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Feargal Sharkey Speaker Profile
Feargal Sharkey Musical Legend and Co-founder of The Undertones Feargal Sharkey first found fame as the lead vocalist of punk band The Undertones, famous for hit singles such as Teenage Kicks. Since then Feargal has worked in the business side of music including, for a number of years, being head of UK Music, which represents the UK's commercial music industry. Feargal has been recognised for his outstanding achievements in the field of musi In detail Languages Feargal Sharkey was a co-founder of The Undertones at their He presents in English. inception in 1976. His best-known solo material is the 1985 UK chart-topping single penned by Maria McKee, A Good Heart, a Want to know more? worldwide number 1 in 1985. In the business side of the music Give us a call or send us an e-mail to find out exactly what he industry he was initially an A&R manager for Polydor Records, could bring to your event. and then Managing Director of EXP Ltd. He was appointed a Member of the Radio Authority for five years from 1998 to 2003. How to book him? He became Chairman of the UK Government task force the Live Simply phone, fax or e-mail us. Music Forum in 2004 to evaluate the impact of the Licensing Act 2003 on the performance of live music, and gave public evidence before the Culture, Media and Sport Committee in 2008. What he offers you Having enjoyed some 12 years of world tours and hit albums, Feargal Sharkey is keen for us to adapt, progress and develop to help secure a solid foundation from which a successful, vibrant and world dominating British online industry can be built. -
Identity, Authority and Myth-Making: Politically-Motivated Prisoners and the Use of Music During the Northern Irish Conflict, 1962 - 2000
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Identity, authority and myth-making: Politically-motivated prisoners and the use of music during the Northern Irish conflict, 1962 - 2000 Claire Alexandra Green Submitted in partial fulfillment of the requirements of the Degree of Doctor of Philosophy 1 I, Claire Alexandra Green, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: 29/04/19 Details of collaboration and publications: ‘It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisoners’, Estudios Irlandeses, 14, 70-82. 2 Abstract. In this study I examine the use of music by and in relation to politically-motivated prisoners in Northern Ireland, from the mid-1960s until 2000. -
Live News: a Survival Guide for Journalists
AA SURVIVALSURVIVAL GUIDEGUIDE FORFOR JOURNALISTSJOURNALISTS LIVELIVE NEWSNEWS Front cover picture: A press photographer in a cloud of teargas during a riot in Lima, Peru, in May 2000. Photo: AP / Martin Mejia Title page picture (right) A newspaper vendor waits for customers in Abidjan, Ivory Coast, one of many countries where media have been put under threat. In November 2002, an emergency aid programme was launched by the IFJ, the Communication Assistance Foundation, International Media Support and Media Assistance International, working with the Union Nationale des Journalistes de Côte d'Ivoire (UNJCI) and the West Africa Journalists Association. The programme included training on safety and conflict reporting. Photo: AP / Clement Ntaye. LIVE NEWS A SURVIVAL GUIDE FOR JOURNALISTS Written and produced for the IFJ by Peter McIntyre Published by the International Federation of Journalists, Brussels March 2003 With the support of the European Initiative for Democracy and Human Rights. (i) Live News — A survival guide for journalists Published by the International Federation of Journalists March 2003. © International Federation of Journalists International Press Centre Residence Palace Rue de la Loi 155 B-1040 Brussels, Belgium ✆ +32 2 235 2200 http://www.ifj.org Editor in Chief Aidan White, General Secretary, IFJ Managing Editor Sarah de Jong, Human Rights Officer, IFJ [email protected] Projects Director Oliver Money-Kyrle Written and designed by Peter McIntyre, Oxford, UK [email protected] Acknowledgments The IFJ would like to thank: Associated Press Photos and Reuters, who donated the use of photos; AKE Ltd, Hereford, UK, for advice, information, facilities, and support; Mark Brayne (Dart Centre Europe) for advice on post trauma stress; Rodney Pinder, for comments on the drafts; All the journalists who contributed to, or were interviewed for, this book. -
The Only Ones Free Encyclopedia
FREE THE ONLY ONES PDF Carola Dibbell | 344 pages | 10 Mar 2015 | Two Dollar Radio | 9781937512279 | English | Canada The Only Ones - Wikipedia More Images. Please enable Javascript to take full advantage of our site features. Edit Artist. The Only Ones were an influential British rock and roll band in The Only Ones late s who were associated with punk rock, yet straddled the musical territory in between punk, power pop and hard rock, with noticeable influences from psychedelia. They are best known for the song " Another Girl, Another Planet ". Viewing All The Only Ones. Data Quality Correct. Show 25 50 Refresh. Reviews Add Review. Artists I The Only Ones seen live by lancashirearab. Artists in My LP Collection by sillypenta. Master Release - [Help] Release Notes: optional. Submission Notes: optional. Save Cancel. Contained Releases:. The Only Ones Album 20 versions. Sell This Version. Even Serpents Shine Album 15 versions. Baby's Got A Gun Album 24 versions. Remains Comp, EP 6 versions. Closer Records. Live Album 8 versions. Mau Mau Records. The Peel Sessions Album Album 8 versions. Strange Fruit. The Big Sleep Album 5 versions. Jungle Records. Windsong International. Live In Chicago Album 2 versions. Alona's Dream RecordsRegressive Films. Lovers Of Today 2 versions. Vengeance Records 2. Another Girl, Another Planet Single 5 versions. You've Got To Pay Single 3 versions. Fools Single 5 versions. Trouble In The World The Only Ones 8 versions. Special View Comp, Album 11 versions. Alone In The Night Comp 2 versions. The The Only Ones Story Comp 5 versions. ColumbiaColumbia. Hux Records. -
Terrorism Versus Democracy
Downloaded by [University of Defence] at 20:58 07 June 2016 Terrorism versus Democracy This book examines the terrorist networks that operate globally and analyses the long-term future of terrorism and terrorist-backed insurgencies. Terrorism remains a serious problem for the international community. The global picture does not indicate that the ‘war on terror’, which President George W. Bush declared in the wake of the 9/11 attacks, has been won. On the other hand it would be incorrect to assume that Al Qaeda, its affiliates and other jihadi groups have won their so-called ‘holy war’ against the Coalition against Terrorism formed after 9/11. This new edition gives more attention to the political and strategic impact of modern transnational terrorism, the need for maximum international cooperation by law-abiding states to counter not only direct threats to the safety and security of their own citizens but also to preserve international peace and security through strengthening counter-proliferation and cooperative threat reduction (CTR). This book is essential reading for undergraduate and postgraduate students of terrorism studies, political science and international relations, as well as for policy makers and journalists. Paul Wilkinson is Emeritus Professor of International Relations and Chairman of the Advisory Board of the Centre for the Study of Terrorism and Political Violence (CSTPV) at the University of St Andrews. He is author of several books on terrorism issues and was co-founder of the leading international journal, Terrorism and Political Violence. Downloaded by [University of Defence] at 20:58 07 June 2016 Series: Political Violence Series Editors: Paul Wilkinson and David Rapoport This book series contains sober, thoughtful and authoritative academic accounts of terrorism and political violence. -
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Genders OnLine Journal - "I Want It That Way": Teenybopper Music and the Girling of Boy Bands 1/16/12 11:22 PM Genders 35 2002 Copyright ©2002 Ann Kibbey. "I Want It That Way" Back to: Teenybopper Music and the Girling of Boy Bands by GAYLE WALD You are my fire The one desire Believe when I say I want it that way. - Backstreet Boys, "I Want It That Way" [1] Among recent trends in youth music culture, perhaps none has been so widely reviled as the rise of a new generation of manufactured "teenybopper" pop acts. Since the late 1990s, the phenomenal visibility and commercial success of performers such as Britney Spears, the Backstreet Boys, and 'N Sync has inspired anxious public hand-wringing about the shallowness of youth culture, the triumph of commerce over art, and the sacrifice of "depth" to surface and image. By May 2000, so ubiquitous were the jeremiads against teenybopper pop performers and their fans that Pulse, the glossy in-house magazine of Tower Records, would see fit to mock the popularity of Spears and 'N Sync even as it dutifully promoted their newest releases. Featuring a cover photo of a trio of differently outfitted "Britney" dolls alongside a headline reading "Sells Like Teen Spirit"--a pun on the title of the breakthrough megahit ("Smells Like Teen Spirit") by the defunct rock band Nirvana--Pulse coyly plotted the trajectory of a decade's-long decrescendo in popular music: from the promise of grunge, extinguished with the 1994 suicide of Nirvana lead singer Kurt Cobain, to the ascendancy of girl and boy performers with their own look-alike action figures. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
BBC Music Booklet Celebrating 80 Years of Music.Pdf
Celebrating Years of Music A Serenade to Music “We are the music-makers And we are the dreamers of dreams…” (Arthur William Edgar O’Shaughnessy, Ode) The story of BBC Northern Ireland’s involvement in nurturing and broadcasting local musical talent is still in the making. This exhibition provides a revealing glimpse of work in progress at the BBC’s Community Archive in documenting the programmes and personalities who have brought music in all its different forms to life, and looks at how today’s broadcasters are responding to the musical styles and opportunities of a new century. It celebrates BBC NI’s role in supporting musical diversity and creative excellence and reflects changes in fashion, technology and society across 80 years of local broadcasting. “ Let us celebrate the way we were and the way we live now. Much has been achieved since 2BE’s first faltering (and scarcely heard) musical broadcast in 1924. Innovation has Let us celebrate the ways we will be... been a defining feature of every decade from early radio concerts in regional towns and country halls to the pioneering work of Sean O’Boyle in recording traditional music and Sam Hanna Bell’s 1950s programmes of Belfast’s Let us count the ways to celebrate. street songs.The broadcasts of the BBC Wireless Orchestra and its successors find their contemporary echo in the world-class performances of the Ulster Orchestra and BBC NI’s radio and television schedules continue to Let us celebrate.” reverberate to the diverse sounds of local jazz, traditional and country music, religious services, brass bands, choirs, (Roger McGough - Poems of Celebration) contemporary rock, pop and dance music. -
Roman Graf Niedergang
Donnerstag 29. August 2013 Kultour 33 Aufgefallen Prototypen Beziehungsprobe am Berg des Punk ROMAN Ein Mann, eine Frau sie in Andrés ungeduldigem Bei- nigt André, vom einschiessen- ren scheitern. Nicht so der 35- KONZERT Nur schon wegen und ein Berg: In diesem ver- sein provokativ langsam ein den Adrenalin getrieben, vom jährige Roman Graf. Seine Spra- ihrer Hymne «Teenage Kicks» hängnisvollen Dreieck erzählt Croissant vertilgt. Testosteron, berauscht von der che ist klarer und schärfer ge- zählen The Undertones zu den Roman Graf eine Geschichte eigenen Kraft und der Erinne- worden, fast kristallin. So wird Legenden des Punkrock. Dass mit starker Sogwirkung. Bekanntes Motiv rung an die Pfadfinderabenteuer sein (Anti-)Held nach und nach sie mehr zu bieten haben, wer- Mit seinem Zweitling trotzt Die Erprobung von Beziehungen seiner Jugend. Nüchtern, ja fast transparent: Der Weg zum Gip- den die Iren am Sonntag an- der preisgekrönte Winter- am Berg ist ein altbekanntes lite- grausam präzise beschreibt der fel enthüllt das Psychogramm lässlich eines Auftritts im Ber- thurer Autor drohender Ab- rarisches Motiv, das Roman Graf eines sturen, unbelehrbaren ner ISC in Erinnerung rufen. sturzgefahr. gekonnt in die Jetztzeit trans- Mannes, der gegen sich selber portiert. Dabei hat er es nicht kämpft. «André beschloss, wei- «Wenn ich diesen Song im Radio Der Mann heisst André, ist nötig, von todesmutigen Free- ter zu klettern. Er durfte nicht spiele, muss ich ihn in den Anfang Schweizer und lebt in Berlin. Die ridern oder Transzendenz su- ins Zaudern geraten; Zaudern, einer anderen Platte überblen- Frau heisst Louise, kommt aus chenden Barfusskletterern zu Unentschiedenheit – das war den, weil ich nicht mehr spre- dem Osten Deutschlands und erzählen. -
Listening in on Belfast Punk Linsey Mcfadden Photo Courtesy of Sing Sing Records N the Late 1970’S Punk Rock Struck a City Divided by Religion and Politics
Listening In On Belfast Punk Linsey McFadden Photo Courtesy of Sing Sing Records n the late 1970’s punk rock struck a city divided by religion and politics. A city with an atmosphere permeating with the smell of hatred and fear, security checkpoints marred the entrance to the city centre, while bombings and shootings were commonplace. At Inight the only people that dared to walk the city’s streets were the one’s that enforced the curfews and the ones that broke them— punks. It wasn’t London and it wasn’t New York. They weren’t the only cities to carve out their stake in the punk rock world. Welcome to Belfast, a city where punk rock came at a time when it really made sense. In Northern Ireland, punk rock was never simply a fashion piece to be gawked at. Punk rock came to Belfast at a time of Troubles, a time when the city was more comparable to a warzone than a Western metropolis. It came at a time of blown out buildings, shootings, tense security, intimidation, curfews, and hate. “It was a scary place to be, in the city centre at night,” said Aidan Murtagh of Protex. “People stayed in their own areas where they felt safe. The only people about town at nights were British army, police and punks. These tensions probably added to the way the music was played and performed by many of the bands.” Until the relatively recent release of the Good Vibrations movie, Northern Irish punk had largely been pushed to the background as writers and filmmakers rushed to document the rise of punk in cities like New ork,Y London and L.A. -
The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash
Washington and Lee Law Review Volume 64 | Issue 2 Article 4 Spring 3-1-2007 [Insert Song Lyrics Here]: The sesU and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlulr Part of the Legal Writing and Research Commons Recommended Citation Alex B. Long, [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash. & Lee L. Rev. 531 (2007), https://scholarlycommons.law.wlu.edu/wlulr/vol64/iss2/4 This Article is brought to you for free and open access by the Washington and Lee Law Review at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Law Review by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long* Table of Contents I. For Those About To Rock (I Salute You) .................................... 532 II. I'm Looking Through You ........................................................... 537 A. I Count the Songs That Make the Legal Profession Sing, I Count the Songs in Most Everything, I Count the Songs That Make the Young Lawyers Cry, I Count the Songs, I Count the Songs ................................................. 537 B . A dd It U p ............................................................................... 539 C. I'm Looking Through You .................................................... 541 1. It Takes a Profession of Thousands To Hold Us Back .... 541 2. Baby Boomers Selling You Rumors of Their History ..... 544 3. -
2009 Door County Folk Festival Syllabus.Pdf
30th Annual Door County Folk Festival Get Your Foot in the Door! Wednesday – Sunday, July 8 – 12, 2009 Sister Bay, Ephraim and Baileys Harbor, Wisconsin http://www.dcff.net/[email protected]/(773-463-2288) DCFF Home Dance Syllabus Advance Regular Discount Price On Paper $19.00 $22.00 OnCD $8.00 $11.00 2009 Door County Folk Festival (DCFF), Wisconsin 2009 Door County Folk Festival Schedule v11 (Subject to Change - Changes Marked with +) Get Your Foot in the Door! Wednesday - Sunday, July 8-12, 2009 - Sister Bay, Ephraim and Baileys Harbor, Wisconsin DCFF Home Phone: (773)-463-2288 or (773)-634-9381 [email protected] Wednesday Start End Where Event Who Afternoon 12:00pm SBVH Staff Arrives Staff & Volunteers 1:00pm SBVH Setup Begins Staff & Volunteers Evening 6:00pm SBVH Registration Begins Staff & Volunteers 6:30pm 9:00pm BHTH TCE Program - Session 1 - Grades K-5 Sanna Longden 8:00pm 1:00am SBVH 8th of July Party with Recorded Music Forrest Johnson & Other Regional Leaders 1:00am 2:30am SBVH Late Night Party Paul Collins & Company Thursday Start End Where Event Who Morning 9:00am SBVH Setup & Registration Continues Staff & Volunteers 9:00am 12:00pm BHTH TCE Program - Session 2 - Grades K-5 Sanna Longden 10:00am 11:45am SBVH Vintage American Round Dances Paul Collins Afternoon 11:45am 1:15pm Lunch Break 12:00pm 1:00pm SBVH Zumba Latin Dance Workout Session Diane Garvey 1:15pm 3:00pm SBVH Swing Dance - Lindy Hop Workshop Maureen Majeski: Lindy Hop 1:15pm 3:00pm BHTH Regional Greek Folk Dance Workshop Rick King, Dit Olshan, Paul Collins Rick: Vlaha