Culross Abbey
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Church Building Terms What Do Narthex and Nave Mean? Our Church Building Terms Explained a Virtual Class Prepared by Charles E.DICKSON,Ph.D
Welcome to OUR 4th VIRTUAL GSP class. Church Building Terms What Do Narthex and Nave Mean? Our Church Building Terms Explained A Virtual Class Prepared by Charles E.DICKSON,Ph.D. Lord Jesus Christ, may our church be a temple of your presence and a house of prayer. Be always near us when we seek you in this place. Draw us to you, when we come alone and when we come with others, to find comfort and wisdom, to be supported and strengthened, to rejoice and give thanks. May it be here, Lord Christ, that we are made one with you and with one another, so that our lives are sustained and sanctified for your service. Amen. HISTORY OF CHURCH BUILDINGS The Bible's authors never thought of the church as a building. To early Christians the word “church” referred to the act of assembling together rather than to the building itself. As long as the Roman government did not did not recognize and protect Christian places of worship, Christians of the first centuries met in Jewish places of worship, in privately owned houses, at grave sites of saints and loved ones, and even outdoors. In Rome, there are indications that early Christians met in other public spaces such as warehouses or apartment buildings. The domus ecclesiae or house church was a large private house--not just the home of an extended family, its slaves, and employees--but also the household’s place of business. Such a house could accommodate congregations of about 100-150 people. 3rd-century house church in Dura-Europos, in what is now Syria CHURCH BUILDINGS In the second half of the 3rd century, Christians began to construct their first halls for worship (aula ecclesiae). -
The Cistercian Abbey of Coupar Angus, C.1164-C.1560
1 The Cistercian Abbey of Coupar Angus, c.1164-c.1560 Victoria Anne Hodgson University of Stirling Submitted for the degree of Doctor of Philosophy August 2016 2 3 Abstract This thesis is an examination of the Cistercian abbey of Coupar Angus, c.1164-c.1560, and its place within Scottish society. The subject of medieval monasticism in Scotland has received limited scholarly attention and Coupar itself has been almost completely overlooked, despite the fact that the abbey possesses one of the best sets of surviving sources of any Scottish religious house. Moreover, in recent years, long-held assumptions about the Cistercian Order have been challenged and the validity of Order-wide generalisations disputed. Historians have therefore highlighted the importance of dedicated studies of individual houses and the need to incorporate the experience of abbeys on the European ‘periphery’ into the overall narrative. This thesis considers the history of Coupar in terms of three broadly thematic areas. The first chapter focuses on the nature of the abbey’s landholding and prosecution of resources, as well as the monks’ burghal presence and involvement in trade. The second investigates the ways in which the house interacted with wider society outside of its role as landowner, particularly within the context of lay piety, patronage and its intercessory function. The final chapter is concerned with a more strictly ecclesiastical setting and is divided into two parts. The first considers the abbey within the configuration of the Scottish secular church with regards to parishes, churches and chapels. The second investigates the strength of Cistercian networks, both domestic and international. -
Women and Men Entering Religious Life: the Entrance Class of 2018
February 2019 Women and Men Entering Religious Life: The Entrance Class of 2018 Center for Applied Research in the Apostolate Georgetown University Washington, DC Women and Men Entering Religious Life: The Entrance Class of 2018 February 2019 Mary L. Gautier, Ph.D. Hellen A. Bandiho, STH, Ed.D. Thu T. Do, LHC, Ph.D. Table of Contents Executive Summary ........................................................................................................................ 1 Major Findings ................................................................................................................................ 2 Introduction ..................................................................................................................................... 5 Part I: Characteristics of Responding Institutes and Their Entrants Institutes Reporting New Entrants in 2018 ..................................................................................... 7 Gender ............................................................................................................................................. 8 Age of the Entrance Class of 2018 ................................................................................................. 8 Country of Birth and Age at Entry to United States ....................................................................... 9 Race and Ethnic Background ........................................................................................................ 10 Religious Background .................................................................................................................. -
Gothic Beyond Architecture: Manchester’S Collegiate Church
Gothic beyond Architecture: Manchester’s Collegiate Church My previous posts for Visit Manchester have concentrated exclusively upon buildings. In the medieval period—the time when the Gothic style developed in buildings such as the basilica of Saint-Denis on the outskirts of Paris, Île-de-France (Figs 1–2), under the direction of Abbot Suger (1081–1151)—the style was known as either simply ‘new’, or opus francigenum (literally translates as ‘French work’). The style became known as Gothic in the sixteenth century because certain high-profile figures in the Italian Renaissance railed against the architecture and connected what they perceived to be its crude forms with the Goths that sacked Rome and ‘destroyed’ Classical architecture. During the nineteenth century, critics applied Gothic to more than architecture; they located all types of art under the Gothic label. This broad application of the term wasn’t especially helpful and it is no-longer used. Gothic design, nevertheless, was applied to more than architecture in the medieval period. Applied arts, such as furniture and metalwork, were influenced by, and followed and incorporated the decorative and ornament aspects of Gothic architecture. This post assesses the range of influences that Gothic had upon furniture, in particular by exploring Manchester Cathedral’s woodwork, some of which are the most important examples of surviving medieval woodwork in the North of England. Manchester Cathedral, formerly the Collegiate Church of the City (Fig.3), see here, was ascribed Cathedral status in 1847, and it is grade I listed (Historic England listing number 1218041, see here). It is medieval in foundation, with parts dating to between c.1422 and 1520, however it was restored and rebuilt numerous times in the nineteenth century, and it was notably hit by a shell during WWII; the shell failed to explode. -
GPR Survey: the Nave
The Ground Penetrating Radar survey in the Nave of Reading Abbey Church John Mullaney (December 2016) The West End The anomalous GPR lines at the west end of the nave of the Abbey church. When we first saw the GPR findings we were surprised to see the results at the west end of the nave (in the Forbury) which Stratascan classified as probably archaeology feature(s) –possibly related to the Abbey. — light blue on the map. I have marked these with two black arrows. probably archaeology feature –possibly related to the Abbey First of all it should be noted that these may be connected with some features totally unrelated to the Abbey. For instance they could be part of the defence system constructed during the 17th century Civil War. They may be footings of one of the walls that we know surrounded the late 18th century school next to the Inner Gateway (Jane Austen’s school). It is possible that they are part of the foundations for some buildings, such as the greenhouses, that appear to have been erected in the Forbury botanic gardens during the second half of the 19th century. However I have looked into the possibility that they may in fact be related to the Abbey; in other words whether there may be some explanation for their existence as part of the Abbey. I must emphasise that any one, or none, of the above may be the explanation and without intrusive archaeology or the discovery of some documentation relating to them, it is unlikely that we will ever know what they truly represent. -
'Tale of a Nun'
‘Tale of a nun’ Vertaald door: L. Housman en L. Simons bron L. Housman en L. Simons (vert.), ‘Tale of a nun’. In: The Pageant 1 (1896), p. 95-116 Zie voor verantwoording: http://www.dbnl.org/tekst/_bea001tale01_01/colofon.php © 2012 dbnl 95 Tale of a nun * SMALL good cometh to me of making rhyme; so there be folk would have me give it up, and no longer harrow my mind therewith. But in virtue of her who hath been both mother and maiden, I have begun the tale of a fair miracle, which God without doubt hath made show in honour of her who fed him with her milk. Now I shall begin and tell the tale of a nun. May God help me to handle it well, and bring it to a good end, even so according to the truth as it was told me by Brother Giselbrecht, an ordained monk of the order of Saint William; he, a dying old man, had found it in his books. The nun of whom I begin my tale was courtly and fine in her bearing; not even nowadays, I am sure, could one find another to be compared to her in manner and way of kooks. That I should praise her body in each part, exposing her beauty, would become me not well; I will tell you, then, what office she used to hold for a long time in the cloister where she wore veil. Custodian she was there, and whether it were day or night, I can tell you she was neither lazy nor slothful. -
What They Wear the Observer | FEBRUARY 2020 | 1 in the Habit
SPECIAL SECTION FEBRUARY 2020 Inside Poor Clare Colettines ....... 2 Benedictines of Marmion Abbey What .............................. 4 Everyday Wear for Priests ......... 6 Priests’ Vestments ...... 8 Deacons’ Attire .......................... 10 Monsignors’ They Attire .............. 12 Bishops’ Attire ........................... 14 — Text and photos by Amanda Hudson, news editor; design by Sharon Boehlefeld, features editor Wear Learn the names of the everyday and liturgical attire worn by bishops, monsignors, priests, deacons and religious in the Rockford Diocese. And learn what each piece of clothing means in the lives of those who have given themselves to the service of God. What They Wear The Observer | FEBRUARY 2020 | 1 In the Habit Mother Habits Span Centuries Dominica Stein, PCC he wearing n The hood — of habits in humility; religious com- n The belt — purity; munities goes and Tback to the early 300s. n The scapular — The Armenian manual labor. monks founded by For women, a veil Eustatius in 318 was part of the habit, were the first to originating from the have their entire rite of consecrated community virgins as a bride of dress alike. Belt placement Christ. Using a veil was Having “the members an adaptation of the societal practice (dress) the same,” says where married women covered their Mother Dominica Stein, hair when in public. Poor Clare Colettines, “was a Putting on the habit was an symbol of unity. The wearing of outward sign of profession in a the habit was a symbol of leaving religious order. Early on, those the secular life to give oneself to joining an order were clothed in the God.” order’s habit almost immediately. -
Communion Tokens of the Established Church of Scotland -Sixteenth, Seventeenth, and Eighteenth Centuries
V. COMMUNION TOKENS OF THE ESTABLISHED CHURCH OF SCOTLAND -SIXTEENTH, SEVENTEENTH, AND EIGHTEENTH CENTURIES. BY ALEXANDER J. S. BROOK, F.S.A. SCOT. o morn Ther s e familiawa e r objec Scotlann i t d fro e Reformatiomth n down to half a century ago than the Communion token, but its origin cannot be attributed to Scotland, nor was it a post-Reformation institution. e antiquitTh d universalitan y e toke th e unquestionable f ar no y . From very early times it is probable that a token, or something akin uses aln wa di l , toath-bounoit d secret societies. They will be found to have been used by the Greeks and Romans, whose tesserae were freely utilise r identifyinfo d gbeed ha thos no ewh initiated inte Eleusiniath o d othean n r kindred mysteries n thii d s an , s easilwa yy mannepavewa r thei e fo dth rr introduction e intth o Christian Church, where they wer e purposeth use r f excludinfo do e g the uninitiated and preventing the entrance of spies into the religious gatherings which were onl yselece opeth o tnt few. Afte persecutioe th r n cease whicho dt measurea n e i ,b y , ma thei e us r attributed, they would naturally continu e use b o distinguist do t e h between those who had a right to be present at meetings and those who had not. Tokens are unquestionably an old Catholic tradition, and their use Churce on t confiner countryy o no h an s o t wa d. -
Sacred Landscapes and the Early Medieval European Cloister
Sacred Landscape and the Early Medieval European Cloister. Unity, Paradise, and the Cosmic Mountain Author(s): Mary W. Helms Source: Anthropos, Bd. 97, H. 2. (2002), pp. 435-453 Published by: Anthropos Institute Stable URL: http://www.jstor.org/stable/40466044 . Accessed: 29/07/2013 13:52 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Anthropos Institute is collaborating with JSTOR to digitize, preserve and extend access to Anthropos. http://www.jstor.org This content downloaded from 152.13.249.96 on Mon, 29 Jul 2013 13:52:20 PM All use subject to JSTOR Terms and Conditions § ANTHROPOS 97.2002:435-453 r'jT! _ Sacred Landscape and the Early Medieval European Cloister Unity,Paradise, and theCosmic Mountain Mary W. Helms Abstract. - The architecturalformat of the early medieval Impressiveevidence of the lattermay be found monastery,a widespread feature of the Western European both in the structuralforms and iconograph- landscape,is examinedfrom a cosmologicalperspective which ical details of individual or argues thatthe garden,known as the garth,at the centerof buildings comp- the cloister reconstructedthe firstthree days of creational lexes dedicatedto spiritualpurposes and in dis- paradiseas describedin Genesis and, therefore,constituted the tributionsof a numberof such constructions symboliccenter of the cloistercomplex. -
The Church That Is Now Bristol Cathedral Was Originally An
Bristol Cathedral – architectural overview Jon Cannon – Keeper of the Fabric Overview This paper briefly sets out the history of Bristol Cathedral, by summarising the key events and figures which have shaped its past, and by identifying the main architectural and artistic features of interest. Bristol cathedral is the seat of the bishop of Bristol and the heart of a diocese which, today, includes Bristol, and much of south Gloucestershire and northern Wiltshire, including Swindon. It stands on a site which has been sacred for a thousand years or more. Ancient origins The cathedral originated as an abbey on the edge of what was, in the twelfth century, a prosperous and growing merchant town. The knoll on which it stands appears to already have already been the site of a holy place: the cult of St Jordan, the legend of which, only attested in the fourteenth century, takes the story of site back to St Augustine of Canterbury and the earliest days of English Christianity, and the survival of a magnificent eleventh-century sculpted stone, now in the cathedral, is proof that a church of some kind predated the abbey. Foundation of the abbey began in 1140. Large portions of the resulting church – especially the remarkable chapter house -- survive to this day. The monastery was a daughter house of the Augustinian abbey of St- Victor in Paris though almost nothing is known of its earliest canons. For the next four hundred years it was, while never of dominant significance in the town, by some distance its largest religious institution, as well as being the most important Victorine house in England (and one of the wealthiest Augustinian houses of any kind). -
NATIONAL TRUST for SCOTLAND MEDIA INVITE Beautiful, Historic Covers Unveiled at Culross Palace
NATIONAL TRUST FOR SCOTLAND MEDIA INVITE Beautiful, historic covers unveiled at Culross Palace Dedicated volunteers have hand-crafted a series of stunning textiles for the National Trust for Scotland’s Culross Palace. The bedspread, bed curtains and door panel will be unveiled at 10.30am on Wednesday 5 April. YOU ARE INVITED TO SEND A PHOTOGRAPHER/ REPORTER. The Culross Needlework Group made the beautiful pieces for the Principle Stranger’s bedrooom at the historic palace which is owned and cared for by the National Trust for Scotland, the charity that conserves and promotes Scotland’s heritage. This room would have been reserved for the most important visitors to the palace with private access to both the palace interior, its courtyard and town beyond. Made from hand-woven linen and crewel wools that would have been used in the 17th century, the design reflects the patterns and colours of the bed hangings which were taken from original slips dating to the 1600s. The detailed designs were created and sewn by hand, taking the eight-strong group three years to complete. Property Manager Elaine Longmuir said: “These stunning textiles are an amazing addition to the palace for the 2017 season. It has taken years of skill and dedication from our wonderful volunteers to create them and we cannot thank them enough. Inspired by the original covers from the 1600s, they are more authentic and will help visitors understand what it would have been like to visit Culross Palace, all those years ago.” Culross Needlework Group have been generously supporting the work of the National Trust for Scotland for many years, creating beautiful textiles to enhance the visitor experience at its properties. -
Properties in the Care of Scottish Ministers
PROPERTIES IN THE CARE OF SCOTTISH MINISTERS ANNUAL REPORT 2017-18 Principal author: Dr Clare Torney, Head of Analytics, Reporting and Audit Analytics support: Gary Carvel, Analytics and Reporting Officer Please note, this report does not detail activity/ investment at our ancillary properties, unless this activity has a direct impact on the Properties in Care and/or associated collections. All images © Crown Copyright HES or © Historic Environment Scotland General view of Cambuskenneth Abbey. CONTENTS 1 INTRODUCTION 4 2 LEAD 6 2.1 The Engine Shed 6 2.2 Climate change and sustainability 7 2.3 Innovation in conservation 7 2.4 A future for traditional skills 8 2.5 Increasing opportunity in the tourism industry 10 3 UNDERSTAND 12 3.1 Asset schedule 12 3.2 Statements of significance 13 3.3 Technical, historical and archaeological research 14 4 PROTECT 16 4.1 Managing the Properties in Care 16 4.1.1 Conservation and maintenance of the Properties in Care 17 4.1.2 Conservation and maintenance systems 24 4.1.3 Standards and assurance 25 4.2 Managing and providing access to our collections 26 5 VALUE 30 5.1 Providing access to the Properties in Care 30 5.2 Engagement 32 5.3 Enhancing the visitor experience 32 6 PERFORM 34 6.1 The impact of our investment 34 6.1.1 Economic impacts 34 6.1.2 Social impacts 36 6.2 Investing in our people 36 6.3 Driving operational efficiency 37 6.4 Working with our partners 38 6.5review Peer 38 7 CONSERVATION CHALLENGES 42 7.1 A changing climate 42 7.2 Managing the consequences of success 43 7.3 Ensuring we have the skills and materials required 43 APPENDIX A.