Albany Student Press 1982-04-06
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2009 Door County Folk Festival Syllabus.Pdf
30th Annual Door County Folk Festival Get Your Foot in the Door! Wednesday – Sunday, July 8 – 12, 2009 Sister Bay, Ephraim and Baileys Harbor, Wisconsin http://www.dcff.net/[email protected]/(773-463-2288) DCFF Home Dance Syllabus Advance Regular Discount Price On Paper $19.00 $22.00 OnCD $8.00 $11.00 2009 Door County Folk Festival (DCFF), Wisconsin 2009 Door County Folk Festival Schedule v11 (Subject to Change - Changes Marked with +) Get Your Foot in the Door! Wednesday - Sunday, July 8-12, 2009 - Sister Bay, Ephraim and Baileys Harbor, Wisconsin DCFF Home Phone: (773)-463-2288 or (773)-634-9381 [email protected] Wednesday Start End Where Event Who Afternoon 12:00pm SBVH Staff Arrives Staff & Volunteers 1:00pm SBVH Setup Begins Staff & Volunteers Evening 6:00pm SBVH Registration Begins Staff & Volunteers 6:30pm 9:00pm BHTH TCE Program - Session 1 - Grades K-5 Sanna Longden 8:00pm 1:00am SBVH 8th of July Party with Recorded Music Forrest Johnson & Other Regional Leaders 1:00am 2:30am SBVH Late Night Party Paul Collins & Company Thursday Start End Where Event Who Morning 9:00am SBVH Setup & Registration Continues Staff & Volunteers 9:00am 12:00pm BHTH TCE Program - Session 2 - Grades K-5 Sanna Longden 10:00am 11:45am SBVH Vintage American Round Dances Paul Collins Afternoon 11:45am 1:15pm Lunch Break 12:00pm 1:00pm SBVH Zumba Latin Dance Workout Session Diane Garvey 1:15pm 3:00pm SBVH Swing Dance - Lindy Hop Workshop Maureen Majeski: Lindy Hop 1:15pm 3:00pm BHTH Regional Greek Folk Dance Workshop Rick King, Dit Olshan, Paul Collins Rick: Vlaha -
Coming out on June 9, 2015
COMING OUT ON JUNE 9, 2015 new releases from TOXIC REASONS • RIKK AGNEW BAND/SYMBOL SIX LED TO THE GRAVE • ROUND EYE PALE ANGELS • GREAT CYNICS CONNOISSEUR • SIX BREW BANTHA Exclusively Distributed by TOXIC REASONS Essential Independence, CD/DVD STREET DATE: JUNE 9, 2015 INFORMATION: Artist Hometown: Dayton, Ohio Key Markets: Ohio, Chicago, California, NY, Midwest, UK, Canada For Fans of: SEX PISTOLS, RAMONES, CLASH Beer City Skateboards and Records is proud to announce the release of TOXIC REASONS’ Essential Independence CD/DVD: All tracks have been restored, re-mastered and sound better than ever! Essential Independence includes the rare War Hero single (with a bonus track not included on the original), the highly sought after Ghost Town EP, and the classic Independence full-length album originally released in 1982 and quickly became a hardcore/punk classic. As if that wasn’t enough, Essential Independence also includes the very rare ‘Live Berkeley Square: December 1981’ show where TOXIC REASONS not only ARTIST: TOXIC REASONS belted out a tight ferocious set, but also performed several songs that would end up never up being TITLE: Essential Independence LABEL: Beer City Skateboards and Records recorded again! CAT#: BCR139-9 Besides 31 blazing tracks, Essential Independence comes with a 12-page booklet featuring liner notes FORMAT: CD/DVD GENRE: Hardcore punk from the band, rare pictures and flyers, as well as the original illustrations and lyrics from the poster BOX LOT: 30 that came with the Independence LP. To top things off, a DVD featuring TOXIC REASONS’ 20 year reunion SRLP: $19.98 show is included! So you get to not only hear, but also see and witness, the legend that is know as UPC: 650557013994 TOXIC REASONS! EXPORT: NO RESTRICTIONS Essential Independence is mandatory for any self respecting record store and is held in the same regard as other punk classics by BLACK FLAG , THE CIRCLE JERKS, MINOR THREAT, D.R.I. -
Secret Studios
Legacy Business Registry Staff Report Hearing Date: November 9, 2020 SECRET STUDIOS Application No.: LBR-2020-21-013 Business Name: Secret Studios Business Address: 2200 Cesar Chavez Street District: District 10 Applicant: Happy Sanchez, Owner Nomination Date: September 22, 2020 Nominated By: Mayor London Breed Staff Contact: Richard Kurylo [email protected] BUSINESS DESCRIPTION Secret Studios, Inc. is a music recording studio and rehearsal space that has been in operation since 1982. Secret Studios initially opened at 250-C Napoleon Street, in an industrial area just south of Potrero Hill, and was comprised of just two small rooms to rehearse and record music. San Francisco’s dense housing stock doesn’t lend itself to “garage bands” and homegrown rehearsal space. It became evident that San Francisco residents were in need of space to come together, practice, and record their music. In 1983, one of these residents looking for space to practice was a young, local musician taking classes at San Francisco State University’s Audio Production department. This local musician, Greg McKee, would go on to become friends with the owner and soon began working at the studio. Three years later, in 1986, McKee (who legally changed his name to Happy Sanchez) was offered the opportunity to purchase Secret Studios and has been keeping music traditions alive as the owner ever since. The demand for studio recording space has kept Secret Studios at full capacity throughout its years, with no need for advertising. The word-of-mouth reputation the studio garnered from the artistic community, as well as the changing demographics of musicians in the Bay Area, has consistently put pressure on the business to expand its space and offerings. -
Razorcake Issue #84 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California non-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Johansen V Sony Music Entertaiment[ED]
Johansen v. Sony Music Entertaiment Inc David JOHANSEN v. SONY MUSIC ENTERTAIMENT INC 2020 WL 1529442 (SDNY) Ramos, D.J.: David Johansen (“Johansen”), John Lyon (“Lyon”) and Paul Collins (“Collins”, and with Johansen and Lyon, “Plaintiffs”), bring this putative class action against Sony Music Entertainment (“Sony”) for declaratory judgment and copyright infringement. Pending before the Court is Sony’s motion to dismiss all claims. For the reasons discussed below, the motion is DENIED. I. BACKGROUND1 Johansen is an American singer, songwriter and actor, who began his career in the early 1970s. Johansen entered into a recording agreement with Sony in or about 1978. Pursuant to that agreement, Johansen released five albums, David Johansen, The David Johansen Group Live, In Style, Here Comes the Night, and Live It Up. On June 15, 2015, Johansen served a notice of termination on Sony: Additionally, a “Schedule A” as follows is attached to the notice: 1 Johansen v. Sony Music Entertaiment Inc The Copyright Office duly recorded Johansen’s notice on July 28, 2015. On June 14, 2017, two years after Johansen’s termination notice was sent, Sony sent a letter of refusal to Johansen. The letter cites, as reasons for its refusal, that: (a) “the Works are works made for hire,” and thus not subject to termination; (b) “the [n]otice does not adequately identify the specific grant David Johansen seeks to terminate, as the [n]otice broadly makes reference to all grants or transfers of copyright in and to certain sound recordings ‘including, without limitation to the grant dated in or about 1984 between the recording artist David Johansen and Blue Sky Records/CBS, Inc.’ ”; (c) Sony is unaware of any grant made in 1984, and “to the extent that any grant was made,” the grant was made before 1978 and thus 17 U.S.C. -
Trouser Press
ARTIST TITLE SECTION ISSUE Baby Grand article 36 Ancient Medicine Hit and Run 35 Babylon Dance Band America Underground 74 Babys article 20 Head First Hit and Run 38 Union Jacks Hit and Run 48 Randy Bachman Survivor Hit and Run 30 Bachman-Turner Overdrive incl (power pop) 27 Japan Tour Hit and Run 34 Back Street Sally America Underground 90 Back to Zero Green Circles 45 Badbeats America Underground 40, 57 Bad Boy Back to Back Hit and Run 29 Bad Brains article 92 America Underground 61, 87 Bad Company Desolation Angels Hit and Run 39 Rough Diamonds Hit and Run 80 Lisa Bade Suspicion Hit and Run 79 Badfinger article 38 live 2 Fax n Rumours 38, 95 Airwaves 38 Say No More Hit and Run 62 letters 73 Bad Manners article 59 Ska ‘n’ B 54 Bad Manners Hit and Run 68 Green Circles 88 Henry Badowski Green Circles 45, 50, 56 Bad Religion Into the Unknown 92 Chris Bailey Casablanca Hit and Run 90 See also Saints Binky Baker & the Pit Orchestra Green Circles 38 Roy Thomas Baker article 69 Dave Ball In Strict Tempo Hit and Run 96 Russ Ballard article 15 At the Third Stroke 31 Ballistic Kisses Wet Moment Hit and Run 95 America Underground 79 Gloria Balsam & the Psycotic America Underground 53 Pineapple Afrika Bambaataa and Soulsonic Green Circles 87 Force Bananarama article 80 Deep Sea Skiving 86 question column 95 Green Circles 75, 77, 78, 80, 84, 91 Banco del Mutuo Soccorso Io Sono Nato Libero 4 Bandit article 18 Partners in Crime Hit and Run 37 Band of Joy Band of Joy Hit and Run 31 Bandy Legs incl (UK report) 5 Honey Bane Green Circles 62 Bangles live -
Targ+Jan+Web.Pdf
THE MOST AUTHENTIC 80’S EXPERIENCE IN THE UNIVERSE EVERY THURSDAY NITE IN JANUARY AT THE HOUSE OF TARG. A FUN FILLED DANCE PARTY HOSTED BY THE ONE AND ONLY DJ REMI ROYALE. SPIN THE VHS WIZARD WHEEL FOR PRIZES, TARG PINKO, 20 PINBALL MACHINES, 23 CLASSIC ARCADE CABINETS, HOT DOGS, PEROGIES, B-BOY-B-GIRL COMPETITION, $7 GIANT BOTTLES OF PBR PLUS ALL OF YOUR FAVOURITE 80’S TUNES TO GET YOU DANCING. metal bands. But, even while I’ve been WORDS FROM THE straying from the metal path, I still haven’t shared with you all what I’ve been (not so secretly to those who know me) listening to the most in the WIZARD past year. You’ve probably already guessed it by the stench emanating Hey Ottawa - Happy New Year!! from this very zine…. That’s right, crust punk. I’m super pumped for another month packed with great bands, awesome games and AMEBIX are known by many to be delicious handmade perogies – thank you for the grandpappys of crust along with making the House of TARG your destination for entertainment other bands such as HELLBASTARD (who popularized the use of the term and diversion – we are here to serve you. We’ve got a ton of crust as a genre of music with their new ideas comin’ down the pipe for 2016 – please sign up for 1986 demo Ripper Crust). However, our monthly newsletter at www.houseoftarg.com to stay on top unlike the other founders of the genre of new developments and exciting plans - don’t forget to hang like DOOM and HELLBASTARD, their with us on the interwebs in Twitter/FB/Instagram land – super particular style, while it infl uenced many, was never quite replicated by stoked for a peaceful year fi lled with friends, music, games and anyone else. -
Www .Maver Ic K
JANUARY/FeBRUARY 2014 www.maverick-country.com MAVERICK FROM THE EDITOR... MEET THE TEAM Editor t is with a great deal of sadness, that I acknowlege that this will be my last issue as Alan Cackett editor of Maverick. I have always believed that when you no longer enjoy doing 24 Bray Gardens, Loose, Maidstone, Kent, ME15 9TR, UK something, then it’s time to stop and look to do something di erent. I have had a 01622 744481 Igood run as editor, and now is the time to hand over to someone younger. Someone who [email protected] can hopefully take the magazine forward, embracing country music’s future whilst not Managing Editor overlooking its huge legacy of the past. I know that the new editor Laura Bethell who Michelle Teeman 01622 823920 worked with me for 5 years, 2 as my deputy editor, will do just that. [email protected] It was just over 47 years ago that I edited and published Britain’s rst regular monthly country music magazine. Looking back that was quite an audacious and bold undertaking Designer Laura Bethell for a teenager from a council house estate who le school at 15. Some of the original 01622 823922 readers of Country Music Monthly are still around and have continued to follow my writing [email protected] and views on the music as readers of Maverick. ere was a time when I not only knew Editorial Assistant many of the Maverick readers’ names but had a personal contact with them, but recently Chris Beck I’ve lost touch and I have to say that I miss the chats that we used to have when they phoned Project Manager up to renew their subscriptions. -
Www .Maver Ic K
MAY/JUNE 2014 www.maverick-country.com MAVERICK FROM THE EDITOR... MEET THE TEAM Welcome to the May/June issue of Maverick Magazine! Editor Laura Bethell I wanted to start by saying that when we as a team produced the March/April issue of Goldings, Elphicks Farm, Water Lane, Maverick Magazine, I couldn’t have been prouder. e moment you see something like that Hunton, Maidstone, Kent, ME15 0SG 01622 823922 come back from press, you know it’s something people will get excited about. It suddenly [email protected] became very real for me and it wasn’t long before all of the wonderful feedback we received Managing Editor started pouring in. I can’t thank you enough for your continued support - this journey has been Michelle Teeman incredible and your feedback will continue to guide the magazine forward, so keep writing in! 01622 823920 [email protected] We are still celebrating the success of the second year of Country2Country Festival in the UK. e event was incredible - the O2 was a great venue for the show and the performances Editorial Assistants Chris Beck this year were second-to-none. ough it was my rst year at the festival, I’d heard a lot of [email protected] progress had been made on last year. e pop-up stages around the O2 bought their own fans, Charlotte Taylor the acts for the main arena bought people in from far and wide. For me, the biggest eye-opener [email protected] was when we stepped inside the arena late on Saturday night to watch last month’s cover stars Project Manager the Zac Brown Band perform. -
Money Lost on Enforcement of Tickets
Money lost on enforcement of tickets by Jaime Lynne Benshoff tickets are issued on campus each the amount of revenue will equal time officer and fully-equipped for open parking spaces at UWM and year. the costs for enforcing the regula squad car for ticket writing and was illustrated in a transportation Kevin Liner Contrary to what most people tions," Marsho said. "Someone's collecting money from parking report released by the University of The Post staff on campus think, Horowitz said got to go around to check that meters. recently. This competition is a Monday, enforcing parking regu everyone is paying their $.15 per Why is it necessary to allocate major reason parking enforcement Annual revenues generated lations is not a money-making hour. Otherwise it's not fair to thousands of dollars to the police is relatively strict here, according from parking tickets are about program. In reality, he said, those who did." department for enforcing parking to Horowitz. $80,000, yet the cost of the entire money is lost every time a parking Even though the costs of regulations when the officers are Marsho said the collection rate program for enforcing parking ticket is issued. issuing parking tickets are high, already on campus? for tickets is 75-85 percent. regulations is estimated at "It's not clear what we are campus officials say not to do so is "Why? It is the most efficient $120,000. gaining with the amount of en even less desirable. way of providing the service," High costs These figures were cited in a forcement," he said. -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) American Graffiti (These are excerpts from my book "A History of Rock and Dance Music") New York TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. American Graffiti is the title of George Lucas' film that in 1973 launched a phenomenon in the USA: a revival of the Fifties and the Sixties. There was something innocent and magic in those decades that went lost in the Vietnam War and the oil crisis of the Seventies. The rediscovery of those decades is also a rediscovery of the roots of rock and roll. After the fall of alternative rock, Seventies music had become largely corporate-driven. Genres that had been created as rebellion to the Establishment were rapidly becoming mainstream. The music of the Fifties and the early Sixties sounded more authentic. Broadway and Hollywood focused on the Billboard charts, on the one-hit wonders that went lost after the deluge of 1966-67. Thousands of kids playing in their garages and basements focused on the bands that were playing in garages and basements in the Sixties. The second half of the Seventies saw a revival of the whole spectrum: rockabilly, surf music, folk-rock, psychedelia, even horror soundtracks. It was as if an archeological frenzy was shaking the musical fabric of the nation. -
March 31, 2020
UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK March 31, 2020 DAVID JOHANSEN, JOHN LYON, and PAUL COLLINS, individually and on behalf of all others similarly situated, Plaintiffs, OPINION AND ORDER 19 Civ. 1094 (ER) - against - SONY MUSIC ENTERTAIMENT INC., and JOHN DOES 1–10, Defendants. Ramos, D.J.: David Johansen (“Johansen”), John Lyon (“Lyon”) and Paul Collins (“Collins”, and with Johansen and Lyon, “Plaintiffs”), bring this putative class action against Sony Music Entertainment (“Sony”) for declaratory judgment and copyright infringement. Pending before the Court is Sony’s motion to dismiss all claims. Doc. 43. For the reasons discussed below, the motion is DENIED. I. BACKGROUND1 Johansen is an American singer, songwriter and actor, who began his career in the early 1970s. Compl. ¶ 6. Johansen entered into a recording agreement with Sony in or about 1978. Id. ¶ 26. Pursuant to that agreement, Johansen released five albums, David Johansen, The David Johansen Group Live, In Style, Here Comes the Night, and Live It Up. Id. ¶ 26. 1 The following facts are drawn from the Complaint, Doc. 5, “together with those ‘documents . incorporated in it by reference’ and ‘matters of which judicial notice may be taken.’” Wilson v. Merrill Lynch & Co., 671 F.3d 120, 123 (2d Cir. 2011) (citation omitted); see also City of Brockton Ret. Sys. V. Avon Prods., Inc., No. 11 Civ. 4665(PGG), 2014 WL 4832321, at * 12 (S.D.N.Y. Sept. 29, 2014) (Courts may also consider any document where the complaint “relies heavily upon its terms and effect, thereby rendering the document integral to the complaint.”) (internal quotation marks and citations omitted).