Appendix a – Contractor Registration – Grades/Categories/Specialisation

Total Page:16

File Type:pdf, Size:1020Kb

Appendix a – Contractor Registration – Grades/Categories/Specialisation [Appendix A] - CONTRACTOR REGISTRATION GRADES / CATEGORIES / SPECIALIZATION GRADE Capacity (RM) G1 not exceeding 100,000.00 G2 not exceeding 500,000.00 G3 not exceeding 1,000,000.00 G4 not exceeding 3,000,000.00 G5 not exceeding 5,000,000.00 G6 not exceeding 10,000,000.00 G7 No Limit CATEGORY CE - Civil Engineering Construction B - Building Construction SPECIALIZATION CE01, CE02, CE03, CE04, CE05, CE06, ME - Mechanical And Electrical CE08, CE09, CE10, CE12, CE14, CE17, CE18, CE19, CE20, CE21 B01, B02, B03, B04, B05, B06, B07, B08, B09, B10, B11, B12, B13 M01, M02, M03, M04, M05, M06, M07, M08, M09, M10, M11, M12, M13, M14, M15, E01, E02, E03, E04, E05, E06, E07, E08, E09 Page A1 of A29 Rev. 6 | Sep 2013 [Appendix A] - CONTRACTOR REGISTRATION GRADES / CATEGORIES / SPECIALIZATION CATEGORY SPECIALIZATION DESCRIPTION (CE) CE01 Construction of road and road reinstatement, pavement, car parks and related works such as kerbs and CIVIL Road & Pavement footways. ENGINEERING Construction CONSTRUCTION CE02 Construction of reinforced concrete, masonry, timber or steel bridges. Bridge Construction CE03 Construction of marine structures such as jetties, ports, wharves, harbours. Marine Structures CE04 Construction of water retaining structures such as dams, reservoirs, treatment plants. Water Retaining Structures CE05 Tunneling and Tunneling and underpinning. Underpinning CE06 Irrigation and Flood Control Dredging in canal, river and offshore works. System CE08 Slope Protection System. Slope Protection System CE09 Installation, maintenance and repair of oil and gas pipe lines. Oil and Gas Pipe Lines CE10 Installation of all types of piling. Piling Page A2 of A29 Rev. 6 | Sep 2013 [Appendix A] - CONTRACTOR REGISTRATION GRADES / CATEGORIES / SPECIALIZATION CATEGORY SPECIALIZATION DESCRIPTION (CE) CE12 Services include sampling, investigation and testing services to determine soil classification, strength and CIVIL Soil Investigation and composition, etc. ENGINEERING Stabilisation CONSTRUCTION CE14 Provision of landscaping services including tree planting and turfing. Landscaping CE17 Terminal buildings, satellite buildings, cargo terminals, air traffic control towers, contact piers etc. Airports CE18 Coastal reclamation works. Reclamation Works CE19 Sewerage works and systems. Sewerage Works CE20 Installation, maintenance and repair of water pipe lines. Water Pipe Lines CE21 General Civil Engineering General civil engineering works, including earthworks, subsoil drainage, etc. Works CE22 Construction of synthetic tracks and fields. Synthetic Game Field Track CE23 Pre-Stress and Post-Tension Pre-stress and post-tension works. Works Page A3 of A29 Rev. 6 | Sep 2013 [Appendix A] - CONTRACTOR REGISTRATION GRADES / CATEGORIES / SPECIALIZATION CATEGORY SPECIALIZATION DESCRIPTION (CE) CE24 Civil engineering structures, telecommunications structures, electric substation structures, etc. CIVIL Civil Engineering Structures ENGINEERING CE25 CONSTRUCTION Rock blasting works. Rock Blasting Works CE26 Sculpting. Sculpting CE27 Heat Insulation/Refractory Heat insulation/refractory works. Works CE28 Special cast system. Special Cast System CE30 Soil Stabilization, Soil stabilization, subterranean drainage works. Subterranean Drainage Works CE31 Civil engineering telecommunications works, laying of cable mains and connector box and manhole for Civil Engineering telephone cable networks. Microwave system. Satellite system, radar monitoring system, data Telecommunications Works communications system. CE32 Civil Engineering Civil engineering maintenance works. Maintenance Works Page A4 of A29 Rev. 6 | Sep 2013 [Appendix A] - CONTRACTOR REGISTRATION GRADES / CATEGORIES / SPECIALIZATION CATEGORY SPECIALIZATION DESCRIPTION (CE) CE33 CIVIL Drilling for Underground Drilling for underground water, geophysics studies. ENGINEERING Water, Geophysics Study CONSTRUCTION CE34 Pre-cast concrete installation, reinforced concrete or non-reinforced concrete for beams, kerbs, sewers and Pre-Cast Concrete drains. Installation Work CE35 Concrete testing works which will not affect the concrete parts. Concrete Test CE36 Soil works. Soil Works CE37 Power Station Chimney Construction of power station chimneys, etc. Works CE38 Sewerage System Sewerage system maintenance. Maintenance CE39 Water Supply System Water supply system maintenance. Maintenance CE40 Excavation works. Excavation Page A5 of A29 Rev. 6 | Sep 2013 [Appendix A] - CONTRACTOR REGISTRATION GRADES / CATEGORIES / SPECIALIZATION CATEGORY SPECIALIZATION DESCRIPTION (B) B01 BUILDING Prefabricated Buildings and Construction of buildings and industrial plant using prefabricated components and systems. CONSTRUCTION Industrial Plant B02 Steel Framed Buildings and Construction of steel framed buildings and industrial plant. Industrial Plant B03 Restoration and Restoration and conservation of buildings. Conservation B04 General building works, including fixing partitions, roofing and general maintenance of building. General Buildings and (Including building renovation). Maintenance B05 Installation of all types of piling-sheet piles, precast reinforced concrete pile, bore pile, etc. Piling B06 Reinforced structures by pressure grouting, guniting. Concrete Repairs B07 Interior design, planning and the decoration of building, including partition, built in furniture etc. Interior Design B08 Waterproofing of basement, roofs and walls. Waterproofing Installation B09 Provision of landscaping services including tree planting and turfing. Landscaping Page A6 of A29 Rev. 6 | Sep 2013 [Appendix A] - CONTRACTOR REGISTRATION GRADES / CATEGORIES / SPECIALIZATION CATEGORY SPECIALIZATION DESCRIPTION (B) B10 Installation, repairs and servicing of water and gas pipes, sanitary works etc. BUILDING Plumbing CONSTRUCTION B11 Installation of an integrated sign posting system for complexes, airports, shopping centers, etc. Including Signcraft Installation setting up of exhibition stands. B12 Buildings above 4 storeys. High Rise Building B13 Construction of hospital building. Hospital B14 Paint works. Paint Works B15 Roof Installation and Metal Roof installation and metal cladding. Cladding B16 Construction and Construction and installation of pool equipment. Installation of Pool Equipment B17 Pre-Stress and Post-Tension Pre-stress and post-tension works. Works B18 Metal works. Metal Works Page A7 of A29 Rev. 6 | Sep 2013 [Appendix A] - CONTRACTOR REGISTRATION GRADES / CATEGORIES / SPECIALIZATION CATEGORY SPECIALIZATION DESCRIPTION (B) B19 Building and plant construction using cast system whether steel or plastic such as metal decks, tunnel BUILDING IBS : Formwork System forms, column and beam cast, etc. CONSTRUCTION B20 Internal Gas Pipeline Internal gas pipeline installation. Installation B22 Construction of buildings and plants sing block systems such as interlocking concrete masonry unit IBS : Block System (CMU), light block concrete, etc. B23 Construction of buildings and plants using wood frame prefabricated system such as wood roof truss and IBS : Wood Frame System wooden frame. B24 Building Maintenance Building maintenance works, cleaning system, etc. Works B25 Private Pipe Connection to Carry out works necessary to connect private pipeline to sewerage or waste treatment plant. Sewer B26 Demolition of building, public structures, etc. Demolition Work B27 Water Supply System and Maintenance service for water supply system or sewerage system but not the system operation. Sewerage System Maintenance Service Page A8 of A29 Rev. 6 | Sep 2013 [Appendix A] - CONTRACTOR REGISTRATION GRADES / CATEGORIES / SPECIALIZATION CATEGORY SPECIALIZATION DESCRIPTION (ME) M01 MECHANICAL Air Conditioning and Installation, commissioning, maintenance of air-conditioning. AND Ventilation System ELECTRICAL M02 Fire Prevention and Installation and maintenance of fire alarms, prevention and protection system. Protection System M03 Installation, commissioning and maintenance of lifts, escalators, travellators and conveyor systems. Lifts and Escalators M04 Building automation, industrial and process control systems. Includes installation and maintenance of Building Automation micro-processors or computer based building control systems and industrial process control systems. Systems M05 Installation, commissioning and maintenance of workshop, mill and quarry system, e.g. cranes, hoist, Workshop, Mill, Quarry crushing and screening plant, asphalt mixing plant, etc. System M06 Installation, commissioning and maintenance of medical equipment, e.g. compressed air system, hot water installation, sterilizer and autoclave, medical gas installation, hydrotherapy system, dental chair, mortuary Medical Equipment refrigerator etc. M07 Kitchen and Laundry Installation, commissioning and maintenance of cooking, kitchen equipment, laundry equipment, etc. Equipment M08 Installation, commissioning, maintenance and repair of boiler plant, heat exchangers, absorption chillers, Heat Recovery System unfired pressure vessels, hot water system, etc. Page A9 of A29 Rev. 6 | Sep 2013 [Appendix A] - CONTRACTOR REGISTRATION GRADES / CATEGORIES / SPECIALIZATION CATEGORY SPECIALIZATION DESCRIPTION (ME) M09 Installation, maintenance and repair of centrifugal compressor, reciprocating compressor, pipeline valves, MECHANICAL Compressor and Mechanical blowers, liquid ring compressor, gas turbine generator, steam generator, diesel generator, solar AND Based Generator photovoltaic, water turbine generator, hybrid system. ELECTRICAL M10 Chiller for Power Installation, maintenance and repair of gas turbine
Recommended publications
  • Acquisitions
    Acquisitions as of June 30, 2009 African and David Soltker and Irving Dobkin Feldstein Endowment Fund for endowments (2008.206). Decorative Arts (2008.558). Amerindian Art North American Furniture African Mexico Artist unknown, Tea Table, Bwa, Dossi, Burkina Faso, Teotihuacan, Figurine, c. 1750/90, mahogany: Roger and Butterfly Mask, early/mid-20th a.d. 400, greenstone: gift of J. Peter McCormick endow- cen., wood and pigment: Charles Ethel F. and Julian R. Goldsmith ments; restricted gift of Jamee J. H. and Mary F. S. Worcester (2008.675). Tlatilco, Female and Marshall Field, and Carol Collection Fund (2008.190). Edo, Figurines, c. 500 b.c., ceramic W. Wardlaw (2009.58); Stand, Benin City, Nigeria, Container and pigment: gift of Ethel F. and 1790/1810, birch: gift of Jamee J. in the Form of a Leopard Head, Julian R. Goldsmith (2008.676–78). and Marshall Field (2008.679). early 21st cen., brass: gift of Omo Vladimir Kagan, Occasional N’Oba N’Edo Uku Akpolokpolo, United States Table, c. 1952, walnut and brass: Oba of Benin (2008.674). The Orbit Fund (2009.232). Navajo, northern Arizona or Mahdiyya State, Sudan, Tunic Walter von Nessen, manufactured New Mexico, Concho Belt, (Jibbeh), 1885/99, cotton: African by Nessen Studio, Inc., Occa- 1880/95, silver and leather: and Amerindian Curator’s Discre- sional Table, c. 1931, aluminum, Auxiliary Board of the Art tionary, Holly and David Ross, Bakelite, and iron: Quinn E. Institute of Chicago (2009.572); Arnold H. Crane, African and Delaney Fund (2009.156). Bow Guards (Ketoh), 1900/20, Amerindian Art Purchase, and silver, leather, turquoise, and O.
    [Show full text]
  • The Truth Is Always Grey
    THE TRUTH IS ALWAYS GREY THE TRUTH IS ALWAYS GREY A HISTORY OF MODERNIST PAINTING FRANCES GUERIN University of Minnesota Press Minneapolis London Frontispiece: Gerhard Richter, Eight Grey, 500 × 270 × 50 cm each. Deutsche Guggenheim, Berlin. Installation view, 10 November 2002– 3 January 2003. Enameled glass and steel photograph by Mathias Schormann. Copyright Deutsche Guggenheim, Berlin and the Solomon R. Guggenheim Museum, New York. Publication of this book has been aided by a grant from the Millard Meiss Publication Fund of the College Art Association. A portion of chapter 4 was previously published in “Searching in Grey: Cy Twombly’s Untitled Paintings,” in Die Farbe Grau, ed. Magdalena Bushart and Gregor Wedekind (Berlin: Walter de Gruyter, 2016). Copyright 2018 by the Regents of the University of Minnesota All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press 111 Third Avenue South, Suite 290 Minneapolis, MN 55401- 2520 http://www.upress.umn.edu ISBN 978-1-5179-0044-1 (hc) ISBN 978-1-5179-0045-8 (pb) A Cataloging-in-Publication record for this book is available from the Library of Congress. Printed in the United States of America on acid- free paper The University of Minnesota is an equal- opportunity educator and employer. 23 22 21 20 19 18 9 8 7 6 5 4 3 2 1 In memory Georgia Fee (1951– 2012) You cannot say that it is light or dark.
    [Show full text]
  • Francis Bacon's Challenge to the Figurative
    FIGURE AND FLESH: FRANCIS BACON’S CHALLENGE TO THE FIGURATIVE TRADITION IN WESTERN ART A THESIS SUBMITTED TO THE DEPARTMENT OF GRAPHIC DESIGN AND THE INSTITUTE OF FINE ARTS ¡ ¢ £ ¤ ¥ ¦ § ¨ © § ¦ ¨ IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS By Müge Telci May, 2002 I certify that I have read this thesis and in my opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Fine Arts. _________________________________________________ Assist. Prof. Dr. Mahmut Mutman (Thesis Supervisor) I certify that I have read this thesis and in my opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Fine Arts. __________________________________________________ Assoc. Prof. Dr. Emel Aközer I certify that I have read this thesis and in my opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Fine Arts. ____________________________________________________ Assist. Prof. Dr. Asuman Suner I certify that I have read this thesis and in my opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Fine Arts. _____________________________________________________ Zafer Aracagök Aproved by the Institute of Fine Arts ______________________________________________________ Prof. Dr. Bülent Özgüç Director of the Institute Of Fine Arts ii ABSTRACT FIGURE AND FLESH: FRANCIS BACON’S CHALLENGE TO FIGURATIVE TRADITION IN WESTERN ART Müge Telci M.F.A in Graphical Arts Supervisor: Assist. Prof. Dr. Mahmut Mutman June, 2002 When figuring the body is at stake within the Western tradition of art, figuration comes up as a question of framing and controlling the mass of body (flesh, bones, body liquids etc…).
    [Show full text]
  • Art Gallery of New South Wales Annual Report 2005 Art Gallery of New South Wales General Information
    ART GALLERY ART GALLERY OF NEW SOUTH WALES NSW Art Gallery Road The Domain Sydney NSW 2000 Telephone: (02) 9225 1700 Information Line: (02) 9925 1790 Email (general): [email protected] For information on current exhibitions and events, visit the Gallery’s website www.artgallery.nsw.gov.au ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2005 ART GALLERY OF NEW SOUTH WALES GENERAL INFORMATION ACCESS RESEARCH LIBRARY AND GALLERY SHOP PUBLIC TRANSPORT The Gallery opens every day except ARCHIVE Open daily from 10am to 5pm and until Buses: the 441 bus route stops at the ‘I have been in many museums around the world. You have a Easter Friday and Christmas Day The Gallery’s Research Library and 8.45pm each Wednesday night, the Gallery en route to the Queen Victoria between the hours of 10am and 5pm. Archive is open Monday to Friday Gallery Shop offers the finest range of art Building. The service runs every 20 national treasure here. Very impressive.’ Gallery visitor, 27 Feb 05 The Gallery opens late each Wednesday between 10am and 4pm (excluding books in Australia and also specialises in minutes on weekdays and every 30 night until 9pm. General admission is public holidays) and until 8.45pm each school and library supply. The shop minutes on weekends. Call the STA on free. Entry fees may apply to a limited Wednesday night. The Library is located stocks an extensive range of art posters, 131 500 or visit www.131500.info for number of major temporary exhibitions. on ground floor level and has the most cards, replicas and giftware.
    [Show full text]
  • Ofer Lellouche, Nine, 2013 the Division to Triads Also Echoes the Other Groups in the Nine
    2013 V !" 6219868 03.6915060 03.6914582 [email protected] www.zcagallery.com 2013 © I 34 11 ,14 ,15 ,4 D 4 A 1514AD ,I 19241514 1514 I 154 ,9 ,2 4 ,5 ,63 ,5 ,7 3 2013 1 + 390901652013 , Nine, 2013, bronze, 165x90x90, edition: 3 + 1 A.P. Head I 156x30x30 I Head II 150x30x30 II Head III 163x30x30 III Head IV 160x30x30 IV Head V 157x30x30 V Head VI 152x30x30 VI Head VII 150x30x30 VII Head VIII 159x30x30 VIII Head IX 149x30x30 IX 1 + 390901652013 , Nine, 2013, bronze, 165x90x90, edition: 3 + 1 A.P. own writing, mentioned time and again Ovid’s Narcissus, his story and its variations, as a central prism for reading his self portraits. In di!erent essays we have read about the unique gaze of the artist who looks at himself, a gaze whose singularity he formulated when he wrote about looking at one of Rembrandt’s self portraits: “either I am Rembrandt and the painting is a mirror, or Rembrandt is looking at himself and I am the mirror”; we have read about bridging the distance between the painter and the model, while providing a more accurate answer to the demands of the observing eye from the painting hand; we have read on about the aspiration for a union of signifier and signified as a metaphor for Narcissus who could not distinguish himself from his reflection. Yet Narcissus is not the only one punished by the burden of reflection at all. In the third book of Metamorphoses Ovid recounts the story of the nymph Echo, whose role was to engage in conversation and distract Hera, queen of Olympus and Zeus’ wife, while the king of the gods seduced the nymphs.
    [Show full text]
  • Tate Report 2002–2004
    TATE REPORT 2002–2004 Tate Report 2002–2004 Introduction 1 Collection 6 Galleries & Online 227 Exhibitions 245 Learning 291 Business & Funding 295 Publishing & Research 309 People 359 TATE REPORT 2002–2004 1 Introduction Trustees’ Foreword 2 Director’s Introduction 4 TATE REPORT 2002–2004 2 Trustees’ Foreword • Following the opening of Tate Modern and Tate Britain in 2000, Tate has consolidated and built on this unique achieve- ment, presenting the Collection and exhibitions to large and new audiences. As well as adjusting to unprecedented change, we continue to develop and innovate, as a group of four gal- leries linked together within a single organisation. • One exciting area of growth has been Tate Online – tate.org.uk. Now the UK’s most popular art website, it has won two BAFTAs for online content and for innovation over the last two years. In a move that reflects this development, the full Tate Biennial Report is this year published online at tate.org.uk/tatereport. This printed publication presents a summary of a remarkable two years. • A highlight of the last biennium was the launch of the new Tate Boat in May 2003. Shuttling visitors along the Thames between Tate Britain and Tate Modern, it is a reminder of how important connections have been in defining Tate’s success. • Tate is a British institution with an international outlook, and two appointments from Europe – of Vicente Todolí as Director of Tate Modern in April 2003 and of Jan Debbaut as Director of Collection in September 2003 – are enabling us to develop our links abroad, bringing fresh perspectives to our programme.
    [Show full text]
  • Timetable for the Ip Learning Olqe Preparatory Course 2021
    TIMETABLE FOR THE IP LEARNING OLQE PREPARATORY COURSE 2021 July August MON TUE WED THU FRI SAT SUN MON TUE WED THU FRI SAT SUN 1 2 3 4 1 Public Holiday 5 6 7 8 9 10 11 2 3 4 5 6 7 8 Head IV Head I Head VI Head I Head II Head III 12 13 14 15 16 17 18 9 10 11 12 13 14 15 Head I Head VI Head I Head II Head III Head IV Head I Head VI Head I Head II Head III 19 20 21 22 23 24 25 16 17 18 19 20 21 22 Head IV Head I Head VI Head I Head II Head III Head IV Head I Head VI Head I Head II Head III 26 27 28 29 30 31 23 24 25 26 27 28 29 Head IV Head I Head VI Head I Head II Head III Head IV Head I Head VI Head I Head II Head III 30 31 Head IV Head I September October MON TUE WED THU FRI SAT SUN MON TUE WED THU FRI SAT SUN 1 2 3 4 5 1 2 3 Public Head VI Head I Head II Head III Head III Holiday 6 7 8 9 10 11 12 4 5 6 7 8 9 10 Head IV Head I Head VI Head I Head II Head III Head IV Head I Head VI Head I Head II Head III 13 14 15 16 17 18 19 11 12 13 14 15 16 17 Public Head IV Head I Head VI Head I Head II Head III Head IV Head I Head VI Head II Head III Holiday 20 21 22 23 24 25 26 18 19 20 21 22 23 24 Public Head IV Head I Head I Head II Head III Head I Holiday 27 28 29 30 25 26 27 28 29 30 31 Head I Head IV Head I Head VI Head I Head VI Exam November December MON TUE WED THU FRI SAT SUN MON TUE WED THU FRI SAT SUN 1 2 3 4 5 6 7 1 2 3 4 5 Head VI Head II Head II Exam Exam 8 9 10 11 12 13 14 6 7 8 9 10 11 12 Head IV Head III 15 16 17 18 19 20 21 13 14 15 16 17 18 19 Head IV Head III Exam Exam 22 23 24 25 26 27 28 20 21 22 23 24 25 26 Public Holiday 29 30 27 28 29 30 31 Public Holiday Seminar Times IP Learning Monday - Friday: 6.30p.m.
    [Show full text]
  • The “Visual Shock” of Francis Bacon: an Essay in Neuroesthetics
    HYPOTHESIS AND THEORY ARTICLE published: 10 December 2013 HUMAN NEUROSCIENCE doi: 10.3389/fnhum.2013.00850 The “Visual Shock” of Francis Bacon: an essay in neuroesthetics Semir Zeki* and Tomohiro Ishizu Wellcome Laboratory of Neurobiology, Cell and Developmental Biology, University College London, London, UK Edited by: In this paper we discuss the work of Francis Bacon in the context of his declared Daniel S. Margulies, Max Planck aim of giving a “visual shock.” We explore what this means in terms of brain activity Institute for Human Cognitive and and what insights into the brain’s visual perceptive system his work gives. We do so Brain Sciences, Germany especially with reference to the representation of faces and bodies in the human visual Reviewed by: Beatrice De Gelder, Louvain brain. We discuss the evidence that shows that both these categories of stimuli have a University, Belgium very privileged status in visual perception, compared to the perception of other stimuli, Oliver Braddick, University of including man-made artifacts such as houses, chairs, and cars. We show that viewing Oxford, UK stimuli that depart significantly from a normal representation of faces and bodies entails *Correspondence: a significant difference in the pattern of brain activation. We argue that Bacon succeeded Semir Zeki, Wellcome Laboratory of Neurobiology, Cell and in delivering his “visual shock” because he subverted the normal neural representation of Developmental Biology, University faces and bodies, without at the same time subverting the representation
    [Show full text]
  • Tate Report 2013/14
    TATE REPORT 2013/14 Appendix A Tate Collection Acquisitions Art & Language (Michael Baldwin, born Art & Language (Mel Ramsden born 1944) 1945; Ian Burn, 1939–1993; Charles Harrison, 1942–2009; Lynn Lemaster, born 1949; Philip Pilkington, born 1949) Index 003 Bxal (1973) Two Black Squares (1965) Letterpress print, graphite, gouache paint and Enamel paint on wood transfer lettering on paper 331 x 329 x 38 mm 1020 x 6706 mm support: 331 x 329 mm Purchased from the artists, through Lisson Gallery Purchased from the artists, through Lisson Gallery London 2013 London with funds provided by the Nicholas Themans T14075 Trust 2013 T13893 Art & Language (Michael Baldwin, born 1945; Mel Ramsden, born 1944) BANK (Simon Bedwell born 1963, John Russell born 1963, Milly Thompson born 1964) Art & Language Paints a Picture: A Picture Painted by Actors (1999) Graphite and acrylic paint on canvas and alogram on canvas over plywood and mixed media; collaboration with The Jackson Pollock Bar Overall display dimensions variable Purchased from the artists, through Lisson Gallery London with funds provided by the Nicholas Themans Trust 2013 Fax-Back (London: Lux Gallery) (1999) T13895 Digital print and ink on paper 295 x 210 mm Purchased from the artists through MOT International London 2014 T13925 Appendix A: Tate Collection Acquisitions 2013/14 Fax-Back (London: Richard Salmon) (1998) Fax-Back (London: Laurent Delaye) (1998) Digital print and ink on paper Digital print and ink on paper 295 x 210 mm 296 x 210 mm Purchased from the artists through MOT International
    [Show full text]
  • Gestural Abstraction in Australian Art 1947 – 1963: Repositioning the Work of Albert Tucker
    Gestural Abstraction in Australian Art 1947 – 1963: Repositioning the Work of Albert Tucker Volume Two Carol Ann Gilchrist A thesis submitted for the degree of Doctor of Philosophy Department of Art History School of Humanities Faculty of Arts University of Adelaide South Australia October 2015 ILLUSTRATIONS Chapter One Fig. 1.1 Mark Rothko, Slow Swirl at the Edge of the Sea, 1944 Chapter Two Fig. 2.1 Piet Mondrian, Broadway Boogie Woogie, 1942-43 Fig. 2.2 Mark Rothko, Archaic Idol, 1945 Fig. 2.3 Jean Fautrier, Swirls, 1958 Fig. 2.4 Jean Fautrier, Swirls, 1958, detail Chapter Three Fig. 3.1 Mark Tobey, Edge of August, 1953 Chapter Four Fig. 4.1 Cubism and Abstract Art, Museum of Modern Art, 1936 Fig. 4.2 Grace Crowley, Painting, 1951 Fig. 4.3 Victor Vasarely, Yllam, 1949-52 Fig. 4.4 Roberto Matta, The Spherical Roof Around our Tribe (Revolvers), 1952 Fig. 4.5 Jackson Pollock, Shimmering Substance, 1946 Fig. 4.6 Willem de Kooning, Woman 1, 1950-52 Fig. 4.7 Asger Jorn, Ballet immobile, 1957 Fig. 4.8 Bradley Walker Tomlin, Number 9: In Praise of Gertrude Stein 1950 Fig. 4.9 Peter Upward, June celebration 1960 Fig. 4.10 Carl Plate, Up, outwards, 1962 Fig. 4.11 Ad Reinhardt, Abstract Painting 1957 Fig. 4.12 Mark Rothko, No. 5/No. 24 , 1948 Fig. 4.13 Jean Dubuffet, Le Chasseur (‘The Hunter’), 1949 2 Chapter Five Fig. 5.1 Wols, Composition Jaune, 1947 Fig. 5.2 Francis Bacon, Study for Portrait of Van Gogh VI, 1957 Fig. 5.3 Jackson Pollock, Gothic, 1944 Chapter Six Fig.
    [Show full text]
  • Francis Bacon a Terrible Beauty
    SECONDARY SCHOOL GUIDE 28 October 2009 — 7 March 2010 Dublin City Gallery The Hugh Lane 1 FRANCIS BACON A TERRIBLE BEAUTY Why is this exhibition taking place? This exhibition is taking place to celebrate the 100th birthday of Francis Bacon and The Hugh Lane’s immense archive of Francis Bacon’s Studio Material. On 28 October 1909 Francis Bacon was born in a nursing home at 63 Lower Baggot Street in Dublin. The house where he was born near Merrion Square still exists and is today marked by a plaque. Francis Bacon died on 28 April 1992 in Madrid. On display in this exhibition you will see a number of Bacon’s paintings and a variety of items from the artist’s Studio, which served him as sources of inspiration. In 1998 Bacon’s Studio was donated to The Hugh Lane by his sole heir, John Edwards. Over 7,000 items were found in the Studio, including photographs, torn pages from books, unfinished paintings and slashed canvases. Many of these items are included in this exhibition, helping us to get a better understanding of how the artist worked and lived. After 7 March 2010, the show will travel to Compton Verney in England. Who is Francis Bacon? Francis Bacon is one of the most famous artists of the 20th century. He became well known for his figurative painting, which means that he depicted human beings, animals or objects. Do you know any other famous figurative painters from the last century? A large number of his paintings were portraits of his friends.
    [Show full text]
  • David Kim Whittaker the Fear and the Stable David Kim Whittaker the Fear and the Stable Preface
    DAVID KIM WHITTAKER THE FEAR AND THE STABLE DAVID KIM WHITTAKER THE FEAR AND THE STABLE PREFACE Opera Gallery is delighted to present 'The Fear and the Stable' by David Kim Whittaker in what will be his first exhibition in New York City. David Kim Whittaker is one of the most enthralling and intriguing artists of this generation, intuitively perpetuating and reshaping the tradition established by British Romantics including Francis Bacon, Paul Nash and Graham Sutherland. 'The Fear and the Stable' includes a new body of the artist's work made specifically for this exhibition. These complex works juggle duel states of inner and outer calm and conflict, offering us a glimpse of strength and fragility, peace and discord, the conscious and subconscious, the masculine and the feminine through areas both delicate and intricate, alongside the more physical and often brutal gestural passages of paint. These ubiquitous states of conflict are arguably reinforced by Whittaker’s gender dysphoria and the personal struggle with a condition that Whittaker has learned to live with through his endeavour of expressing something bigger than oneself through painting. The result is a universal human portrait of the 21st century, one which emphasises the split utopian and dystopian nature of the times that we live in. We wish to thank the artist wholeheartedly for this exhibition; an emphatic achievement which reinforces his rising status as a ‘modern master’. We take great pleasure in sharing it with you. Gilles Dyan Founder and President, Opera Gallery Group Amos Frajnd Director, Opera Gallery New York 3 INTRODUCTION The fear and the stable.
    [Show full text]