Punjab History & Culture

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CLASS –XII PUNJAB HISTORY & CULTURE SEMESTER -1 STRUCTURE OF QUESTION PAPER Time-2 ½Hours Marks: 55 Internal Assessment: 25 Total Marks: 80 1. There will be 20 questions in all. All questions will be compulsory. 2. Question No. from 1 to 10 will carry 1 mark each. Answer to each question should be in about 10 - 15 words. 1x10=10 3. Question No. from 11 to 15 will carry 2 marks each. Answer to each question should be in about 20 - 25 words. 2x5=10 4. Question No. from 16 to 18 will carry 5 marks each. Answer to each question should be in about 80-85 words. 5x3=15 5. Question No. 19 & 20 will carry 10 marks each. Answer to each question should be in about 250 - 300 words. Three will be 100% internal choice in these questions. The paper setter should not set more than one such question from one chapter. 10x2=20 6. Language of question paper should be simple and straight. No question should be based on quotation. 7. All units of the syllabus should be given adequate representation in the question paper. SYLLABUS 1. The great Mughals and their legacy to the Punjab. 2. Guru Nanak Dev Ji. 3. Successors of Guru Nanak Dev Ji. 4. Banda Singh Bahadur and his Martyrdom. CLASS –XII PUNJAB HISTORY & CULTURE SEMESTER -II STRUCTURE OF QUESTION PAPER Time-3 Hours Marks: 85 Internal Assessment: 35 Total Marks: 120 1. There will be 25 questions in all. All questions will be compulsory. 2. Question No. from 1 to 10 will carry 1 mark each. Answer to each question should be in about 10 - 15 words. 1x10=10 3. Question No. from 11 to 15 will carry 2 marks each. Answer to each question should be in about 20 - 25 words. 2x5=10 4. Question No. from 16 to 21will carry 5 marks each. Answer to each question should be in about 80-85 words. 5x5=25 5. Question No. 22 to 25 will carry 10 marks each. Answer to each question should be in about 250 - 300 words. Three will be 100% internal choice in these questions. The paper setter should not set more than one such question from one chapter. 10x4=40 6. Language of question paper should be simple and straight. No question should be based on quotation. 7. All units of the syllabus should be given adequate representation in the question paper. SYLLABUS 1. Sikhs became the Masters of the Punjab. 2. The Punjab under Maharaja Ranjit Singh. 3. The British occupation of the Punjab. 4. Some famous Legends of the Punjab:- a. Puran Bhagat b. Heer Ranjha c. Sohni Mahiwal 5. Classical Literature of the Medieval perio d. .

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New Sufi Sounds of Pakistan: Arif Lohar with Arooj Aftab
Asia Society and CaravanSerai Present New Sufi Sounds of Pakistan: Arif Lohar with Arooj Aftab Saturday, April 28, 2012, 8:00 P.M. Asia Society 725 Park Avenue at 70th Street New York City This program is 2 hours with no intermission New Sufi Sounds of Pakistan Performers Arooj Afab lead vocals Bhrigu Sahni acoustic guitar Jorn Bielfeldt percussion Arif Lohar lead vocals/chimta Qamar Abbas dholak Waqas Ali guitar Allah Ditta alghoza Shehzad Azim Ul Hassan dhol Shahid Kamal keyboard Nadeem Ul Hassan percussion/vocals Fozia vocals AROOJ AFTAB Arooj Aftab is a rising Pakistani-American vocalist who interprets mystcal Sufi poems and contemporizes the semi-classical musical traditions of Pakistan and India. Her music is reflective of thumri, a secular South Asian musical style colored by intricate ornamentation and romantic lyrics of love, loss, and longing. Arooj Aftab restyles the traditional music of her heritage for a sound that is minimalistic, contemplative, and delicate—a sound that she calls ―indigenous soul.‖ Accompanying her on guitar is Boston-based Bhrigu Sahni, a frequent collaborator, originally from India, and Jorn Bielfeldt on percussion. Arooj Aftab: vocals Bhrigu Sahni: guitar Jorn Bielfeldt: percussion Semi Classical Music This genre, classified in Pakistan and North India as light classical vocal music. Thumri and ghazal forms are at the core of the genre. Its primary theme is romantic — persuasive wooing, painful jealousy aroused by a philandering lover, pangs of separation, the ache of remembered pleasures, sweet anticipation of reunion, joyful union. Rooted in a sophisticated civilization that drew no line between eroticism and spirituality, this genre asserts a strong feminine identity in folk poetry laden with unabashed sensuality.
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Curriculum Vitae
Curriculum Vitae NAME: ROSY SINGH ADDRESS: CI - 2853, Sushant Lok I, Gurgaon 122002, Haryana TELEPHONE NO.: 9871028949 EMAIL: [email protected] EDUCATIONAL QUALIFICATIONS 1991 – 1996: Ph.D (JNU) Ph.D. THESIS: Existenzielle Situationen in den Werken Franz Kafkas — Eine semiotische Analyse 1989 – 1991: M.Phil (JNU) Grade A- M.Phil DISSERTATION:Eine semiotische Interpretation von Franz Kafkas Die Verwandlung 1987 – 1989: M.A. (JNU) Grade A- German (Main): Advanced Translation & Interpretation 1984 – 1987: B.A. (JNU) Grade A German (Main), English, Linguistics, Political Science (Optionals) SCHOLARSHIPS / FELLOWSHIPS Qualified the UGC test for eligibility of Lectureship and JRF in Dec. 1991 DAAD Scholarships in May-July 1988 (Heidelberg, Germany), June-August 1991 (Kassel, Germany), April-June 1995 (Berlin, Germany) Associate at Inter-University Centre of UGC at Indian Institute of Advanced Study, Shimla in 2002-2004 Visiting Fellow: Bielefeld University, Bielefeld, Germany (Nov-Dec, 2006) Free University, Berlin, Germany (Sept-Oct, 2009) Bergische University, Wuppertal, Germany (June-July 2013) Albert-Ludwigs University Freiburg, Germany (June 2017) FIELD OF INTEREST: Literature, Comparative Studies, Semiotics, Translation Studies PUBLISHED WORKS Books/Monographs • Essays on Contemporary Literature in German, Goyal Saab, Delhi, 2017 • Franz Kafka and Literary Criticism: ‘The Metamorphosis’ and ‘The Burrow’, vdm, Saarbrücken, 2010 • Autobiography. Fact and Fiction, (ed.) Aryan Books International, Delhi, 2009 • Rilke, Tagore, Gibran. A Comparative Study, Indian Institute of Advanced Study, Shimla, 2002 • Rilke, Kafka, Manto. Semiotics of Love, Life and Death, Harman Publishing House, New Delhi, 2001 RESEARCH PAPERS IN JOURNALS • ‘Some Reflections on Time: Augustine, Arendt and Kafka’, Jadavpur Journal of Comparative Literature, No. 56, 2019, pp 55-66 • ‘Equivalents in Translation: The Case of Gandhi’, Panjab University Research Journal (Arts), Vol.
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Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Once Upon a Time in the Land of Five Rivers: A Comparative Analysis of Translated Punjabi Folk Tale Editions, from Flora Annie Steel’s Colonial Collection to Shafi Aqeel’s Post-Partition Collection and Beyond A thesis presented in partial fulfilment of the requirements for the degree of Doctor of Philosophy, in English Literature Massey University, Manawatu Campus, New Zealand Noor Fatima, 2019 i Abstract This thesis offers a critical analysis of two different collections of Punjabi folk tales which were collected at different moments in Punjab’s history: Tales of the Punjab (1894), collected by Flora Annie Steel and, Popular Folk Tales of the Punjab (2008) collected by Shafi Aqeel and translated from Urdu into English by Ahmad Bashir. The study claims that the changes evident in collections of Punjabi folk tales published in the last hundred years reveal the different social, political and ideological assumptions of the collectors, translators and the audiences for whom they were disseminated. Each of these collections have one prior edition that differs in important ways from the later one. Steel’s edition was first published during the late-colonial era in India as Wide- awake Stories in 1884 and consisted of tales that she translated from Punjabi into English. Aqeel’s first edition was collected shortly after the partition of India and Pakistan, as Punjabi Lok Kahaniyan in 1963 and consisted of tales he translated from Punjabi into Urdu.
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Punjabi (India and Pakistan) – Language Snapshot
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