SNICK - Round 2
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CFP: Gender in the Golden 80S (Film & History Conference 6/1/14; 10/29/14)
H-Film CFP: Gender in the Golden 80s (Film & History conference 6/1/14; 10/29/14) Discussion published by Laura M. D'Amore on Monday, April 14, 2014 The 1980s is its own “golden age” of film when considering the idea/ls of gender contained within its borders. The era indulged representations of high-testosterone masculinity (such as Arnold Schwarzenegger, Sylvester Stallone, and Bruce Willis) and vulnerable femininity (such as Molly Ringwald and Ally Sheedy). And, while films of the decade were also capable of imagining men who were strong and sensitive (like Eric Stoltz in Some Kind of Wonderful, Rob Lowe in About Last Night, and Judd Nelson in The Breakfast Club), there were far fewer roles for women that broke from stereotypically feminized characterizations (like Linda Hamilton inTerminator , Lea Thompson in Back to the Future, and Demi Moore in St. Elmo’s Fire). What can an examination of gender roles in the films of the 1980s tell us about a decade that was fraught with a crisis of identity, simultaneously proud and insecure The( Outsiders, Dirty Dancing, Less Than Zero), strong and vulnerable (War Games, Red Dawn) real and imagined (Robocop, Predator)? How might we interrogate gender in American films of the 1980s, in order to better understand the ironies and anxieties contained within them? Possible paper topics include, but are not limited to the following topics as embodied in 1980s films: Representations of masculinity and femininity in film and television Character/izations that disrupt gender norms The relationship between gender and culture, i.e. politics, economy, the Cold War, post- industrialization Gendered tensions between characters, actors, filmmakers, etc. -
275. – Part One
275. – PART ONE 275. Clifford (1994) Okay, here’s the deal: I don’t know you, you don’t know me, but if you are anywhere near a television right now I need you to stop whatever it is that you’re doing and go watch “Clifford” on HBO Max. This is another film that has a 10% score on Rotten Tomatoes which just leads me to believe that all of the critics who were popular in the nineties didn’t have a single shred of humor in any of their non-existent funny bones. I loved this movie when I was seven, and I love it even more when I’m thirty-three. It’s genius. Martin Short (who at the time was forty-four) plays a ten-year-old hyperactive nightmare child from hell. I mean it, this kid might actually be the devil. He is straight up evil, conniving, manipulative and all-told probably causes no less than ten million dollars-worth of property damage. And, again, the plot is so simple – he just wants to go to Dinosaur World. There are so many comedy films with such complicated plots and motivations for their characters, but the simplistic genius of “Clifford” is just this – all this kid wants on the entire planet is to go to Dinosaur World. That’s it. The movie starts with him and his parents on an plane to Hawaii for a business trip, and Clifford knows that Dinosaur Land is in Los Angeles, therefore he causes so much of a ruckus that the plane has to make an emergency landing. -
6769 Shary & Smith.Indd
ReFocus: The Films of John Hughes 66769_Shary769_Shary & SSmith.inddmith.indd i 110/03/210/03/21 111:501:50 AAMM ReFocus: The American Directors Series Series Editors: Robert Singer, Frances Smith, and Gary D. Rhodes Editorial Board: Kelly Basilio, Donna Campbell, Claire Perkins, Christopher Sharrett, and Yannis Tzioumakis ReFocus is a series of contemporary methodological and theoretical approaches to the interdisciplinary analyses and interpretations of neglected American directors, from the once-famous to the ignored, in direct relationship to American culture—its myths, values, and historical precepts. The series ignores no director who created a historical space—either in or out of the studio system—beginning from the origins of American cinema and up to the present. These directors produced film titles that appear in university film history and genre courses across international boundaries, and their work is often seen on television or available to download or purchase, but each suffers from a form of “canon envy”; directors such as these, among other important figures in the general history of American cinema, are underrepresent ed in the critical dialogue, yet each has created American narratives, works of film art, that warrant attention. ReFocus brings these American film directors to a new audience of scholars and general readers of both American and Film Studies. Titles in the series include: ReFocus: The Films of Preston Sturges Edited by Jeff Jaeckle and Sarah Kozloff ReFocus: The Films of Delmer Daves Edited by Matthew Carter and Andrew Nelson ReFocus: The Films of Amy Heckerling Edited by Frances Smith and Timothy Shary ReFocus: The Films of Budd Boetticher Edited by Gary D. -
CFP: Gender in the Golden 80S (Film & History Conference 6
H-Amstdy CFP: Gender in the Golden 80s (Film & History conference 6/1/14; 10/29/14) Discussion published by Laura M. D'Amore on Monday, April 14, 2014 The 1980s is its own “golden age” of film when considering the idea/ls of gender contained within its borders. The era indulged representations of high-testosterone masculinity (such as Arnold Schwarzenegger, Sylvester Stallone, and Bruce Willis) and vulnerable femininity (such as Molly Ringwald and Ally Sheedy). And, while films of the decade were also capable of imagining men who were strong and sensitive (like Eric Stoltz in Some Kind of Wonderful, Rob Lowe in About Last Night, and Judd Nelson in The Breakfast Club), there were far fewer roles for women that broke from stereotypically feminized characterizations (like Linda Hamilton inTerminator , Lea Thompson in Back to the Future, and Demi Moore in St. Elmo’s Fire). What can an examination of gender roles in the films of the 1980s tell us about a decade that was fraught with a crisis of identity, simultaneously proud and insecure The( Outsiders, Dirty Dancing, Less Than Zero), strong and vulnerable (War Games, Red Dawn) real and imagined (Robocop, Predator)? How might we interrogate gender in American films of the 1980s, in order to better understand the ironies and anxieties contained within them? Possible paper topics include, but are not limited to the following topics as embodied in 1980s films: Representations of masculinity and femininity in film and television Character/izations that disrupt gender norms The relationship between gender and culture, i.e. politics, economy, the Cold War, post- industrialization Gendered tensions between characters, actors, filmmakers, etc. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
Jefferson, Grade 4 ENG)
Wk 10 5/25/20-5/29/20 E-Learning Days-(Jefferson, Grade 4 ENG) Student Name:________________________________ (School Name): ____________________ ➔ Students should choose at least one activity from each subject area column (Math, Reading/Social Science, Writing, Science, and Specials) per day. ➔ Place a checkmark on the activities completed and have a parent/caregiver sign the bottom of the form. ➔ Students - please return this sheet to your teacher within 3 days upon your return to school. ➔ Read 20 minutes a day on myOn ➔ Have Questions in Any Assignment? Visit us during our video conference office hours! Mrs. Sklar Office Hours: 8-10 am M-F; 5:00-5:30 pm M/W Mrs. Deloney’s Office Hours: 12pm- 2pm M-F Mrs. Martin’s Office Hours: 9-11 am M-F Week 10 Worksheets/Resources Math Reading/Science Writing/Word Work Science Specials Monday: Monday: Monday: Monday: Music: Student Choice Memorial Day Memorial Day Memorial Day Memorial Day We have been learning many new things over the last few weeks. Use what you have learned in the past few weeks to create your own music video. Be creative. You can use formats such as: Quaver, chrome lab, dancing to music, or the video format of your choice. Tuesday: Tuesday: Tuesday: Tuesday: Art: GoMath 10.3 Collect all the art you made, title Lines/Rays/Angles pg. Read about a young Continue working on the Virtual tour: Click on the each artwork and put it on 561-563 refugee and chess champ Vocabulary Blast 2020 link Home Safari display in your home. -
Audio + Video 6/8/10 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
New Releases WEA.CoM iSSUE 11 JUNE 8 + JUNE 15 , 2010 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word audio + video 6/8/10 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date CD- WB 522739 AGAINST ME! White Crosses $13.99 6/8/10 N/A CD- White Crosses (Limited WB 524438 AGAINST ME! Edition) $13.99 6/8/10 5/19/10 White Crosses (Vinyl WB A-522739 AGAINST ME! w/Download Card) $18.98 6/8/10 5/19/10 CD- CUR 78977 BRICE, LEE Love Like Crazy $18.98 6/8/10 5/19/10 DV- WRN 523924 CUMMINS, DAN Crazy With A Capital F (DVD) $16.95 6/8/10 5/12/10 WB A-46269 FAILURE Fantastic Planet (2LP) $24.98 6/8/10 5/19/10 Selections From The Original Broadway Cast Recording CD- 'American Idiot' Featuring REP 524521 GREEN DAY Green Day $18.98 6/8/10 5/19/10 CD- RRR 177972 HAIL THE VILLAIN Population: Declining $13.99 6/8/10 5/19/10 CD- REP 519905 IYAZ Replay $9.94 6/8/10 5/19/10 CD- FBY 524007 MCCOY, TRAVIE Lazarus $13.99 6/8/10 5/19/10 CD- FBY 524670 MCCOY, TRAVIE Lazarus (Amended) $13.99 6/8/10 5/19/10 CD- ATL 522495 PLIES Goon Affiliated $18.98 6/8/10 5/19/10 CD- ATL 522497 PLIES Goon Affiliated (Amended) $18.98 6/8/10 5/19/10 The Twilight Saga: Eclipse CD- Original Motion Picture ATL 523836 VARIOUS ARTISTS Soundtrack $18.98 6/8/10 5/19/10 The Twilight Saga: -
Boarh to Increase Corporate-Scliool Pannersmps Ne
ARCHIVES Wednesday, October 21,1998 new federal ^| boarH to increase corporate-scliool pannersMps critics worry about wHo'li call the shots seepagel2 ne BCIT Ubrary implements new computer system seepage^ Arts&Culture ] A load of fiiffl. theatre, : concerts & CD revieuvs to sink your entertainments famished teeth into. seepagesStoM The Student Newspaper of the British Coiumbi Campus Events. Link 311432-8974: This Calendar column is open for notices of evenls on all BCIT campuses. Submissions can be faxed to 431-7619. sent by campus mail or dropped off at The Link office in the SA Campus Centre (down the corridor between the video arcade and the vacant store) Unclassifieds] nelink Wednesday, October 21 Friday, October 30 4' X 4' SOLID PINE DRAFTING | BACCHUS TABLE with some equipment $175. Legal Aid. Free Consullation. 1:30 Electronics: Term A Courses End. 739-7390. to 3:30pm. By appoinlment. By Alcohol Awareness phone consultation 432-8600. Save the Tiger Walk '98. Is the Student newspaper of Week Events the British Columbia Counselling Workshop: Writing Saturday, October 31 Institute of Technology. October 26-30 Published bi-weckly by Successful Exams. Noon- 1:30pm. the BCIT Student Association, SWI 1125 (near Employment Hallowe'en The Ltnk circulates 3,500 copies Services). Information Tables in the to over 16,000 sludents and slaff. Great HaU. MADD, AA, BCIT Tap into Monday, November 2 Saturday, October 10 Health Services, The Driving American Marketing Association Alternative, BACCHUS and BCIT's United Nations Day. Meeting. 7:15am. SA Boardroom, ICBC. Contributors: SA Campus Centre. David Lai. Greg Hehen, October 26-30. -
Gramofon, 1998 (3. Évfolyam, 1-12. Szám)
Csalog Gábor Starker János Fotó: promóció Fotó: Günter Wand Don Cherry Diana Krall Aziza Mustafa Zadeh MAR TÖBB MINT EMBER HALLGATJA BUDAPESTEN! ------ # 1 «------ BUDAPEST RÁDIÓ □ F 3 V C STBBiEQ 1022 BUDAPEST, BIMBÓ ÚT 7. FAX: 2 1 2 -4 9 6 8 TELEFON: 2 1 2 -4 5 0 7 The Hungarian CD Review , • ■ . Retkes Attila Főszerkesztő Bősze Adóm lapigazgató Zipernovszky Kornél Jazzrovat-vezető Trochilus Grafikai Bt. lapterv és tipográfia A szerkesztőség Budapest Mandula utca 3 Tel./Fax: 212-4782 Internet-cím: Http:/ / www. bmc. Hu/ gramofon <7, Diana Kralt Amfisz Kft. Iványi Margó Felelős kiadó Aziza Mustafa ZadeH 1025 Budapest Mandula utca 31. Tel./fax: 212-4782 Örömmel jelentjük: Joe Zawinul és Paul McCartney után idén már a Harma dik világsztár nyilatkozott a Gramofonnak. A kortárs jazz megHatározó alak Terjeszti: ja, a nagyszerű gitáros, Pat M etHeny- aki április 28-án, saját együttesével Bu dapesten is bemutatja Imaginary Day című albumát - A Hónap interjújában a Hírker Rt., az NHE, vall pályafutásáról, stiláris és műfaji kötődéseiről. Áprilisi számunkban több A hónap interjúja: Pat MetHeny a Kiadói lapterjesztő Kft., más, megítélésünk szerint izgalmas és különleges művészportré is olvasHató: Kiadói panoráma: Erato 5 ElisabetH Leonskaya zongoraművész a Budapesti Tavaszi Fesztivál keretében járt Magyarországon; míg a csembaló virtuóza, a magyar származású Pierre Oldal Gábor: Kis magyar gromofonológia XIII. 8 Hantái a francia fővárosban osztotta meg gondolatait munkatársainkkal. Antológia: Haydn: Az évszakok 10 Lindner András sorozata, a Kiadói panoráma áprilisban a francia nemzeti Pierre Hanta'i: Egy magyar származású Hanglemezkiadás büszkeségét, az Eratót mutatja be; Oldal Gábor Kis magyar MediaTrade Bt. csembalistasztár Párizsban 12 gramofonológiája a Hatvanas évek - immár a tömegkultúrára épülő - Hangle Tel./fax: 342-2362 Beszélgetés Elisabeth Leonskayával 14 mezkiadását vizsgálja. -
Union Says HCSB Offer ‘Not Enough’ Members Vote on Nov
Student’s Art End Of Era For Goes To State Arcadia Arena A3 B9 Herald-THE Advocate HARDEE COUNTY’S HOMETOWN COVERAGE 117th Year No. 51 2 Sections www.TheHeraldAdvocate.com 70¢ Plus 5¢ Sales Tax Thursday, November 16, 2017 Union Says HCSB Offer ‘Not Enough’ Members Vote On Nov. 30 PHOTO BY TOM STAIK By TOM STAIK contract negotiations with the Emergency Management Director Jill Newman surveys the area with petroleum bubbling to the surface from Of The Herald-Advocate union. an underground fuel tank at the Murphy Gas Station in Wauchula on Tuesday. More than $1.5 million in The offer includes proposed raises and bonuses is $1,013,611 in recurring raises “not enough” for employees of and $577,159 in one-time the Hardee County School Dis- bonuses. Fuel Leak Closes Station trict, according to a memo re- With the clock ticking to rat- By TOM STAIK ing reports of gasoline pooling U.S. 17 at the entrance to Wal- The visible flow slowed sig- leased by the union ify the agreement in order for Of The Herald-Advocate in the parking lot from a sus- mart, was closed shortly after nificantly within the first hour, representing employees. the pay schedules to go into ef- Up through the ground pected underground tank leak. noon as a result of the leak. Newman said, but it was not “From the association’s per- fect before the end of the year, came a bubblin’ crude – at “It was bubbling pretty Emergency officials were immediately clear how much spective, it is not enough to at- the union has yet to take action least a highly refined version, good when we first got here,” working with station owners petroleum product escaped the tract and retain quality on the proposed agreement. -
Natalie-Imbruglia-Copy.Pdf
he voice was there, as pretty and pure as it ever was. It didn’t matter that it hadn’t been called upon in almost five years, at least Tnot professionally. “I’m not sure what’s going to come out,” she’d said as she entered the vocal booth and stepped up to the mic. But the clutch of songs she sang – covers of tunes by such male artists as Tom Petty, Damien Rice and Neil Young – were transformed, even enhanced, by her sensitive interpretations. Having taken a break from music to reassess her priorities and her life, Natalie Imbruglia was back. Male is Imbruglia’s first album since 2009, with the first single, Instant Crush dropping on Thursday. “My voice is stronger than ever, which was a lovely surprise,” says Imbruglia, 40, sitting on a couch inside the Sony Music offices in South Kensington, London wearing jeans, high-heeled Patrick Cox boots and a fetching pair of oversized black-rimmed specs. “I’m rediscovering the joy of singing, of being fully engaged with the craft,” she adds with that dimpled smile. “Deep down I always knew I’d go back to music, though at the time I couldn’t think of anything worse.” The covers album, to be released on September 11, is a canny move, especially as it has been produced by Billy Mann, who has worked with Pink and John Legend. “I might not be the best songwriter or singer,” Imbruglia says, “but it’s how I communicate what I’m singing about that I think is my gift. -
98-032798.Compressed.Pdf
DANCERS DANCERS VIP 6PM-CLOSE 25¢ DRAFT 6PM-CLOSE SPECIALS SUPER OPEN-CLOSE $1 WELL & SUNDAY BEER $1 WELL& HAPPY HOUR 10PM-11PM SHOW WET BEER 11:30PM UNDERWEAR WELL & BEER NACHA 25¢ DRAFT CONTEST 12:30 OPEN TIL TYPE'S SHOW OPEN-CLOSE CLOSE 12AM -- :Eo~ =-« III THURSDAY,. <J~APRIL 2 VOLUME 24, NUMBER 4 MARCH 27 - APRIL 2, 1998 14 MOVIES Past Haunts Present in the Gay-Themed Lilies Reviewed by Gary Laird 21 LOOKING BACK Death of an Idol, Part II: Then What Happened? by Phil Johnson 26 FRESH BEATS New Album from Aretha Franklin, New Singles from Moloko and Joee by Jimmy Smith 31 HIGHLIGHT Houston's Diana Foundation Presents 44th Annual Awards Show 39 CURRENT EVENTS 47 BACKSTAGE Dallas Theater Center Presents Having Our Say April 1-26 50 ON OUR COVER Joshua A. Thompson of Fort Worth photos by Jerry Stevens 53 LETTERSTO THE EDITOR 57 STARSCOPE Mercury's Course Through the Cosmos Disrupts the Zodiac 68 TEXAS NEWS 75 TEXAS TEA 86 CLASSIFIEDS 93 GUIDE 1WT (This Week In Texas) Is published by Texas Weekly Times Newspaper Co" at 3300 Reagan Street In Dallas, Texas 75219 and 811 Westhelmer In Houston, Texas 77006. Opinions expressed by columnists are not necessarily those of TWTor of Its staff. Publication of the MOlY name or photograph of any person or organization in articles or advertising in TWTis not to be construed as any Indication of the sex- ual orientation of said person or organization. Subscription rates: 579 per year, $40 per half year. Back Issues available at $2 each.