Questions for Contemporary Art

www.YoYoBrain.com - Accelerators for Memory and Learning Questions for Contemporary Art

Category: Conceptual Art - (19 questions) Frank Stella, Marriage of Reason and Squalor (Black Series), 1959 1. Frank Stella painting in studio, 1964 2. Frank Stella, Jill (Black Series), 1959 1. Detail of Jill, 1959 2. Frank Stella, Jill (Black Series), 1959 1. Frank Stella, Valparaiso Green, 1963 2. Frank Stella, Valparaiso Flesh, 1963 1. Frank Stella, Perfect Day of Banana Fish, 1958 2. Frank Stella, Green gate, 1958 1. Frank Stella, Die Fahne Hoch (Black series), 1959 2. 1945 photograph, Unknown photographer 1. Frank Stella, Ouray, 1960-61 2. Frank Stella, Telluride, 1960-61 1. Frank Stella, Ouray, 1960-61 2. Photograph of Chief Ouray, c. 1860-70 1. Frank Stella, Ouray, 1960-61 2. Ouray, Colorado, Amateur photograph 1. Frank Stella painting in studio, 1964 2. Pinstripe suit Frank Stella, Copper Series installation, 1960-61 CBS Television Network, Network identification, 1954, advertisement 1. Frank Stella, Jill (Black Series), 1959 2. CBS Television Network, Network identification, 1954, advertisement 1. Frank Stella, Ouray, 1960-61 2. Richard Loew Collection "The Frontal Assault", Advertisement 1965 1. Frank Stella, Tahkt-I-Sulayman Variation II, 1969, acrylic 2. Tahkt-I-Sulayman palace tile c.1270 1. Frank Stella, Kingsbury Run (Aluminum series),1960 2. Skidmore Owings and Merrill, Lever House , 1950-52 1. Ludwig Mies van der Rohe, Seagram Building, 1958 2. Detail of Seagram Building 1. Frank Stella, Die Fahne Hoch (Black series), 1959 2. Detail of Seagram Building . 1. Frank Stella, Kingsbury Run (Aluminum series),1960 2. Alvin Lustig, Advertising brochure for Seagram building c. late 1950s Category: Washington Color School - (19 questions) 1. Morris Louis, No End, 1962 2. Kenneth Noland, And Half, 1959 Morris Louis, Intrigue, 1954 1. Mark Rothko, Green Red On Orange, 1950 2. Morris Louis, No. 99, 1959-60 1. Franz Kline, untitled sketch, c. 1950, oil on telephone book paper 2. Morris Louis, Spawn, 1959-60, with details 1. Morris Louis, Spreading, 1954 2. Helen Frankenthaler, Mountains and Sea, 1952 1. Helen Frankenthaler, Before the Caves, 1958 2. Helen Frankenthaler, Mountains and Sea, 1952 1. Helen Frankenthaler, Las Mayas, 1958 2. Helen Frankenthaler, Interior, 1957 1. Las Mayas (upside down) 2. Francisco Goya, Majas on a Balcony, 1806 1. Helen Frankenthaler, Las Mayas, 1958 2. Morris Louis, Iris, 1954 1. Morris Louis, Spawn, 1959-60 2. Morris Louis, Aleph, 1960

Soak-stain -> further developed into complete material manipulation Compounded space -> the material (worked in a spatial way) folds up upon itself (space, blocked out) Morris Louis, Alpha Lambda, 1960 1. Morris Louis, Alpha Beta, 1960 2. Architectural Model of DC c. 1960

Noland's vast unpainted spaces vs. abstract color-forms set into relationship with these blanks

Sense of DC's particular quality 1) broad quiet open urban spaces

1. Morris Louis, Alpha Beta, 1960 2. Kenneth Noland, Purple in the Shadow of Red, 1963 1. Kenneth Noland, Sarah's Reach, 1964 2. Kenneth Noland, Air, 1964 1. Kenneth Noland, And Half, 1959 2. Kenneth Noland, Split, 1959 1. Kenneth Noland, Mercer, 1962 2 and 3. Gordon Bunshaft, Hirshhorn Museum, 1969-72

1) Inset Circles -> Cold War architectural sensibility -> emblem of bunker mentality

2) Cold War power-edifice's blankness -> Cold War culture of secrecy -> GLOBAL power operating behind the design 1. Kenneth Noland, L'alliance or Two, 1964 2. Kenneth Noland, Globe, 1956 1. Cuban Missile Crisis 2. Adlai Stevenson at UN 1962 3. Kenneth Noland, Mercer, 1962 1. Kenneth Noland, Mercer, 1962 2. Still from the movie Dr. Strangelove or how I learned to stop worrying and love the bomb, 1964 Category: M - (37 questions) Tony Smith, Die, 1962, Cor-Ten Steel 1. Richard Serra, 35 Feet of Lead Rolled Up, 1968 2. Richard Serra, Untitled, c.1968, steel Richard Serra, Cutting Device Base Plate Measure, 1969, lead steel wood 1. Richard Serra, Splashed Lead, 1968 2. Photograph of Richard Serra Throwing Lead, 1969

1. Richard Serra, Splash Piece, 1969 2. Richard Serra, Casting, 1969

3. Richard Serra, Verb List (detail), 1967

1. Richard Serra, One Ton Prop (House of Cards), 1968 2. Richard Serra, Untitled, 1971 Richard Serra, Prop, 1968 (two views) 1. Richard Serra, Terminal, 1977 2. Richard Serra, Tilted Arc, 1981 1. Richard Serra, Untitled, 1967 2. Carl Andre, Equivalents I-VIII, 1966, wood 1. Carl Andre, Equivalent VIII, 1966 3. Installation plan for Dwan Gallery 1. For Dwan gallery installation 2. Carl Andre, Field, 1966 (ceramic magnets) 1. Carl Andre, Copper aluminum plane, 1969 2. Carl Andre, Steel magnesium plane, 1969 Carl Andre, 6x6 Den Haag Steel Lock, 1968 1. Donald Judd, Untitled, 1968, copper 2. Donald Judd, Untitled, 1969, detail, galvanized iron and plexiglass 1. Donald Judd, Untitled, 1962, wood with metal pipe 2. Donald Judd, Untitled, 1967, stainless steel 1. Donald Judd, Drawing studies for sculpture, 1963 2. Donald Judd, Untitled, 1963, oil on wood with iron pipe 3. Donald Judd, Untitled, 1964, painted wood 1. Donald Judd, Untitled, 1966, stainless steel 2. Donald Judd, Untitled, 1968, Stainless steel and amber plexiglass Donald Judd, Untitled, 1968, aluminum plexiglass 2. Donald Judd, Untitled, 1966 (aluminum and plexiglass) 2. Photograph of Carl Andre, late 1960s 1. Dan Flavin, Untitled, 1969 2. Dan Flavin, Diagonal of May 25, 1963, to Robert Rosenblum, 1963 1. Dan Flavin, Untitled (to the master of the Wheeling Peach-blow), 1968 2. Dan Flavin, Monument 7 to V.L. Tatlin, 1964-65 Dan Flavin, Installation view of Monument for V. Tatlin, 1966 [in center]; Untitled (to Jane and Brydon Smith), 1969 [in corners] Robert Morris, Untitled, 1965 Robert Morris, Passageway, 1961 (with view of ceiling) 1. Installation view 2. Tony Smith, For D.C. 1969 3. Tony Smith, For V.T. 1969 1. Tony Smith, Die, 1962, Cor-Ten Steel 3. Triptych from Rothko chapel Ad Reinhardt, Painting, 1955 1. Ad Reinhardt, Abstract Painting, 1951 2. Ad Reinhardt, Blue Painting, 1953 3. Ad Reinhardt, No 17, 1953 Ad Reinahrdt, Red Painting, 1952 Ad Reinhardt, Painting, 1955 Tony Smith, Die, 1962, Cor-Ten Steel 1. Jackson Pollock, Phosphorecense 1947 2. Kenneth Noland, Mercer, 1962 3. Tony Smith, Die, 1962 1. Robert Morris, Untitled (Leave Key on Hook), 1963 (bronze) 2. Robert Morris, Crisis (New York Post, Monday, October 22, 1962), 1962 newspaper 1. Robert Morris, Untitled, 1969 2. Robert Morris, Box with the Sound of its Own Making, 1961 Robert Morris, Plus and Minus Box, 1961 Robert Morris, I Box, 1962 Category: Conceptual Art - (14 questions) 1. Robert Morris, Box with the Sound of its Own Making, 1961 2. Sol Le Witt, Box in the Hole, May 1968, Netherlands Sol Le Witt, Box in the Hole, May 1968, Netherlands Sol LeWitt, Sentences on Conceptual Art, 1969 Joseph Kosuth, Titlted Art as Idea as Idea series, 1967 Joseph Kosuth, Matter In General (Art as Idea as Idea - presentation c1968 Joseph Kosuth, One and Three Tables, 1965 1. Sol LeWitt, 47 Three-Part Variations on Three Different Kinds of Cube, 1967-9 structures 2. Sol LeWitt, All Three-Part Variations on Three Different Kinds of Cubes, 1967-9 drawing Sol LeWitt, Seven Part Variations of Two Different Kinds of Cubes, 1968 1. Sol LeWitt, Untitled Set A, 1966 2. Sol LeWitt, Untitled Set D, 1966 1. Sol LeWitt, Floor Structure (Well), 1963 2. Sol LeWitt, Floor Wall Structure (Telephone Booth), 1964 1. Sol LeWitt, First Modular Structure, 1965 2. Sol LeWitt, No Title, 1966 Sol LeWitt, Four Basic Kinds of Straight Lines and All Their Combinations in Fifteen Parts, c.1969 Sol Le Witt, Drawing Series-Composite, Part I-IV, #1-24, A+B (detail), 1969 1. Sol LeWitt, 47 Three-Part Variations on Three Different Kinds of Cube, 1967-9 structures 2. Sol LeWitt, No Title, 1966

Category: Fluxus and Networks - (16 questions) 1. Fluxus Newspaper No 1 2. Andy Warhol, 200 Soup Cans, 1962 3. Sol LeWitt, First Modular Structure, 1966 1. George Maciunas, Fluxus diagram 2. George Maciunas, Flux Shop and Mail Order Warehouse

1. Flux Year Box 2, 1968 2. Fluxkit, 1966 1. George Brecht, Word Event, Exit (lt); Egg, at least one egg, Edition Fluxus, 1961 2. Fluxkit, 1966 1. Fluxkit 2, 1968 2. AY-O (Takao Iijima), Finger Box, 1962 1. Games and Puzzles/Name Kit by Brecht 2. Instruction No. 2 by Patterson 3. Smoke Fluxkit by Wada 1. George Maciunas, Fluxus Manifesto 2. Performance by George Maciunas 1. International Festival of Contemporary Music, Wiesbaden: G. Maciunas, D. Higgins, W. Vostell, B Patterson, E. Williams 2. Dick Higgins, Danger Music No 2, 1966 George Maciunas, Memoriam Adriano Olivetti, 1961 1. Sol LeWitt, First Modular Structure, 1966 2. George Maciunas, Memoriam Adriano Olivetti, 1961 1. Yoko Ono, Box of Smile, 1966 2. Yoko Ono, Sky Dispenser, 1961-66 1. Yoko Ono, Painting to Shake Hands (Painting for Cowards), 1966 2. Yoko Ono, Cut Piece, 1964 1. Nam Jun Paik, Zen For Head, 1962 2. Nam Jun Paik, Cutting My Arm, 1966 1. Nam Jun Paik, Zen for TV, 1963 2. Nam Jun Paik, Skewered Records, 1963 Nam Jun Paik, Video Synthesizer, 1969, (refabricated in 1991) Category: PostWar Japan - (15 questions) 1. Photograph, Nagasaki, August 9, 1945 2. Jiro Yoshihara, Red Circle on Black, 1965 1. Jiro Yoshihara, Red Circle on Black 1965 2. Jiro Yoshihara, White Circle on Black, 1968 1. Atsuko Tanaka, Untitled, 1956 2. Atsuko Tanaka, Electric Dress, 1956 1. Atsuko Tanaka, Untitled, 1956 2. Performance, Electric Dress, 1956 1. Inoue Yuichi, Blank, 1956 2. Hung Chang, Landscapes in the Manner of Old Masters, 1636 1. Inoue Yuichi, Blank, 1956 2. Inoue Yuichi, Bone, 1959 1. Kazuo Yagi, Wall, 1963, ceramic 2. Bowl stamped with bamboo, clay, Jomon period, 900-400 BCE 1. Yagi Kazuo, Circle, 1967, black ceramic 2. Shomei Tomatsu, 11:02 Nagasaki Series: Beer Bottle after the Atomic Bomb, 1966, photograph 1. Kazuo Shiraga, painting with his feet at the Second Gutai Art Exhibition, held at the Ohara Kaikan hall, Tokyo, October 1956 2. Kazuo Shiraga, Making a Work With One's Body, 1955, mud performance Kazuo Shirago, At One Moment Opening Six Holes, 1955 1. Gutai Group 1957 event, Murakami breaks the big paper screen with hands and club. by Saburo Murakami 2. Gutai Group 1957 event, Some assistants shot arrows and Shiraga thrust in spears to complete it 1. Yoshitsuya Koko, Battle of the Lances, woodblock print 1847- 1850 2. Gutai Group 1957 event, Some assistants shot arrows and Shiraga thrust in spears to complete it 1. Shozo Shimomoto, Work, 1961, oil 2. Shimamoto Shozo, Making a Painting by Throwing Bottles of Paint, 1956 1. Ushio Shinohara, Drink More, canvas, flourescent paint, lacquer, plaster, coke bottle 2. Akasegawa Genpei, Morphology of Revenge, 1968, gouche on paper on panel Category: Soviet Art - (16 questions) 1. Jackson Pollock, Phosphorecense, 1947 2. Ready for Battle, c1939 1. Unknown, Lenin as Orator 2. Chinese porcelain c1950s Andrei Mylnikov, Curtain in the Kremlin Palace of Congresses Moscow, 1961 anondized bronze, silver, aluminum 1. Kazimir Malevich, Black Square, 1914-15 2. View of Third Exhibition of OBMOKhU, 1921 3. Vladmir Tatlin, Monument to the Third International, 1920 model 1. Fedor Shurpin, Dawn over Our Homeland, 1946-48 2. Boris Ioganson and brigade, Lenin's Speech at the third Congress of the KomSoMol, 1950

1. Kupriyanov and brigade, The End, 1945 2. Bogatkin, Storm of the Reichstag, 1945

1. Tsvetkov, IL-2, 1944 2. Deineka, Shotdown, 1944 1. Gorskiy, Missed In Action, 1945 2. Vkadimirskij, Roses for Stalin, 1949

Kupriyanov and brigade Prosecution Witness 1945 1. Geli Kkorzhev, In the Days of War (sketch), 1953 2. Geli Kkorzhev, In the Days of War,1954, oil on board 0 1. Arkadi Vychug(-)zahanin, By the Window, 1960

2. Arkadi Vychug(-)zahanin, By the Window, 1960

1. Dmitri Zhilinski, Bridge Builders, 1959 (sketch) 2. Vladimir A Kutilin, An Assembler, 1970 1. Viktor Popkov, They built the Bratsk Hydro-Electric Power Station, 1960-61 2. Igor Simonov, In a Works Laboratory, 1961 Yuri Pimenov, Wedding in a Tomorrows Street, 1962 1. Geli Korzhev, Wounded, 1964 2. Pavel F Nikonov, Meat, 1960-61 Category: Bacon - (26 questions) 1. Photograph of Bacon's studio in 7 Reece Mews 2. Francis Bacon, Head IV, 1949 1. Francis Bacon, Working image - photograph on board 2. Francis Bacon, Head IV, 1949 3. Francis Bacon, Figure with Meat, 1954 1. Sergei Eisenstein Battleship Potempkin still 2. Francis Bacon, Untitled c 1950 3. Francis Bacon, Head III 1949 1. Francis Bacon, Pen on paper drawing of a space frame 2. Francis Bacon, Untitled c1950 3. Francis Bacon, Study for Crouching Nude, 1952 1. Francis Bacon, Study for a Baboon 1953 2. Francis Bacon, Painting 1946 1. Francis Bacon, Man in Blue I 1954 2. Francis Bacon, Man in Blue IV 1954 1. Daniel Farson, phograph in Soho pub, 1950s 2. Francis Bacon, Man in Blue IV 1954 2. Francis Bacon, Man In Blue III 1954 3. Francis Bacon, Study for a Portrait of Van Gogh II, 1957 1. Vincent Van Gogh, Self-Portrait, the Artist on the Road to Tarascon, 1888 2. Francis Bacon, Study for a Portrait of Van Gogh II, 1957 1 and 2. Roger Mayne photographs, North Kensington, 1956-58 3. Francis Bacon, Untitled (Marching Figures) 1950 3. Francis Bacon, Figure with Meat, 1954 1. Photograph, spiv 2. Francis Bacon, Man with Dog, 1953 Photocrimes, from Francis Bacon's studio 2. Francis Bacon, Man with Dog, 1953 Article from Crappoulliout "Conception sociologique du crime, From studio

2. Francis Bacon, Two Figures, 1953 1. Criminological photograph from Bacon's studio 2. Francis Bacon, Head II, 1949 1. Cardboard cut out arrows 2. Francis Bacon, Head II, 1949 3. Francis Bacon, Two Figures, 1953 1. "Chambre du Crime" from Crappoulliout 2. Francis Bacon, Lying Figure, 1953 3. 1950s photograph of Peter Lacy 1. Criminological photograph 2. Francis Bacon, Lying Figure c1960 Michelangelo drawings from Bacon's studio

1. Edward Muybridge's Studies in Human Locomotion 2. Francis Bacon, Two Figures in the Grass, 1954 2. Francis Bacon, Two Figures in the Grass, 1954 1. Francis Bacon, Man in Blue V, 1954 2. Francis Bacon, Untitled (Two Figures in the Grass) 1952 Category: Social Realism - (17 questions) Ernst Neizvestny, CyberHead, 1964 1. Ernst Neizvestny, Half Robot Half Woman, 1962 2. Ernst Neizvestny, Centaur with Raised Hand 1. Ernst Neizvestny, Tree of Life, 1964-present 2. Vladimir Tatlin, Monument to the Third International, 1920 Ernst Neizvestny, Details of Tree of Life, 1964-present 1. Marshall Plan official poster c1950 2. Andre Fougeron, A Bas le Fascisme Vive La Republique 1. Andre Fougeron, Les Parisiennes au marche, 1948 2. Andre Fougeron, The Judges, 1950 Andre Fougeron, Atlantic Civilzation, 1953 1. Bernard Buffet, La Possonerrie, 1951 2. Bernard Buffet, La Salle de Bain, 1947 1. Bernard Buffet, Le Buveur, 1948 2. Bernard Buffet, Raie et Broc, 1948 1. Brnard Buffet, Horreur de la Guerra Les Fusiles, 1954 2. Bernard Buffet, Lapin et Casserole Rouge, 1948 Peter de Francia, The Execution of Beloyannis, 1953 Peter de Francia, Bombing of Saskiet, c. 1958 1. Peter de Francia, Bombing of Saskiet, c. 1958 2. Pablo Picasso, War, 1952 1. John Bratby, The Bicycle Interior, 1958 2. John Bratby, Untitled, c 1955 1. John Bratby, The Toilet, 1955 2. John Bratby, Still Life with Wardrobe, 1954 1. John Bratby, Still Life with Chip Fryer, c. 1955 2. John Bratby, Still Life with Wardrobe, 1954 John Bratby, Untitlted, c.1955 Social realism without socialism

Expansive view of world Subjective POV Integrated

Bratby's Battersea conservatory (glass extension at back of house) With rotating platform

Category: Britain Material Realism - (16 questions) 1. Edward Middleditch, Trafalgar Square, 1954 2. Newsphoto, Bank, City of London Bombsite in 1941 1. Edward Middleditch, Trafalgar Square, 1954 1. Edward Middleditch, Trafalgar Square, 1954 1. Frank Auerbach, Sketch for Oxford Street Building Site II, c1959 2. Frank Auerbach, Oxford Street Building Site II, c1959

1. Frank Auerbach, Shell Building Site near the Thames, 1959 2. Frank Auerbach, Rebuilding the Empire Cinema, Leicester Square, 1961 1. Frank Auerbach, Summer Building Site, 1952 2. Frank Auerbach, Railway Arches, Bethnal Green, 1958 Frank Auerbach, Head of Leon Kossoff, 1954 (both named) Frank Auerbach's studio 1. Frank Auerbach, E.O.W. Nude Lying on her Back, 1959 2. Frank Auerbach, E.O.W. Nude, 1953-54 1. Frank Auerbach, E.O.W. Nude Lying on her Back, 1959 1. Photo, west end tube shelter 1940-41 2. Henry Moore, Sketch from Bomb Shelter series, c1941 Henry Moore, Sketches from Bomb Shelter series, c1941 Henry Moore, Sketches from Bomb Shelter series, c1941 1. Henry Moore, Reclining Figure, 1945 bronze 2. Henry Moore, Working model, reclining figure, internal-external forms, 1951 1. Henry Moore, Family Group, 1948-49 2. Henry Moore, Two Piece Embedded Sculpture, 1950 1. Henry Moore, Sketch from Bomb Shelter series, c1941 2. Henry Moore, Two Piece Embedded Sculpture, 1950 Category: Paolozzi - (26 questions) Picture of Eduardo Paolozzi Eduardo Paolozzi and Nigel Henderson, Patio and Pavilion, This is Tomorrow exhibition, 1956 1. Eduardo Paolozzi and Nigel Henderson, Patio and Pavilion, This is Tomorrow exhibition, 1956 2 and 3. Newspaper photographs of pre-fabricated housing units 1. Eduardo Paolozzi, Tyrranical Tower with Thorns of Violence, 1959 bronze 2. Eduardo Paolozzi, Sketch, 1950s 1. Eduardo Paolozzi, Tyrranical Tower with Thorns of Violence, 1959 bronze 2 and 3. Newspaper photographs of pre-fabricated housing units 1. Eduardo Paolozzi, Tyrranical Tower with Thorns of Violence, 1959 bronze 2. Photo, housing block in Bethnal Green, East London, c 1960 Eduardo Paolozzi, Sketch, 1950s 1. Eduardo Paolozzi and Nigel Henderson, Patio and Pavilion, This is Tomorrow exhibition, 1956 2. Eduardo Paolozzi, Sketch, 1950s 3. Map of central london as damange by the blitz Krazy Kat Archive items 1. Two pages from collage books, 1948-50 2. On the right, Page from Psychological Atlas 3. Eduardo Paolozzi, Automobile Head 3. Eduardo Paolozzi, Crab Fisherman, 1946 1. Page from Psychological Atlas 2. Eduardo Paolozzi, Growth, 1949 1. Paolozzi's lost-wax process 2. Edaurdo Paolozzi, Krokadeel, 1956 1. Page from Psychological Atlas 2. Eduardo Paolozzi, Tyrranical Tower with Thorns of Violence, 1959 bronze 1. Toy blocks from collection 1950s 2. Eduardo Paolozzi, St Sebastian II, 1957 1. Eduardo Paolozzi, St Sebastian I, 1957 2. Eduardo Paolozzi, St Sebastian II, 1957 1. Eduardo Paolozzi, St Sebastian I, 1957 Eduardo Paolozzi, One collage from Bunk c.1951 Pages from collage books 1. Page from collage books 2. Eduardo Paolozzi, Robot, 1956 1. "The Sex war" page from Psychological Atlas 2. Eduardo Paolozzi, Sketch for sculpture 'Hermaphroditic Idol" c.1960-65 Eduardo Paolozzi, Three Collages, c. 1955-60 1. Eduardo Paolozzi, "We Dare Once More", c1952 1. Advertisement from juvenile magazine in KKA 2. Eduardo Paolozzi, Krokadeel, 1956 1. Page from Paolozzi's collage book 2. Eduardo Paolozzi, Krokadeel, 1956 1. Page from Paolozzi's collage book 2. Eduardo Paolozzi, Krokadeel, 1956 Category: Hamilton Hockney - (18 questions) 1. Page from Paolozzi's collage book 2. Eduardo Paolozzi, Krokadeel, 1956 1. Richard Hamilton, Just what is it that makes today's homes so different, so appealing? 1965 version (collage 1956) 2. Richard Hamilton, Collage of the Senses, 1956, collage and ink on paper 1. Richard Hamilton, Interior Study, 1964, oil and collage on paper 2. Richard Hamilton, Interior II, 1964 1. Richard Hamilton, Exhibit Design Man Machine & Motion, 1955 2. Richard Hamilton, Exhibit Design Growth and Form at Inst of Contemporary Arts London, 1951 1. Various ads from the 1960s 2. Richard Hamilton, She, 1958-61 1. Bell Telephone Laboratories, Trimline Telephone, 1965 2. Richard Hamilton, She, 1958-61 1. Spacelander Bicycle, 1946-60 2. Richard Hamilton, Homage a Crystler Corporation, 1964 1. Richard Hamilton, reNude, 1954 2. Richard Hamilton, Fashion Plate, 1969-70 1. Robert Welch, Chantry Knife Sharpener, 1964 2. Robert Hamilton, My Marilyn 1965 1. Richard Hamilton, Swingeing London '67, 1968 2. Richard Hamitlon, Swingeing London '67 II, 1968 3. Richard Hamilton, Swingeing London '67, 1968 poster 1. Richard Hamilton, Portrait of Hugh Gaitskell as a Famous Monster of Filmland, 1964 2. Source material for Portrait of Hugh Gaitskell as a Famous Monster of Filmland, 1964

1. David Hockney, We 2 Boys Together Clinging, 1961 2. David Hockney, Life Painting For Myself, 1962 1. David Hockney, 10, 1960 2. David Hockney, Kingy B, 1960 1. David Hockney, Berlin: A Souvenir, 1963 2. David Hockney, Adhesiveness, 1960 1. David Hockney, Sunbather, 1966 2. David Hockney, Man in Shower IN Beverly Hills, 1964 David Hockney, Still Life With Figure and Curtain, 1963 1. David Hockney, Bigger Splash, 1967 2. Detail of Bigger Splash, 1967 1. David Hockney, Bigger Splash, 1967 2 and 3. Detail of Bigger Splash, 1967 Category: French Lyrical Abstraction - (19 questions) 1. Andre Fougeron, Atlantic Civilzation, 1953 2. Congress for Cultural Freedom meeting, 1950 Frankfurt 1. Geli Kkorzhev, In the Days of War (sketch), 1953 2. Jackson Pollock, TV 1952, at first retrospective Bennington College (for March of Time newsreel ) 3. Jackson Pollock, Autumn Rhythm, 1947 1. Andre Fougeron, Atlantic Civilzation, 1953 2. Pierre Jean Louis Soulages, Painting 1948-49, oil walnut stain canvas 1. Pierre Jean Louis Soulages, 18454, 1950 2. Pierre Jean Louis Soulages, 23 May 1953, 1953 1. Pierre Jean Louis Soulages, Painting, 1948-52 oil on paper 2. Pierre Jean Louis Soulages, Painting June 9 1953, 1953

1. Pierre Jean Louis Soulages, 14 April, 1958, 1958 2. Pierre Jean Louis Soulages, 3 Mai 1962, 1962 1. Pierre Jean Louis Soulages, Composition IV, 1957, Color etching and aquatint 2. Pierre Jean Louis Soulages, Untitled, c1957, color etching with embossing 1. Jean-Paul Riopelle, Composition, 1951 2. Jean-Paul Riopelle, Return to Spain, 1951-52 1. Jean-Paul Riopelle, 15 Chevaux Citroen, 1952 2. Jean-Paul Riopelle, Detail of 15 Chevaux Citroen, 1952 1. Jean-Paul Riopelle, 15 Chevaux Citroen, 1952 2. 1952 model: 15CV/6Cylendar Citroen (white) 1. Jean Miotte, Texas, 1951 2. Jean Miotte, Blue Rhyhm, 1959 1. Jean Miotte, Untitled, 1952, china ink on paper 2. Jean Miotte, Untitled, 1955, china ink on paper 1. Jean Miotte, Essor, 1956 2. Jean Miotte, Etriente, 1959 1. Jean Miotte, Composition, 1962 gouache 2. Jean Miotte, Jaillir, 1960-62 1. Georges Matthieu, Les Capetiens partout, 1954 2. 1958 photograph, Mathieu and Schmeda 1. Georges Matthieu, Silence de Jacques de Molnay, 1958

2. Georges Matthieu Bataille de Bouvines, 1954

1. Georges Matthieu, 4th Avenue, 1954 2. Georges Matthieu, Detail of 4th Avenue, 1954 1. Georges Matthieu, Composition, c1957 2. George Mathieu, Dressed in Kimono, Demonstrating Action Painting, 1957 Georges Matthieu, Atomic Age, 1958 Category: Giacometti - (16 questions) 1. Jean Fautrier, Head of a Hostage no. 20, 1944 2. Alberto Giacometti, Bust of Diego, 1955 1. Alberto Giacometti, Suspended Ball, 1930 2. Alberto Giacometti, Head, 1934, marble 1. Alberto Giacometti, Seated Man (Diego), 1949 2. Alberto Giacometti, Bust of Diego, 1955 1. Alberto Giacometti, Annette Seated, 1954 2. Alberto Giacometti, The artist's Mother, 1950-51 1. Alberto Giacometti, Annette Seated, 1954 2. Detail of Annette Seated, 1954 1. Alberto Giacometti, Annette Seated, 1954 2. Detail of Annette Seated, 1954 Alberto Giacometti, Bust of Diego, 1955 1. Alberto Giacometti, Annette Seated, 1954 2. Alberto Giacometti, Four Figurines on a Base, 1950 / 65 1. Alberto Giacometti, Venice Woman, 1956 2. Alberto Giacometti, Tall figure, 1949, painted bronze 3. Nyamwezi figure, wood, Tanzania Alberto Giacometti, Forest, 1950 1. Alberto Giacometti, Man Pointing, 1947, bronze 2. Alberto Giacometti, Chariot, 1950 1. Alberto Giacometti, Walking Man, 1960 2. Alberto Giacometti, Three Men Walking, 1948-49 bronze 1. Alberto Giacometti, Walking Man, 1960 2. Photograph of Giacometti during an installation, next to Walking Man 1. Barnett Newman, Onement I, 1948 2. Alberto Giacometti, Standing Woman, 1953 plaster/paint Alberto Giacometti, From book "Paris San Fin", 1969 - lithographs Alberto Giacometti, Two Figures on Paper, 1947 Category: Art Autre - (22 questions) 1. Jean Fautrier, Head of a Hostage No. 1, 1944 , oil on cardboard 2. Jean Fautrier, Head of a Hostage No. 20, 1944 , oil on cardboard Jean Fautrier, Head of a Partisan, Budapest, 1957 Jean Fautrier, Oradour-sur-Glane, 1945 1. Fautrier, Depouille, 1946 2. Jean Fautrier, Nude, 1960 1. Jean Fautrier, Flowers of Disaster, c.1935-40 2. Jean Fautrier, Rabbit Skins, 1927 Jean Fautrier, Colored Surface, 1958 1. Jean Dubuffet, Scene on the Earth, 1958, lithograph 2. Jean Dubuffet, "La Vergerie" in the book Le Mirivis des naturgies, 1963 1. Jean Dubuffet, Scene on the Earth, 1958, lithograph 2. Pierre Soulages, Composition IV, 1957, Color etching and aquatint 1. Jean Dubuffet, Female Body, 1950 2. Jean Dubuffet, Julie la Serieuse, 1950 1. Jean Dubuffet, Carrot Nose, 1962, lithograph 2. Jean Dubuffet, Liens Intime, 1959, oil on canvas 1. Jean Dubuffet, Paul Leautaud in a Caned Chair, 1946, oil and sand on canvas 2. Detail of Paul Leautaud in a Caned Chair, 1946 1. Jean Dubuffet, Paul Leautaud in a Caned Chair, 1946, oil and sand on canvas 2. Detail of Paul Leautaud in a Caned Chair, 1946 1. Jean Dubuffet, Dhotel in Apricot Color, 1947 2. Detail of Dhotel in Apricot Color, 1947 1. Jean Dubuffet, Dhotel in Apricot Color, 1947 2. Detail of Dhotel in Apricot Color, 1947 1. Jean Dubuffet, Dhotel in Apricot Color, 1947 2. Detail of Dhotel in Apricot Color, 1947 1. Jean Dubuffet, Ragged One, 1954 2. Jean Dubuffet, Proud One, 1959 1. Jean Dubuffet, Sorcerer, 1954 2. Jean Dubuffet, Moss Gatherer 1. Jean Dubuffet, Ties and Whys: Landscape with Figures, 1952 2. Jean Dubuffet, Geologist, 1950 1. Jean Dubuffet, Maintaining Traps, 1963 2. Jean Dubuffet, Chair, 1966 Jean Dubuffet, Parade of Objects, 1963, vinyl paint (detail on right) 1. Jean Dubuffet, Scene Transition, 1966, Epoxy, polyurethane and paint 2. Jean Dubuffet, Cup of Tea II, 1966 1. Jean Dubuffet, Scene Transition, 1966, Epoxy, polyurethane and paint 2.1968 graffiti in Paris