2021 Us Price List & Specifications

Total Page:16

File Type:pdf, Size:1020Kb

2021 Us Price List & Specifications 2021 US PRICE LIST & SPECIFICATIONS Effective January 1, 2021 taylorguitars.com Contents Models by Series / Pricing 4 Custom Program 8 Dimensions by Shape 9 Standard Model Options 10 Specifications 11 Most Taylor acoustic models are organized by series, featuring the numerical 100 through 900 Series, A Guide to Taylor along with our Baby, GS Mini, Academy, Koa (K) and Presentation (PS) Series. Here’s how our model numbering system works: Acoustic Model Numbers The first digit (or letter) identifies the series (e.g., 800 Series). Each series is distinguished by the type of back and side woods and other material/aesthetic appointments used, such as inlays and binding. The second digit designates two things: first, whether the guitar is a 6-string or a 12-string, and second, whether the top features a softwood like spruce or cedar or a hardwood like mahogany or koa. 6-string Models: • If the middle digit is 1, it has a softwood top (e.g., 514ce) • If the middle digit is 2, it has a hardwood top (e.g., 524ce) 12-string Models: 814ce • If the middle digit is 5, it has a softwood top (e.g., 352ce) • If the middle digit is 6, it has a hardwood top (e.g., 362ce) Taylor nylon-string models are integrated into various series and are designated by the letter “N” at the end of the model name. For example, a nylon-string Grand Concert with a cutaway and electronics within the 500 Series is a 512ce-N. The third digit identifies the body shape according to this numbering system: Other Model Name Indicators 0 = Dreadnought (e.g., 210ce) Some Taylor models include additional letters. 1 = Grand Theater (e.g., GT811) This can identify several things: 2 = Grand Concert (e.g., 712ce) 4 = Grand Auditorium (e.g., 414ce) Nylon-string models (e.g., 812ce-N) 6 = Grand Symphony (e.g., 816ce) 7 = Grand Pacific (e.g., 517e) Alternative back/side woods within a series 8 = Grand Orchestra (e.g., 618e) (e.g., 414ce-R = rosewood; 214ce-K = koa) “e” indicates a model with onboard electronics Color treatments (e.g., 214ce-SB = Sunburst; 517 WHB = Wild Honey Burst; 214ce-BLK = Black) “c” indicates a model with a cutaway in the body 3 Model Description Price PS12ce Grand Concert, Sinker Redwood Top $9,999 Presentation PS12ce 12-Fret Grand Concert, Sinker Redwood Top $9,999 ® PS14ce Grand Auditorium, Sinker Redwood Top $9,999 Series PS14ce Grand Auditorium, Adirondack Spruce Top $9,999 Back/Sides: Honduran Rosewood Without Electronics -$200 Top: Sinker Redwood Adirondack Spruce ® Model Description Price GT K21e Grand Theater $4,699 Koa Series K22ce Grand Concert $4,999 Back/Sides: Hawaiian Koa K22ce 12-Fret Grand Concert $4,999 Top: Hawaiian Koa Builder's Edition K14ce Grand Auditorium, Torrefied Sitka Spruce Top $4,999 Builder's Edition K24ce Grand Auditorium $5,299 Torrefied Sitka Spruce K24ce Grand Auditorium $4,999 K26ce Grand Symphony $4,999 Without Electronics -$200 ® Model Description Price 912ce Grand Concert $4,999 900 Series 912ce 12-Fret Grand Concert $4,999 Back/Sides: Indian Rosewood Builder's Edition 912ce Grand Concert, Lutz Spruce Top $5,299 Top: Sitka Spruce Builder's Edition 912ce WHB Grand Concert, Lutz Spruce Top, Wild Honey Burst $5,299 914ce Grand Auditorium $4,999 Lutz Spruce Without Electronics -$200 ® Model Description Price GT 811e Grand Theater $2,999 800 Series 812ce Grand Concert $3,499 Back/Sides: Indian Rosewood 812ce 12-Fret Grand Concert $3,499 Top: Sitka Spruce 812ce-N Grand Concert, Nylon-String $3,499 814ce Grand Auditorium $3,499 Lutz Spruce 814ce-N Grand Auditorium, Nylon-String $3,499 Builder's Edition 816ce Grand Symphony, Lutz Spruce Top $3,999 818e Grand Orchestra $3,499 Without Electronics -$200 ® Model Description Price 700 Series 712ce Grand Concert $2,999 712e 12-Fret Grand Concert $2,999 Back/Sides: Indian Rosewood 712ce 12-Fret Grand Concert $2,999 Top: Lutz Spruce 714ce Grand Auditorium $2,999 714ce-N Grand Auditorium, Nylon-String $2,999 Torrefied Sitka Spruce Builder's Edition 717e Grand Pacific, Torrefied Sitka Spruce Top $3,099 Builder's Edition 717e WHB Grand Pacific, Torrefied Sitka Spruce Top, Wild Honey Burst $3,199 Without Electronics -$200 4 ® Model Description Price 612ce Grand Concert $3,499 600 Series 612ce 12-Fret Grand Concert $3,499 Back/Sides: Figured Big Leaf Maple Builder's Edition 652ce Grand Concert, 12-Fret, 12-String $4,199 Top: Torrefied Sitka Spruce Builder's Edition 652ce WHB Grand Concert, 12-Fret, 12-String, Wild Honey Burst $4,199 614ce Grand Auditorium $3,499 Sitka Spruce Builder's Edition 614ce Grand Auditorium $3,999 Builder's Edition 614ce WHB Grand Auditorium, Wild Honey Burst $3,999 618e Grand Orchestra, Sitka Spruce Top, Antique Blonde Finish $3,499 Without Electronics -$200 ® Model Description Price 512ce Grand Concert, Western Red Cedar Top $2,799 500 Series 512ce 12-Fret Grand Concert, Western Red Cedar Top $2,799 Back/Sides: Neo-Tropical Mahogany 522ce Grand Concert, Neo-Tropical Mahogany Top $2,999 Top: Neo-Tropical Mahogany 522e 12-Fret Grand Concert, Neo-Tropical Mahogany Top $2,999 522ce 12-Fret Grand Concert, Neo-Tropical Mahogany Top $2,999 Western Red Cedar 562ce Grand Concert, 12-String, Neo-Tropical Mahogany Top $2,999 Torrefied Sitka Spruce 514ce Grand Auditorium, Western Red Cedar Top $2,799 524ce Grand Auditorium, Neo-Tropical Mahogany Top $2,999 Builder's Edition 517e Grand Pacific, Torrefied Sitka Spruce Top $2,899 Builder's Edition 517e WHB Grand Pacific, Torrefied Sitka Spruce Top, Wild Honey Burst $2,999 Without Electronics -$200 ® Model Description Price 412ce-R Grand Concert $2,599 400 Series 414ce-R Grand Auditorium $2,599 Back/Sides: Indian Rosewood Top: Sitka Spruce Without Electronics -$200 ® Model Description Price 312ce Grand Concert, Sapele Back & Sides, Sitka Spruce Top $1,999 300 Series 312ce 12-Fret Grand Concert, Sapele Back & Sides, Sitka Spruce Top $1,999 Back/Sides: Sapele 312ce-N Grand Concert, Nylon-String, Sapele Back & Sides, Sitka Spruce Top $1,999 Tasmanian Blackwood 322e Grand Concert, Blackwood Back & Sides, Neo-Tropical Mahogany Top $2,199 322ce Grand Concert, Blackwood Back & Sides, Neo-Tropical Mahogany Top $2,199 Urban Ash™ 322e 12-Fret Grand Concert, Blackwood Back & Sides, Neo-Tropical Mahogany Top $2,199 Top: Sitka Spruce 322ce 12-Fret Grand Concert, Blackwood Back & Sides, Neo-Tropical Mahogany Top $2,199 Neo-Tropical Mahogany 352ce Grand Concert, 12-Fret, 12-String, Sapele Back & Sides, Sitka Spruce Top $1,999 362ce Grand Concert, 12-Fret, 12-String, Blackwood Back & Sides, Neo-Tropical Mahogany Top $2,199 314ce Grand Auditorium, Sapele Back & Sides, Sitka Spruce Top $1,999 Builder's Edition 324ce Grand Auditorium, Urban Ash™ Back & Sides, Neo-Tropical Mahogany Top $2,999 324e Grand Auditorium, Blackwood Back & Sides, Neo-Tropical Mahogany Top $2,199 324ce Grand Auditorium, Blackwood Back & Sides, Neo-Tropical Mahogany Top $2,199 326ce Grand Symphony, Urban AshTM Back & Sides, Neo-Tropical Mahogany Top $2,499 317e Grand Pacific, Sapele Back & Sides, Sitka Spruce Top $1,999 327e Grand Pacific, Blackwood Back & Sides, Neo-Tropical Mahogany Top $2,199 Without Electronics -$200 5 ® Model Description Price GT Urban Ash Grand Theater $1,399 GT Series GTe Urban Ash Grand Theater $1,599 Back/Sides: Urban AshTM Top: Spruce Model Description Price AD17 Grand Pacific, Ovangkol Back & Sides, Spruce Top $1,399 American Dream AD17 Blacktop Grand Pacific, Ovangkol Back & Sides, Spruce Top with Matte Black Finish $1,499 ® AD17e Grand Pacific, Ovangkol Back & Sides, Spruce Top $1,599 Series AD17e Blacktop Grand Pacific, Ovangkol Back & Sides, Spruce Top with Matte Black Finish $1,699 AD27 Grand Pacific, Sapele Back & Sides, Neo-Tropical Mahogany Top $1,399 Back/Sides: Ovangkol AD27e Grand Pacific, Sapele Back & Sides, Neo-Tropical Mahogany Top $1,599 Sapele Top: Spruce or Neo-Tropical Mahogany ® Model Description Price 250ce-BLK DLX Dreadnought, 12-String, Layered Maple Back & Sides, Sitka Spruce Top, Black $1,599 200 Deluxe Series 214ce DLX Grand Auditorium, Layered Rosewood Back & Sides, Sitka Spruce Top $1,399 Back/Sides: Layered Indian Rosewood 214ce-K DLX Grand Auditorium, Layered Hawaiian Koa Back & Sides, Sitka Spruce Top $1,499 Layered Hawaiian Koa 214ce-BLK DLX Grand Auditorium, Layered Maple Back & Sides, Sitka Spruce Top, Black $1,499 214ce-RED DLX Grand Auditorium, Layered Maple Back & Sides, Sitka Spruce Top, Red $1,499 Layered Maple 214ce-SB DLX Grand Auditorium, Layered Rosewood Back & Sides, Sitka Spruce Top, Sunburst $1,499 Top: Sitka Spruce 224ce-K DLX Grand Auditorium, Layered Hawaiian Koa Back & Sides, Koa Top $1,599 Hawaiian Koa ® Model Description Price 210ce Plus Dreadnought $1,199 200 Plus Series 214ce Plus Grand Auditorium $1,199 Back/Sides: Layered Rosewood Top: Sitka Spruce ® Model Description Price 210ce Dreadnought, Layered Rosewood Back & Sides, Sitka Spruce Top $899 200 Series 214ce Grand Auditorium, Layered Rosewood Back & Sides, Sitka Spruce Top $899 Back/Sides: Layered Hawaiian Koa 214ce-N Grand Auditorium, Nylon, Layered Rosewood Back & Sides, Sitka Spruce Top $999 Layered Rosewood 214ce-K Grand Auditorium, Layered Hawaiian Koa Back & Sides, Sitka Spruce Top $999 Top: Sitka Spruce 214ce-K SB Grand Auditorium, Layered Hawaiian Koa Back & Sides, Sitka Spruce Top, Sunburst $1,099 254ce Grand Auditorium, 12-String, Layered Rosewood Back & Sides, Sitka Spruce Top $999 Model Description Price ® 110e Dreadnought $799 100 Series 150e Dreadnought, 12-String $899 Back/Sides: Layered Walnut 114e Grand Auditorium $799 Top: Sitka Spruce Model Description Price ® Academy 12 Grand Concert $499 Academy Series Academy
Recommended publications
  • Yamaha Guitar Information
    Yamaha Strengths, Artist’s Advantage “Yamaha Guitars: Essential Knowledge” has been created to give you a behind-the-scenes view of the surprisingly vast and varied resources, facilities, skills, and people involved in making Yamaha guitars the special instruments that they are. Yamaha’s enviable position in musical instrument manufacturing is not only a result of more than 120 years of experience (the company was established in 1887), but also of the unique strengths that its expansive operations bring to bear. From research and development through design and manufacturing to sales and support, Yamaha goes to lengths that are simply beyond the capabilities of most guitar makers. But an underlying dedication to music and the creation of fine musical instruments is always there, forming a steadfast foundation that often results in profit taking a back seat to the pursuit of quality. Yamaha’s true strengths as a guitar maker are not apparent in product brochures or specifications, but they are clearly reflected in the sound, playability, dependability, and overall quality of every guitar that bears the Yamaha name. “Essential Knowledge” includes information that will hopefully provide a clearer picture of the prodigious resources and effort that give artists who choose Yamaha a significant musical advantage. Contents Research & Material Optimization......................p.4 Woods ...................................................................p.6 The Acoustic Guitar Elements of Sound and Playability ....................p.8 The Electric
    [Show full text]
  • Ghana Rosewood Case Study
    MARCH, 2014 SITUATION OF GLOBAL ROSEWOOD PRODUCTION & TRADE – GHANA ROSEWOOD CASE STUDY PRESENTED BY HENRY COLEMAN - DIRECTOR OF OPERATIONS, TIMBER INDUSTRY DEVELOPMENT DIVISION, FORESTRY COMMISSION Presentation Outline • INTRODUCTION • ROSEWOOD OCCURRENCE IN GHANA • HARVESTING REGULATIONS • PRODUCTION AND TRADE • ROSEWOOD MANUFACTURING (UTILIZATION) • TIMBER (ROSEWOOD) EXPORT PROCEDURES • ROSEWOOD EXPORT BAN • CHALLENGES IN ROSEWOOD PRODUCTION & TRADE IN GHANA • WAY FORWARD • CONCLUSION INTRODUCTION (I) • In Ghana Rosewood (known locally as Krayie/Kpatro) is a common name for timber exploited from the species Pterocarpus erinaceus. • The Chinese buyers/traders in Ghana also call it Kosso. INTRODUCTION (II) • The species belongs to the family Fabaceae – Papilionoideae. • Pterocarpus erinaceus is a medium- sized, generally deciduous tree 12-15 m tall, bole often of poor form. INTRODUCTION (III) • The bark surface is finely scaly fissured, brown- blackish with thin inner bark. It produces red sap when cut. INTRODUCTION (IV) • Traditionally, the species is used for the production of high quality charcoal and for building construction especially by local people. Rosewood Occurrence in Ghana (I) • The species occurs mostly in the forest savannah transitional zone and parts of the northern savannah woodland ecological zone. • Found in open forest and wooded savannah. Rosewood Occurrence in Ghana (II) • There are ten regions in Ghana. • Rosewood occurs in six of these regions, namely, Asha nti, Brong Ahafo, Northern, Upp er East, Upper West and Volta regions. HARVESTING REGULATIONS • Generally, Timber resource allocation & harvesting is based on Timber Resources Management Act, Act 547 of 1998 and the related Regulation LI 1649 of 1999. • For Rosewood, the issuance of permit to contractors prior to exploitation and monitoring exploitation once the permit has been issued have been the main regulatory mechanism since the surge in its export.
    [Show full text]
  • Project Rapid-Field Identification of Dalbergia Woods and Rosewood Oil by NIRS Technology –NIRS ID
    Project Rapid-Field Identification of Dalbergia Woods and Rosewood Oil by NIRS Technology –NIRS ID. The project has been financed by the CITES Secretariat with funds from the European Union Consulting objectives: TO SELECT INTERNATIONAL OR NATIONAL XYLARIUM OR WOOD COLLECTIONS REGISTERED AT THE INTERNATIONAL ASSOCIATION OF WOOD ANATOMISTS – IAWA THAT HAVE A SIGNIFICANT NUMBER OF SPECIES AND SPECIMENS OF THE GENUS DALBERGIA TO BE ANALYZED BY NIRS TECHNOLOGY. Consultant: VERA TERESINHA RAUBER CORADIN Dra English translation: ADRIANA COSTA Dra Affiliations: - Forest Products Laboratory, Brazilian Forest Service (LPF-SFB) - Laboratory of Automation, Chemometrics and Environmental Chemistry, University of Brasília (AQQUA – UnB) - Forest Technology and Geoprocessing Foundation - FUNTEC-DF MAY, 2020 Brasília – Brazil 1 Project number: S1-32QTL-000018 Host Country: Brazilian Government Executive agency: Forest Technology and Geoprocessing Foundation - FUNTEC Project coordinator: Dra. Tereza C. M. Pastore Project start: September 2019 Project duration: 24 months 2 TABLE OF CONTENTS 1. INTRODUCTION 05 2. THE SPECIES OF THE GENUS DALBERGIA 05 3. MATERIAL AND METHODS 3.1 NIRS METHODOLOGY AND SPECTRA COLLECTION 07 3.2 CRITERIA FOR SELECTING XYLARIA TO BE VISITED TO OBTAIN SPECTRAS 07 3 3 TERMINOLOGY 08 4. RESULTS 4.1 CONTACTED XYLARIA FOR COLLECTION SURVEY 10 4.1.1 BRAZILIAN XYLARIA 10 4.1.2 INTERNATIONAL XYLARIA 11 4.2 SELECTED XYLARIA 11 4.3 RESULTS OF THE SURVEY OF DALBERGIA SAMPLES IN THE BRAZILIAN XYLARIA 13 4.4 RESULTS OF THE SURVEY OF DALBERGIA SAMPLES IN THE INTERNATIONAL XYLARIA 14 5. CONCLUSION AND RECOMMENDATIONS 19 6. REFERENCES 20 APPENDICES 22 APPENDIX I DALBERGIA IN BRAZILIAN XYLARIA 22 CACAO RESEARCH CENTER – CEPECw 22 EMÍLIO GOELDI MUSEUM – M.
    [Show full text]
  • Cocobolo Samuel J
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Yale University Yale University EliScholar – A Digital Platform for Scholarly Publishing at Yale Yale School of Forestry & Environmental Studies School of Forestry and Environmental Studies Bulletin Series 1923 Cocobolo Samuel J. Record George A. Garratt Follow this and additional works at: https://elischolar.library.yale.edu/yale_fes_bulletin Part of the Forest Biology Commons, Forest Management Commons, and the Wood Science and Pulp, Paper Technology Commons Recommended Citation Record, Samuel J., and George A. Garratt. 1923. ocC obolo. Yale School of Forestry Bulletin 8. 42 pp. + plates This Book is brought to you for free and open access by the School of Forestry and Environmental Studies at EliScholar – A Digital Platform for Scholarly Publishing at Yale. It has been accepted for inclusion in Yale School of Forestry & Environmental Studies Bulletin Series by an authorized administrator of EliScholar – A Digital Platform for Scholarly Publishing at Yale. For more information, please contact [email protected]. A Note to Readers 2012 This volume is part of a Bulletin Series inaugurated by the Yale School of Forestry & Environmental Studies in 1912. The Series contains important original scholarly and applied work by the School’s faculty, graduate students, alumni, and distinguished collaborators, and covers a broad range of topics. Bulletins 1-97 were published as bound print-only documents between 1912 and 1994. Starting with Bulletin 98 in 1995, the School began publishing volumes digitally and expanded them into a Publication Series that includes working papers, books, and reports as well as Bulletins.
    [Show full text]
  • Sussex Shutters for a Lifetime
    sussexAt shuttersNorman Shutters for we’rea lifetime committed to providing worry-free product performance. To ensure your total satisfaction, all Norman Shutters are supported by a 3 year manufacturers warranty. Sussex by Norman Shutters. Luxury unmatched in the shutter industry. Contact your window covering professional today for a consultation. Outside mount, 3” ridge deco frame, 4 H” louvers, hidden tilt rod, perfect arch, sunburst louvers in honey Sussex Suers CUSTOMISED LUXURY • Specialty shapes and customisation for any window, any shape, any size • Hand-selected White Teak with quarter-sawn louvers • Master craftsmanship and advanced processes • Multiple-sequence furniture-quality finish Sussex® by Norman Shutters® Leader of Fine Window Furniture® © 2014 Norman International® Company All photographs are a copyright of Norman International® Company ™ and ® denote trademarks owned by Norman International® Company Sussex® by Norman Shutters® • Leader of Fine Window Furniture® you deserve the luxury of sussex shutters advanced processes Prescription Wood Conditioning™ Discriminating homeowners deserve the opportunity to accentuate their windows with Norman Shutters, We are the only shutter manufacturer to employ the finest shutters available. The luxurious Sussex line is nothing short of exquisite. Masterfully crafted from an exclusive Prescription Wood Conditioning technique to reduce White Teak, Sussex Shutters are designed to beautifully complement any window in the most distinguished style. post-installation shrinking and swelling inherent to wood products. Like any home investment, only shutters of exceptional quality will provide long-term value and increase Our wood conditioning specialists determine the humidity conditions of each customer’s appreciation. Norman Shutters ensures the beauty and durability of our home location.
    [Show full text]
  • Rosewood) to CITES Appendix II.2 the New Listings Entered Into Force on January 2, 2017
    Original language: English CoP18 Inf. 50 (English only / únicamente en inglés / seulement en anglais) CONVENTION ON INTERNATIONAL TRADE IN ENDANGERED SPECIES OF WILD FAUNA AND FLORA ____________________ Eighteenth meeting of the Conference of the Parties Geneva (Switzerland), 17-28 August 2019 IMPLEMENTING CITES ROSEWOOD SPECIES LISTINGS: A DIAGNOSTIC GUIDE FOR ROSEWOOD RANGE STATES This document has been submitted by the United States of America at the request of the World Resources Institute in relation to agenda item 74.* * The geographical designations employed in this document do not imply the expression of any opinion whatsoever on the part of the CITES Secretariat (or the United Nations Environment Programme) concerning the legal status of any country, territory, or area, or concerning the delimitation of its frontiers or boundaries. The responsibility for the contents of the document rests exclusively with its author. CoP18 Inf. 50 – p. 1 Draft for Comment August 2019 Implementing CITES Rosewood Species Listings A Diagnostic Guide for Rosewood Range States Charles Victor Barber Karen Winfield DRAFT August 2019 Corresponding Author: Charles Barber [email protected] Draft for Comment August 2019 INTRODUCTION The 17th Meeting of the Conference of the Parties (COP-17) to the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES), held in South Africa during September- October 2016, marked a turning point in CITES’ treatment of timber species. While a number of tree species had been brought under CITES regulation over the previous decades1, COP-17 saw a marked expansion of CITES timber species listings. The Parties at COP-17 listed the entire Dalbergia genus (some 250 species, including many of the most prized rosewoods), Pterocarpus erinaceous (kosso, a highly-exploited rosewood species from West Africa) and three Guibourtia species (bubinga, another African rosewood) to CITES Appendix II.2 The new listings entered into force on January 2, 2017.
    [Show full text]
  • Lumber / Veneer Match
    Lumber Veneer Type of Cut Alder (Select) Alder Plain Sliced Face Alder (Knotty) Knotty Alder (Dark Putty in open knots) Plain Sliced Face Ash (Eastern White) Ash (Eastern White) Rotary Multi Piece Face Ash (Western) Ash (Eastern White) Rotary Multi Piece Face Beech (European Steamed) Beech (European Steamed) Plain Sliced Face Birch (Eastern Red) N/A N/A Birch (Eastern White) Birch (Eastern White) Rotary Multi Piece Face Birch (Western) N/A Cherry (Select) Cherry (Select) Plain Sliced Face Cherry (Rustic) Fir (CVG) Fir (CVG) Plain Sliced Face Hickory (Brown Heart) Hickory (Brown Heart) Plain Sliced Face Hickory (Calico) Hickory (Calico) Plain Sliced Face Hickory (Rustic Brown Heart) Hickory (Rustic Brown Heart) Plain Sliced Face Hickory (Rustic Calico) Hickory (Rustic Calico) Plain Sliced Face Lyptus Lyptus Plain Sliced Face Mahogany (African Khaya) Mahogany (African Khaya) Plain Sliced Face Mahogany (Edinam) Mahogany (African Khaya) Plain Sliced Face Maple (Eastern Hard White) Maple (Eastern Hard White) Rotary Whole Piece Face Maple (Eastern Soft Rustic) Maple (Eastern Hard Rustic) Plain Sliced Face Maple (Eastern Soft White) Maple (Eastern Hard White) Rotary Whole Piece Face Maple (Western) Alder Plain Sliced Face Paint Grade (Lumber Panel) DCD's Choice Rotary Whole Piece Face Paint Grade (MDF Panel) MDF N/A Pine (Eastern Clear) Pine (Eastern Clear) Plain Sliced Face Pine (Eastern Knotty) Pine (Eastern Knotty) Plain Sliced Face Poplar N/A N/A Red Oak (Natural) Red Oak (Natural) Plain Sliced Face Red Oak (Qtr Sawn) Red Oak (Qtr Sawn) Quarter Sawn Face Red Oak (Rift) Red Oak (Rift) Rift Sawn Face Red Oak (Select) Red Oak (Select) Plain Sliced Face Sapele (Flat Sawn) Sapele (Flat Sawn) Plain Sliced Face Sapele (Qtr Sawn) Sapele (Qtr Sawn) Quarter Sawn Face Walnut Walnut Plain Sliced Face White Oak (Select) White Oak (Select) Plain Sliced Face White Oak (Qtr Sawn) White Oak (Qtr Sawn) Quarter Sawn Face White Oak (Rift) White Oak (Rift) Rift Sawn Face.
    [Show full text]
  • Panama’S Illegal Rosewood Logging Boom from Dalbergia Retusa
    Global Ecology and Conservation 23 (2020) e01098 Contents lists available at ScienceDirect Global Ecology and Conservation journal homepage: http://www.elsevier.com/locate/gecco Original Research Article Panama’s illegal rosewood logging boom from Dalbergia retusa * Ella Vardeman a, b, d, , Julie Velasquez Runk a, c a University of Georgia, Athens, GA, 30602, USA b City University of New York, Graduate Center, 365 5th Ave, New York, NY, 10016, USA c Smithsonian Tropical Research Institute, Balboa, Panama d The New York Botanical Garden (NYBG), Institute of Economic Botany, 2900 Southern Boulevard, Bronx, NY 10458, USA article info abstract Article history: Over the last decade, illegal rosewood logging has surged worldwide, with much attrib- Received 9 December 2019 utable to an uptick in Chinese demand. For the last seventy-five years, Panama’s main use Received in revised form 30 April 2020 of cocobolo rosewood (Dalbergia retusa) was in small pieces for artisanal carvings, its state Accepted 30 April 2020 of conservation favoring merchantable timber for recent exploitation with the surging market. Panama’s cocobolo rosewood boom was from 2011 to 2015 and, given regulations, Keywords: was largely illicit. However, no data on cocobolo logging have been made public. Here, we Dalbergia retusa assess Panama’s cocobolo logging. We used a media analysis of Panamanian and inter- Panama Media analysis national reports on cocobolo logging from January 2000 to February 2018 coupled with Illegal logging long-term socio-environmental research to show how logging changed during the boom. We conducted a content analysis of articles to address four specific objectives: 1) to assess how cocobolo logging intensity changed over time; 2) to determine what topics related to logging were important for the press to relay to the public; 3) to show how logging changed geographically as the boom progressed; 4) to demonstrate how Panama and the international community responded to the global boom with new policies on rosewood governance.
    [Show full text]
  • Overview Guitar Models
    14.04.2011 HOHNER - HISTORICAL GUITAR MODELS page 1 [54] Image Category Model Name Year from-to Description former retail price Musima Resonata classical; beginners guitar; mahogany back and sides Acoustic 129 (730) ca. 1988 140 DM (1990) with celluloid binding; 19 frets Acoustic A EAGLE 2004 Top Wood: Spruce - Finish : Natural - Guitar Hardware: Grover Tuners BR CLASSIC CITY Acoustic 1999 Fingerboard: Rosewood - Pickup Configuration: H-H (BATON ROUGE) electro-acoustic; solid spruce top; striped ebony back and sides; maple w/ abalone binding; mahogany neck; solid ebony fingerboard and Acoustic CE 800 E 2007 bridge; Gold Grover 3-in-line tuners; shadow P7 pickup, 3-band EQ; single cutaway; colour: natural electro-acoustic; solid spruce top; striped ebony back and sides; maple Acoustic CE 800 S 2007 w/ abalone binding; mahogany neck; solid ebony fingerboard and bridge; Gold Grover 3-in-line tuners; single cutaway; colour: natural dreadnought western guitar; Gruhn design; 20 nickel silver frets; rosewood veneer on headstock; mahogany back and sides; spruce top, Acoustic D 1 ca. 1991 950 DM (1992) scalloped bracings; mahogany neck with rosewood fingerboard; satin finish; Gotoh die-cast machine heads dreadnought western guitar; Gruhn design; rosewood back and sides; spruce top, scalloped bracings; mahogany neck with rosewood Acoustic D 2 ca. 1991 1100 DM (1992) fingerboard; 20 nickel silver frets; rosewood veneer on headstock; satin finish; Gotoh die-cast machine heads Top Wood: Sitka Spruce - Back: Rosewood - Sides: Rosewood - Guitar Acoustic
    [Show full text]
  • Bellmont 1900 Series
    MATISSE | Paint | Alabaster, Silvermist & Pepper Front Cover: PENTA | Legno Collection | Aspen • PASADENA | Paint | Pepper 02 | BellmontCabinets.com BellmontCabinets.com | 03 THE FRAMELESS ADVANTAGE ___________________________________________________________________________________________ Unlike traditional face frame cabinets, frameless cabinets combine the clean look of modern, full-overlay, flush-fitting doors and drawers. The unobstructed, full-access interiors create more storage and an organized space, while providing superior strength and trendsetting style. STRONG FULL-ACCESS MORE SPACE 3/4-in cabinet box and solid Greater accessibility, Wider, taller drawers with a full-top construction provide unobstructed by a frame, 75-lb load capacity feature superior strength, structural creates more usable space in the greater interior storage, more precision, and additional support same box size and provides easy clearance and the luxury touch of for solid surface countertops. access to your items inside. full-extension soft-close hardware. • • • PICTURED: Satino Drawer 04 | BellmontCabinets.com FIRMA | Ares Collection | Concrete BellmontCabinets.com | 05 CLASSIC AMERICAN STYLE for a natural elegance that will stand the test of time. MONTICELLO | Heirloom Collection | Lace BellmontCabinets.com | 07 PHOTO: Savvy Cabinetry by Design (Seattle, WA) COMBINE SIMPLICITY & TEXTURE for a tasteful blend of old & new. SHAKER | Paint | White • FIRMA | Synchro Collection | Lodge BellmontCabinets.com | 09 PHOTO: Cabinets & Beyond Design Studio (San Francisco, CA) CLEAN, STRAIGHT LINES uniting form & function with harmonious materials. COVE | Paint | Pepper • MADRID | Walnut | Bourbon BellmontCabinets.com | 11 TRADITIONAL P P P P A A A A WHAT’S RA RA RA RA C C C C RO RO RO RO RWO RWO RWO RWO YOUR STYLE? M M M M S S S S ___________________________________________________________________________________________ W W W W Bellmont’s 1900 Series offers a unique collection of door styles, available in a variety of materials and finish options.
    [Show full text]
  • 2020 Price List
    2020 US PRICE LIST & SPECIFICATIONS Effective January 6, 2020 | taylorguitars.com Brennley Brown Contents Models by Series / Pricing 4 Custom Program 8 Dimensions by Shape 9 Standard Model Options 10 Specifications 11 Most Taylor acoustic models are organized by series, featuring the numerical 100 through 900 Series, A Guide to Taylor along with our Baby, GS Mini, Academy, Koa (K) and Presentation (PS) Series. Here’s how our model numbering system works: Acoustic Model Numbers The first digit (or letter) identifies the series (e.g., 800 Series). Each series is distinguished by the type of back and side woods and other material/aesthetic appointments used, such as inlays and binding. The second digit designates two things: first, whether the guitar is a 6-string or a 12-string, and second, whether the top features a softwood like spruce or cedar or a hardwood like mahogany or koa. 6-string Models: • If the middle digit is 1, it has a softwood top (e.g., 514ce) • If the middle digit is 2, it has a hardwood top (e.g., 524ce) 12-string Models: 814ce • If the middle digit is 5, it has a softwood top (e.g., 352ce) • If the middle digit is 6, it has a hardwood top (e.g., 362ce) Taylor nylon-string models are integrated into various series and are designated by the letter “N” at the end of the model name. For example, a nylon-string Grand Concert with a cutaway and electronics within the 500 Series is a 512ce-N. The third digit identifies the body shape according to this numbering system: Other Model Name Indicators 0 = Dreadnought (e.g., 210ce) Some Taylor models include additional letters.
    [Show full text]
  • Shade Tree Info – the Maples
    Shade Tree Info – The Maples Acer rubrum is commonly known as Red Maple, or Swamp Maple. Varieties of Acer rubrum offered by Four Seasons include: ‘Autumn Flame’ – one of the first Red Maples to show fall color, Autumn Flame has smaller leaves than most other Red Maples. The branching habit is excellent and the rate of growth is medium. The bright medium-red fall color occurs about 2 weeks earlier than ‘Red Sunset.’ Height x width in 20 years = 30-35’ x 30-35’ ‘Red Sunset’ (A. r. “Franksred’)– has consistently been rated as one of the top 5 shade trees in America since it’s introduction in the mid 1960’s. The clean green leaves turn a fiery orange-red every fall and the symmetrical branching of ‘Red Sunset’ make for a great specimen tree. Height x width in 20 years = 35-40’ x 30-35’ ‘October Glory’ – is the last of the Red Maples to show fall color, with leaves turning deep red about 2 weeks after ‘Red Sunset.’ As with all the rubrum Maples we offer, excellent branching structure and bright light gray bark is a trademark of ‘October Glory.’ Height x width in 20 years = 35-40’ x 30-35’ General notes: Acer rubrum varieties prefer moist soils (remember, they are also known as Swamp Maple) and they require a soil pH below 7. Therefore, rubrum Maples are NOT a good choice for planting in parkways where their roots will wander into the limestone base of a street. But for open lawn areas, they are beautiful trees, and the color they reliably achieve each fall is intense.
    [Show full text]