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To View the Equipment Catalog
Photo Equipment 2 Day Checkouts Items Quantity Restrictions Digital Cameras: Canon Rebel T3i 4 Art Majors Only Canon Rebel T5 1 Art Majors Only Canon 50D 3 Art Majors Only Canon Mark II 5D 1 Graduate Art Students Only Panasonic Lumix GH3 2 New Media Students Only Nikon F100 1 Art Majors Only 35mm Cameras: Nikon FM10 3 Photo Students Only Nikon FG 1 Photo Students Only Nikon F 2 Photo Students Only Mamiya ZE-X 1 Photo Students Only Pentax K1000 3 Photo Students Only Nikonos II Underwater Camera 1 Photo Students Only Praktina FX 1 Photo Students Only Yashica 230AF 1 Photo Students Only Various older 35mms 20 Photo Students Only Medium Format Cameras: Pentax 645 AF 1 Photo Students Only Zenza Bronica AEII 2 Photo Students Only Mamiya C220 1 Photo Students Only Super Ikonta A 530 1 Photo Students Only Large Format Cameras: Cambo and Calumet 4x5’s 15 Photo Majors Only LF Deardorff & Sons Inc. 8x10 1 Photo Majors Only Lenses: Canon Wide Angle 1 Art Majors Only Canon Fish Eye 1 Art Majors Only Telephoto 2 Art Majors Only Canon Macro Lens 1 Art Majors Only Various 35mm Lenses 15-20 Art Majors Only Accessories: Remote Shutter Release 4 Art Majors Only Changing Bags 6 Art Majors Only Filters Art Majors Only Various 4x5 Lenses Art Majors Only Photo/Lighting 2 Day Checkouts Items Quantity Restrictions Light Kits: AlienBees (Strobe) 3 Photo Majors Only Lowel (Hotlight) 2 Photo Majors Only Speedotron (Strobe) 1 Photo Majors Only Excaliber (Strobe) 1 Photo Majors Only Light Stands 2 Photo Majors Only Soft Boxes: Rectangle 2 Photo Majors Only Octagon -
CFA Photography Handbook
CFA Photography Handbook Carnegie Mellon University CFA Photography http://cfaphoto.cfa.cmu.edu [email protected] (412) 268-4398 rev. January 16, 2012 Contents 1 General Information 2 1.1 B18 Equipment Office . .2 1.2 CFA Photography Staff . .2 1.3 Fees . .2 2 Facilities 2 2.1 Facility List . .3 2.2 Hours and Schedule . .6 3 Equipment 6 3.1 Borrowing Policies . .6 3.2 General Care . .7 3.3 Equipment List . .7 4 Infractions 9 1 1 General Information 1.1 B18 Equipment Office The equipment office will be open and staffed during posted hours to process equipment loans, field general departmental inquiries, and support facility use. Staff may be available outside of these hours by scheduled appointments. Monday 11:30am{1:30pm; 4:30pm{6:30pm Tuesday 11:30am{1:30pm; 4:30pm{6:30pm Wednesday 11:30am{1:30pm; 4:30pm{6:30pm Thursday 11:30am{1:30pm; 4:30pm{6:30pm Friday 11:30am{1:30pm; 4:30pm{6:30pm 1.2 CFA Photography Staff Jamie Gruzska Special Faculty and CFA Photography Administrator [email protected] Vincent Zeng CFA Photography Quartermaster [email protected] 1.3 Fees Lab fees for CFA Photography courses are charged per semester to each student to help cover costs of provided materials, supplies, and general mainte- nance expenses. Independent users of CFA Photography facilities are charged based on the amount of access requested. Course lab fees are refundable prior to mid-semester break. However, stu- dents are responsible for notifying CFA Photography staff of intent to withdraw from a class and eligibility for a refund. -
Modern Classic Slrs Series : Nikon FM
Modern Classic SLRs Series : Nikon FM - Specifications Type: 35mm single-lens reflex Picture Format: 24mm x 36mm (35mm film format) Lens mount: Nikon bayonet mount Nikkor 50mm f/1.4, f/2 or 55mm f/1.2 as standard; more than Lenses available: 55 Nikkor lenses in all. Vertical-travel, metal focal-plane shutter with speeds from 1 to Shutter: 1/1000 sec., plus "B" Via shutter release button, with mode selector set to black index Shutter release: line position Fixed eye-level pentaprism type with built-in through-the-lens (TTL) exposure meter; shutter speed indicated in the viewfinder; lens aperture setting indicated in the viewfinder when lens in use is fitted with an aperture-direct-readout (ADR) lens aperture Viewfinder: scale; LED display indicates five exposure graduations through combinations of three symbols ('+', 'o', '-' ); finder coverage, approx. 93% of the picture field; viewfinder magnification, 0.86X with 50mm lens set at infinity Matte Fresnel field with central split-image range-finder surrounded by micro prism ring; 12mm-diameter reference Focusing screen: circle defines area of meter center-weighting; similar to Nikkon Type K screen Reflex mirror: Automatic instant-return type; non-lockable type Through-the-lens, center-weighted metering; full-aperture exposure measurement with Al Nikkor lenses fitted with meter coupling ridge; stop-down exposure measurement for other Exposure meter: lenses; two gallium photo-diodes (GPD) employed for fast and accurate response to a full range of light levels, positioned either side of the -
Nikon F6 Vs Canon EOS-1V Vs Leica R9
Battle of the Titans: NIKON F6 vs. CANON EOS-1v vs. LEICA R9 Shutter Release, April 2005 Revised March 2007 Canon got the better of Nikon and Leica on Internet forums in 2004 with regard to film cameras. If ad hoc quips about the world’s leading 35mm SLR cameras were to be believed, Canon had pulled ahead in optics and overall speed of operation. As to Leica, well, the legendary mark had already had its day and is a stodgy if reliable instrument years behind Canon and Nikon. The stereotypes were flat-out wrong, even before the introduction of the new Nikon F6 in late 2004. The reality is that each manufacturer has selectively invested in features for different users. Canon has led in technology to steady hand-held telephoto lenses. The Leica R9 provides ultimate finessing of manual with automatic controls to a precision of 0.1 f-stop (in multi-pattern metering), and is arguably the most user-friendly of the three cameras. The Nikon F6 is a more versatile and lighter redesign of the F5 that pioneered the most advanced autoexposure system available, engineered for accuracy in extreme or peculiar lighting conditions where other cameras would fall short. Features in Common The three flagship models are equipped to enable excellence in most photographic situations. Together with their abundant selections of optics and all manner of gadgetry, the top-of-line Nikon, Canon and Leica cameras have been widely considered the best in 35mm film photography. The Nikon F6, Canon EOS-1v and Leica R9 offer: Evaluative autoexposure: The microcomputer in the camera assesses a scene through an array of sensors, and applies an ideal aperture and/or shutter speed as fast as 1/8000 sec. -
Used Equipment 35Mm Cameras & Accessories
Used Equipment 35mm Cameras & Accessories Leica M6 Classic MF Camera Minolta Maxxum7xi AF Camera Nikon N8008S AF Camera Nikon N90s AF Camera Nikon SB-28 AF Speedlight Flash • Body Only • Auto Focus • Auto Focus • Auto Focus • Dedicated TTL • Manual Focus • Body Only • Body Only • Body Only Shoe Mount • Black Color • Guide No. 13 • Bounce, Swivel & Zoom Head Condition 9 Condition 8+ Condition 8+ Condition 8+ Condition 9 $1,699 $149 $185 $259 $129 Leica M6 Wetzlar MF Camera Minolta Maxxum 700si AF Camera Nikon N6006 AF Camera Nikon F5 AF Camera Kodak 80-210mm AF SLR Lens • Body Only • Auto Focus • Auto Focus • Auto Focus • For Nikon AF • Manual Focus • Body Only Body • Body Only • Auto Focus • Black Color • f/.-.6 Condition 9 Condition 8+ Condition 8+ Condition 8+ New $1,649 $179 $99 $799 $59.95 35mm SLR Cameras Bodies, Lenses, Flashes, Accessories CANON Canon FD Breech MT Lenses MINOLTA MD Lenses MT-2 Intervalometer (No cord) .................399 EOS Bodies 24/2.8 ..............................................9 ......199 Maxxum Bodies 24/2.8 ..............................................9 ......239 MH-2 ...............................................8+ .....49 620...................................................9 ......129 28/2.8 ..............................................8+ .....69 XTsi QD ............................................8+ .....79 28/3.5 Celtic ....................................8+ .....49 AC-1E ..............................................9 ........49 630 QD ............................................8+ ...139 28/3.5 -
Nikon F (Nikon D70s, 105-Mm-Makro, 200 ISO, 1/30 Sek., F 32)
Teil 1 In diesem ersten Teil erfahren Sie alles, was Sie über Nikon wissen sollten. So lernen Sie die Ge- schichte der Nikon-Kameras kennen, und ich stelle Die Technik Ihnen die digitalen Nikon-Modelle mit ihren je- weiligen Vor- und Nachteilen vor. Sie lernen auch wichtige Zubehörteile kennen, die für ein kreatives Fotografieren wichtig sind. Nikon D70s, 200 ISO, 1/800 Sek., 105-mm-Makro, f 7.1 Die »Ur«-Nikon F (Nikon D70s, 105-mm-Makro, 200 ISO, 1/30 Sek., f 32) 1 Die Geschichte Seit 1932 baut die als »Nippon Kogaku K. K.« 1917 gegründete Firma Nikon Objektive. Erst ab 1948 wurden dann von Nikon auch Ka- meras gebaut. Im Laufe der vielen Jahrzehnte entstand eines der erfolgreichsten Unterneh- men im Kameramarkt. Lesen Sie in diesem Kapitel, wie sich alles entwickelt hat. Alle Fotografien und Grafiken im Kapitel: Michael Gradias 18 DIE GESCHICHTE DER NEUANFANG MIT EIGENEN KAMERAS 19 Nikons Anfänge reisten die Japaner – einer Einladung Objektive für Canon Der Neuanfang mit folgend – ins Deutsche Reich und be- 1933 entstand die japanische Firma Für die heutige erfolgreiche japanische sichtigten dort die Werke der deutschen eigenen Kameras Canon, die preisgünstige Leica-Nach- Firma Nikon begann alles, als sich am Kamerahersteller. bauten konstruierte. Im Februar 1936 Nach dem Krieg begann man mit der 25. Juli 1917 drei kleinere Firmen (Tokyo Ab Anfang 1921 arbeiteten daraufhin erschien die »Hansa Canon«, die mit Entwicklung eigener Kameras. Die am Keiki Seisaku Sho, Iwaki Glass Manufac- unter den 200 Mitarbeitern in Japan einem Nikkor 50 mm f 3.5 ausgestattet 7. März 1948 vorgestellte erste Mess- turing und Fujii Lens Seizo Sho) zur Nip- acht deutsche Techniker mit und waren wurde. -
Farewell to the Kodak DCS Dslrs
John Henshall’s Chip Shop FAREWELL TO THE KODAK DCS John Henshall looks at Kodak’s legacy as the end of its DSLR production is announced . hen Kodak introduced the the world’s first totally portable Digital W Camera System – the DCS – in 1991 it established Eastman Kodak as the world leader of professional digital image capture. Fourteen years later, Kodak has just announced that it is ending production 1992: DCS200 of Digital Single Lens Reflex cameras. The DCS was a product launched ahead of its potential market, but one which indelibly marked the start of the future of photography. Kodak was smart. It housed its DCS in something photographers were already at home with: a Nikon F3 camera body. All the F3’s functions were retained, and the DCS used standard Nikon lenses. Only the 1991: The original Kodak DCS [100] and DSU 2005: Last of the line – the DCS ProSLR/c focusing screen was changed. A new Kodak-produced digital The relative sensitivity of the camera back was fixed to the Nikon F3 DCS camera back was ISO100. body. A light sensitive integrated circuit Exposure could be ‘pushed’ by – Charge Coupled Device – was fitted one, two or three ƒ-stops to into its film plane. ISO200, 400 or 800 on an This CCD image sensor had an individual shot-by-shot basis. incredible 1.3 million individual pixels It was not necessary to m o c . – more than four times as many as in expose a whole ‘roll of film’ at e r t n television cameras – arranged in a the same ISO rating, as was e c - i 1024 x 1280 pixel rectangle measuring necessary when shooting film. -
Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII -
How to Shoot Fireworks – Capture the Nighttime Celebration
cover story How to Shoot Fireworks – capture the nighttime celebration Text and Photography By Robert Berdan Capturing fireworks with your camera may seem dif- ficult, but it’s easy if you use a tripod. There are plenty of opportunities and places to photograph fireworks. Look for special events around your area such as Canada Day celebrations, festivals, fairs and exhib- itions. A quick search of the internet will give you all the information you need. You can photograph fire- works with film or a digital camera. The methods are the same for both, though they’re easier to capture with digital cameras. Here are some tips to help you capture fireworks this summer. 38 Summer/Fall 2008 era has a double exposure mode you can 9 Bring a Photo pages 38-39: Calgary Stampede. try exposing several firework explosions Photographed with 20-35mm zoom lens, small flashlight ƒ8@8 sec., composite of two exposures. onto a single frame. A small pocket flashlight is essential if Nikon F5,Velvia IS0 50, tripod. you want to see your camera controls or Photo top of page 40: Olympic Plaza 4 Lens choice and change a lens in the dark — don’t leave Downtown Calgary. ƒ5.6@2 sec. exposure, F-stop setting home without one in your camera bag. Kodachrome ISO 64 film, Olympus OM-4 I like to use a wide angle zoom (F2.8 camera, 24mm lens, tripod set up in the crowd during the celebrations downtown. 20-35mm) and a telephoto zoom lens 10 Focus (F2.8 70-200mm) for firework photog- Start with your camera focused at infinity Photo bottom of page 40: Canada Day Canada Olympic Park in Calgary. -
George Eastman Museum Annual Report 2018
George Eastman Museum Annual Report 2018 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 8 Photography Workshops 9 Loans 10 Objects Loaned For Exhibitions 10 Film Screenings 15 Acquisitions 17 Gifts to the Collections 17 Photography 17 Moving Image 30 Technology 32 George Eastman Legacy 34 Richard and Ronay Menschel Library 48 Purchases for the Collections 48 Photography 48 Moving Image 49 Technology 49 George Eastman Legacy 49 Richard and Ronay Menschel Library 49 Conservation & Preservation 50 Conservation 50 Photography 50 Technology 52 George Eastman Legacy 52 Richard and Ronay Menschel Library 52 Preservation 53 Moving Image 53 Financial 54 Treasurer’s Report 54 Fundraising 56 Members 56 Corporate Members 58 Annual Campaign 59 Designated Giving 59 Planned Giving 61 Trustees, Advisors & Staff 62 Board of Trustees 62 George Eastman Museum Staff 63 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2018. MAIN GALLERIES HISTORY OF PHOTOGRAPHY GALLERY Stories of Indian Cinema: A History of Photography Abandoned and Rescued Curated by Jamie M. Allen, associate curator, Department of Photography, and Todd Gustavson, exhibitions, Moving Image Department curator, Technology Collection NovemberCurated by 11,Jurij 2017–May Meden, curator 13, 2018 of film October 14, 2017–April 22, 2018 Nandita -
Lisa Sorensen, Purchasing Specialist SUBJECT
Date: October 12, 2020 TO: All Bidders FROM: Lisa Sorensen, Purchasing Specialist SUBJECT: Bid 613, Moorpark College Camera Equipment and Accessories Enclosed is a packet for Bid 613, Moorpark College Camera Equipment and Accessories. This bid packet includes the General Instructions to Bidders, Specifications, Pricing Form, Bid Form, Drug-Free Workplace Certification, Non-Collusion Affidavit, and Affirmative Action. Should you have problems downloading this bid packet, you may contact the Purchasing Specialist for instructions. The Bid award will be by section to the lowest responsive bidder(s) bidding all items listed. The Ventura County Community College District reserves the right to reduce or increase quantities based on available budget. All bid responses must be clearly marked with the bid number and title and returned in a sealed envelope to Ventura County Community College District Purchasing Department, 761 E. Daily Drive, Suite 200, Camarillo, CA 93010. The Purchasing Department will not fax out bid packets or accept faxed bid submissions. The bid deadline is Tuesday, October 27, 2020, at 3:00 p.m. The award shall be subject to final agreement on terms, conditions, and scope of work between VCCCD and Bidder. It is the responsibility of the Bidder to verify that their proposal has been received by the VCCCD Purchasing Department prior to the opening date. Verification of receipt can be made through the listed Purchasing Specialist. I hope you will be interested in submitting a proposal on this project. If you choose not to participate in this particular bid, please sign and return the Bid Form stating “No Bid”. -
SB-22S’S Built-In Sensor Measures the Flash Illumination Reflected Back from the in This Mode, the Flash Always Fires at Full Output
Preparation TTL Auto Flash t Mode Non-TTL Auto Flash ˙ Mode Manual Flash ƒ Mode The built-in TTL auto flash sensor in cameras so equipped measures the illumination The SB-22s’s built-in sensor measures the flash illumination reflected back from the In this mode, the flash always fires at full output. Manual flash photography is recommended Set the SB-22s’s POWER switch to OFF, then slide down the battery provided by the SB-22s that is reflected back from the subject. This measurement is made subject, automatically controlling the flash output to give you the correct exposure. when shooting subjects in which the correct exposure is difficult to obtain in the TTL or 1 chamber lid in the direction of the arrow and lift it off. through-the-lens and when the light is sufficient to ensure proper exposure, the camera This is called the Non-TTL Auto Flash A mode. A choice of four shooting apertures at Non-TTL Auto Flash mode or when you want to exercise your creative preferences. 11 sends a signal to the SB-22s to stop firing. TTL Auto Flash TTL mode* provides simple 16 A1 to A4 are available, covering a variety of shooting distances. 22 and effective flash operation, recommended for users with little experience with flash. Set your camera’s exposure mode to Aperture-priority auto (A) or Manual (M). m 0.6 0.91.3 2 3 5 7 10 Autofocus Speedlight ft 23468 1215 20 30 40 1 ● Set your camera’s metering system to any setting.