Amapola st Amapola AFB Amarillo By Morning George Strait OST Amarillo by Morning (1973) George Strait GDC Amazed Lone Star STS AMAZING GRACE Traditional MFC Amazing Grace real Amazing Grace st Amazing Grace vb AMAZING GRACE STS AMERICA Paul Simon st America (My Country Tis Of Thee) / God Save The Queen GGG America The Beautiful - Ray Charles, 1961 st America, The Beautiful RCS American Girl Tom Petty AFB American Girl Tom Petty st American Patrol STS AMERICAN PIE Don McLean KGS American Pie Don McLean MFC American Pie Don McLean KGS American Pie in C OST American Woman (1969) The Guess Who STS AMIE Pure Prairie League OST Amie (1971) Pure Prairie League GGG Among My Souvenirs - Connie Francis, 1959 GGG Amor - Bing Crosby, 1944 real Amor GGG An Affair to Remember (Our Love Affair) - Vic Damone, 1957 real Ana Maria STS ANCHORAGE Michelle Shocked st Anchors Aweigh AFB And I Love Her Lennon/McCartney real And I Love Her st And I Love Her GGG And I Love You So - Perry Como, 1973 GGG And That Reminds Me - Della Reese, 1957 GGG And The Angels Sing - Benny Goodman, 1939, Martha TIlton Vocal st Andam dizendo MFC Angel Band GGG Angel Eyes - Frank Sinatra, 1958 real Angel Eyes st Angel Eyes vb ANGEL EYES STS ANGEL FROM MONTGOMERY John Prine ESB ANGEL OF HARLEM U2 MFC Angel Of The Morning Juice Newton GGG Angel Of The Morning - Merillee Rush, 1968 GGG Angel On My Shoulder - Shelby Flint, 1960 st Angelica ESB ANGELS DON'T LIE Willy DeVille (LoUp Garou, 1995) st Angels We Have Heard On High MFC Angie The Rolling Stones real Angie GGG Angry - Kay Starr, 1951 AFB Annie's Song John Denver GGG Anniversary Song - Al Jolson, 1946 GDC Anniversary Waltz Connie Francis GGG Anniversary Waltz - Vera Lynn, 1942 real Anniversary Waltz, The OST Another Brick in the Wall (Part 2) (1979) Pink Floyd ESB ANOTHER BRICK IN THE WALL, PART II Roger Waters (Pink Floyd) real Another Star GGG Another Story, Another Time, Another Place - Leon Redbone, 1988 GGG Another Time, Another Place - Patti Page, 1958 GGG Answer Me, My Love - Nat "King" Cole, 1954 st Answer Me, My Love real Anthropology st Anthropology OST Any Time (1921) GGG Any Time - Eddie Fisher, 1951 real Any Time ESB ANYBODY SEEN MY BABY Rolling Stones / Bridges To Babylon OST Anyone's Daughter (1971) Deep Purple GGG Anyplace I Hang My Hat Is Home - Susannah McCorkle, 1977 real Anything For You GGG Anything Goes - Tony Bennett, 1958 real Anything Goes st Anything Goes
Load more

Recommended publications
  • Alshire Records Discography
    Alshire Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Alshire International Records Discography Alshire was located at P.O. Box 7107, Burbank, CA 91505 (Street address: 2818 West Pico Boulevard, Los Angeles, CA 90006). Founded by Al Sherman in 1964, who bought the Somerset catalog from Dick L. Miller. Arlen, Grit and Oscar were subsidiaries. Alshire was a grocery store rack budget label whose main staple was the “101 Strings Orchestra,” which was several different orchestras over the years, more of a franchise than a single organization. Alshire M/S 3000 Series: M/S 3001 –“Oh Yeah!” A Polka Party – Coal Diggers with Happy Tony [1967] Reissue of Somerset SF 30100. Oh Yeah!/Don't Throw Beer Bottles At The Band/Yak To Na Wojence (Fortunes Of War)/Piwo Polka (Beer Polka)/Wanda And Stash/Moja Marish (My Mary)/Zosia (Sophie)/Ragman Polka/From Ungvara/Disc Jocky Polka/Nie Puki Jashiu (Don't Knock Johnny) Alshire M/ST 5000 Series M/ST 5000 - Stephen Foster - 101 Strings [1964] Beautiful Dreamer/Camptown Races/Jeannie With The Light Brown Hair/Oh Susanna/Old Folks At Home/Steamboat 'Round The Bend/My Old Kentucky Home/Ring Ring De Bango/Come, Where My Love Lies Dreaming/Tribute To Foster Medley/Old Black Joe M/ST 5001 - Victor Herbert - 101 Strings [1964] Ah! Sweet Mystery Of Life/Kiss Me Again/March Of The Toys, Toyland/Indian Summer/Gypsy Love Song/Red Mill Overture/Because You're You/Moonbeams/Every Day Is Ladies' Day To Me/In Old New York/Isle Of Our Dreams M/S 5002 - John Philip Sousa, George M.
    [Show full text]
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • Bestselling Musical Compositions (1913-32) and Their Seu in Cinema (1968-2007) Paul J
    University of Chicago Law School Chicago Unbound Coase-Sandor Working Paper Series in Law and Coase-Sandor Institute for Law and Economics Economics 2008 Testing the Over- and Under-Exploitation Hypothesis: Bestselling Musical Compositions (1913-32) and Their seU in Cinema (1968-2007) Paul J. Heald Follow this and additional works at: https://chicagounbound.uchicago.edu/law_and_economics Part of the Law Commons Recommended Citation Paul J. Heald, "Testing the Over- and Under-Exploitation Hypothesis: Bestselling Musical Compositions (1913-32) and Their sU e in Cinema (1968-2007)" (John M. Olin Program in Law and Economics Working Paper No. 429, 2008). This Working Paper is brought to you for free and open access by the Coase-Sandor Institute for Law and Economics at Chicago Unbound. It has been accepted for inclusion in Coase-Sandor Working Paper Series in Law and Economics by an authorized administrator of Chicago Unbound. For more information, please contact [email protected]. CHICAGO JOHN M. OLIN LAW & ECONOMICS WORKING PAPER NO. 429 (2D SERIES) PUBLIC LAW AND LEGAL THEORY WORKING PAPER NO. 234 TESTING THE OVER‐ AND UNDER‐EXPLOITATION HYPOTHESIS: BESTSELLING MUSICAL COMPOSITIONS (1913–32) AND THEIR USE IN CINEMA (1968–2007) Paul J. Heald THE LAW SCHOOL THE UNIVERSITY OF CHICAGO September 2008 This paper can be downloaded without charge at the John M. Olin Program in Law and Economics Working Paper Series: http://www.law.uchicago.edu/Lawecon/index.html and at the Public Law and Legal Theory Working Paper Series: http://www.law.uchicago.edu/academics/publiclaw/index.html and The Social Science Research Network Electronic Paper Collection.
    [Show full text]
  • Neglected Jazz Figures of the 1950S and Early 1960S New World NW 275
    Introspection: Neglected Jazz Figures of the 1950s and early 1960s New World NW 275 In the contemporary world of platinum albums and music stations that have adopted limited programming (such as choosing from the Top Forty), even the most acclaimed jazz geniuses—the Armstrongs, Ellingtons, and Parkers—are neglected in terms of the amount of their music that gets heard. Acknowledgment by critics and historians works against neglect, of course, but is no guarantee that a musician will be heard either, just as a few records issued under someone’s name are not truly synonymous with attention. In this album we are concerned with musicians who have found it difficult—occasionally impossible—to record and publicly perform their own music. These six men, who by no means exhaust the legion of the neglected, are linked by the individuality and high quality of their conceptions, as well as by the tenaciousness of their struggle to maintain those conceptions in a world that at best has remained indifferent. Such perseverance in a hostile environment suggests the familiar melodramatic narrative of the suffering artist, and indeed these men have endured a disproportionate share of misfortunes and horrors. That four of the six are now dead indicates the severity of the struggle; the enduring strength of their music, however, is proof that none of these artists was ultimately defeated. Selecting the fifties and sixties as the focus for our investigation is hardly mandatory, for we might look back to earlier years and consider such players as Joe Smith (1902-1937), the supremely lyrical trumpeter who contributed so much to the music of Bessie Smith and Fletcher Henderson; or Dick Wilson (1911-1941), the promising tenor saxophonist featured with Andy Kirk’s Clouds of Joy; or Frankie Newton (1906-1954), whose unique muted-trumpet sound was overlooked during the swing era and whose leftist politics contributed to further neglect.
    [Show full text]
  • Lucinha Lins, Virgínia Rosa E Célia Em Projeto Pequenas Notáveis / Pronac: 05 3753 / Pronac: Notáveis Pequenas Projeto Em
    Em comemoração ao centenário de nascimento de Carmen Miranda apresenta Lucinha Lins, Virgínia Rosa e Célia em Projeto Pequenas Notáveis / Pronac: 05 3753 / Pronac: Notáveis Pequenas Projeto em Lucinha Lins, Virgínia Rosa e Célia Cantora brasileira – embora nascida em Portugal – de maior sucesso no exterior, que apresentou ao mundo o talento de Ary Barroso, Dorival Caymmi e Assis Valente; atriz que chegou a ser uma dos maiores salários de Hollywood e criadora de modismos, Carmen Miranda é sempre lembrada e homenageada em eventos que reúnem música, cinema e moda. Carmen Miranda, com seus balangandãs e penduricalhos, levantou a auto-estima de um mundo que estava na maior depressão depois da Primeira Guerra Mundial e, agora nas vozes das cantoras Célia, Lucinha Lins e Virgínia Rosa, ela renasce no espetáculo “Na Batucada da Vida” que essas grandes artistas criaram fazer sua homenagem. Não foi por acaso que elas se uniram para homenagear Carmen Miranda. As três cantoras são amigas, já se apresentaram juntas em diversos shows, compartilham músicos e sonhavam com a possibilidade de fazerem juntas este “Na Batucada da Vida”. O primeiro sucesso de Célia foi “Na Batucada da Vida”, também um grande sucesso de Carmen Miranda. Lucinha Lins quis viver Carmen Miranda no teatro e Virgínia Rosa já interpretou alguns sucessos de Carmen no show “Alô Alô Carnaval”. O espetáculo, com a participação de 4 músicos, recria os grandes sucessos de Carmen Miranda - Tic Tac do Meu Coração, Adeus Batucada, Tabuleiro da Baiana, TicoTico No Fubá e etc – compostos por nomes como Assis Valente, Sinhô, Dorival Caymmi e Joubert de Carvalho que ganharam arranjos do músico, instrumentista e arranjador Dino Barioni, sob a direção musical do pianista Ogair Júnior.
    [Show full text]
  • Issue 15 Inspired by L.A
    OTIS COLLEGE OF ART AND DESIGN MAGAZINE SPRING 2014 in this issue: 04 - ALUMNI AND FACULTY ISSUE 15 INSPIRED BY L.A. 06 - KEEPING IT SIMPLE AND FRESH: MEG CRANSTON 18 - OTIS REPORT ON THE CREATIVE ECONOMY: 1 IN 10 JOBS IN CA I remember L.A. as blackety-black shadows cast from brutalist blocks that take the history of architecture and reduce and contain it silently, like lunary tombs or Aztec temples morphed into Fome-Cor® cartoons. This kind of light makes decisions easier, more black and white. Good-vs-bad, pure-vs- impure, aspiration-vs-collapse, determined grim optimism-vs-self-indulgent despair. The suggestion of an old Hollywood mono- lithic black-and-white movie set encourages self-invention and self-consciousness as you make your way down an imaginary long white staircase. There’s not another living soul on the set and the spotlight is on you, wiping out any flaw or imperfection, hallucinating yourself into who you wanna be … exactly how I remember it … forward Fashion designer Rick Owens (’81) moved from L.A. to Paris in 2003. 01 03 05 06 1. George Maitland Stanley (’24) 2. Kent Twitchell (’77 MFA) 3. Judithe Hernández (’74 MFA) 4. Insung Kim (’97) 5. Robert Irwin (’50) 6. Hillary Jaye (’90) Muses Fountain, Hollywood Bowl Harbor Freeway Overture mural, New Spring, mural for the Expo Line for Hunt Design Associates The Central Garden, The Getty for Sussman/Prezja & Co. 1938 1993 Terminus Station in Santa Monica, Identity and wayfinding program Center, 1997 Wayfinding and bus graphics Photo courtesy: Hollywood Bowl opening in 2016 for downtown L.A.
    [Show full text]
  • 100 Years: a Century of Song 1950S
    100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary
    [Show full text]
  • Department of African Literature Masters Research Report
    DEPARTMENT OF AFRICAN LITERATURE MASTERS RESEARCH REPORT Name: Zukolwenkosi Zikalala Student Number: 716649 Fabricating Pleasure, Fabricating Black Queer Experience: The Time and Space of FAKA Supervisor: Dr Danai Mupotsa A thesis submitted in fulfilment of the partial requirements for the degree of Master of Arts at the University of the Witwatersrand. Department of African Literature March 2019 Zukolwenkosi Zikalala Masters Research Report 716649 Plagiarism Declaration Name: Zukolwenkosi Zikalala Student Number: 716649 Course: MA African Literature by Coursework Supervisor: Danai Mupotsa, Tshepo Moloi 1. I know that plagiarism is wrong. Plagiarism is to use another’s work and to pretend it is one’s own. 2. I have used the Footnote convention for citation and referencing. Each significant contribution to and quotation for this proposal from the work or works of other people has been acknowledged through citation and reference. 3. This proposal is my own work. 4. I have not submitted this work, or a substantial portion thereof, for assessment previously. 5. I have not allowed and will not allow anyone to copy my work with the intention of passing it off as his or her work. Signed: Zukolwenkosi Zikalala Date 2 Zukolwenkosi Zikalala Masters Research Report 716649 Abstract: This research report argues that deployments of pleasure by the black queer cultural duo FAKA, reconfigures engagements with time and space. Using performance studies as a method, I examine FAKA’s video works, autobiographical utterances, and sartorial strategies, to think about the manifold ways in which pleasure is utilized by black queers, particularly the inhabitation of black femme, in a quest for greater freedom.
    [Show full text]
  • Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
    Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr.
    [Show full text]
  • Jo April 2019.PPP
    An alphabetical listing of her studio recordings, including recording dates, matrix numbers and, when known, dates first issued. Compiled by Jim Marshall, and updated April 2019 I first produced a Jo Stafford discography ‘way back in 1995, encouraged by the late Tom Colborn who probably knew more about Jo’s career than the lady herself. Tom had already done much of the groundwork and, knowing that I’d acquired a computer - an early Amstrad - suggested that I take over the task. I was well into my research when the indispensable "In Tune" magazine started publishing its own in-depth listing of Jo’s huge catalogue of recordings. The work put into that by Brian Henson, Colin Morgan, Robert W. Rice and others was an immeasurable help. My thanks also go to Ken Seavor, John Ridgeway, Lucas Tuinstra, Jeff Lasbury and Ray Purslow plus, of course Jo Stafford and Paul Weston , all of whom contributed to Tom’s original research. More recently I’ve had important help from Michel Ruppli, Tim Weston, Robert Rice, Richard Weize and Adam Daff resulting in what I like to think is an almost “complete" alphabetical listing of Jo’s commercial recordings, including her work with the Pied Pipers and her alter egos, Cinderella G. Stump and Darlene Edwards, not forgetting Jonathan! (Apologies if I’ve forgotten anyone!) Apart from a handful of never-ever issued Capitol and Columbia tracks, almost all Jo’s studio recordings seem to have been reissued on CD and are probably still in print. In fact, the seemingly relentless reissue of Stafford CDs, mainly in the UK, is proof, if proof was needed, of the lady’s long-lasting popularity.
    [Show full text]
  • The English Listing
    THE CROSBY 78's ZYXWVUTSRQPONMLKJIHGFEDCBAthe English listing Members may recall that we issued a THE questionnaire in 1990 seeking views and comments on what we should be providing in CROSBY BING. We are progressively attempting to fulfil 7 8 's these wishes and we now address one major ENGLISH request - a listing of the 78s issued in the UK. LISTING The first time this listing was issued in this form was in the ICC's 1974 booklet and this was updated in 1982in a publication issued by John Bassett's Crosby Collectors Society. The joint compilers were Jim Hayes, Colin Pugh and Bert Bishop. John has kindly given us permission to reproduce part of his publication in BING. This is a complete listing of very English-issued lO-inch and 12-inch 78 rpm shellac record featuring Sing Crosby. In all there are 601 discs on 10different labels. The sheet music used to illustrate some of the titles and the photos of the record labels have been p ro v id e d b y Don and Peter Haizeldon to whom we extend grateful thanks. NUMBERSITITLES LISTING OF ENGLISH 78"s ARIEl GRAND RECORD. THE 110-Inchl 4364 Susiannainon-Bing BRUNSWICK 112-inchl 1 0 5 Gems from "George White's Scandals", Parts 1 & 2 0 1 0 5 ditto 1 0 7 Lawd, you made the night too long/non-Bing 0 1 0 7 ditto 1 1 6 S I. L o u is blues/non-Bing _ 0 1 3 4 Pennies from heaven medley/Pennies from heaven THECROSBYCOLLECTORSSOCIETY BRUNSWICK 110-inchl 1 1 5 5 Just one more chance/Were you sincere? 0 1 6 0 8 Home on the range/The last round-up 0 1 1 5 5 ditto 0 1 6 1 5 Shadow waltz/I've got to sing a torch
    [Show full text]
  • Franciscoisraeldecarvalho TESE
    UNIVERSIDADE FEDERAL DO RIO GRANDE DO NORTE CENTRO DE CIÊNCIAS HUMANAS, LETRAS E ARTES DEPARTAMENTO DE LETRAS PROGRAMA DE PÓS-GRADUAÇÃO EM ESTUDOS DA LINGUAGEM LITERATURA COMPARADA Francisco Israel de Carvalho A IMAGEM BARROCA DE CARMEN MIRANDA NO CENÁRIO DA MODERNIDADE Natal /RN 2017 FRANCISCO ISRAEL DE CARVALHO A IMAGEM BARROCA DE CARMEN MIRANDA NO CENÁRIO NA MODERNIDADE Tese apresentada ao Programa de Pós- Graduação em Estudos da Linguagem – PPgEL, do Departamento de Letras da Universidade do Rio Grande do Norte, como requisito parcial para obtenção do título de doutor. Orientador: Prof. Dr. Francisco Ivan da Silva Natal/RN 2017 Universidade Federal do Rio Grande do Norte - UFRN Sistema de Bibliotecas - SISBI Catalogação de Publicação na Fonte. UFRN - Biblioteca Setorial do Centro de Ciências Humanas, Letras e Artes – CCHLA Carvalho, Francisco Israel de. A imagem barroca de Carmen Miranda no cenário da modernidade / Francisco Israel de Carvalho. - Natal, 2017. 373f.: il. color. Tese (Doutorado) - Universidade Federal do Rio Grande do Norte, Centro de Ciências Humanas, Letras e Artes, Programa de Pós-Graduação em Estudos da Linguagem. Orientador: Prof. Dr. Francisco Ivan da Silva. 1. Miranda, Carmen - 1909-1955 - Tese. 2. Barroco - Tese. 3. Antropofagia - Tese. 4. Carnavalização - Tese. 5. Samba - Tese. 6. Cinema - Tese. I. Silva. Francisco Ivan da. II. Título. RN/UF/BS-CCHLA CDU 7.034.7(81) FRANCISCO ISRAEL DE CARVALHO A IMAGEM BARROCA DE CARMEN MIRANDA NO CENÁRIO DA MODERNIDADE Tese apresentada como requisito parcial para a obtenção do título de doutor, em Estudos da Linguagem – Literatura Comparada – da Universidade Federal do Rio Grande do Norte Aprovado em 31/Maio/2017 BANCA EXAMINADORA ____________________________________________________ Prof.
    [Show full text]